Degas, Edgar 1834-1917
Overview
| Works: | 4,158 works in 7,778 publications in 11 languages and 123,625 library holdings |
|---|---|
| Genres: | Exhibition catalogs Criticism, interpretation, etc Biography Biographies Juvenile works Fiction Catalogues raisonnés Notebooks, sketchbooks, etc Literature Catalogs |
| Subject Headings: | Artists Impressionist artists |
| Roles: | Author, Illustrator, Artist, Honoree, Other, Dedicatee, Creator, Engraver, Contributor, Collector, Composer, Printer, Lithographer, Photographer |
| Classifications: | N6853.D33, 759.4 |
Publication Timeline
.
Most widely held works about
Edgar Degas
- The art forger : a novel by Barbara A Shapiro( Book )
- Edgar-Hilaire-Germain Degas by Edgar Degas( Book )
- I always loved you : a novel by Robin Oliveira( Book )
- Degas : the artist's mind by Theodore Reff( Book )
- The art of rivalry : four friendships, betrayals, and breakthroughs in modern art by Sebastian Smee( Book )
- Degas : his life, times, and work by Roy McMullen( Book )
- Mapping Degas : real spaces, symbolic spaces and invented spaces in the life and work of Edgar Degas (1834-1917) by Roberta Crisci-Richardson( )
- Degas and the little dancer : a story about Edgar Degas by Laurence Anholt( Book )
- Edgar Degas, life and work by Denys Sutton( Book )
- Degas : the complete etchings, lithographs and monotypes by Edgar Degas( Book )
- Degas and the dance : the painter and the petits rats, perfecting their art by Susan Goldman Rubin( Book )
- The private collection of Edgar Degas by Ann Dumas( Book )
- Degas' drawings by Edgar Degas( Book )
- Portraits by Degas by Jean Sutherland Boggs( Book )
- Degas landscapes by Richard Kendall( Book )
- What makes a Degas a Degas? by Richard Mühlberger( Book )
- Degas by Ian Dunlop( Book )
- Edgar Degas by Mike Venezia( Book )
- Degas : [an exhibition held at the] Galeries nationales du Grand Palais, Paris, 9 February-16 May 1988, National Gallery of Canada, Ottawa, 16 June-28 August 1988, the Metropolitan Museum of Art, New York, 27 September 1988-8 January 1989 by Edgar Degas( Book )
- The Impressionists : the other French revolution by Bruce Alfred( Visual )
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Most widely held works by
Edgar Degas
Edgar Degas by
N. V Brodskai︠a︡(
)
7 editions published in 2012 in French and English and held by 1,557 WorldCat member libraries worldwide
"Hilaire-Germain-Edgar De Gas, born in Paris began to paint early in life. In 1853, he registered as a copyist in the Louvre and two years later he was admitted to the Ecole des Beaux-Arts where he studied under Louise Lamothe, an old pupil of Ingres. In 1856 he travelled to Italy to paint and study the works of the great Italian Renaisance painters. In 1872, Degas began an extended stay in New Orleans where he produced A Cotton Office in New Orleans. He formed the Société Anonyme des Artistes alongside other painters such as Monet and Sisley, with whom he would organise the Impressionist Exhibitions (1874-1886). Exhibitede there were ten paintings of nude women as well as his only sculpture displayed publicly during his lifetime, Little Ballet Dancer, which astonoshed Degas contemporaries for its realism."--Jacket
7 editions published in 2012 in French and English and held by 1,557 WorldCat member libraries worldwide
"Hilaire-Germain-Edgar De Gas, born in Paris began to paint early in life. In 1853, he registered as a copyist in the Louvre and two years later he was admitted to the Ecole des Beaux-Arts where he studied under Louise Lamothe, an old pupil of Ingres. In 1856 he travelled to Italy to paint and study the works of the great Italian Renaisance painters. In 1872, Degas began an extended stay in New Orleans where he produced A Cotton Office in New Orleans. He formed the Société Anonyme des Artistes alongside other painters such as Monet and Sisley, with whom he would organise the Impressionist Exhibitions (1874-1886). Exhibitede there were ten paintings of nude women as well as his only sculpture displayed publicly during his lifetime, Little Ballet Dancer, which astonoshed Degas contemporaries for its realism."--Jacket
Degas : beyond impressionism by
Richard Kendall(
Book
)
13 editions published in 1996 in English and held by 1,322 WorldCat member libraries worldwide
"The first publication on Degas's mature work ... presents a new and definitive view of his last decades ... drawings, pastels, oil paintings, and sculptures."--Jacket
13 editions published in 1996 in English and held by 1,322 WorldCat member libraries worldwide
"The first publication on Degas's mature work ... presents a new and definitive view of his last decades ... drawings, pastels, oil paintings, and sculptures."--Jacket
Degas by
Robert Gordon(
Book
)
14 editions published in 1988 in 3 languages and held by 1,010 WorldCat member libraries worldwide
14 editions published in 1988 in 3 languages and held by 1,010 WorldCat member libraries worldwide
Degas and the dance by
Jill DeVonyar(
Book
)
9 editions published in 2002 in English and held by 990 WorldCat member libraries worldwide
Seeks to illuminate the themes present in the artist's works, presenting new material about Degas's highly informed relationship with the ballet of the nineteenth century
9 editions published in 2002 in English and held by 990 WorldCat member libraries worldwide
Seeks to illuminate the themes present in the artist's works, presenting new material about Degas's highly informed relationship with the ballet of the nineteenth century
The sculpture of Edgar Degas by
Charles W Millard(
Book
)
6 editions published in 1976 in English and held by 941 WorldCat member libraries worldwide
6 editions published in 1976 in English and held by 941 WorldCat member libraries worldwide
I dreamed I was a ballerina by
Anna Pavlova(
Book
)
14 editions published between 2001 and 2011 in 4 languages and held by 874 WorldCat member libraries worldwide
The story of a girl's first trip to the ballet and the dreams it inspired, leading her to become a legendary ballerina
14 editions published between 2001 and 2011 in 4 languages and held by 874 WorldCat member libraries worldwide
The story of a girl's first trip to the ballet and the dreams it inspired, leading her to become a legendary ballerina
Degas in the Art Institute of Chicago by
Richard R Brettell(
Book
)
10 editions published in 1984 in English and held by 851 WorldCat member libraries worldwide
10 editions published in 1984 in English and held by 851 WorldCat member libraries worldwide
Looking into Degas : uneasy images of women and modern life by
Eunice Lipton(
Book
)
6 editions published between 1986 and 1988 in English and held by 807 WorldCat member libraries worldwide
The work of Edgar Degas, traditionally gathered under Impressionism's umbrella, is usually analyzed in terms of "light" and "movement." Eunice Lipton demonstrates that Degas' paintings are far more than objects; they actively carry and create meaning. In the nineteenth century, Lipton argues, issues of class, sex, and work resonated in these paintings. "Looking into Degas" focuses on these issues, by discussing Degas' depictions of the racetrack and his images of women working as ballet dancers, laundresses, milliners, and prostitutes. The racetrack images are seen as expressions of social conservatism marked by military rhetoric and the etiquette of the hunt. In this context, Lipton offers a most original analysis of the French flirtation with Japanese art. Joined with Lipton's pleasure in the sensuosity and intelligence of Degas' art is a complex historical reading of late nineteenth-century Paris. -- From publisher's description
6 editions published between 1986 and 1988 in English and held by 807 WorldCat member libraries worldwide
The work of Edgar Degas, traditionally gathered under Impressionism's umbrella, is usually analyzed in terms of "light" and "movement." Eunice Lipton demonstrates that Degas' paintings are far more than objects; they actively carry and create meaning. In the nineteenth century, Lipton argues, issues of class, sex, and work resonated in these paintings. "Looking into Degas" focuses on these issues, by discussing Degas' depictions of the racetrack and his images of women working as ballet dancers, laundresses, milliners, and prostitutes. The racetrack images are seen as expressions of social conservatism marked by military rhetoric and the etiquette of the hunt. In this context, Lipton offers a most original analysis of the French flirtation with Japanese art. Joined with Lipton's pleasure in the sensuosity and intelligence of Degas' art is a complex historical reading of late nineteenth-century Paris. -- From publisher's description
Edgar Degas, photographer by
Malcolm R Daniel(
Book
)
10 editions published in 1998 in English and held by 645 WorldCat member libraries worldwide
"Degas's major surviving photographs, little known even among devotees of the artist's paintings and pastels, are analyzed and reproduced for the first time in this volume, which accompanies an exhibition at The Metropolitan Muscum of Art, The J. Paul Getty Museum, and the Bibliotheque Nationale de France."--Jacket
10 editions published in 1998 in English and held by 645 WorldCat member libraries worldwide
"Degas's major surviving photographs, little known even among devotees of the artist's paintings and pastels, are analyzed and reproduced for the first time in this volume, which accompanies an exhibition at The Metropolitan Muscum of Art, The J. Paul Getty Museum, and the Bibliotheque Nationale de France."--Jacket
Degas by
Giovanni Carandente(
Book
)
19 editions published in 1979 in 3 languages and held by 594 WorldCat member libraries worldwide
Presents the delicacy of the great French Impressionist famous for his treatments of the ballet, cafe-life and race track scenes
19 editions published in 1979 in 3 languages and held by 594 WorldCat member libraries worldwide
Presents the delicacy of the great French Impressionist famous for his treatments of the ballet, cafe-life and race track scenes
Degas : a dialogue of difference by
Werner Hofmann(
Book
)
2 editions published in 2007 in English and held by 585 WorldCat member libraries worldwide
Here is a comprehensive overview of the pioneering work of Edgar Degas. Packed with over 200 illustrations, it explores the pictorial world of the man whose formal innovations, commitment to realism and the exploration of both the light and dark sides of contemporary society foreshadowed the art of the 20th century, with Hofmann bringing his own surprising new insights to many of Degas's best-known works. Degas regularly took part in the Impressionists' group exhibitions but followed his own path from the start. In contrast to the sense of harmony pursued by his fellow painters, he produced images of the social world, charged with tension. He depicted the brittle nature of bourgeois life and relationships, and explored the marginal areas of society, where his artistic gaze fell predominantly upon female subjects: washerwomen and seamstresses, dancers and prostitutes. Degas portrayed these women at work and at rest, with others and alone, with a striking focus on the female body in all its forms: decorated, desired, bought and sold, and--only occasionally--liberated. This interest in human isolation and alienation led to formal experiments in which Degas broke with the strict rules of central perspective to create a sense of unbalance and unease. Werner Hofmann's penetrating analysis is interspersed with insights into Degas's bourgeois background, and his artistic trajectory is placed within the context of the major currents of 19th-century art, with David, Ingres, Delacroix, Courbet and the Impressionists among the key points of reference. In this way, we see not only the traditions that influenced him but also his striking individuality and spirit of innovation, which forged a new artistic path into the 20th century
2 editions published in 2007 in English and held by 585 WorldCat member libraries worldwide
Here is a comprehensive overview of the pioneering work of Edgar Degas. Packed with over 200 illustrations, it explores the pictorial world of the man whose formal innovations, commitment to realism and the exploration of both the light and dark sides of contemporary society foreshadowed the art of the 20th century, with Hofmann bringing his own surprising new insights to many of Degas's best-known works. Degas regularly took part in the Impressionists' group exhibitions but followed his own path from the start. In contrast to the sense of harmony pursued by his fellow painters, he produced images of the social world, charged with tension. He depicted the brittle nature of bourgeois life and relationships, and explored the marginal areas of society, where his artistic gaze fell predominantly upon female subjects: washerwomen and seamstresses, dancers and prostitutes. Degas portrayed these women at work and at rest, with others and alone, with a striking focus on the female body in all its forms: decorated, desired, bought and sold, and--only occasionally--liberated. This interest in human isolation and alienation led to formal experiments in which Degas broke with the strict rules of central perspective to create a sense of unbalance and unease. Werner Hofmann's penetrating analysis is interspersed with insights into Degas's bourgeois background, and his artistic trajectory is placed within the context of the major currents of 19th-century art, with David, Ingres, Delacroix, Courbet and the Impressionists among the key points of reference. In this way, we see not only the traditions that influenced him but also his striking individuality and spirit of innovation, which forged a new artistic path into the 20th century
Edgar Degas : drawings and pastels by
Christopher Lloyd(
Book
)
8 editions published between 2014 and 2017 in English and held by 579 WorldCat member libraries worldwide
Arranged chronologically, presents over 230 of the French artist's drawings and pastels, looking at his stylistic evolution and placing his works in the cultural context of his time
8 editions published between 2014 and 2017 in English and held by 579 WorldCat member libraries worldwide
Arranged chronologically, presents over 230 of the French artist's drawings and pastels, looking at his stylistic evolution and placing his works in the cultural context of his time
Degas and the business of art : a cotton office in New Orleans by
Marilyn Brown(
Book
)
7 editions published in 1994 in English and held by 567 WorldCat member libraries worldwide
Edgar Degas's painting entitled A Cotton Office in New Orleans is one of the most significant images of nineteenth-century capitalism, in part because it was the first painting by an Impressionist to be purchased by a museum. Drawing upon archival materials, Marilyn R. Brown explores the accumulated social meanings of the work in light of shifting audiences and changing market conditions and assesses the artist's complicated relationship to the business of art. Despite the financial failure of the actual cotton firm he represented, Degas carefully constructed his picture with a particular buyer - a British textile manufacturer - in mind. However, world events, including an international stock market crash and declines in the market for cotton and art, destroyed his hopes for this sale. It was under these circumstances that the canvas was exhibited in the second Impressionist show in Paris in 1876. While it received a more positive response than other works exhibited, its success was with the conservative audience. After considerable difficulty, Degas finally succeeded in selling the painting in 1878 to the newly founded museum in the city of Pau. The painting was probably regarded as an appropriate homage to the old textile manufacturing family who funded its purchase. It also appealed to "progressive" provincial and more cosmopolitan audiences in Pau. The picture's scattered form and atomized figures - in which some interpreters today read evidence of the artist's own ambivalence about capitalism - seemingly contributed to its "innovative" cachet in Pau. But the private and public meanings of the painting had shifted, in discontinuous fashion, between its production and consumption. Under the circumstances, Degas's unfixed and even mixed messages about business became, among other things, his most successful (if unwitting) marketing strategy. The official recognition Degas received in Pau in 1878 heralded the gradual upswing of his own financial status during the 1880s, but his attitudes toward success remained mixed
7 editions published in 1994 in English and held by 567 WorldCat member libraries worldwide
Edgar Degas's painting entitled A Cotton Office in New Orleans is one of the most significant images of nineteenth-century capitalism, in part because it was the first painting by an Impressionist to be purchased by a museum. Drawing upon archival materials, Marilyn R. Brown explores the accumulated social meanings of the work in light of shifting audiences and changing market conditions and assesses the artist's complicated relationship to the business of art. Despite the financial failure of the actual cotton firm he represented, Degas carefully constructed his picture with a particular buyer - a British textile manufacturer - in mind. However, world events, including an international stock market crash and declines in the market for cotton and art, destroyed his hopes for this sale. It was under these circumstances that the canvas was exhibited in the second Impressionist show in Paris in 1876. While it received a more positive response than other works exhibited, its success was with the conservative audience. After considerable difficulty, Degas finally succeeded in selling the painting in 1878 to the newly founded museum in the city of Pau. The painting was probably regarded as an appropriate homage to the old textile manufacturing family who funded its purchase. It also appealed to "progressive" provincial and more cosmopolitan audiences in Pau. The picture's scattered form and atomized figures - in which some interpreters today read evidence of the artist's own ambivalence about capitalism - seemingly contributed to its "innovative" cachet in Pau. But the private and public meanings of the painting had shifted, in discontinuous fashion, between its production and consumption. Under the circumstances, Degas's unfixed and even mixed messages about business became, among other things, his most successful (if unwitting) marketing strategy. The official recognition Degas received in Pau in 1878 heralded the gradual upswing of his own financial status during the 1880s, but his attitudes toward success remained mixed
Degas, the dancers by
George T. M Shackelford(
Book
)
8 editions published in 1984 in English and held by 561 WorldCat member libraries worldwide
8 editions published in 1984 in English and held by 561 WorldCat member libraries worldwide
Degas and the Little Dancer by
Richard Kendall(
Book
)
10 editions published in 1998 in English and held by 547 WorldCat member libraries worldwide
This beautiful book is the first full-length study of the subject and offers entirely new perspectives on a work that is widely regarded as a key precursor of twentieth-century sculpture. In three chapters, Richard Kendall analyzes the origins of this distinctive figure in Degas's ballet imagery; explores the condition of French sculpture in the 1870s and the significance of Degas's choice of materials, procedures, and exhibition strategy; and describes the critical responses to the first public display of the statuette, particularly those comparing it with dolls and the art of ancient Egypt. Douglas W. Druick then explores the fascinating association between the sculpture and views of criminality current in the artist's day, and for the first time in the history of the work, Arthur Beale examines the technical character of its variant forms using laboratory analysis and X-ray photography. The book presents sixty-five color plates of major works by Degas that encompass the genesis and legacy of the Little Dancer, as well as a wealth of comparative plates and preparatory drawings, some never before published
10 editions published in 1998 in English and held by 547 WorldCat member libraries worldwide
This beautiful book is the first full-length study of the subject and offers entirely new perspectives on a work that is widely regarded as a key precursor of twentieth-century sculpture. In three chapters, Richard Kendall analyzes the origins of this distinctive figure in Degas's ballet imagery; explores the condition of French sculpture in the 1870s and the significance of Degas's choice of materials, procedures, and exhibition strategy; and describes the critical responses to the first public display of the statuette, particularly those comparing it with dolls and the art of ancient Egypt. Douglas W. Druick then explores the fascinating association between the sculpture and views of criminality current in the artist's day, and for the first time in the history of the work, Arthur Beale examines the technical character of its variant forms using laboratory analysis and X-ray photography. The book presents sixty-five color plates of major works by Degas that encompass the genesis and legacy of the Little Dancer, as well as a wealth of comparative plates and preparatory drawings, some never before published
Edgar Degas : Waiting by
Richard Thomson(
Book
)
13 editions published between 1995 and 2013 in English and held by 491 WorldCat member libraries worldwide
"Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career." "In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery."--Jacket
13 editions published between 1995 and 2013 in English and held by 491 WorldCat member libraries worldwide
"Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career." "In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery."--Jacket
A Degas sketchbook by
Edgar Degas(
Book
)
11 editions published between 1988 and 2000 in English and French and held by 478 WorldCat member libraries worldwide
Reproduces all of the significant pages from Degas's 1877 sketchbook, placing Degas both within the context of the cultivated salon of the Halévy family and the larger world of late 19th-century Paris
11 editions published between 1988 and 2000 in English and French and held by 478 WorldCat member libraries worldwide
Reproduces all of the significant pages from Degas's 1877 sketchbook, placing Degas both within the context of the cultivated salon of the Halévy family and the larger world of late 19th-century Paris
Degas : impressions of a great master by
Gerhard Gruitrooy(
Book
)
3 editions published in 1994 in English and held by 454 WorldCat member libraries worldwide
This volume tells the story of Degas through 129 full-color reproductions of his works
3 editions published in 1994 in English and held by 454 WorldCat member libraries worldwide
This volume tells the story of Degas through 129 full-color reproductions of his works
Degas/Lautrec by
Edgar Degas(
Book
)
8 editions published between 1967 and 1970 in 3 languages and held by 437 WorldCat member libraries worldwide
8 editions published between 1967 and 1970 in 3 languages and held by 437 WorldCat member libraries worldwide
Edgar Degas sculpture by
National Gallery of Art (U.S.)(
Book
)
5 editions published in 2010 in English and held by 429 WorldCat member libraries worldwide
This volume presents the sculptures of French artist Edgar Degas (1834-1917). Degas is known for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism, although he rejected the term, and preferred to be called a realist. Although best known as a painter, his most widely known work is a sculpture, "Little Dancer Aged Fourteen". Executed in wax, near life-sized, dressed in a ballerina's tutu, with real ballet slippers and real hair, the sculpture caused a sensation when it was exhibited in 1881. It is the only sculpture Degas ever showed publicly, though more than one hundred -- of dancers, horses, and bathers -- were found in his studio after he died, all dusty, some fallen apart. This work includes essays on Degas' life and work, his sculptural technique and materials, and the story of the sculptures after his death. It features art-historical and technical discussions of every work in the collection as well as concordances and bibliography
5 editions published in 2010 in English and held by 429 WorldCat member libraries worldwide
This volume presents the sculptures of French artist Edgar Degas (1834-1917). Degas is known for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism, although he rejected the term, and preferred to be called a realist. Although best known as a painter, his most widely known work is a sculpture, "Little Dancer Aged Fourteen". Executed in wax, near life-sized, dressed in a ballerina's tutu, with real ballet slippers and real hair, the sculpture caused a sensation when it was exhibited in 1881. It is the only sculpture Degas ever showed publicly, though more than one hundred -- of dancers, horses, and bathers -- were found in his studio after he died, all dusty, some fallen apart. This work includes essays on Degas' life and work, his sculptural technique and materials, and the story of the sculptures after his death. It features art-historical and technical discussions of every work in the collection as well as concordances and bibliography
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fewer
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Related Identities
- Kendall, Richard Other Compiler Author Editor
- Boggs, Jean Sutherland Other Contributor Author Editor Creator
- Metropolitan Museum of Art (New York, N.Y.) Other Sponsor
- Renoir, Auguste 1841-1919 Engraver Illustrator Artist Author
- Monet, Claude 1840-1926 Illustrator Artist
- Gardner, Isabella Stewart 1840-1924
- Shapiro, Barbara A. 1951- Author
- Cassatt, Mary 1844-1926 Honoree Artist
- Rich, Daniel Catton 1904-1976 Other Writer of accompanying material Author of introduction Author Editor Creator
- Manet, Édouard 1832-1883 Engraver Illustrator Artist
Useful Links
Associated Subjects
Art Art, French Art--Forgeries Art forgers Art Institute of Chicago Artists Artists--Psychology Art--Private collections Bacon, Francis, Ballerinas Ballet dancers in art Ballet dancing Ballet dancing in art California--Los Angeles Cassatt, Mary, Cotton office in New Orleans (Pau (France). Musée des beaux-arts) (Degas, Edgar) Creation (Literary, artistic, etc.) Dancers in art Degas, Edgar, De Kooning, Willem, Drawing France Freud, Lucian Friendship Gardner, Isabella Stewart, Impressionism (Art) Impressionist artists J. Paul Getty Museum Landscapes in art Manet, Édouard, Matisse, Henri, Monet, Claude, Morisot, Berthe, National Gallery of Art (U.S.) Painters Painting, French Pavlova, Anna, Picasso, Pablo, Pissarro, Camille, Pollock, Jackson, Portrait photography Renoir, Auguste, Russia (Federation) Sculpture Sculpture, French Social problems in art Themes, motives Toulouse-Lautrec, Henri de, Waiting (Degas, Edgar) Washington (D.C.)
Covers
Alternative Names
De Gas Edgar
De Gas, Edgar 1834-1917
de Gas, Hilaire Germain Edgar
De Gas Hilaire-Germain-Edgar 1834-1917
Dega E.H.Ž.
Dega Edgar
Dega, Ėdgar 1834-1917
Dega Edgaras
Dega Edgaras Hileras Žermenas
Degā, Edgars 1834-1917
Dega Iler Jermen Edgar
Degā, Ilērs Žermēns Edgars 1834-1917
Degas.
Degas 1834-1917
degas e.
Degas, E. M. 1834-1917
degas edgar
Degas, Edgar 1834-1917
Degas, Edgar Germain Hilaire
Degas, Edgar H. 1834-1917
Degas, Edgar Hilaire Germain
Degas, Edgar-Hilaire-Germain 1834-1917
degas, edgar hillaire germaine
Degas, Edgard 1834-1917
Degas, Edouard
degas, h.g.e.
Degas, Hilaire Germain
Degas Hilaire Germain Edgar
Degas Hilaire-Germain-Edgar 1834-1917
Degas, Hilaire Germain Edgar Degas
Degas, Hilaire-Germain Edgard 1834-1917
degas, hilaire germaine edgar
degas, hilaire german edgar
degas, Hillaire germaine edgar
degas, jilaire germain edgar degas
Doga 1834-1917
Doga Edogā 1834-1917
Doujia, 1834-1917
e. degas
Edgar Dega
Edgar Degas
Edgar Degas 1834-1917
Edgar Degas artist francez
Edgar Degas artista francés
Edgar Degas francia festő és szobrász
Edgar Degas francoski slikar
Edgar Degas Frans kunstschilder
Edgar Degas französischer Maler und Bildhauer
Edgar Degas French artist
Edgar Degas malarz i rzeźbiarz francuski
Edgar Degas Painter
Edgar Degas peintre français
Edgar Degas Phransiya jacha marka yäpa llimphiyri
Edgar Degas pintor y escultor francés
Edgar Degas pittore e scultore francese
Edgar Degas Prantsusmaa kunstnik
Edgar Degas Ransiya mama llaqtayuq llimphiq
Edgar Degas ranskalainen taiteilija
Edgar Germain Hilaire Degas
edgar hilaire germain degas
Edgars Degā
Edgarus Degas
Edogā Doga 1834-1917
Edqar Deqa
Gas, Ed 1834-1917
Gas Edgar de
Gas, Edgar De 1834-1917
Gas Hilaire Germain Edgar de
Gas Hilaire-Germain-Edgar de 1834-1917
h.e.g. degas
h.g.e. degas
hilaire degas
Hilaire Germain Edgar de Gas
hilaire germain edgar degas
Hilarie Germain Edgar Degas
Jilaira Germain Edgar Degas
Te-chia
Te-chia 1834-1917
Εντγκάρ Ντεγκά
Га И.-Ж.-Э. де художник 1834-1917
Дега, Илер Жермен Эдгар
Дега Эдгар
Дега, Эдгар 1834-1917
Дега, Эдгар французский художник
Едгар Дега
Едґар Деґа
Едґар Деґа французький художник
Эдгар Дэга
Էդգար Դեգա
Էդգար Դեգա ֆրանսիացի նկարիչ
אדגר דגה
אדגר דגה צייר ופסל צרפתי
גה, אדגר די
דגא, אדגר
דגה, אדגאר.
דגה, אדגאר 1834־1917
דגה, אדגר 1834-1917
דגה, אילר ג'רמן אדגר
דגה, אילר ז'רמן אדגאר
דה גה, אדגר
דיגה, אדגר
إدجار ديجا، 1834-1917
إدغار ديغا
إدغار ديغا رسام و نحات فرنسى
ادگار دگا شاعر، نقاش، و مجسمهساز فرانسوی
ديجاه، إدجار، 1834-1917
ئێدگار دیگا
एदगा दगा
एद्गर देगास
এদ্গার দ্যগা
এদ্গার দ্যগা ফরাসি শিল্পী
എഡ്ഗാർ ഡെഗാ
แอดการ์ เดอกา
ედგარ დეგა
드가, 에드가 1834-1917
드가, 일레 제르맹 에드가 1834-1917
에드가 드가
エドガー・ドガ
エドガー・ドガ 1834-1917
ドガ
ドガ 1834-1917
ドガ, エドガー
ドガ, エドガー 1834-1917
埃德加·德加
埃德加·德加 印象派法國藝術家
德加
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