Yale Center for British Art
Overview
| Works: | 914 works in 1,768 publications in 4 languages and 39,899 library holdings |
|---|---|
| Genres: | Exhibition catalogs Criticism, interpretation, etc History Catalogs Biography Illustrated works |
| Roles: | Other, Author, Editor, his, Organizer of meeting, isb, Publisher, sht, 475, Host, Owner |
| Classifications: | N6797.T88, 759.2 |
Publication Timeline
.
Most widely held works about
Yale Center for British Art
- This other Eden : paintings from the Yale Center for British Art by Yale Center for British Art( Book )
- William Blake--his art and times by David Bindman( Book )
- Paul Mellon's legacy : a passion for British art : masterpieces from the Yale Center for British Art by Yale Center for British Art( Book )
- The architecture of the Yale Center for British Art : published on the occasion of the inauguration of the Yale Center for British Art by Jules David Prown( Book )
- The Yale Center for British Art : a tribute to the genius of Louis I. Kahn by Duncan Robinson( Book )
- Selected paintings, drawings & books by Yale Center for British Art( Book )
- Louis I. Kahn and the Yale Center for British Art : a conservation plan by Peter Inskip( Book )
- A concise catalogue of paintings in the Yale Center for British Art by Yale Center for British Art( Book )
- Louis Kahn : silence and light by Michael Blackwood( Visual )
- Cooking the books : Ron King and Circle Press by Andrew Lambirth( Book )
- Louis I. Kahn, le Yale Center for British Art by Bruno J Hubert( Book )
- Acquisitions : the first decade, 1977-1986 by Yale Center for British Art( Book )
- John Hubbard : an exhibition at the Yale Center for British Art September 3-October 26, 1986 by John Hubbard( Book )
- The British Art Center at Yale : an introduction for visitors and students by Yale Center for British Art( Book )
- Fairest isle : the appreciation of British scenery, 1750-1850 : April 12-June 25, 1989, Yale Center for British Art by Yale Center for British Art( Book )
- J.M.W. Turner : a selection of paintings and watercolors in the Yale Center for British Art by Malcolm Cormack( Book )
- Da Canaletto a Constable : vedute di città e di campagna dallo Yale Center for British Art : Ferrara, Palazzo dei diamanti, 25 febbraio-20 maggio 2001 by Yale Center for British Art( Book )
- The romantic landscape print: "the chiaroscuro of nature." by Yale Center for British Art( Book )
- British comic art 1730-1830 : from the Yale Center for British Art by Patricia Crown( Book )
- Special collections at Yale University by Yale University( Book )
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fewer
Most widely held works by
Yale Center for British Art
Francis Bacon : a retrospective by
Dennis Farr(
Book
)
10 editions published in 1999 in English and Undetermined and held by 854 WorldCat member libraries worldwide
"This book, which accompanies the first major retrospective exhibition in America of Bacon's paintings since his death in 1992, will give uninhibited voice to the thoughts of three prominent scholars of his art. Art historians Dennis Farr and Sally Yard, and Bacon's friend and biographer Michael Peppiatt discuss their views of the artist's intense and unsettling body of work, introducing a wealth of material that sheds new light on his creative life and working methods. Accompanying the essays are three historic interviews with the artist by Michael Peppiatt. Finally, Dennis Farr provides authoritative and illuminating discussion of each work in the exhibition."--Jacket
10 editions published in 1999 in English and Undetermined and held by 854 WorldCat member libraries worldwide
"This book, which accompanies the first major retrospective exhibition in America of Bacon's paintings since his death in 1992, will give uninhibited voice to the thoughts of three prominent scholars of his art. Art historians Dennis Farr and Sally Yard, and Bacon's friend and biographer Michael Peppiatt discuss their views of the artist's intense and unsettling body of work, introducing a wealth of material that sheds new light on his creative life and working methods. Accompanying the essays are three historic interviews with the artist by Michael Peppiatt. Finally, Dennis Farr provides authoritative and illuminating discussion of each work in the exhibition."--Jacket
The art of Bloomsbury : Roger Fry, Vanessa Bell, and Duncan Grant by
Richard Shone(
Book
)
7 editions published in 1999 in English and Undetermined and held by 734 WorldCat member libraries worldwide
The word Bloomsbury most often summons the novels of Virginia Woolf and E.M. Forster or images of artists and intellectuals debating the hot parlor topics of 1910s and 1920s London: literary aesthetics, agnosticism, defining truth and goodness, and the ideas of Bertrand Russell, A.N. Whitehead, and G.E. Moore. But the Bloomsbury Group also played a prominent role in the development of modernist painting in Britain. The work of artists Vanessa Bell, Duncan Grant, Roger Fry, and their colleagues was often audacious and experimental, and proved to be one of the key influences on twentieth-century British art and design. This catalogue, published to accompany a major international exhibition of the Bloomsbury painters originating at the Tate Gallery in London and traveling to the Yale Center for British Art and the Huntington Art Gallery, provides a new look at the visual side of a movement that is more generally known for its literary production. It traces the artists' development over several decades and assesses their contribution to modernism. Catalogue entries on two hundred works, all illustrated in color, bring out the chief characteristics of Bloomsbury painting--domestic, contemplative, sensuous, and essentially pacific. These are seen in landscapes, portraits, and still lifes set in London, Sussex, and the South of France, as well as in the abstract painting and applied art that placed these artists at the forefront of the avant-garde before the First World War. Portraits of family and friends--from Virginia Woolf and Maynard Keynes to Aldous Huxley and Edith Sitwell--highlight the cultural and social setting of the group. Essays by leading scholars provide further insights into the works and the changing critical reaction to them, exploring friendships and relationships both within and outside of Bloomsbury, as well as the movement's wider social, economic, and political background
7 editions published in 1999 in English and Undetermined and held by 734 WorldCat member libraries worldwide
The word Bloomsbury most often summons the novels of Virginia Woolf and E.M. Forster or images of artists and intellectuals debating the hot parlor topics of 1910s and 1920s London: literary aesthetics, agnosticism, defining truth and goodness, and the ideas of Bertrand Russell, A.N. Whitehead, and G.E. Moore. But the Bloomsbury Group also played a prominent role in the development of modernist painting in Britain. The work of artists Vanessa Bell, Duncan Grant, Roger Fry, and their colleagues was often audacious and experimental, and proved to be one of the key influences on twentieth-century British art and design. This catalogue, published to accompany a major international exhibition of the Bloomsbury painters originating at the Tate Gallery in London and traveling to the Yale Center for British Art and the Huntington Art Gallery, provides a new look at the visual side of a movement that is more generally known for its literary production. It traces the artists' development over several decades and assesses their contribution to modernism. Catalogue entries on two hundred works, all illustrated in color, bring out the chief characteristics of Bloomsbury painting--domestic, contemplative, sensuous, and essentially pacific. These are seen in landscapes, portraits, and still lifes set in London, Sussex, and the South of France, as well as in the abstract painting and applied art that placed these artists at the forefront of the avant-garde before the First World War. Portraits of family and friends--from Virginia Woolf and Maynard Keynes to Aldous Huxley and Edith Sitwell--highlight the cultural and social setting of the group. Essays by leading scholars provide further insights into the works and the changing critical reaction to them, exploring friendships and relationships both within and outside of Bloomsbury, as well as the movement's wider social, economic, and political background
British watercolors : drawings of the 18th and 19th centuries from the Yale Center for British Art by
Scott Wilcox(
Book
)
9 editions published in 1985 in English and Undetermined and held by 623 WorldCat member libraries worldwide
9 editions published in 1985 in English and Undetermined and held by 623 WorldCat member libraries worldwide
George Stubbs, 1724-1806 by
George Stubbs(
Book
)
14 editions published in 1984 in English and held by 608 WorldCat member libraries worldwide
"Stubbs was for too long under-valued by the label 'Mr. Stubbs the Horse Painter'. He is now recognized as deserving an equal place with his contemporaries Gainsborough and Reynolds in the foremost rank of British art. He is the most original and searching of all animal painters, whether his subject is a broodmare and foal, a monkey, or a poodle in a punt; he is also a realistic and perceptive portraitist of human beings, as much a master of the art of class distinction in eighteenth-century England as he is of the anatomy of the horse. Above all, he is a master of design, able to translate faithful observations from nature into unforgettable images. This is by far the most fully illustrated book on Stubbs available. All the works in Tate Gallery's George Stubbs exhibition of 1984-1985 are reproduced in colour, including some which have never before been reproduced, and focusing on many fascinating details in his work."--Provided by publisher
14 editions published in 1984 in English and held by 608 WorldCat member libraries worldwide
"Stubbs was for too long under-valued by the label 'Mr. Stubbs the Horse Painter'. He is now recognized as deserving an equal place with his contemporaries Gainsborough and Reynolds in the foremost rank of British art. He is the most original and searching of all animal painters, whether his subject is a broodmare and foal, a monkey, or a poodle in a punt; he is also a realistic and perceptive portraitist of human beings, as much a master of the art of class distinction in eighteenth-century England as he is of the anatomy of the horse. Above all, he is a master of design, able to translate faithful observations from nature into unforgettable images. This is by far the most fully illustrated book on Stubbs available. All the works in Tate Gallery's George Stubbs exhibition of 1984-1985 are reproduced in colour, including some which have never before been reproduced, and focusing on many fascinating details in his work."--Provided by publisher
Barbara Hepworth : a retrospective by
Penelope Curtis(
Book
)
9 editions published in 1994 in English and Undetermined and held by 601 WorldCat member libraries worldwide
Barbara Hepworth's career spanned five decades, from 1925 to 1975. Her style moved from figuration, through geometric and organic abstraction, to the internationally acclaimed grandeur of her large-scale, post-war work. Her best known sculpture is associated with the landscape around St. Ives in Cornwall: 'I used colour and strings in many of the carvings ... The colour plunged me into the depths of water, caves or shadows deeper than the carved concavities themselves. The strings were the tension I felt between myself and the sea, the wind or the hills.'. This publication focuses on Hepworth's unique carvings. It reassesses her reputation in the light of attention recently paid to her contemporaries, Ben Nicholson and Henry Moore and offers the opportunity to look afresh at a major British artist
9 editions published in 1994 in English and Undetermined and held by 601 WorldCat member libraries worldwide
Barbara Hepworth's career spanned five decades, from 1925 to 1975. Her style moved from figuration, through geometric and organic abstraction, to the internationally acclaimed grandeur of her large-scale, post-war work. Her best known sculpture is associated with the landscape around St. Ives in Cornwall: 'I used colour and strings in many of the carvings ... The colour plunged me into the depths of water, caves or shadows deeper than the carved concavities themselves. The strings were the tension I felt between myself and the sea, the wind or the hills.'. This publication focuses on Hepworth's unique carvings. It reassesses her reputation in the light of attention recently paid to her contemporaries, Ben Nicholson and Henry Moore and offers the opportunity to look afresh at a major British artist
James Tissot : Victorian life, modern love by
Nancy Rose Marshall(
Book
)
9 editions published in 1999 in English and Undetermined and held by 590 WorldCat member libraries worldwide
"James Tissot (1836-1902), the wry and urbane observer of manners and fashions, painted scenes from the life of "society" that simmer with undercurrents of sexual drama. This book presents nearly a hundred paintings, prints, and watercolors from every phase of Tissot's career, including such signature paintings as The Ball on Shipboard, Hush! (The Concert), and London Visitors." "Nancy Rose Marshall and Malcolm Warner explore Tissot's themes and interests and consider the influence on his work of Charles Baudelaite's brilliant essay on the aesthetics of modernity, Le Peintre de la vie moderne. They examine how Tissot dealt with the ways of modern love in Paris and London in the later nineteenth century."--Jacket
9 editions published in 1999 in English and Undetermined and held by 590 WorldCat member libraries worldwide
"James Tissot (1836-1902), the wry and urbane observer of manners and fashions, painted scenes from the life of "society" that simmer with undercurrents of sexual drama. This book presents nearly a hundred paintings, prints, and watercolors from every phase of Tissot's career, including such signature paintings as The Ball on Shipboard, Hush! (The Concert), and London Visitors." "Nancy Rose Marshall and Malcolm Warner explore Tissot's themes and interests and consider the influence on his work of Charles Baudelaite's brilliant essay on the aesthetics of modernity, Le Peintre de la vie moderne. They examine how Tissot dealt with the ways of modern love in Paris and London in the later nineteenth century."--Jacket
Searching for Shakespeare by
Tarnya Cooper(
Book
)
7 editions published in 2006 in English and held by 590 WorldCat member libraries worldwide
Investigates the authenticity of the Chandos portrait and five others as true likenesses of playwright William Shakespeare, and explores Shakespeare's life and world, presenting and describing individual costumes, theater models, manuscripts, and maps from his time as well as portraits of his contemporaries
7 editions published in 2006 in English and held by 590 WorldCat member libraries worldwide
Investigates the authenticity of the Chandos portrait and five others as true likenesses of playwright William Shakespeare, and explores Shakespeare's life and world, presenting and describing individual costumes, theater models, manuscripts, and maps from his time as well as portraits of his contemporaries
Presences of nature : British landscape, 1780-1830 by
Louis Hawes(
Book
)
5 editions published in 1982 in English and held by 539 WorldCat member libraries worldwide
5 editions published in 1982 in English and held by 539 WorldCat member libraries worldwide
Turner and the sublime by
Andrew Wilton(
Book
)
6 editions published in 1981 in English and held by 490 WorldCat member libraries worldwide
Throughout his life Turner was profoundly influenced by the eighteenth-century aesthetic theory of the "sublime." However, as Andrew Wilton now shows, the sublime was not merely a springboard for Turner's innovations; he reinterpreted the theory with great individualism and offered it to the world as a fresh and even more far-reaching philosophy of art. The 140 illustrations, which include 32 in color, reproduce watercolors and prints that demonstrate the development of Turner's response to the sublime in areas as various as architecture, the picturesque, the "terrific," the sea, cities, mountains, and lakes. Many of the subjects have not previously been published
6 editions published in 1981 in English and held by 490 WorldCat member libraries worldwide
Throughout his life Turner was profoundly influenced by the eighteenth-century aesthetic theory of the "sublime." However, as Andrew Wilton now shows, the sublime was not merely a springboard for Turner's innovations; he reinterpreted the theory with great individualism and offered it to the world as a fresh and even more far-reaching philosophy of art. The 140 illustrations, which include 32 in color, reproduce watercolors and prints that demonstrate the development of Turner's response to the sublime in areas as various as architecture, the picturesque, the "terrific," the sea, cities, mountains, and lakes. Many of the subjects have not previously been published
Turner and the sublime by
Andrew Wilton(
Book
)
7 editions published in 1980 in English and Undetermined and held by 488 WorldCat member libraries worldwide
7 editions published in 1980 in English and Undetermined and held by 488 WorldCat member libraries worldwide
Edwardian opulence : British art at the dawn of the twentieth century by
Angus Trumble(
Book
)
8 editions published in 2013 in English and held by 443 WorldCat member libraries worldwide
The Edwardian age was as brief as the Victorian era that preceded it was long. It has been depicted as an indolent summer afternoon of imperial and elite complacency, but also as a period of rapid political, economic, and artistic change, culminating in the First World War. This magnificent book explores themes of power, nostalgia, and a contrasting lightness of touch that characterized the period. Issues of creation, consumption, and display are examined through a range of objects, including portraits by Sargent and Boldini, diamond tiaras and ostrich-feather fans, jewel-like Autochrome color photography, and a spectacular embroidered gown that belonged to the American-born Vicereine of India. Spanning divides of class and geography, this book identifies opulence and leisure as driving forces for the domestic and imperial British economic engine in the early years of the 20th century
8 editions published in 2013 in English and held by 443 WorldCat member libraries worldwide
The Edwardian age was as brief as the Victorian era that preceded it was long. It has been depicted as an indolent summer afternoon of imperial and elite complacency, but also as a period of rapid political, economic, and artistic change, culminating in the First World War. This magnificent book explores themes of power, nostalgia, and a contrasting lightness of touch that characterized the period. Issues of creation, consumption, and display are examined through a range of objects, including portraits by Sargent and Boldini, diamond tiaras and ostrich-feather fans, jewel-like Autochrome color photography, and a spectacular embroidered gown that belonged to the American-born Vicereine of India. Spanning divides of class and geography, this book identifies opulence and leisure as driving forces for the domestic and imperial British economic engine in the early years of the 20th century
Francis Hayman by
Brian Allen(
Book
)
7 editions published in 1987 in English and Undetermined and held by 431 WorldCat member libraries worldwide
7 editions published in 1987 in English and Undetermined and held by 431 WorldCat member libraries worldwide
Art and emancipation in Jamaica : Isaac Mendes Belisario and his worlds by
T. J Barringer(
Book
)
9 editions published in 2007 in English and held by 427 WorldCat member libraries worldwide
"Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837-38), a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario, the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire"--Publisher's description
9 editions published in 2007 in English and held by 427 WorldCat member libraries worldwide
"Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837-38), a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario, the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire"--Publisher's description
Gwen John : an interior life by
Cecily Langdale(
Book
)
5 editions published in 1986 in English and held by 422 WorldCat member libraries worldwide
5 editions published in 1986 in English and held by 422 WorldCat member libraries worldwide
Richard Parkes Bonington--on the pleasure of painting by
Patrick J Noon(
Book
)
7 editions published in 1991 in English and held by 420 WorldCat member libraries worldwide
7 editions published in 1991 in English and held by 420 WorldCat member libraries worldwide
The Grosvenor Gallery : a palace of art in Victorian England by
Yale Center for British Art(
Book
)
9 editions published in 1996 in English and held by 398 WorldCat member libraries worldwide
9 editions published in 1996 in English and held by 398 WorldCat member libraries worldwide
Mrs. Delany & her circle by
Yale Center for British Art(
Book
)
8 editions published in 2009 in English and held by 398 WorldCat member libraries worldwide
"Présentation des collages botaniques, ou ""mosaïques de papier"" de Mary Delany, née Mary Granville (1700-1788). Elle en réalisa environ un millier..."
8 editions published in 2009 in English and held by 398 WorldCat member libraries worldwide
"Présentation des collages botaniques, ou ""mosaïques de papier"" de Mary Delany, née Mary Granville (1700-1788). Elle en réalisa environ un millier..."
Canaletto in England : a Venetian artist abroad, 1746-1755 by
Charles Beddington(
Book
)
10 editions published in 2006 in English and held by 396 WorldCat member libraries worldwide
"This book focuses on Canaletto in England, reproducing the views of London he painted while there as well as the Italian and imaginary views he painted in response to the vigorous demands of his patrons." "The book, which also serves as the catalogue of an exhibition at the Yale Center for British Art and Dulwich Picture Gallery, offers a full study of Canaletto's English period along with detailed catalogue entries for about fifty paintings and twenty drawings. The works depict such landmarks as St. Paul's Cathedral, Somerset House, and Westminster Bridge as well as inventive scenes in which the artist playfully reorganizes a view or places a familiar element in an unexpected location."--Jacket
10 editions published in 2006 in English and held by 396 WorldCat member libraries worldwide
"This book focuses on Canaletto in England, reproducing the views of London he painted while there as well as the Italian and imaginary views he painted in response to the vigorous demands of his patrons." "The book, which also serves as the catalogue of an exhibition at the Yale Center for British Art and Dulwich Picture Gallery, offers a full study of Canaletto's English period along with detailed catalogue entries for about fifty paintings and twenty drawings. The works depict such landmarks as St. Paul's Cathedral, Somerset House, and Westminster Bridge as well as inventive scenes in which the artist playfully reorganizes a view or places a familiar element in an unexpected location."--Jacket
William Hodges 1744-1797 : the art of exploration by
William Hodges(
Book
)
8 editions published in 2004 in English and held by 388 WorldCat member libraries worldwide
William Hodges is well known as the artist who accompanied Cook's second voyage to the South Pacific as official landscape painter. This book--a major reappraisal of his career and reputation--presents him as one of the most intriguing and controversial painters of his age. Foremost scholars consider Hodges's work in terms of the rise of ethnology, the investigation of Indian history, the encounter with peoples "without history," and the development of empirical science and rationalism. Previous accounts of Hodges have often treated him secondarily to Cook and the history of geographical exploration. This volume redresses this situation in the light of recent developments in the history of eighteenth-century British art, which seek to understand art and aesthetics within a broader framework of social and imperial history
8 editions published in 2004 in English and held by 388 WorldCat member libraries worldwide
William Hodges is well known as the artist who accompanied Cook's second voyage to the South Pacific as official landscape painter. This book--a major reappraisal of his career and reputation--presents him as one of the most intriguing and controversial painters of his age. Foremost scholars consider Hodges's work in terms of the rise of ethnology, the investigation of Indian history, the encounter with peoples "without history," and the development of empirical science and rationalism. Previous accounts of Hodges have often treated him secondarily to Cook and the history of geographical exploration. This volume redresses this situation in the light of recent developments in the history of eighteenth-century British art, which seek to understand art and aesthetics within a broader framework of social and imperial history
Toil and plenty : images of the agricultural landscape in England, 1780-1890 by
Christiana Payne(
Book
)
5 editions published in 1993 in English and held by 382 WorldCat member libraries worldwide
Discusses the ideological uses of agricultural imagery during the period 1780-1890, exploring how and why the myth of rural contentment was perpetuated by these images and how the images contrast with the actual features of 19th-century rural life
5 editions published in 1993 in English and held by 382 WorldCat member libraries worldwide
Discusses the ideological uses of agricultural imagery during the period 1780-1890, exploring how and why the myth of rural contentment was perpetuated by these images and how the images contrast with the actual features of 19th-century rural life
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Related Identities
- Wilcox, Scott 1952- Other Author of introduction Organizer of meeting Author Editor
- Art Gallery of Ontario Other
- Paul Mellon Centre for Studies in British Art Other Editor Publisher
- Casteras, Susan P. Author Editor
- Henry E. Huntington Library and Art Gallery Other Organizer of meeting
- National Portrait Gallery (Great Britain) Other
- Warner, Malcolm 1953- Other Author
- Alexander, Julia Marciari 1967- Other Contributor Editor
- Tate Gallery Other Organizer of meeting
- Mellon, Paul Author
Useful Links
Associated Subjects
Aesthetic movement (Art) Agriculture in art Architecture Art Art, British Art, Jamaican Art and society Art patronage Art--Private collections Bacon, Francis, Belisario, Isaac Mendes, Bell, Vanessa, Blake, William, Bloomsbury group Bonington, Richard Parkes, Buildings Canaletto, Connecticut--New Haven Delany,--Mrs.--(Mary), England Friendship Fry, Roger, Grant, Duncan, Great Britain Grosvenor Gallery (London, England : 1877-1890) Hayman, Francis, Hepworth, Barbara, Hodges, William, Intellectual life Jamaica John, Gwen, Kahn, Louis I., Landscape painting, British Landscape painting, English Landscapes in art Learning and scholarship Mellon, Paul Portrait painting Portrait painting, English Romanticism in art Shakespeare, William, Slavery Slavery in art Slaves--Emancipation Stubbs, George, Tissot, James, Turner, J. M. W.--(Joseph Mallord William), United States Watercolor painting, British Yale Center for British Art
Covers
Alternative Names
Báč
BAC (Yale Center for British Art)
Bachfalua
Bácsfa
Bacsfalva
Bačta
Boch
Bochfolua
British Art Center at Yale.
Canolfan Gelf Brydeinig Yale
Center for British Art
Center for British Art New Haven, Conn
Centre d'Art Britànic de Yale
centre d'art britannique de Yale la plus complète collection d’art britannique en dehors du Royaume-Uni á New Haven, Connecticut
Centro de Arte Británico de Yale museo de arte en la Universidad Yale en New Haven, Connecticut
Yale Center for British Art Konstsamling med brittisk konst på Yaleuniversitetet i USA. Samlingen omfattar britiiska konstnärer
och konstnärer från Nordamerika och Europa som verkat i Storbritannien.
Yale Center für britische Kunst britische Kunstsammlung in New Haven, Connecticut
Yale Center voor britse kunst grootste verzameling van Britse kunst buiten het Verenigte Konigsrijk in New Haven, Connecticut
Yale centro d'arte britannica la più grande collezione d'arte britannica fuori da Regno Unito a New Haven, Connecticut
Yale (Stany Zjednoczone)
Yale university
Yale University British Art Center
Yale University Center for British Art
Yale university New Haven, Conn. Yale center for British art
Yale university Yale center for British art
YCBA
Йельский центр британского искусства
Բրիտանական արվեստի Եյլի կենտրոն
مركز ييل للفن البريطاني
مرکز هنر بریتانیا در ییل
イェール・ ブリティッシュ・アート・センター
耶鲁大学英国艺术中心
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