WorldCat Identities

Herrera, María José

Overview
Works: 23 works in 43 publications in 3 languages and 382 library holdings
Genres: Exhibition catalogs  Interviews  History  Criticism, interpretation, etc  Catalogs  Conference papers and proceedings  Biography 
Roles: Editor, Author, wst, Collector, Publishing director, Contributor, Curator
Publication Timeline
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Most widely held works by María José Herrera
David Lamelas : a life of their own by David Lamelas( Book )

6 editions published in 2017 in English and held by 158 WorldCat member libraries worldwide

The renowned Argentinian conceptual artist David Lamelas (born 1946) has an expansive oeuvre, which shows his work to be evocative, restive, and exhilarating. This book, published to coincide with the first monographic exhibition of the artist's work in the United States, offers an incisive look into Lamelas's art. The guiding analytic theme in this book is the artist's adaptability to place and circumstance, which invariably influences his creative production. Lamelas left Argentina in the mid-1960s to study at Saint Martin's in London. Since then, he divides his time among various cities. While the typical narrative invoked about artists like Lamelas is that of 'internationalism, ' Lamelas has always been more 'postnational' than 'international' in his nomadic movement, from one place or conceptual framework to the next.00Exhibition: The University Art Museum, Long Beach, California, United States (17.09.-10.12.2017)
Real/Virtual : arte cinético argentino en los años sesenta by Museo Nacional de Bellas Artes (Argentina)( Book )

3 editions published in 2012 in Spanish and held by 33 WorldCat member libraries worldwide

Cien años de arte argentino by María José Herrera( Book )

4 editions published in 2014 in Spanish and held by 32 WorldCat member libraries worldwide

"Sintetizar las ideas involucradas en los grandes movimientos y tendencias del arte argentino puede ser considerado una tarea titánica. No obstante, María José Herrera ha logrado aquí no sólo esa síntesis sino, además, un panorama que ilumina zonas hasta ahora poco transitadas. Para evadir el exceso de autoridad de una sola voz, la estrategia de la autora es mostrar los respectivos estados de la cuestión en las problemáticas predominantes en cada década. En una propuesta amable para el lector, no menciona lo que no se puede ilustrar, no abruma con pormenores, evidencia las posibles intenciones de los artistas, y lo hace con un lenguaje sencillo que dialoga con diversas interpretaciones. La propuesta ... es jugar, como en una pintura, con las tensiones entre la figura, las poéticas, y el fondo, el contexto social y artístico donde se producen, circulan y consumen las obras de arte, las que cada momento denominó de ese modo. Ese consenso acerca de lo que es el arte se nutre de la interacción de artistas, obras, instituciones, públicos y espectadores, sin olvidar a marchands, coleccionistas, curadores y críticos. Todos ellos conforman el campo artístico argentino entre el último tercio del siglo XIX y la actualidad, período que abarca esta obra. Esta historia general del arte argentino que abarca el siglo XX y llega hasta nuestros días se ve enriquecida por la experiencia de la autora como investigadora y curadora del Museo Nacional de Bellas Artes durante más de dos décadas. El lector apreciará que esta perspectiva de contacto directo con obras y artistas permite a este libro proporcionar claves fundamentales para una aproximación al prolífico y multifacético arte de nuestro país."--Contratapa
Exposiciones de arte argentino, 1956-2006 : la confluencia de historiadores, curadores e instituciones en la escritura de la historia by María José Herrera( Book )

2 editions published in 2009 in Spanish and held by 30 WorldCat member libraries worldwide

A compilation of essays by leading art historians and curators on the history of art exhibitions in Argentina in the second half of the 20th century and the early years of the 21st, with particular focus on the city of Buenos Aires and the Museo Nacional de Bellas Artes
David Lamelas : Buenos Aires by David Lamelas( Book )

2 editions published in 2011 in Spanish and held by 21 WorldCat member libraries worldwide

"Lamelas, Buenos Aires" brings together pioneer artwork by artist David Lamelas (b. Argentina 1941), presenting drawings, installations and sculptures in an exhibition curated by Mara Jos Herrera, chief of the research Department of the Museo Nacional de Bellas Artes. The museographic script aims at highlighting the importance of the art production of Lamelas in Argentina during the 1970's and their role in the development of national and international conceptual art. The exhibition incudes the installation "Time as activity. Buenos Aires 2010", an Argentinean version of the one he has made in the last forty years in diverse cites all over the world: a series of specifi sculptures entitled Site Specific; and the video installation "Situacin de tiempo" (1967-2011), an emblematic work of the "art of media" reconstructed with last-generation televisions. Also included are his earlier work (drawings and sketches from the 1970's); his audio installation Far&Lejos, (2010), created in collaboration with musicians of Los Angeles, CA, a place where the artist lives and works part of the year and the photographic series "Rockstar" (Character appropriation), where the artist shows himself as an artwork
Jacques Bedel : aproximaciones : Museo Nacional de Bellas Artes, 20 de noviembre de 2008-1 de febrero de 2009 by Jacques Bedel( Book )

1 edition published in 2008 in Spanish and held by 16 WorldCat member libraries worldwide

Major exhibition and catalogue raisonnée 1967-2008 of noted artist (b. Buenos Aires, 1947) who was part of the CAYC Group in Argentina
David Lamelas : con vida propia by David Lamelas( Book )

1 edition published in 2018 in Spanish and held by 16 WorldCat member libraries worldwide

This book, published to coincide with the first monographic exhibition of pioneer conceptual artist David Lamelas' (Buenos Aires, 1946) work in MALBA, is the first Spanish edition of the catalog co-edited with the University Art Museum of the California State University (Long Beach, CA) in collaboration with Getty Publications. This volume is the first comprehensive publication on the work of Lamelas and comprises a set of photographs, films, sculptures, videos, performances and installations created from 1964 to the present, which offer a thorough survey of the work of this trail-blazing, multifaceted artist. "Since he left Buenos Aires in the mid-1960's to study at Saint Martin's in London, conceptual Argentinean artist David Lamelas lives between Los Angeles, New York, Brussels, Berlin and Paris. He moves with ease from one place or "conceptual framework" to another; his singular nomadic practice has always been more 'postnational' than 'international'. Though a multiplicity of stories, this publication explores in depth his oeuvre and periods, as well as how the diversity of geographical and artistic genres he has explored, each with a life of their own."--Verso Cover
Exposiciones de arte argentino y latinoamericano : el rol de los museos y los espacios culturales en la interpretación y la difusión del arte( Book )

1 edition published in 2013 in Spanish and held by 15 WorldCat member libraries worldwide

Osvaldo Decastelli by Osvaldo Decastelli( Book )

1 edition published in 2011 in Spanish and held by 13 WorldCat member libraries worldwide

Lila Mitre Espacio de Arte( Book )

1 edition published in 2006 in Spanish and held by 9 WorldCat member libraries worldwide

Kinesthesia : Latin American kinetic art, 1954-1969 by Dan Cameron( Book )

4 editions published in 2017 in English and held by 8 WorldCat member libraries worldwide

Kinesthesia: Latin American Kinetic Art, 1954-1969 examine le travail influent et visuellement magnifique des artistes cinétiques sud-américains. Alors que la Californie du Sud devenait l'épicentre nord-américain de l'art de la lumière et de l'espace dans les années 1960, des expériences techniques distinctes et étroitement liées se déroulaient dans quelques grandes villes d'Amérique du Sud et à Paris, centre européen de l'art cinétique. 'Kinesthesia' met en évidence les grandes différences qui ont émergé entre les deux principaux centres d'activité sud-américains: l'Argentine, où l'art cinétique est né des débats locaux sur la peinture; et le Vénézuela, où les notions pionnières de l'architecture moderne ont stimulé une synthèse de l'art et du design. Dans ce volume, des sculptures cinétiques et des installations de Jesus Rafael Soto, Julio Le Parc, Carlos Cruz-Diez, Martha Boto et d'autres, ainsi que des essais explorant l'histoire de ce mouvement, examinent la réception des artistes européens et américains par le public dans le contexte de la Guerre Froide, et lier leurs réalisations aux artistes du XXIe siècle et leurs travaux
Pop! : la consagración de la primavera : del 18 de marzo al 15 de mayo de 2010( Book )

1 edition published in 2010 in Spanish and held by 5 WorldCat member libraries worldwide

Iberê Camargo : um ensaio visual by Iberê Camargo( Book )

1 edition published in 2009 in Portuguese and held by 4 WorldCat member libraries worldwide

Pop ! : la consagración de la primavera by Fundación OSDE (Buenos Aires)( Book )

3 editions published in 2010 in Spanish and held by 4 WorldCat member libraries worldwide

La trastienda del curador : la crítica en la práctica curatorial : ciencia y experiencia( Book )

1 edition published in 2013 in Spanish and held by 3 WorldCat member libraries worldwide

La trastienda del curador exposed local and international cases of exhibitions and the role of the curator through its methodology of work, findings and contributions. Includes various testimonies involving crossover between disciplines such as history of art, criticism, and design exhibition
María Silvia Corcuera Terán : entre la ferocidad y la ternura by María Silvia Corcuera Terán( Book )

2 editions published in 2009 in Spanish and held by 3 WorldCat member libraries worldwide

Edgardo-Antonio Vigo by Edgardo Antonio Vigo( Book )

1 edition published in 2004 in Spanish and held by 2 WorldCat member libraries worldwide

El Momento = The Moment by Rob Verf( Book )

1 edition published in 2012 in Spanish and held by 2 WorldCat member libraries worldwide

International pop by M. Darsie Alexander( Book )

2 editions published in 2015 in English and held by 2 WorldCat member libraries worldwide

"This dynamic new volume is the first major survey to chronicle the emergence and migration of Pop art from an international perspective, focusing on the period from the 1950s through the early 1970s. Including original texts from a diverse roster of contributors, this catalogue provides important new scholarship on the period, examining production by artists across the globe who were simultaneously confronting radical cultural and political developments that would lay the foundation for the emergence of an art form embracing figuration, media strategies and mechanical processes with a new spirit of urgency and/or exuberance. International Pop amplifies the scope and tenor of what we understand to be "Pop," exposing the tremendous variety and complexity of this pivotal period and subject matter, and revealing how artists alternatively celebrated, cannibalized, rejected or assimilated some of the presumed qualities of Pop advanced in the US and Britain."--Publisher description
Escenas del 1900( Book )

2 editions published in 2015 in Spanish and held by 2 WorldCat member libraries worldwide

"Escenas del 1900, se detiene en imágenes que cuentan la historia de aquellos años por medio de la pintura, objetos, la moda, la fotografía, la música y el primer cine. La escena principal reúne obras históricas de la llamada Generación del 80, Ernesto de la Cárcova, Reinaldo Giúdici, Eduardo Sívori, Severo Rodríguez Etchart, Javier Maggiolo y Francisco Parisi, junto a la fotografía documental y de aficionados que muestran escenas de la vida cotidiana de aquel momento emblemático en la formación de la nación moderna. En contrapunto, cuatro artistas contemporáneos fueron invitados a realizar una obra inspirada por las escenas históricas. Jorge Gamarra y Horacio Zabala llevan a las salas del museo dos elementos ausentes de la arquitectura europea del edificio: un gran atado de mimbre (especie asiática introducida por Sarmiento que se convirtió en emblema de la producción del Delta) en el caso de Gamarra, y una pared de adobe - material constructivo autóctono, monocromo de barro, - en el caso de Zabala. Ambos artistas proponen una lectura cultural y conceptual de los elementos de la naturaleza. Delia Cancela y Nora Correas, por su parte, interpretan la historia desde dos aspectos propios de la imagen de la mujer en el fin de siglo: la moda y el lujo. Correas con una rutilante pared de abanicos de mica y Cancela con un feérico vestido poblado de luces, velos y misterios. Dentro de las escenas, Desbordando los géneros: artistas de la Belle Époque, explora el rol de las mujeres en la formación del campo artístico. Alardice Graham de Witt, María Obligado de Soto y Calvo y Hortensia Berdier fueron tres de las pioneras pintoras profesionales que exhibieron en las primeras muestras de arte argentino en el Ateneo, junto a sus colegas de la Generación del 80"--Descripción del editor
 
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Alternative Names
José Herrera, María.

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