WorldCat Identities

Reynolds, Nancy 1938-

Overview
Works: 204 works in 364 publications in 1 language and 15,791 library holdings
Genres: Nonfiction films  History  Instructional films  Stories, plots, etc  Interviews  Directories  Plot summaries  Documentary films  Educational films  Internet videos 
Roles: Director, Author, Interviewer, Producer, Performer, Editor, Contributor, Speaker, Videographer , Moderator, Creator, Author of dialog
Classifications: GV1619, 792.80904
Publication Timeline
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Most widely held works about Nancy Reynolds
 
Most widely held works by Nancy Reynolds
No fixed points : dance in the twentieth century by Nancy Reynolds( Book )

10 editions published in 2003 in English and held by 1,459 WorldCat member libraries worldwide

Chronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America
In performance : a companion to the classics of the dance by Nancy Reynolds( Book )

5 editions published in 1980 in English and held by 571 WorldCat member libraries worldwide

Repertory in review : 40 years of the New York City Ballet by Nancy Reynolds( Book )

6 editions published in 1977 in English and held by 568 WorldCat member libraries worldwide

The dance catalog by Nancy Reynolds( Book )

10 editions published in 1979 in English and held by 458 WorldCat member libraries worldwide

Balanchine Foundation video archives( Visual )

7 editions published between 2013 and 2017 in English and held by 429 WorldCat member libraries worldwide

This video is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Jennie Somogyi and Sébastien Marcovici excerpts from Liebeslieder Walzer. The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself
Dance classics : a viewer's guide to the best-loved ballets and modern dances by Nancy Reynolds( Book )

7 editions published between 1991 and 1994 in English and held by 401 WorldCat member libraries worldwide

History of Modern Dance by James Holzknecht( Visual )

3 editions published in 2008 in English and held by 358 WorldCat member libraries worldwide

In this program, dance historians, instructors, and choreographers trace the evolution of modern and postmodern dance. They explores the influences of such dance pioneers as Duncan, Fuller, St. Denis, Shawn, Balanchine, Graham, Laban, Wigman, Tamaris, Humphrey, Weidman, Limón, Sokolow, Ailey, Dunham, Cunningham, Taylor, Hawkins, Nikolais, and Bausch. The DVD also discusses modern dance education. Includes interviews, archival photographs, and footage of dance rehearsals and performances to explore the history of 20th century dance. Features discussion of topics such as shoeless dancing in ballet, the Graham technique, the contributions of the African and Caribbean movements, the use of technology, the role of academia, and more
Ballet, bias and belief : Three pamphlets collected and other dance writings of Lincoln Kirstein by Lincoln Kirstein( Book )

4 editions published in 1983 in English and Undetermined and held by 352 WorldCat member libraries worldwide

Maria Tallchief coaching excerpts from Apollo and Swan lake( Visual )

8 editions published between 1996 and 2014 in English and held by 272 WorldCat member libraries worldwide

Maria Tallchief coaches dancers in excerpts from Stravinsky's Apollo and Tchaikovsky's Swan lake, with moves choreographed by Balanchine
Balanchine Foundation video archives( Visual )

6 editions published between 1995 and 2008 in English and held by 260 WorldCat member libraries worldwide

Dame Alicia Markova reconstructs George Balanchine's choreography for the role of the Nightingale, which she created in his ballet Le chant du rossignol (The song of the nightingale) for Serge Diaghilev's Ballets Russes in 1925. She begins by describing the action (based on the fairy tale by Hans Christian Andersen) as the music is played, then works intensively with dancer Iohna Loots on the nightingale's variation and pas de deux with Death, a role intended to be performed by a female dancer. Historians Millicent Hodson and Kenneth Archer, who assisted in the reconstruction, appear briefly on camera
Maria Tallchief coaching the Pas de deux from Scotch symphony( Visual )

5 editions published between 1997 and 2014 in English and held by 256 WorldCat member libraries worldwide

Features Maria Tallchief rehearsing dancers from the New York City Ballet in the Pas de deux from Mendelssohn's Scottish symphony. Included is an interview where Maria discusses premiering the work with the George Balanchine dance troupe, and the experience of dancing with them in general
Frederic Franklin recreating the male solo from Raymonda, Act III( Visual )

4 editions published between 1998 and 2014 in English and held by 254 WorldCat member libraries worldwide

Features Frederic Franklin rehearsing a dancer from the New York City Ballet in an excerpt from Glazunov's ballet Raymonda with moves choreographed by George Balanchine. Includes an interview where Frederic discusses the premiere of Balanchine's version of this work and his part in it
Allegra Kent coaching excerpts from Bugaku( Visual )

5 editions published between 2001 and 2014 in English and held by 251 WorldCat member libraries worldwide

Allegra Kent coaches dancers in excerpts from Bugaku, with moves choreographed by Balanchine
Maria Tallchief coaching excerpts from Pas de dix( Visual )

4 editions published between 1996 and 2014 in English and held by 251 WorldCat member libraries worldwide

Interview with Maria Tallchief (ca. 14 min.). Tallchief, who created the principal ballerina's role in George Balanchine's Pas de dix, first presented by the New York City Ballet in 1955, compares this ballet with Balanchine's earlier Raymonda (1946), staged with Alexandra Danilova for the Ballet Russe de Monte Carlo. She discusses how Balanchine taught various ballet steps and movements that appear in the ballet, including passé
Allegra Kent coaching excerpts from La Sonnambula( Visual )

6 editions published between 2001 and 2007 in English and held by 250 WorldCat member libraries worldwide

Allegra Kent coaches dancers in excerpts from La Sonnambula, with moves choreographed by Balanchine
Maria Tallchief coaching excerpts from Firebird and Orpheus( Visual )

5 editions published between 1996 and 2008 in English and held by 250 WorldCat member libraries worldwide

Maria Tallchief, a former principal ballerina with the New York City Ballet, coaches a current principal, Helene Alexopoulos, in excerpts from the leading roles she created in two ballets choreographed by George Balanchine to the music of Igor Stravinsky: Firebird (1949) and Orpheus (1948). In the interview sections, she analyzes details of the choreography, noting the Russian folk flavor in the berceuse, the importance of hand and arm movements and épaulement in Balanchine's choreography, and his emphasis on the proper execution of transitional steps, including walking and running. Having been married to Balanchine at the time, she was able to observe at close hand the creative process that produced both ballets
Maria Tallchief coaching excerpts from Symphony in C( Visual )

3 editions published between 1996 and 2008 in English and held by 250 WorldCat member libraries worldwide

Interview with Maria Tallchief (ca. 12 min.) / Tallchief recalls the premiere of the ballet, then titled Le palais de cristal, by the Paris Opéra Ballet in 1947, and describes some of the dancers who performed in it, notably Lycette Darsonval (who created the variation on this tape), Jacqueline Moreau, and Micheline Bardin. She demonstrates how some of the choreography shows the influence of the Paris Opéra Ballet style, and analyzes details of Balanchine's choreography. She also discusses the New York City Ballet's 1948 production of the ballet, retitled Symphony in C, in which she danced the variation on this tape
Patricia Wilde coaching excerpts from Square dance by George Balanchine Foundation( Visual )

3 editions published between 1997 and 2008 in English and held by 248 WorldCat member libraries worldwide

Wilde, who created the principal ballerina's role in Square dance upon its premiere by the New York City Ballet in 1957, discusses details of Balanchine's choreography, the use of square dance caller Elisha C. Keeler in the original production, and Balanchine's teaching in general
Melissa Hayden coaching Donizetti variations( Visual )

3 editions published between 2001 and 2007 in English and held by 245 WorldCat member libraries worldwide

Melissa Hayden coaches dancers in excerpts from Donizetti variations, with moves choreographed by Balanchine
Patricia Wilde coaching excerpts from Raymonda variations( Visual )

3 editions published between 1996 and 2008 in English and held by 245 WorldCat member libraries worldwide

Patricia Wilde, who created the principal ballerina's role in George Balanchine's Raymonda variations (then titled Valses et variations) for the New York City Ballet in 1961, coaches young dancers in the two ballerina variations and pas de deux from the ballet. In the interview sections, she analyzes details of the choreography, describes how Balanchine taught specific steps and movements, and discusses the relationship between his teaching and his choreography. She also recalls the ballet's first performance, and compares it to his previous ballets Raymonda (1946), staged with Alexandra Danilova for the Ballet Russe de Monte Carlo, and Pas de dix, first presented by New York City Ballet in 1955
 
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WorldCat IdentitiesRelated Identities
No fixed points : dance in the twentieth century
Covers
Alternative Names
레이놀즈, 낸시 1938-

レイノルズ, ナンシー

Languages
English (111)