St. Louis Art Museum
Overview
| Works: | 1,655 works in 2,628 publications in 2 languages and 38,598 library holdings |
|---|---|
| Genres: | Exhibition catalogs Catalogs Art History Criticism, interpretation, etc Periodicals Exhibition, pictorial works Illustrated works Biographies Guidebooks |
| Roles: | Other, isb, his, Organizer of meeting, Editor, Publisher, sht, Contributor |
| Classifications: | N729, 709.24 |
Publication Timeline
.
Most widely held works about
St. Louis Art Museum
- Visions of the people : a pictorial history of Plains Indian life by Evan M Maurer( Book )
- Pre-Columbian art : the Morton D. May and the St. Louis Art Museum Collections by Lee Allen Parsons( Book )
- Handbook of the collection by Saint Louis Art Museum( Book )
- The St. Louis Art Museum : handbook of the collections by St. Louis Art Museum( Book )
- Max Beckmann at the Saint Louis Art Museum : the paintings by St. Louis Art Museum( Book )
- Conflicts of interest : art and war in modern Japan by Saint Louis Art Museum( Book )
- The Saint Louis Art Museum handbook of the collections by Saint Louis Art Museum( Book )
- Annual report by St. Louis Art Museum( )
- The St. Louis Art Museum annual report by St. Louis Art Museum( )
- Ancient Chinese bronzes in the Saint Louis Art Museum by St. Louis Art Museum( Book )
- Plains Indian art of the early reservation era : the Donald Danforth Jr. collection at the Saint Louis Art Museum by St. Louis Art Museum( Book )
- Preclassic ceramic traditions in central Mexico by St. Louis Art Museum( Book )
- The architecture of the St. Louis Art Museum, 1904-1977 by Hardy Holzman Pfeiffer Associates( Book )
- The carpet and the connoisseur : the James F. Ballard collection of oriental rugs by St. Louis Art Museum( Book )
- Learning to see : Renaissance and baroque masterworks from the Phoebe Dent Weil and Mark S. Weil collection by St. Louis Art Museum( Book )
- Prints in Germany, 1905-1923 by St. Louis Art Museum( Book )
- Photography in modern Europe by St. Louis Art Museum( Book )
- Gerhard Richter : paintings, prints and photographs in the collection of the Saint Louis Art Museum by St. Louis Art Museum( Book )
- The Saint Louis Art Museum biennial report by St. Louis Art Museum( )
- Annual report of the Administrative Board of Control for the year ending by City Art Museum of St. Louis( )
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Most widely held works by
St. Louis Art Museum
Masks : faces of culture by
John W Nunley(
Book
)
10 editions published in 1999 in English and held by 1,247 WorldCat member libraries worldwide
"Transporting readers across centuries and continents, this volume presents masks from all over the world. 200 colorplates provide such stunning and diverse examples as an intricately carved coronation mask from Cameroon; an exquisite gold Egyptian mummy mask; colorful Mexican Day of the Dead masks; and breathtaking Noh theater masks from Japan." "Accompanying the photographs are essays tracing the functions of masks throughout history, written by scholars in the fields of art history, anthropology, decorative arts and design, and theater. John Nunley examines cross-cultural themes in his discussion of the origins of masks and their use in rituals. He also analyzes the phenomenon of men who "cross-dress" in masquerade, because women are not allowed to wear masks in many societies." "John Emigh and Lesley K. Ferris explore the role of masks in theater, whose roots lie in ritual performance. Cara McCarty looks at the ways in which masks are featured in the medium of film as well. But these artistic examples are not the only masks found in industrial societies. McCarty also discusses the proliferation of masks for physical protection, in areas such as military combat, sports competitions, and space exploration."--Jacket
10 editions published in 1999 in English and held by 1,247 WorldCat member libraries worldwide
"Transporting readers across centuries and continents, this volume presents masks from all over the world. 200 colorplates provide such stunning and diverse examples as an intricately carved coronation mask from Cameroon; an exquisite gold Egyptian mummy mask; colorful Mexican Day of the Dead masks; and breathtaking Noh theater masks from Japan." "Accompanying the photographs are essays tracing the functions of masks throughout history, written by scholars in the fields of art history, anthropology, decorative arts and design, and theater. John Nunley examines cross-cultural themes in his discussion of the origins of masks and their use in rituals. He also analyzes the phenomenon of men who "cross-dress" in masquerade, because women are not allowed to wear masks in many societies." "John Emigh and Lesley K. Ferris explore the role of masks in theater, whose roots lie in ritual performance. Cara McCarty looks at the ways in which masks are featured in the medium of film as well. But these artistic examples are not the only masks found in industrial societies. McCarty also discusses the proliferation of masks for physical protection, in areas such as military combat, sports competitions, and space exploration."--Jacket
Orazio and Artemisia Gentileschi by
Keith Christiansen(
Book
)
7 editions published in 2001 in English and held by 1,203 WorldCat member libraries worldwide
The catalogue for the first full-scale exhibition of the works of Orazio Gentileschi, the most talented follower of Caravaggio and a figure of international renown, and his daughter Artemisia, the first Italian woman artist who was not only praised for her art by her contemporaries but whose paintings influenced the work of later generations
7 editions published in 2001 in English and held by 1,203 WorldCat member libraries worldwide
The catalogue for the first full-scale exhibition of the works of Orazio Gentileschi, the most talented follower of Caravaggio and a figure of international renown, and his daughter Artemisia, the first Italian woman artist who was not only praised for her art by her contemporaries but whose paintings influenced the work of later generations
Frederic Remington : the masterworks by
Michael Edward Shapiro(
Book
)
7 editions published in 1988 in English and held by 1,193 WorldCat member libraries worldwide
This catalog was published for the Saint Louis Art Museum in conjunction with the Buffalo Bill Historical Center, at Cody, Wyoming, by Harry N. Abrams. The 180 plates highlight Remington's diverse artistic pursuits--paintings, drawings, photographs, and sculptures. MCullough sketches a portrait of Remington, a man of powerful and complex personality. Burke places him in the context of his artistic generation at home and abroad. Hassrick traces the artist's development from a magazine illustrator to a versatile painter. Shapiro shows that Remington's cantilevered bronzes were at the forefront of developments in Europe and America. Seelye explores the artist's ability as a writer of fiction. The volume also includes comparative illustrations of works by his contemporaries, and views of the artist painting or adventuring in the west, and shows how Remington was much more than an artist of the American West
7 editions published in 1988 in English and held by 1,193 WorldCat member libraries worldwide
This catalog was published for the Saint Louis Art Museum in conjunction with the Buffalo Bill Historical Center, at Cody, Wyoming, by Harry N. Abrams. The 180 plates highlight Remington's diverse artistic pursuits--paintings, drawings, photographs, and sculptures. MCullough sketches a portrait of Remington, a man of powerful and complex personality. Burke places him in the context of his artistic generation at home and abroad. Hassrick traces the artist's development from a magazine illustrator to a versatile painter. Shapiro shows that Remington's cantilevered bronzes were at the forefront of developments in Europe and America. Seelye explores the artist's ability as a writer of fiction. The volume also includes comparative illustrations of works by his contemporaries, and views of the artist painting or adventuring in the west, and shows how Remington was much more than an artist of the American West
Henri Matisse : paper cut-outs by
Henri Matisse(
Book
)
6 editions published in 1977 in English and held by 1,019 WorldCat member libraries worldwide
6 editions published in 1977 in English and held by 1,019 WorldCat member libraries worldwide
The American West; painters from Catlin to Russell by
Larry Curry(
Book
)
8 editions published in 1972 in English and held by 991 WorldCat member libraries worldwide
Catalog of an exhibition held Mar. 21-May 28, 1972, at the Los Angeles County Museum of Art, June 9-Sept. 17, 1972, at the M. H. de Young Memorial Museum, San Francisco, and Nov. 2-Dec. 31, 1972, at the St. Louis Art Museum
8 editions published in 1972 in English and held by 991 WorldCat member libraries worldwide
Catalog of an exhibition held Mar. 21-May 28, 1972, at the Los Angeles County Museum of Art, June 9-Sept. 17, 1972, at the M. H. de Young Memorial Museum, San Francisco, and Nov. 2-Dec. 31, 1972, at the St. Louis Art Museum
The West as America : reinterpreting images of the frontier, 1820-1920 by
William H Truettner(
Book
)
9 editions published in 1991 in English and held by 973 WorldCat member libraries worldwide
9 editions published in 1991 in English and held by 973 WorldCat member libraries worldwide
George Caleb Bingham by
Michael Edward Shapiro(
Book
)
13 editions published in 1990 in English and Undetermined and held by 809 WorldCat member libraries worldwide
13 editions published in 1990 in English and Undetermined and held by 809 WorldCat member libraries worldwide
Vincent Van Gogh and the painters of the petit boulevard by
Cornelia Homburg(
Book
)
11 editions published in 2001 in English and held by 728 WorldCat member libraries worldwide
"Most people think of van Gogh as a tortured loner, but the engrossing Vincent van Gogh and the Painters of the Petit Boulevard makes plain his great desire to be part of the art world of his time. Focusing on the years between 1886 (when he came to Paris) and 1890 (the year of his death), four art historians examine the competitive spirit of young radical painters who searched for ways to express their reactions to an industrialized world increasingly remote from the idealized values of peasant life. The painters (who included Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, Paul Signac, and Émile Bernard) were vastly different from one another in style and temperament. Yet van Gogh embraced them all as "painters of the petit boulevard"--Fellow unrecognized artists toiling in out-of-the-way studios and showing their work in cafés rather than in swank galleries. Dreaming of founding a colony of like-minded painters he called "The Studio of the South," van Gogh decamped to Arles in 1888. But the only artist who joined him, for two stressful months, was Gauguin. Both were loners, and differences loomed large. While van Gogh worked from nature, conveying his physical engagement with thick marks on canvas, Gauguin looked inward, abstracting objects with a thin application of paint. Even on a personal level, Gauguin's swaggering ease with the local women magnified van Gogh's insecurities. Each essay illuminates a different aspect of the complex personal, social, and artistic motivations that fueled each "petit boulevard" artist's search for a personal artistic identity. Lavishly illustrated and fluidly written, this book is the catalog for an exhibition of the same name at the St. Louis Art Museum (through May 13, 2001) and the Städelsches Kunstinstitut, Frankfurt (June 8-September 2, 2001)."
11 editions published in 2001 in English and held by 728 WorldCat member libraries worldwide
"Most people think of van Gogh as a tortured loner, but the engrossing Vincent van Gogh and the Painters of the Petit Boulevard makes plain his great desire to be part of the art world of his time. Focusing on the years between 1886 (when he came to Paris) and 1890 (the year of his death), four art historians examine the competitive spirit of young radical painters who searched for ways to express their reactions to an industrialized world increasingly remote from the idealized values of peasant life. The painters (who included Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, Paul Signac, and Émile Bernard) were vastly different from one another in style and temperament. Yet van Gogh embraced them all as "painters of the petit boulevard"--Fellow unrecognized artists toiling in out-of-the-way studios and showing their work in cafés rather than in swank galleries. Dreaming of founding a colony of like-minded painters he called "The Studio of the South," van Gogh decamped to Arles in 1888. But the only artist who joined him, for two stressful months, was Gauguin. Both were loners, and differences loomed large. While van Gogh worked from nature, conveying his physical engagement with thick marks on canvas, Gauguin looked inward, abstracting objects with a thin application of paint. Even on a personal level, Gauguin's swaggering ease with the local women magnified van Gogh's insecurities. Each essay illuminates a different aspect of the complex personal, social, and artistic motivations that fueled each "petit boulevard" artist's search for a personal artistic identity. Lavishly illustrated and fluidly written, this book is the catalog for an exhibition of the same name at the St. Louis Art Museum (through May 13, 2001) and the Städelsches Kunstinstitut, Frankfurt (June 8-September 2, 2001)."
Roy Lichtenstein, 1970-1980 by
Jack Cowart(
Book
)
14 editions published in 1981 in English and Undetermined and held by 726 WorldCat member libraries worldwide
14 editions published in 1981 in English and Undetermined and held by 726 WorldCat member libraries worldwide
In the light of Italy : Corot and early open-air painting by
Philip Conisbee(
Book
)
8 editions published in 1996 in English and Spanish and held by 670 WorldCat member libraries worldwide
Prominent art historians Philip Conisbee, Sarah Faunce, Jeremy Strick, Peter Galassi, and Vincent Pomarede discuss the cultural, theoretical, and art historical background of this school of outdoor painting. They examine the early history of open-air painting, its theory and practice, the sites of Rome and southern Italy that were painted, and the delicate balance that existed among realism, memory and imagination. A rich selection of representative paintings is discussed and reproduced. The book is the catalogue for an exhibition at the National Gallery of Art, Washington, the Brooklyn Museum, and the Saint Louis Art Museum
8 editions published in 1996 in English and Spanish and held by 670 WorldCat member libraries worldwide
Prominent art historians Philip Conisbee, Sarah Faunce, Jeremy Strick, Peter Galassi, and Vincent Pomarede discuss the cultural, theoretical, and art historical background of this school of outdoor painting. They examine the early history of open-air painting, its theory and practice, the sites of Rome and southern Italy that were painted, and the delicate balance that existed among realism, memory and imagination. A rich selection of representative paintings is discussed and reproduced. The book is the catalogue for an exhibition at the National Gallery of Art, Washington, the Brooklyn Museum, and the Saint Louis Art Museum
Bulletin by
St. Louis Art Museum(
)
in English and Undetermined and held by 666 WorldCat member libraries worldwide
in English and Undetermined and held by 666 WorldCat member libraries worldwide
Louis Sullivan : the function of ornament by
Louis H Sullivan(
Book
)
8 editions published in 1986 in English and held by 641 WorldCat member libraries worldwide
Werk van de Amerikaanse architekt
8 editions published in 1986 in English and held by 641 WorldCat member libraries worldwide
Werk van de Amerikaanse architekt
Caribbean festival arts : each and every bit of difference by
John W Nunley(
Book
)
8 editions published in 1988 in English and Spanish and held by 632 WorldCat member libraries worldwide
8 editions published in 1988 in English and Spanish and held by 632 WorldCat member libraries worldwide
Art of the Osage by
Garrick Alan Bailey(
Book
)
4 editions published in 2004 in English and held by 579 WorldCat member libraries worldwide
The Osage people, who have flourished in several locations and within a multiplicity of environments in the American Midwest, have infused their arts with an aesthetic vigor bound to an exquisite simplicity. Art of the Osage, the first comprehensive presentation of the art of the Osage people, explores the interconnections among their material culture, social organization, cosmology, aesthetics, and rituals. This volume draws together more than two centuries' worth of Osage art, tracing the patterns of Osage life and culture as they existed from contact to the present. The Osage people thrived in the central Mississippi Valley fur trade from the late seventeenth through the early nineteenth centuries, were forcibly relocated into Northern Oklahoma in the nineteenth century, and prospered again from mineral and oil wealth in the twentieth century. As with other civilizations that have balanced abundance with hardship, the Osage experience yielded a highly refined artistic tradition, rich in meaning and complex in its commitment to utility. Cradleboards, headdresses, riding quirts and war clubs, beadwork and ribbon work, blankets, peyote fans, rattles, wedding garments, and dance costumes display the range and beauty of Osage material culture. In contrast to many other Native American artistic traditions, Osage art has never been commercialized: artisans have typically made items only for members of their families or other members of the Osage community. Although contemporary Osage art shows direct continuity in decorative motifs and basic forms with early historic Osage art, it is still a dynamic and evolving artistic tradition. Uninfluenced by external market forces, it represents one of a declining number of true indigenous living artistic traditions. The works illustrated here reveal the bold yet subtle aesthetic of Osage art, one of the most distinctive and significant Native artistic traditions in the United States. --
4 editions published in 2004 in English and held by 579 WorldCat member libraries worldwide
The Osage people, who have flourished in several locations and within a multiplicity of environments in the American Midwest, have infused their arts with an aesthetic vigor bound to an exquisite simplicity. Art of the Osage, the first comprehensive presentation of the art of the Osage people, explores the interconnections among their material culture, social organization, cosmology, aesthetics, and rituals. This volume draws together more than two centuries' worth of Osage art, tracing the patterns of Osage life and culture as they existed from contact to the present. The Osage people thrived in the central Mississippi Valley fur trade from the late seventeenth through the early nineteenth centuries, were forcibly relocated into Northern Oklahoma in the nineteenth century, and prospered again from mineral and oil wealth in the twentieth century. As with other civilizations that have balanced abundance with hardship, the Osage experience yielded a highly refined artistic tradition, rich in meaning and complex in its commitment to utility. Cradleboards, headdresses, riding quirts and war clubs, beadwork and ribbon work, blankets, peyote fans, rattles, wedding garments, and dance costumes display the range and beauty of Osage material culture. In contrast to many other Native American artistic traditions, Osage art has never been commercialized: artisans have typically made items only for members of their families or other members of the Osage community. Although contemporary Osage art shows direct continuity in decorative motifs and basic forms with early historic Osage art, it is still a dynamic and evolving artistic tradition. Uninfluenced by external market forces, it represents one of a declining number of true indigenous living artistic traditions. The works illustrated here reveal the bold yet subtle aesthetic of Osage art, one of the most distinctive and significant Native artistic traditions in the United States. --
German art now by
Cornelia Homburg(
Book
)
11 editions published in 2003 in English and held by 577 WorldCat member libraries worldwide
Stunningly illustrated, 'German Art Now' focuses on the group of artists who defined the German response to their country's destruction, division and reconstruction after World War II
11 editions published in 2003 in English and held by 577 WorldCat member libraries worldwide
Stunningly illustrated, 'German Art Now' focuses on the group of artists who defined the German response to their country's destruction, division and reconstruction after World War II
Carleton E. Watkins, photographer of the American West by
Peter E Palmquist(
Book
)
2 editions published in 1983 in English and held by 562 WorldCat member libraries worldwide
Works of the nineteenth century photographer who focused mainly on landscape photos, and Yosemite was a favorite subject of his. His photos of the valley significantly influenced the United States Congress' decision to preserve it as a National Park
2 editions published in 1983 in English and held by 562 WorldCat member libraries worldwide
Works of the nineteenth century photographer who focused mainly on landscape photos, and Yosemite was a favorite subject of his. His photos of the valley significantly influenced the United States Congress' decision to preserve it as a National Park
Painting on light : drawings and stained glass in the age of Dürer and Holbein by
Barbara Butts(
Book
)
12 editions published in 2000 in English and held by 533 WorldCat member libraries worldwide
The names Albrecht Durer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, D rer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted artists and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by D rer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, J rg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Sch ufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum
12 editions published in 2000 in English and held by 533 WorldCat member libraries worldwide
The names Albrecht Durer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, D rer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted artists and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by D rer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, J rg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Sch ufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum
Defining eye : women photographers of the 20th century : selections from the Helen Kornblum collection by
Olivia Lahs-Gonzales(
Book
)
8 editions published in 1997 in English and held by 488 WorldCat member libraries worldwide
This book celebrates an international array of both historic and contemporary women photographers, whose important contributions to art and photography have provided a collective perspective on life, the self, the world, and each other. From well-known luminaries of the medium such as Diane Arbus, Margaret Bourke-White, Nan Goldin, Laura Gilpin, Dorothea Lange, Imogen Cunningham, Cindy Sherman, Tina Barney, and Annie Leibovitz, to far lesser-known figures, this book is not so much comprehensive as an ideal cross-section of those women whose images have shaped the way we view the world
8 editions published in 1997 in English and held by 488 WorldCat member libraries worldwide
This book celebrates an international array of both historic and contemporary women photographers, whose important contributions to art and photography have provided a collective perspective on life, the self, the world, and each other. From well-known luminaries of the medium such as Diane Arbus, Margaret Bourke-White, Nan Goldin, Laura Gilpin, Dorothea Lange, Imogen Cunningham, Cindy Sherman, Tina Barney, and Annie Leibovitz, to far lesser-known figures, this book is not so much comprehensive as an ideal cross-section of those women whose images have shaped the way we view the world
Structure and surface : contemporary Japanese textiles by
Cara McCarty(
Book
)
11 editions published in 1998 in English and held by 438 WorldCat member libraries worldwide
The innovative aesthetics and practices of Japanese textile designers have had an impact on fabrics, fashion and interior design throughout the world. Many examples are illustrated here with details of materials and techniques used
11 editions published in 1998 in English and held by 438 WorldCat member libraries worldwide
The innovative aesthetics and practices of Japanese textile designers have had an impact on fabrics, fashion and interior design throughout the world. Many examples are illustrated here with details of materials and techniques used
St. Louis & the Arch by
Joel Meyerowitz(
Book
)
2 editions published in 1980 in English and held by 436 WorldCat member libraries worldwide
2 editions published in 1980 in English and held by 436 WorldCat member libraries worldwide
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Audience Level
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Related Identities
- National Gallery of Art (U.S.) Other
- Nunley, John W. (John Wallace) 1945- Author
- Cowart, Jack Other Author Editor
- Shapiro, Michael Edward Other Author Contributor
- Mann, Judith Walker 1950- Contributor Compiler Author Editor
- Homburg, Cornelia Other Editor Author Contributor
- McCarty, Cara Author Editor
- Metropolitan Museum of Art (New York, N.Y.)
- Los Angeles County Museum of Art Other Editor
- Remington, Frederic 1861-1909 Other Illustrator Author
Useful Links
Associated Subjects
Art Art, German Art--Private collections Bingham, George Caleb, Caribbean Area Clothing and dress Corot, Jean-Baptiste-Camille, Decoration and ornament, Architectural Europe Festivals France--Paris Frontier and pioneer life Gentileschi, Artemisia, Gentileschi, Orazio, Glass painting and staining Gogh, Vincent van, Great Plains Indian art Indians of North America--Exhibitions Italy Japan Joslyn Art Museum Kornblum, Helen Landscape painting, European Lichtenstein, Roy, Masks Matisse, Henri, May, Morton D.--(Morton David), Middle West Minneapolis Institute of Arts Missouri--Saint Louis Osage art Osage Indians--Material culture Painting, American Painting, French Paper art Photograph collections Photography Photography, Artistic Plein air painting Remington, Frederic, St. Louis Art Museum Sullivan, Louis H., Territorial expansion Travel United States Watkins, Carleton E., West Indians--Social life and customs West United States Women photographers
Covers
Alternative Names
Amgueddfa Gelf Saint Louis
Art Museum
Art Museum Saint Louis
Art Museum Saint Louis, Mo., Saint Louis Art Museum
City art museum
City art museum Saint Louis, Mo.
musée d'art de Saint-Louis
Museo de Arte de San Luis
Museu d'Art de Saint Louis
Museu de Arte de Saint Louis
Saint Louis Art Museum
Saint Louis Art Museum (Saint Louis, Missouri, Estats Units d'Amèrica)
Saint Louis (Missouri). Art Museum
Saint Louis (Missouri). St. Louis Art Museum
Saint Louis (Mo.)
Saint Louis (Mo.) Art Museum
Saint Louis (Mo.) St. Louis Art Museum
Saint Louis Museum of Art.
Saint Louis school and museum of fine arts
Sankt-Luiza Arta Muzeo
SLAM
St. Louis Art Museum.
St. Louis Art Museum (Saint Louis)
Сент-Луисский художественный музей
Художній музей Сент-Луїса
متحف سانت لويس للفنون
セントルイス美術館
圣路易斯艺术博物馆
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