WorldCat Identities

Maltz, Leora

Overview
Works: 20 works in 44 publications in 3 languages and 1,962 library holdings
Genres: History  Reference works  Biographies  Sources  Speeches  Exhibition catalogs  Criticism, interpretation, etc  Juvenile works  Literature  Interviews 
Roles: Author, Editor, wat, Creator
Classifications: LC212.42, 378.1012
Publication Timeline
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Most widely held works by Leora Maltz
Affirmative action by Leora Maltz-Leca( Book )

4 editions published between 2004 and 2005 in English and held by 730 WorldCat member libraries worldwide

This anthology explores the contentious debate over how best to achieve equality in education and employment
The Cold War period, 1945-1992( Book )

2 editions published in 2003 in English and held by 326 WorldCat member libraries worldwide

Presents nearly thirty essays and primary documents on thepolitical, cultural, and social struggles and changes that shaped America in the years of the Cold War, from 1945 to 1992; and includes a detailed chronology and a
The founding of America( Book )

3 editions published in 2002 in English and held by 299 WorldCat member libraries worldwide

This book traces the beginning of the United States as a nation through speeches by George Washington, Thomas Jefferson, John Hancock, and Patrick Henry
Nelson Mandela by Andy Koopmans( Book )

4 editions published between 2004 and 2005 in Spanish and English and held by 257 WorldCat member libraries worldwide

Describes the childhood, political activities, imprisonment, family, and presidency of Nelson Mandela
William Kentridge : process as metaphor and other doubtful enterprises by Leora Maltz-Leca( Book )

10 editions published between 2008 and 2018 in English and held by 177 WorldCat member libraries worldwide

"What does it mean to render the processes of making art--cutting, pasting, and projecting light--as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions"--Provided by publisher
Robin Rhode : animating the everyday by Robin Rhode( Book )

2 editions published in 2014 in English and held by 77 WorldCat member libraries worldwide

" ... focuses on the remarkable digital videos that Rhode identifies in his taxonomy of his practice as "animations." These animations articulate drawing and movement: juxtapose sound and image; recycle everyday objects such as bicycles, chairs, musical instruments, and sports equipment; and refashion artistic precursors and contemporaries such as Marcel Duchamp, Gerrit Rietveld, Mies van der Rohe, William Kentridge, and Richard Serra. Produced in studios, in the streets, and in Rhode's parents' yard in Johannesburg, the animations feature an uncanny conjunction of the familiar and the strange and vividly stage the perils and delights of everyday life as magnified by the power of Rhode's imagination. This volume surveys the range of the artists's animations since 2002, which register events or performances that unfold in time, and amplifies these with a selection of photographic series that correspond to or complement his time-based art."--Back cover
World share : installations by Pascale Marthine Tayou by Pascale Marthine Tayou( Book )

2 editions published in 2015 in English and held by 46 WorldCat member libraries worldwide

World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities. Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.00Exhibition: Fowler Museum at UCLA, Los Angeles, USA (02.11.2014-01.03.2015)
William Kentridge : a poem that is not our own by William Kentridge( Book )

3 editions published in 2019 in German and held by 36 WorldCat member libraries worldwide

Im Verlauf von mehr als drei Jahrzehnten hat Kentridge ein Oeuvre hervorgebracht, das unter anderem Animationsfilme, Zeichnungen, Drucke und Künstlerbücher, Inszenierungen und Bildhauerarbeiten umfaßt. "A Poem That Is Not Our Own" zielt darauf ab, eine Verbindung zwischen Kentridges frühen Zeichnungen und Filmen aus den 1980er und 1990er Jahren und seinen neuesten Arbeiten herzustellen, wie beispielsweise Elemente aus der im Sommer 2018 an der Tate Modern in London uraufgeführten Inszenierung "The Head & The Load". Hier greift Kentridge die wenig erforschte Rolle Afrikas im Ersten Weltkrieg auf und realisiert mit Filmprojektionen, Schattenspielen und einem Ensemble eine raumeinnehmende Prozession, die sich einer gängigen Genrezuweisung verweigert.***** In more than three decades, Kentridge has produced an oeuvre spanning diverse media including animated film, drawings, prints and rare books, stage production and sculpture. "A Poem That Is Not Our Own" aims to create a link between his early drawings and films from the 1980s and 1990s and his most recent work as well as examples of the more recent output, including the first adaptations for museum presentation of elements from "The Head & The Load," which premiered at the Tate Modern, London, in the summer of 2018. A sumptuous production involving film projections, shadow play, and an ensemble of performers, the sprawling procession, which defies conventional genre boundaries, sheds light on a neglected chapter of history: Africa's role in World War I
Spectres of the original and the liberties of repetition by Leora Maltz-Leca( )

2 editions published in 2013 in English and held by 2 WorldCat member libraries worldwide

Nelson Mandela by Andy Koopmans( Book )

2 editions published in 2005 in Spanish and held by 2 WorldCat member libraries worldwide

Profiles the life, career, and imprisonment of Nelson Mandela, the African antiapartheid revolutionary. Also discusses his prominence as a statesman following his release from prison
The outlaws retort : William Kentridge in New York by Leora Maltz-Leca( )

1 edition published in 2010 in English and held by 1 WorldCat member library worldwide

Lyric documentary by Leora Maltz-Leca( )

1 edition published in 2011 in English and held by 1 WorldCat member library worldwide

Marlene Dumas : the image as burden : Stedelijk Museum : September 6, 2014-January 4, 2015 by Leora Maltz-Leca( )

1 edition published in 2014 in English and held by 1 WorldCat member library worldwide

World share. Installations by Pascale Marthine Tayou by Gemma Rodrigues( Book )

1 edition published in 2016 in English and held by 1 WorldCat member library worldwide

World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities. Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.00Exhibition: Fowler Museum at UCLA, Los Angeles, USA (02.11.2014-01.03.2015)
World share : installations by Pascale Marthine Tayou( Book )

1 edition published in 2016 in English and held by 1 WorldCat member library worldwide

David Goldblatt : New Museum, New York by Leora Maltz-Leca( )

1 edition published in 2009 in English and held by 1 WorldCat member library worldwide

Body of evidence by Leora Maltz-Leca( )

1 edition published in 2010 in English and held by 1 WorldCat member library worldwide

Affirmative action( )

in English and held by 1 WorldCat member library worldwide

Process - procession : William Kentridge and the process of change by Leora Maltz-Leca( )

1 edition published in 2013 in English and held by 1 WorldCat member library worldwide

Santu Mofokeng : Jeu de Paume, Paris by Leora Maltz-Leca( )

1 edition published in 2011 in English and held by 1 WorldCat member library worldwide

 
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Affirmative action
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Alternative Names
Leca, Leora Maltz-

Maltz, Leora

Maltz, Leora, 1973-

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