Thu Jan 22 23:13:46 2009 UTClccn-n79-109040Poets, American--20th centuryBeat generationGay men--United States0.470.590.67Allen_Ginsbergn 79109040oca00340940a11853940XGinsberg, Allen,1926-1997Ginzberg, Alen,1926-1997Gīnasabārga, Ayālena,1926-1997Ginsberg, Irwin Allen,1926-1997גינזברג, אלןlccn-n79-26862Burroughs, William S.1914-1997prflccn-n80-36674Kerouac, Jack1922-1969fmolccn-n80-94106Naropa Institutepbllccn-n50-16423Corso, Gregoryprflccn-n80-23557Ferlinghetti, Lawrenceprflccn-n80-12545Waldman, Anne1945-prflccn-n80-70313Orlovsky, Peter1933-prflccn-n79-32189McClure, Michaelprflccn-n79-43504Creeley, Robert1926-2005crplccn-n79-150347Snyder, Gary1930-crpGinsberg, Allen1926-1997Ginsberg, Allen1926-1997600American poetryBroadsidesNarrative poetryArtistsSound recordingsSingersDylan, Bob,--1941-PortraitsGinsberg, Louis,--1895-1976BibliographyCorso, GregoryElectronic booksCassady, CarolynDocumentary filmsPolitical poetry--AuthorshipPoetry--Authorship--Psychological aspectsConsciousnessPolitics and literatureAuthorsBohemianismGay men's writings, AmericanPolitical and social viewsNotebooks, sketchbooks, etc.FacsimilesManuscriptsTechniqueGay menLiterature and mental illnessPoetry--Psychological aspectsPsychologyMental illnessIndiaIntellectual lifeCassady, NealPoetry--AuthorshipPoetryTravelAmerican literatureFriendshipKerouac, Jack,--1922-1969DiariesRecords and correspondenceLiteratureHowl (Ginsberg, Allen)InterviewsHistoryAmerican poetryAuthors, AmericanBurroughs, William S.,--1914-1997Criticism, interpretation, etc.United StatesBiographyPoets, AmericanBeat generationGinsberg, Allen,--1926-1997192619971934194319441945194619471948194919501951195219531954195519561957195819591960196119621963196419651966196719681969197019711972197319741975197619771978197919801981198219831984198519861987198819891990199119921993199419951996199719981999200020012002200320042005200620072008200999442book811.54ps3513.i74ocn283641915ocn061271198ocn029057692ocn061281077ocn084652145ocn006935119ocn020255141ocn056363202ocn061342021ocn123530154ocn006268001ocn045895762ocn038428378ocn004947265ocn004111949ocn029066353ocn059363741ocn061298060ocn060327665ocn084014818ocn057508464ocn078152401ocn030557885ocn079450329ocn079450351ocn079450359ocn034624498ocn079450344ocn032450920ocn079450353ocn084360401ocn029742347ocn079734966ocn080891511ocn083932280ocn079147727ocn079450348ocn079450357ocn054990742ocn000559568ocn063198217ocn148781664ocn244191931ocn148781664ocn244191931ocn034844712ocn039089298ocn036594206ocn071047413ocn036594206ocn054996811ocn056814133ocn070186372ocn226244093ocn029052750ocn062209512ocn068039817ocn037630846ocn056060528ocn052439275ocn080634707ocn036594206ocn034378261ocn082302512ocn085182559ocn078797192ocn122570640ocn036169815ocn185801505ocn185825217ocn082302512ocn023985886ocn077919884ocn1728462623042407220גינזברג, אלן2105229113ocn010799316sw010799316:lccn-n79-109040Falsebook1984Ginsberg, Allen00609149471663208244ocn000284345sw000284345:lccn-n79-109040Falsebook19560.62Ginsberg, Allen

This book was originally published by City Lights Books in the Fall of 1956. Subsequently seized by U.S. customs and the San Francisco police, it was the subject of a long court trial at which a series of poets and professors persuaded the court that the book was not obscene. -Back cover.

0872860175146615245ocn061710848sw060849388:lccn-n79-109040Falsevisu20050.47Biographical television programsMade-for-TV movies

Traces Bob Dylan's journey from his roots in Minnesota, to his early days in Greenwich Village, to his tumultuous ascent to pop stardom in 1966. Joan Baez, Allan Ginzberg, Maria Muldaur, Pete Seeger, Liam Clancy, Mavis Staples and others share their thoughts and feelings about the young singer who would change popular music forever. Contains extensive archival footage, some never-before-seen and rare concert performances.

137314458ocn013759798sw013759798:lccn-n79-109040Falsebook19860.56Ginsberg, Allen0060914297133513654ocn039671592sw039671592:lccn-n79-109040Falsebook19990.56Ginsberg, Allen00601929251251165171ocn013667143sw000559568:lccn-n79-109040Falsebook1986Ginsberg, Allen

This annotated version of Ginsberg's classic is the poet's own re-creation of the revolutionary work's composition process, along with anecdotes and an intimate look at the poet's writing techniques.

0060926112119312054ocn064487223sw064487223:lccn-n79-109040Falsebook2006Ginsberg, Allen

Here, for the first time, is a volume that gathers the published verse of Allen Ginsberg in its entirety, a half century of brilliant work from one of America's great poets. As the chief figure among the Beats, Ginsberg changed the course of American poetry, liberating it from closed academic forms with the creation of open, vocal, spontaneous, and energetic postmodern verse. Ginsberg's raw tones and attitudes of spiritual liberation also helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry, popular song, and speech but also our view of the world.

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Allen Ginsberg reads poems from his book Planet news.

08728602051599348016ocn056034955sw052729024:lccn-n79-109040Falsebook20040.60Raskin, Jonah

Publisher's description: Written as a cultural weapon and a call to arms, Howl touched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study of Howl brilliantly elucidates the nexus of politics and literature in which it was written and gives striking new portraits of Allen Ginsberg, Jack Kerouac, and William Burroughs. Drawing from newly released psychiatric reports on Ginsberg, from interviews with his psychiatrist, Dr. Philip Hicks, and from the poet's journals, American Scream shows how Howl brought Ginsberg and the world out of the closet of a repressive society. It also gives the first full accounting of the literary figures--Eliot, Rimbaud, and Whitman--who influenced Howl, definitively placing it in the tradition of twentieth-century American poetry for the first time. As he follows the genesis and the evolution of Howl, Jonah Raskin constructs a vivid picture of a poet and an era. He illuminates the development of Beat poetry in New York and San Francisco in the 1950s--focusing on historic occasions such as the first reading of Howl at Six Gallery in San Francisco in 1955 and the obscenity trial over the poem's publication. He looks closely at Ginsberg's life, including his relationships with his parents, friends, and mentors, while he was writing the poem and uses this material to illuminate the themes of madness, nakedness, and secrecy that pervade Howl. A captivating look at the cultural climate of the Cold War and at a great American poet, American Scream finally tells the full story of Howl--a rousing manifesto for a generation and a classic of twentieth-century literature.

0520240154158719928ocn000053627sw000053627:lccn-n79-109040Falsebook19690.62Merrill, Thomas F130413203ocn070630653sw070630653:lccn-n79-109040Falsebook2006Morgan, Bill

Allen Ginsberg was America's most influential poet since World War II, in the vanguard of every popular movement of that time, from the emergence of the Beat generation to the countercultural revolution to the interest in Eastern spirituality. In this new biography, the first since the poet's death in 1997, Bill Morgan offers a revealing portrait of a complicated and flamboyant character. He examines Ginsberg's life and his impact on society from many different angles: his political views, his battles with censorship, and his approach to drugs. He also provides a more accurate picture than previously told of Ginsberg's search for love (including his complex relationship with his lifelong partner, Peter Orlovsky) and of his involvement with Tibetan Buddhism. He also lists the titles of Ginsberg's poems in the margins so that the reader can see exactly what he was writing at any point in his life.--From publisher description.

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Publisher's description: Beginning in New York in 1944, James Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses. This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--The murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up." In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.

05202303375715712ocn003562433sw003562433:lccn-n79-109040Falsebook19770.66Ginsberg, Allen37676811ocn065789034sw061217852:lccn-n79-109040Falsebook20060.55Burroughs, William S08728644803036062ocn003843266sw003843266:lccn-n79-109040Falsebook19780.74Portugés, Paul0060914947Wed Mar 04 20:52:33 EST 2009