WorldCat Identities

백 남준 아트 센터

Overview
Works: 43 works in 47 publications in 2 languages and 82 library holdings
Genres: Interviews  Exhibition catalogs  Criticism, interpretation, etc  Records and correspondence  Juvenile works  History 
Roles: isb, Editor, Organizer of meeting, Publisher, his, Other
Classifications: N7369.P35,
Publication Timeline
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Most widely held works about 백 남준 아트 센터
 
Most widely held works by 백 남준 아트 센터
Now jump : inaugural festival of the Nam June Paik Art Center, October 9, 2008( Book )

3 editions published in 2009 in English and held by 7 WorldCat member libraries worldwide

Nam June Paik : Shuya Abe, Jung Sung Lee : Nam June Paik Art Center Interviews( Book )

1 edition published in 2016 in English and held by 3 WorldCat member libraries worldwide

"This book comprises the interviews of an engineer and technician who had closely worked with Nam June Paik ... Shuya Abe had produced a video synthesizer with Paik in 1969, and, from 1963 to the early of the 1970's, he had also facilitated early television experiments and implementation of robot functions." -- page 54
P'yŏnjidŭl, Mari Pauŏmaisŭt'ŏ = Letters, Mary Bauermeister( Book )

1 edition published in 2015 in Korean and held by 3 WorldCat member libraries worldwide

Now jump : Nam June Paik Festival by Nam June Paik Festival( Book )

2 editions published in 2008 in English and held by 3 WorldCat member libraries worldwide

NJP reader : contributions to an artistic anthropology( )

in English and held by 3 WorldCat member libraries worldwide

You start it : Nam June Paik Art Center Prize Winner's exhibition by Blast Theory( Book )

1 edition published in 2017 in English and held by 2 WorldCat member libraries worldwide

Nam June Paik Art Center is pleased to present the first solo exhibition in Korea by the 2016 Nam June Paik Art Center Prize winner Blast Theory. The exhibition, titled You Start It will feature new and recent works by Blast Theory and will run from November 23, 2017 till March 4, 2018. The Nam June Paik Art Center Prize was set up to discover and acknowledge the work of artists who venture beyond the known horizon, experimenting with materials and techniques to create innovative works which challenge the perceptions of contemporary art, as Nam June Paik did. Blast Theory has been internationally noted for their interactive works based on various media such as theater, radio, games, and the web. The Selection Committee considered Blast Theory as artists who investigate paths that no other artist has taken, and highly values their exploration of new boundaries, which matches the criteria of the Nam June Paik Art Center Prize. As the Chairperson of the 2016 Selection Commitee, Soh Yeong Roh, Director of the Art Center Nabi, Seoul explains, “Blast Theory followed the trajectory of the development of the media, with their acute and in-depth psychological analyses." Formed and led by Matt Adams, Ju Row Farr and Nick Tandavanitj, Blast Theory’s work explores interactivity and the social and political aspects of technology. The group is renowned internationally for its use of interactive media, creating groundbreaking new forms of performance and interactive art that mixes audiences across the internet, live performance and digital broadcasting. The solo exhibition You Start It by the British artists’ group Blast Theory, held for the first time in Korea, pursues the relationship which is not only begun by the audience but also maintains their active and activated state, not a mere interrelationship between works and the audience. For this purpose, Blast Theory uses various new media in a way that extends the concept of the audience’s participation and intervention. My Point Forward first presented in 2017 on commission by the Museum of London, meets Korean visitors at Nam June Paik Art Center in a new localized version. Featuring a series of short films shot in Korea, the interactive installation invites visitors to explore a future Korea and their place within it. Visitors’ soliloquies are recorded and become part of the work, building a portrait of the future that is personal, provocative and filled with hope. The imagination of the future finds a more concrete and extended form in 2097: We Made Ourselves Over. Taking you on a journey to the cusp of the next century, come into a world where consciousness is transferred from the dead to the living and cities are rebuilt overnight. In five short science fiction films, each accompanied by an interactive film for smartphones, the project explores the belief that everyone has the power to act and influence the future—and that perhaps anything is actually possible. The audience’s participation plays a key role not only in these two works but also in the other works. The Thing I’ll be Doing For The Rest Of My Life a commission by the Aichi Triennale in Nagoya, Japan in 2013, is a project in which a 30 tonne trawler is dragged out of the water and pushed onto a park. This labor and performance to lift a scrapped vessel represents the will of participation and solidarity of a crowd of people who fought against the catastrophic, irrevocable disaster. It is a metaphor for the Japan tsunami of 2011 and the wounds, and many hidden efforts to rebuild the communities destroyed by them. The work of Blast Theory, which includes media art, game, film, performance, new media, etc., moves the areas that are considered public places, and constructs fields in which public conversations and plays are alive. In this huge playground, it is now your turn to start
Contributions to an artistic anthropology( Book )

1 edition published in 2010 in English and held by 2 WorldCat member libraries worldwide

Station 2( Book )

1 edition published in 2008 in English and held by 2 WorldCat member libraries worldwide

Tal nara Paek Nam-jun( Book )

1 edition published in 2009 in Korean and held by 2 WorldCat member libraries worldwide

Lŏning mŏsin = Learning machine( Book )

1 edition published in 2013 in Korean and held by 2 WorldCat member libraries worldwide

<> by Paek Nam-jun At'ŭ Sent'ŏ( Book )

1 edition published in 2014 in Korean and held by 2 WorldCat member libraries worldwide

Extraordinary Phenomenon, Nam June Paik by Nam June Paik( Book )

1 edition published in 2017 in English and held by 2 WorldCat member libraries worldwide

Extraordinary Phenomenon, Nam June Paik" is an exhibition to look at the works of art by Nam June Paik who disrupted the artist-centered practices of music and visual art and reformulated a relationship with the audience, from a standpoint of "participation". The notion of participation here is two-tiered: one is concerned with the audience's part in the process of art-making, and with the workings of art at the audience's end, and the other encompasses 'participatory art' meaning social and political involvement by means of art.'-excerpted from text by curator Chaeyoung Lee
New gameplay : Nam June Paik Art Center : 2016.7.20 - 2017.2.19( Book )

1 edition published in 2017 in English and held by 2 WorldCat member libraries worldwide

Station 3( Book )

1 edition published in 2008 in English and held by 2 WorldCat member libraries worldwide

Station 1( Book )

1 edition published in 2008 in English and held by 2 WorldCat member libraries worldwide

Polp'ŭ Herŭjogenrat'ŭ : Paek Nam-jun At'ŭ Sent'ŏ int'ŏbyu p'ŭrojekt'ŭ = Wulf Herzogenrath : Nam June Paik Art Center interviews by Wulf Herzogenrath( Book )

1 edition published in 2012 in Korean and held by 2 WorldCat member libraries worldwide

 
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Audience level: 0.85 (from 0.49 for Contributi ... to 0.96 for NJP reader ...)

Alternative Names
Nam-June-Paik-Art-Center

Nam June Paik Art Centre organisatie uit Zuid-Korea

NJP Art Center

NJP Centre

백 남준 아트 센터

Languages
English (15)

Korean (10)