WorldCat Identities

Bade, Patrick

Overview
Works: 119 works in 444 publications in 11 languages and 15,065 library holdings
Genres: Criticism, interpretation, etc  Biography  History  Juvenile works  Biographies  Literature  Catalogs  Pictorial works  Exhibition catalogs 
Roles: Author, Author of introduction, Translator
Classifications: NX650.F46, 759.4
Publication Timeline
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Most widely held works by Patrick Bade
Gustav Klimt by Jane Rogoyska( )

31 editions published in 2011 in 6 languages and held by 3,008 WorldCat member libraries worldwide

Gustav Klimt was born in Austria in 1862 and spent his working life in Vienna, a city whose artistic chaos made it an extraordinary place to live. In his early career he received a public commission to paint a series of frescos, and received the "Gold Cross for Artistic Merit" for his Burgtheater murals. However, his name is most enduringly linked to the Viennese Secession. This revolutionary movement separated itself definitively from public, academic art. The atmosphere of Klimt's Nuda Veritas could be likened to the slow languor of Strauss's operas or to the theatre productions of Schnitzle
Alphonse Mucha by Patrick Bade( )

25 editions published between 2005 and 2014 in 3 languages and held by 1,417 WorldCat member libraries worldwide

"Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the 'Mucha style' for the legions of imitators who adapted the master's celebrated tableaux. Today, his distincitve depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha's career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sarah Bernhardt, to the famous historical murals painted just before his death, at the age of 78."--page [4] of cover
Mucha by Patrick Bade( )

22 editions published between 2005 and 2014 in 4 languages and held by 1,337 WorldCat member libraries worldwide

Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the?Mucha style? for the legions of imitators who adapted the master's celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha's career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939
Edward Burne-Jones by Patrick Bade( )

16 editions published between 2003 and 2011 in 3 languages and held by 1,240 WorldCat member libraries worldwide

Bade offers a critical analysis of the British painter accompanied by color reproductions of the artist's works
Courbet by Patrick Bade( )

10 editions published between 1999 and 2014 in 3 languages and held by 1,084 WorldCat member libraries worldwide

Ornans, Courbet's birthplace, is near the beautiful valley of the Doubs River, and it was here as a boy, and later as a man, that he absorbed the love of landscape. He was by nature a revolutionary, a man born to oppose existing order and to assert his independence; he had that quality of bluster and brutality which makes the revolutionary count in art as well as in politics. In both directions his spirit of revolt manifested itself. He went to Paris to study art, yet he did not attach himself to the studio of any of the prominent masters. Already in his country home he had had a little instruction in painting, and preferred to study the masterpieces of the Louvre. At first his pictures were not sufficiently distinctive to arouse any opposition, and were admitted to the Salon. Then followed the Funeral at Ornans, which the critics violently assailed:?A masquerade funeral, six metres long, in which there is more to laugh at than to weep over.? Indeed, the real offence of Courbet's pictures was that they represented live flesh and blood. They depicted men and women as they really are and realistically doing the business in which they are engaged. His figures were not men and women deprived of personality and idealised into a type, posed in positions that will decorate the canvas. He advocated painting things as they are, and proclaimed that la vérité vraie must be the aim of the artist. So at the Universal Exposition of 1855 he withdrew his pictures from the exhibition grounds and set them in a wooden booth, just outside the entrance. Over the booth he posted a sign with large lettering. It read, simply:?Courbet - Realist.? Like every revolutionary, he was an extremist. He ignored the fact that to every artist the truth of nature appears under a different guise according to his way of seeing and experiencing. Instead, he adhered to the notion that art is only a copying of nature and not a matter also of selection and arrangement. In his contempt for prettiness Courbet often chose subjects which may fairly be called ugly. But that he also had a sense of beauty may be seen in his landscapes. That sense, mingled with his capacity for deep emotion, appears in his marines - these last being his most impressive work. Moreover, in all his works, whether attractive or not to the observer, he proved himself a powerful painter, painting in a broad, free manner, with a fine feeling for colour, and with a firmness of pigment that made all his representations very real and stirring
Gustav Klimt by Patrick Bade( )

1 edition published in 2004 in English and held by 1,023 WorldCat member libraries worldwide

Gustav Klimt was born in Austria in 1862 and spent his working life in Vienna, a city whose artistic chaos made it an extraordinary place to live. In his early career he received a public commission to paint a series of frescos, and received the "Gold Cross for Artistic Merit" for his Burgtheater murals. However, his name is most enduringly linked to the Viennese Secession. This revolutionary movement separated itself definitively from public, academic art. The atmosphere of Klimt's Nuda Veritas could be likened to the slow languor of Strauss's operas or to the theatre productions of Schnitzle
Tamara de Lempicka by Patrick Bade( )

2 editions published in 2007 in Spanish and Undetermined and held by 1,001 WorldCat member libraries worldwide

Lempicka by Patrick Bade( )

25 editions published between 2005 and 2015 in 3 languages and held by 614 WorldCat member libraries worldwide

Annotation
Klimt by Jane Rogoyska( )

18 editions published between 2004 and 2014 in 7 languages and held by 477 WorldCat member libraries worldwide

Gustav Klimt var fra en fattig familie med mange barn. Men allerede 14 år gammel fikk han et stipend som ga han mulighet til å studere kunst. Tegneferdighetene hans vakte oppsikt. Han ble kjent i ung alder og maleriene hans solgte godt. Første del av boken forteller i detalj om kunstnerens liv og epoker i hans utvikling som maler, annen del presenterer nærmere en rekke av hans verker, og forteller om bakgrunnen for hvert bilde. Boken er gjennomillustrert med helsides illustrasjoner i farger
30 millennia of sculpture by Joseph Manca( )

9 editions published between 2011 and 2016 in 3 languages and held by 453 WorldCat member libraries worldwide

"From its prehistoric origins to the conceptual modernity of the 20th century, sculpture has literally and figuratively moulded the art world. Offering an integral vision of the evolution of forms across civilisations and epochs, 30 Centuries of Sculpture presents the masterpieces of sculpture that, with their intriguing silhouettes, have shaped the current notion of beauty. Sculptures can reflect an era, an artist, or his public; this gallery in high relief presents, with its numerous references, detailed commentaries on works, and biographies of artists, an open door to history and art, and an ideal guide for both students and neophytes"--
Degas by Patrick Bade( Book )

15 editions published between 1986 and 1994 in 5 languages and held by 325 WorldCat member libraries worldwide

Femme fatale : images of evil and fascinating women by Patrick Bade( Book )

12 editions published in 1979 in English and held by 299 WorldCat member libraries worldwide

"In the striking works of pre-Raphaelite, Symbolist and Art Nouveau artists and in their literary parallels, Patrick Bade uncovers an extraordinary, disturbing world of sexual fantasy and a remarkably pervasive image of woman as destroyer, enchantress, priestess, siren, sphinx and angel of death, the femme fatale becambe the sinister new heroine of an entire generation of one of the most powerful symbols of change in late nineteenth-century society."--Back cover
Tamara de Lempicka by Patrick Bade( Book )

10 editions published in 2006 in English and French and held by 220 WorldCat member libraries worldwide

1000 sculptures of genius by Joseph Manca( Book )

4 editions published in 2007 in English and held by 195 WorldCat member libraries worldwide

From the antiquity to the twentieth century, this sculpture collection offers a vision of western art. Here are the most sensual and harmonious masterworks to the most provocative and minimalist sculptures. These masterworks are a mirror of an era, of an artist and his public through this sculpture gallery. This book gives you a panoramic view of western sculpture. It also includes references, comments on masterworks and biographies
Gustav Klimt : a painted fairy tale by Jane Rogoyska( )

3 editions published in 2007 in German and held by 165 WorldCat member libraries worldwide

Gustav Klimt (1862-1918) war zum Ende des 19. Jahrhunderts nicht nur einer der einflussreichsten Künstler, sondern gründete zudem die Bewegung der Wiener Secession. Mithilfe dieser Bewegung übte er Kritik an der traditionellen Kunst, die sich durch ihren Widerstand gegen Veränderungen sowie Intoleranz gegenüber bestimmten modernen Vorstellungen auszeichnete. Klimt ließ sich durch den langsamen aber sicheren Niedergang sowie die Vielfalt der Kulturen der Österreichisch-Ungarischen Monarchie inspirieren. Bei Klimt spielten Erotik und Sinnlichkeit eine sehr große Rolle, und neben Schiele und Kokoschka zählte er zu den großen Meistern des Expressionismus. Das vorliegende Buch vereint eine erlesene Auswahl Klimts bekanntester Gemälde und einen Text, der den außergewöhnlichen Eklektizismus dieses großen Künstlers zu vermitteln vermag
Gustav Klimt at home by Patrick Bade( Book )

8 editions published between 2017 and 2018 in 3 languages and held by 164 WorldCat member libraries worldwide

Gustav Klimt at Home explores the influences of Vienna and other places Klimt travelled to and called home on his life and work. Klimt was one of the most prominent members of the Vienna Secession movement. He was both influenced by and shaped the city of Vienna at the turn of the century. His trips to Ravenna, as well as annual summer holidays with the Floge family on the shores of Attersee were also a source of inspiration and influence on his creative output. Fully illustrated, the book features paintings, archive imagery and photographs of the surrounding city and landscape to provide an insight into how the people and places of his life relate to his work
Munch by Patrick Bade( )

10 editions published between 2005 and 2011 in 4 languages and held by 154 WorldCat member libraries worldwide

Edvard Munch, born in 1863, was Norway's most popular artist. His brooding and anguished paintings, based on personal grief and obsessions, were instrumental in the development of Expressionism. During his childhood, the death of his parents, his brother and sister, and the mental illness of another sister, were of great influence on his convulsed and tortuous art. In his works, Munch turned again and again to the memory of illness, death and grief. During his career, Munch changed his idiom many times. At first, influenced by Impressionism and Post-impressionism, he turned to a highly personal style and content, increasingly concerned with images of illness and death. In the 1892s, his style developed a 'Synthetist' idiom as seen in The Scream (1893) which is regarded as an icon and the portrayal of modern humanity's spiritual and existential anguish. He painted different versions of it. During the 1890s Munch favoured a shallow pictorial space, and used it in his frequently frontal pictures. His work often included the symbolic portrayal of such themes as misery, sickness, and death. and the poses of his figures in many of his portraits were chosen in order to capture their state of mind and psychological condition. It also lends a monumental, static quality to the paintings. In 1892, the Union of Berlin Artists invited Munch to exhibit at its November exhibition. His paintings invoked bitter controversy at the show, and after one week the exhibition closed. In the 1930s and 1940s, the Nazis labeled his work?degenerate art?, and removed his works from German museums. This deeply hurt the anti-fascist Munch, who had come to feel Germany was his second homeland. In 1908 Munch's anxiety became acute and he was hospitalized. He returned to Norway in 1909 and died in Oslo in 1944
1000 Sculptures of Genius by Joseph Manca( )

5 editions published in 2014 in English and held by 137 WorldCat member libraries worldwide

Annotation
Alfons Mucha by Patrick Bade( )

2 editions published in 2012 in German and English and held by 123 WorldCat member libraries worldwide

Edgar Degas by Patrick Bade( Book )

4 editions published between 2000 and 2012 in 3 languages and held by 101 WorldCat member libraries worldwide

 
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1000 sculptures of genius 1000 Sculptures of Genius
Covers
Alphonse MuchaMuchaEdward Burne-JonesCourbetLempickaKlimt30 millennia of sculptureTamara de Lempicka
Alternative Names
Bade P.

Bade, Patrik

ベイド, パトリック

ベード, パトリック

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