WorldCat Identities

Morris, Catherine

Overview
Works: 4 works in 12 publications in 1 language and 402 library holdings
Genres: Exhibition catalogs  Biography  Criticism, interpretation, etc 
Classifications: N6494.C63, 709.04075
Publication Timeline
Key
Publications about  Catherine Morris Publications about Catherine Morris
Publications by  Catherine Morris Publications by Catherine Morris
Most widely held works by Catherine Morris
The essential Willem de Kooning by Catherine Morris ( Book )
6 editions published in 1999 in English and held by 269 WorldCat member libraries worldwide
Examines the work and career of Willem de Kooning, including background information about the New York School and others who influenced the artist
Hans Hofmann : circa 1950 by Hans Hofmann ( Book )
4 editions published between 2008 and 2010 in English and held by 127 WorldCat member libraries worldwide
August Mosca : a fifty year retrospective : January 30, 1990-February 28, 1990 by August Mosca ( Book )
1 edition published in 1990 in English and held by 4 WorldCat member libraries worldwide
Materializing Six Years : Lucy R. Lippard and the emergence of conceptual art ( Book )
1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide
"In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book. The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices. With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle."--Publisher's website
 
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.38 (from 0.20 for The essent ... to 1.00 for August Mos ...)
Alternative Names
Morris, Catherine J.
Languages
English (12)
Covers