Stanislavsky, Konstantin 1863-1938
Overview
| Works: | 1,654 works in 4,895 publications in 16 languages and 69,928 library holdings |
|---|---|
| Genres: | Biographies Autobiographies Personal correspondence Comedy plays History Fiction Case studies Criticism, interpretation, etc Handbooks and manuals Academic theses |
| Roles: | Author, Other, Contributor, Author of introduction, Creator, Honoree, Director, Dedicatee, Editor, Illustrator, Actor |
| Classifications: | PN2062, 792.028 |
Publication Timeline
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Most widely held works about
Konstantin Stanislavsky
- My life in art by Konstantin Stanislavsky( Book )
- Great directors at work : Stanislavsky, Brecht, Kazan, Brook by David Richard Jones( )
- The Moscow Art Theatre by Nick Worrall( )
- Makers of modern theatre : an introduction by Robert Leach( )
- Stanislavsky directs by N. M Gorchakov( Book )
- Acting : a handbook of the Stanislavski method by Toby Cole( Book )
- A dream of passion : the development of the method by Lee Strasberg( Book )
- Konstantin Stanislavsky by Bella Merlin( )
- Stanislavski, an introduction by Jean Benedetti( Book )
- Acting on impulse : reclaiming the Stanislavski approach : a practical workbook for actors by Aden Gillett( )
- Stanislavsky in America : an actor's workbook by Mel Gordon( )
- Stanislavski in rehearsal : the final years by Vasiliĭ Osipovich Toporkov( Book )
- Science and the Stanislavsky tradition of acting by Jonathan Pitches( )
- The Stanislavsky heritage, its contribution to the Russian and American theatre by Christine Edwards( Book )
- Stanislavski and the actor by Jean Benedetti( Book )
- Stanislavski by Jean Benedetti( Book )
- Stanislavsky : a life by David Magarshack( Book )
- Stanislavski : the basics by Rose Whyman( )
- The theater event : modern theories of performance by Timothy J Wiles( Book )
- Method--or madness? by Robert Lewis( Book )
more
fewer
Most widely held works by
Konstantin Stanislavsky
An actor prepares by
Konstantin Stanislavsky(
Book
)
176 editions published between 1936 and 2017 in 3 languages and held by 3,870 WorldCat member libraries worldwide
This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself
176 editions published between 1936 and 2017 in 3 languages and held by 3,870 WorldCat member libraries worldwide
This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself
Building a character by
Konstantin Stanislavsky(
Book
)
118 editions published between 1949 and 2014 in 3 languages and held by 2,896 WorldCat member libraries worldwide
Stanislavski's "System" offers both a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. Generations of actors have been inspired by his ideas -- the "magic if," "emotional memory," the "unbroken line"--And by that hallmark of Stanislavski's work, an unwavering commitment to theatrical truth
118 editions published between 1949 and 2014 in 3 languages and held by 2,896 WorldCat member libraries worldwide
Stanislavski's "System" offers both a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. Generations of actors have been inspired by his ideas -- the "magic if," "emotional memory," the "unbroken line"--And by that hallmark of Stanislavski's work, an unwavering commitment to theatrical truth
Creating a role by
Konstantin Stanislavsky(
Book
)
83 editions published between 1961 and 2014 in 3 languages and held by 2,407 WorldCat member libraries worldwide
This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three stages: "studying it; establishing the life of the role; putting it into physical form." Tracing the actor's process from the first reading to production, he explores how to approach roles from inside and outside simultaneously. He shows how to recount the story in actor's terms, how to create an inner life that will give substance to the author's words, and how to search into one's own experiences toconnect with the character's situation. Finally, he speaks of the physical expression of the character in gestures, sounds, intonation, and speech. Throughout, a picture of a real artist at work emerges, sometimes failing, but always seeking truthful answers
83 editions published between 1961 and 2014 in 3 languages and held by 2,407 WorldCat member libraries worldwide
This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three stages: "studying it; establishing the life of the role; putting it into physical form." Tracing the actor's process from the first reading to production, he explores how to approach roles from inside and outside simultaneously. He shows how to recount the story in actor's terms, how to create an inner life that will give substance to the author's words, and how to search into one's own experiences toconnect with the character's situation. Finally, he speaks of the physical expression of the character in gestures, sounds, intonation, and speech. Throughout, a picture of a real artist at work emerges, sometimes failing, but always seeking truthful answers
Stanislavsky on the art of the stage by
Konstantin Stanislavsky(
Book
)
123 editions published between 1950 and 2015 in 4 languages and held by 1,776 WorldCat member libraries worldwide
From the Introduction: The theory of acting, as evolved by Stanislavsky in his famous 'system', is not based on reasoning, as many of his critics assert, so much as on experience. It is the result of a lifetime devoted to the art of the stage, of years of experiment as actor and producer, and of a feeling of dissatisfaction with what passes for 'success' both among actors and audiences. While certain general principles of acting had been laid down by a number of famous actors and playwrights, these, Stanislavsky found, had never been reduced to a system with the result that teachers of acting have nothing on which to base their teaching, since 'inspiration' on which the theoreticians of the stage put so much stress, cannot be taught, nor can it be expected to materialize itself just when the actor needs it. Neither can producers be relied on to assist the actor in capturing this elusive 'inspiration'. 'Producers, ' Stanislavsky writes, 'explain very cleverly what sort of result they want to get; they are only interested in the final result. They criticize and tell the actor what he should not do, but they do not tell him how to achieve the required result. The producer, ' Stanislavsky adds, 'can do a great deal, but he cannot do everything by any means. For the main thing is in the hands of the actor, who must be helped and instructed first of all'
123 editions published between 1950 and 2015 in 4 languages and held by 1,776 WorldCat member libraries worldwide
From the Introduction: The theory of acting, as evolved by Stanislavsky in his famous 'system', is not based on reasoning, as many of his critics assert, so much as on experience. It is the result of a lifetime devoted to the art of the stage, of years of experiment as actor and producer, and of a feeling of dissatisfaction with what passes for 'success' both among actors and audiences. While certain general principles of acting had been laid down by a number of famous actors and playwrights, these, Stanislavsky found, had never been reduced to a system with the result that teachers of acting have nothing on which to base their teaching, since 'inspiration' on which the theoreticians of the stage put so much stress, cannot be taught, nor can it be expected to materialize itself just when the actor needs it. Neither can producers be relied on to assist the actor in capturing this elusive 'inspiration'. 'Producers, ' Stanislavsky writes, 'explain very cleverly what sort of result they want to get; they are only interested in the final result. They criticize and tell the actor what he should not do, but they do not tell him how to achieve the required result. The producer, ' Stanislavsky adds, 'can do a great deal, but he cannot do everything by any means. For the main thing is in the hands of the actor, who must be helped and instructed first of all'
An actor's work : a student's diary by
Konstantin Stanislavsky(
Book
)
12 editions published between 2007 and 2010 in English and held by 1,286 WorldCat member libraries worldwide
"Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionised standards of acting in the theatre." "Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors."--Jacket
12 editions published between 2007 and 2010 in English and held by 1,286 WorldCat member libraries worldwide
"Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionised standards of acting in the theatre." "Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors."--Jacket
An actor's handbook : an alphabetical arrangement of concise statements on aspects of acting by
Konstantin Stanislavsky(
Book
)
39 editions published between 1963 and 2004 in 3 languages and held by 1,241 WorldCat member libraries worldwide
This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski's vast output, this book covers more than one hundred and fifty key concepts, among them 'Improvisation', 'External Technique', 'Magic If', 'Imaginary Objects', 'Discipline', 'What Is My System?' and 'Stage Fright'.This reissued, attractively packaged edition will be an essential book for any performer
39 editions published between 1963 and 2004 in 3 languages and held by 1,241 WorldCat member libraries worldwide
This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski's vast output, this book covers more than one hundred and fifty key concepts, among them 'Improvisation', 'External Technique', 'Magic If', 'Imaginary Objects', 'Discipline', 'What Is My System?' and 'Stage Fright'.This reissued, attractively packaged edition will be an essential book for any performer
Stanislavski's legacy : a collection of comments on a variety of aspects of an actor's art and life by
Konstantin Stanislavsky(
Book
)
49 editions published between 1958 and 2017 in English and held by 1,218 WorldCat member libraries worldwide
Synopsis: Out of the large body of materials articles, speeches, notes and memoirs left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work. The result is a volume which supplements the other books he wrote, and re-emphasizes, sometimes in condensed and particularly vivid form, his views about acting, the theatre and life
49 editions published between 1958 and 2017 in English and held by 1,218 WorldCat member libraries worldwide
Synopsis: Out of the large body of materials articles, speeches, notes and memoirs left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work. The result is a volume which supplements the other books he wrote, and re-emphasizes, sometimes in condensed and particularly vivid form, his views about acting, the theatre and life
An actor's work on a role by
Konstantin Stanislavsky(
)
17 editions published between 2009 and 2015 in English and held by 1,087 WorldCat member libraries worldwide
An Actors Work on a Role is Konstantin Stanislavskys classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to ones role
17 editions published between 2009 and 2015 in English and held by 1,087 WorldCat member libraries worldwide
An Actors Work on a Role is Konstantin Stanislavskys classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to ones role
My life in art by
Konstantin Stanislavsky(
Book
)
131 editions published between 1922 and 2018 in 8 languages and held by 1,022 WorldCat member libraries worldwide
Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union
131 editions published between 1922 and 2018 in 8 languages and held by 1,022 WorldCat member libraries worldwide
Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union
Stanislavski on opera by
P. I Rumi︠a︡nt︠s︡ev(
Book
)
22 editions published between 1975 and 2016 in English and No Linguistic content and held by 873 WorldCat member libraries worldwide
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company
22 editions published between 1975 and 2016 in English and No Linguistic content and held by 873 WorldCat member libraries worldwide
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company
Stanislavsky produces Othello by
Konstantin Stanislavsky(
Book
)
28 editions published between 1948 and 2014 in 3 languages and held by 502 WorldCat member libraries worldwide
28 editions published between 1948 and 2014 in 3 languages and held by 502 WorldCat member libraries worldwide
The magic if; Stanislavski for children by
Elizabeth Y Kelly(
Book
)
4 editions published in 1973 in English and held by 494 WorldCat member libraries worldwide
The author applies the Stanislavski theories on acting to the training of children in dramatics. She bases the book on what she terms the "magic question" that can awaken a child's imagination: "What would I do if . . .?" The opening chapters are designed to assist the student in developing an awareness of his senses for the purpose of interpreting a character to an audience and also in gaining a new awareness of himself and his surroundings. Other chapters deal with concentration, memory, use of emotional reactions, communication to an audience, bodily action, and interpersonal relationships with other performers. At the end of the book there is a guide for the parent or teacher about implementing the exercises and practice projects suggested for the child. (Rn)
4 editions published in 1973 in English and held by 494 WorldCat member libraries worldwide
The author applies the Stanislavski theories on acting to the training of children in dramatics. She bases the book on what she terms the "magic question" that can awaken a child's imagination: "What would I do if . . .?" The opening chapters are designed to assist the student in developing an awareness of his senses for the purpose of interpreting a character to an audience and also in gaining a new awareness of himself and his surroundings. Other chapters deal with concentration, memory, use of emotional reactions, communication to an audience, bodily action, and interpersonal relationships with other performers. At the end of the book there is a guide for the parent or teacher about implementing the exercises and practice projects suggested for the child. (Rn)
The seagull by
Konstantin Stanislavsky(
Book
)
12 editions published between 1938 and 1962 in Russian and English and held by 235 WorldCat member libraries worldwide
12 editions published between 1938 and 1962 in Russian and English and held by 235 WorldCat member libraries worldwide
The seagull, produced by Stanislavsky. The seagull by
Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr(
Book
)
10 editions published in 1952 in English and Undetermined and held by 185 WorldCat member libraries worldwide
Classic comedy-drama depicting man's propensity for destroying those he is close to. The main protagonists are Trepleff, the youthful aspiring writer who dreams of bringing new forms to the theatre and Irina Arkadina, Trepleff's self-centered mother, an accomplished actress, who derides her son's ambitions
10 editions published in 1952 in English and Undetermined and held by 185 WorldCat member libraries worldwide
Classic comedy-drama depicting man's propensity for destroying those he is close to. The main protagonists are Trepleff, the youthful aspiring writer who dreams of bringing new forms to the theatre and Irina Arkadina, Trepleff's self-centered mother, an accomplished actress, who derides her son's ambitions
Selected works by
Konstantin Stanislavsky(
Book
)
13 editions published in 1984 in English and Undetermined and held by 174 WorldCat member libraries worldwide
13 editions published in 1984 in English and Undetermined and held by 174 WorldCat member libraries worldwide
Die Arbeit des Schauspielers an sich selbst : Tagebuch eines Schülers by
Konstantin Stanislavsky(
Book
)
73 editions published between 1938 and 2017 in 3 languages and held by 169 WorldCat member libraries worldwide
73 editions published between 1938 and 2017 in 3 languages and held by 169 WorldCat member libraries worldwide
La Construction du personnage by
Konstantin Stanislavsky(
Book
)
32 editions published between 1966 and 2012 in French and Undetermined and held by 168 WorldCat member libraries worldwide
Pour la plupart des hommes de théâtre français, Stanislavski est quelque chose comme un saint, un héros, un sage ou un fou. Copeau lui-même disait de lui : " Pendant de longues années, la légende de Constantin Stanislavski a brillé pour moi dans un lointain qui me semblait inaccessible ". En URSS, après avoir été tenu en suspicion après la Révolution d'Octobre, il a été remis sur son socle et transformé, bon gré mal gré, en un redoutable " petit père " du réalisme socialiste ; aux USA, il est devenu, à l'inverse, une espèce de grand sorcier du théâtre adoré au temple désaffecté de l'Actor's Studio. Or dans ce livre Stanislavski résume finalement très simplement l'essentiel de son expérience et de son enseignement : pour lui il s'agit avant tout d'incarner sur scène un personnage au lieu de se contenter de le revivre, démarche qui suppose le contrôle et la critique de soi, grâce à l'usage équilibré d'une technique tant spirituelle que corporelle. Vie intérieure et vie extérieure doivent se soutenir mutuellement afin de libérer totalement l'acteur. Loin d'être asservi, il devient alors créateur, jouant à volonté de son instrument et trouve, comme l'a dit Jouvet, avec le véritable sens de son métier, celui de sa propre vie
32 editions published between 1966 and 2012 in French and Undetermined and held by 168 WorldCat member libraries worldwide
Pour la plupart des hommes de théâtre français, Stanislavski est quelque chose comme un saint, un héros, un sage ou un fou. Copeau lui-même disait de lui : " Pendant de longues années, la légende de Constantin Stanislavski a brillé pour moi dans un lointain qui me semblait inaccessible ". En URSS, après avoir été tenu en suspicion après la Révolution d'Octobre, il a été remis sur son socle et transformé, bon gré mal gré, en un redoutable " petit père " du réalisme socialiste ; aux USA, il est devenu, à l'inverse, une espèce de grand sorcier du théâtre adoré au temple désaffecté de l'Actor's Studio. Or dans ce livre Stanislavski résume finalement très simplement l'essentiel de son expérience et de son enseignement : pour lui il s'agit avant tout d'incarner sur scène un personnage au lieu de se contenter de le revivre, démarche qui suppose le contrôle et la critique de soi, grâce à l'usage équilibré d'une technique tant spirituelle que corporelle. Vie intérieure et vie extérieure doivent se soutenir mutuellement afin de libérer totalement l'acteur. Loin d'être asservi, il devient alors créateur, jouant à volonté de son instrument et trouve, comme l'a dit Jouvet, avec le véritable sens de son métier, celui de sa propre vie
An actor's work by
Konstantin Stanislavsky(
)
6 editions published between 2016 and 2019 in English and held by 147 WorldCat member libraries worldwide
"Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre."--Publisher description
6 editions published between 2016 and 2019 in English and held by 147 WorldCat member libraries worldwide
"Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre."--Publisher description
K. Stanislavsky, 1863-1963, man and actor, Stanislavsky and the world theatre, Stanislavsky's letters by
Konstantin Stanislavsky(
Book
)
6 editions published between 1963 and 1965 in English and held by 134 WorldCat member libraries worldwide
6 editions published between 1963 and 1965 in English and held by 134 WorldCat member libraries worldwide
La formation de l'acteur by
Konstantin Stanislavsky(
Book
)
8 editions published between 1979 and 2001 in French and Undetermined and held by 126 WorldCat member libraries worldwide
Créateur du Théâtre d'art de Moscou, Stanislavski fut un des premiers rénovateurs de l'art dramatique. Son style, son exemple, son école, sa méthode de formation et sa morale ont marqué à tout jamais le monde du théâtre. Depuis, Rouché, Coupeau, Antoine, Vilar et bien d'autres se sont référés à lui
8 editions published between 1979 and 2001 in French and Undetermined and held by 126 WorldCat member libraries worldwide
Créateur du Théâtre d'art de Moscou, Stanislavski fut un des premiers rénovateurs de l'art dramatique. Son style, son exemple, son école, sa méthode de formation et sa morale ont marqué à tout jamais le monde du théâtre. Depuis, Rouché, Coupeau, Antoine, Vilar et bien d'autres se sont référés à lui
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Related Identities
- Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr
- Hapgood, Elizabeth Reynolds Other Compiler Translator Editor
- Benedetti, Jean Author Editor Translator
- Brecht, Bertolt 1898-1956
- TMW Media Group
- Films for the Humanities & Sciences (Firm)
- Strasberg, Lee
- Films Media Group
- Meĭerkholʹd, V. Ė (Vsevolod Ėmilʹevich) 1874-1940 Illustrator
- Artaud, Antonin 1896-1948
Useful Links
Associated Subjects
Acting Acting in opera Acting--Study and teaching Acting teachers Acting--Technique Actors Actors--Training of Artaud, Antonin, Bolʹshoĭ teatr SSSR Brecht, Bertolt, Brook, Peter, Capitalism Chaĭka (Chekhov, Anton Pavlovich) Chekhov, Anton Pavlovich, Child actors Children with disabilities--Education (Elementary) Communism Dramatic criticism Economic policy Friendship Griboyedov, Aleksandr Sergeyevich, Grotowski, Jerzy, Imperialism Influence (Literary, artistic, etc.) Kazan, Elia Manners and customs Meĭerkholʹd, V. Ė.--(Vsevolod Ėmilʹevich), Method acting Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr Mutter Courage und ihre Kinder (Brecht, Bertolt) Opera Opera--Production and direction Othello--(Fictitious character from Shakespeare) Othello (Shakespeare, William) Panova, Vera Fedorovna, Performing arts Russia Russia (Federation) Russia (Federation)--Moscow Shakespeare, William, Soviet Union Stanislavsky, Konstantin, Strasberg, Lee Streetcar named Desire (Williams, Tennessee) Theater Theater--Production and direction Theatrical producers and directors Toporkov, Vasiliĭ Osipovich, United States Verfolgung und Ermordung Jean Paul Marats (Weiss, Peter)
Covers
Alternative Names
Alekséev, Konstantin, 1863-1938
Alekseev, Konstantin S. 1863-1938
Alekseev, Konstantin Sergeevič
Aleksěev, Konstantin Sergěevič 1863-1938
Alekseev Konstantin Sergeevich
Alekseev Konstantin Sergeevich (1863-1938)
Alekseev, Konstantin Sergejvic̆ 1863-1938
Alekseev, Konstantin Sergueevitch
Alekseev Konstantin Sergueevitch 1863-1938
Alekseiev, Konstantine
Alekseiev, Konstantine 1863-1938
Alekseiev, Konstantine Sergueievitch
Aleksejev, Konstantin.
Aleksejev, Konstantin Sergejevic
Aleksejev, Konstantin Sergejevič, 1863-1938
Aleksejev-Stanislavski, Konstantin.
Aleksejevas Konstantinas
Alekseyev Konstantin Sergeyevich
Alekseyev, Konstantin Sergeyevich, 1863-1938
Aleksi︠e︡ev, Konstantin Sergi︠e︡evich
Aleksi︠e︡ev, Konstantin Sergi︠e︡evich, 1863-1938
Aleksiejew, K. S.
Alexeiev Constantin Sergeievich
Alexeiev Constantin Sergeievich (1863-1938)
Alexejew, Konstantin S. 1863-1938
Alexejew, Konstantin Sergejewitsch 1863-1938
Alexeyev Konstantin Sergeyevich
Alexeyev, Konstantin Sergeyevich, 1863-1938
Constantin Stanislavski
Constantin Stanislavski ator, diretor, escritor, pedagogo e pesquisador teatral
Constantinus Stanislavskij
Konstantin Sergeevič Stanislavskij attore, regista e scrittore russo
Konstantin Sergejeviĉ Stanislavski
Konstantin Sergejevič Stanislavskij
Konstantin Sergejewitsch Stanislawski
Konstantin Sergejewitsch Stanislawski Russisch - sovietischer Schausteller und Theaterregisseur
Konstantin Stanislavski acteur et metteur en scène russe
Konstantín Stanislavski actor, director y pedagogo teatral ruso
Konstantin Stanislavski Russian and Soviet actor and theatre director
Konstantin Stanislavski toneelregisseur uit Keizerrijk Rusland (1863-1938)
Konstantin Stanislavskij
Konstantin Stanislawski
Konstantin Stanisławski rosyjski reżyser teatralny, aktor, etyk teatru
Konstantinas Stanislavskis
Konstantīns Staņislavskis
Konsztantyin Szergejevics Sztanyiszlavszkij orosz színész, rendező
Sitanni 1863-1938
Sitannisilafusiji 1863-1938
Stānīslāfskī, Kūnstāntīn
Stānīslāfskī, Kūnstāntīn 1863-1938
Stanislavlski, Konstantin 1863-1938
Stanislavski
Stanislavski 1863-1938
Stanislavski, C.
Stanislavski Constantin
Stanislavski Constantin 1863-1938
Stanislavski, Constantin S. 1863-1938
Stanislavski, Constantin Sergueïevitch, 1863-1938
Stanislavski, Constantin Sergueievitch Alexeev
Stanislavski, Constantin Sergueievitch Alexeev, 1863-1938
Stanislavski, Constantino S.
Stanislavski K.S.
Stanislavskí, K. S., 1863-1938
Stanislávski, Konstantin
Stanislavski, Konstantin 1863-1938
Stanislavski, Konstantin S. 1863-1938
Stanislavski, Konstantin Sergeevich
Stanislavskĭ, Konstantin Sergeevitch Alekseev
Stanislavskĭ Konstantin Sergeevitch Alekseev 1863-1938
Stanislavski, Konstantin Sergejevič
Stanislavski, Konstantin Sergejevič 1863-1938
Stanislavski, Konstantin Sergejevits
Stanislavski, Konstantin Sergueevitch 1863-1938
Stanislavski, Konstantine Sergheïevitch Alexeïv
Stanislavski, Konstantine Sergheïevitch Alexeïv, 1863-1938
Stanislavski Konstantine Sergueevitch 1863-1938
Stanislavskiı̆, K. S. 1863-1938
Stanislavskiĭ, K. S. (Konstantin Sergeevich)
Stanislavskiĭ, K. S. (Konstantin Sergeevich), 1863-1938
Stanislavskiĭ, Konstantin Sergeevich
Stanislavskiĭ, Konstantin Sergeevich 1863-1938
Stanislavskiĭ, Konstantin Sergeevitch
Stanislavskiĭ, Konstantin Sergeevitch 1863-1938
Stanislavskij 1863-1938
Stanislavskij, C. S. 1863-1938
Stanislavskij, Constantin 1863-1938
Stanislavskij, K.
Stanislavskij K.S.
Stanislavskij, K.S. 1863-1938
Stanislavskij, Konstantij Sergejevič, 1863-1938
Stanislavskij, Konstantin.
Stanislavskij, Konstantin 1863-1938
Stanislavskij, Konstantin S. 1863-1938
Stanislavskij, Konstantin Sergeevič
Stanislavskij, Konstantin Sergěevič 1863-1938
Stanislavskij, Konstantin Sergeevič Alekseev
Stanislavskij, Konstantin Sergejevic̆ 1863-1938
Staníslavskíj, Konstantín Sergejevítsj, 1863-1938
Stanislavskij, Konstantin Sergejewitsch 1863-1938
Stanislavskij, Konstantin Sergueevič 1863-1938
Stanìslavs'kij, Kostântin.
Stanislavskis
Stanislavskis K.
Staņislavskis, K. (Konstantīns), 1863-1938
Stan̦islavskis, K. S. 1863-1938
Staņislavskis, K. S. (Konstantīns S.), 1863-1938
Stanislavskis Konstantinas
Staņislavskis, Konstantīns, 1863-1938
Stanislavskiy Konstantin Sergeyevich
Stanislavsky.
Stanislavsky 1863-1938
Stanislavsky Constantin
Stanislavsky Constantin 1863-1938
Stanislavsky, Constantino S.
Stanislavsky, K. 1863-1938
Stanislavsky, K. S.
Stanislavsky Konstantin
Stanislavsky, Konstantin 1863-1938
Stanislavsky, Konstantin s. 1863-1938
Stanislavsky, Konstantin Sergejevič 1863-1938
Stanislavsky, Konstantin Sergeyevich
Stanislavsky, Konstantin Sergeyevich 1863-1938
Stanislawski
Stanislawski 1863-1938
Stanislawski, Constantin
Stanislawski, Constantin 1863-1938
Stanisławski, K. S.
Stanislawski, K.S. 1863-1938
Stanisławski, Konstantin.
Stanislawski, Konstantin 1863-1938
Stanislawski, Konstantin S.
Stanislawski, Konstantin S. 1863-1938
Stanislawski, Konstantin Sergejewitsch 1863-1938
Stanislawski, Konstantv
Stanisławski, Konstanty.
Stanisławski, Konstanty 1863-1938
Stanislawskij, K. S. 1863-1938
Stanislawskij Konstantin S.
Stanislawskij, Konstantin S. 1863-1938
Stanislawskij Konstantin Sergejewitsch
Stanislawskij Konstantin Sergejewitsch (1863-1938)
Stanislawskij, Konstatnin Sergejewitsch 1863-1938
Stanisllavski, K. S.
Stаnislаvskij, Konstаntin S.
Sutanisufusukii Konsutanchin Serugeievitchi
Sŭtʻanisŭllabŭsŭkʻi 1863-1938
Sutanisurafusukii, Konsutanchin Serugeievitchi 1863-1938
Κονσταντίν Στανισλάφσκι Ρώσος σκηνοθέτης θεάτρου
Алексеев, К. С. (Константин Сергеевич), 1863-1938
Алексеев Константин Сергеевич
Алексеев, Константин Сергеевич 1863-1938
Алексѣев, Константин Сергѣевич 1863-1938
Канстантын Станіслаўскі
Канстанцін Сяргеевіч Станіслаўскі
Константин Сергеевич Алексеев
Константин Станиславски руски актьор и режисьор
Станiславський Костянтин Сергiйович
Станиславски, Константин (1863-1938).
Станиславский К.
Станиславский, К. (Константин Сергеевич), 1863-1938
Станиславский К.С.
Станиславский, К.С. 1863-1938
Станиславский, К. С. (Константин Сергеевич )
Станиславский, К. С. (Константин Сергеевич), 1863-1938
Станиславский, Константин, 1863-1938
Станиславский, Константин С
Станиславский, Константин Сергеевич
Станиславский, Константин Сергеевич 1863-1938
Станиславский, Константин Сергеевич (Алексеев)
Станиславский Константин Сергеевич театр режиссёры, актёр, педагог һәм театр реформаторы
Станіславський Костянтин Сергійович
Կոնստանտին Ստանիսլավսկի
סטאניסלאבסקי, קונסטאנטין סרגייביץ
סטניסלבסקי, ק. ס.
סטניסלבסקי, ק. ס., 1863-1938
סטניסלבסקי, קונסטנטין, 1863-1938
קונסטנטין סטניסלבסקי
ستانيسلافسكي، كونستانتين
قسطنطين ستانسلافسكي
قسطنطين ستانيسلافسكى
قسطنطين ستانيسلافسكي
كونستانتين ستانيسلافسكي
کنستانتین استانیسلاوسکی
کونسستانتن ستانسلاوسکی
کۆنستانتین ستانیسلاڤسکی
कोन्स्तांतिन स्त्नानिस्लावस्की
কনস্তান্তিন স্তানিস্লাভ্স্কি
ਕੋਂਸਸਤਾਂਤਿਨ ਸਤਾਨਿਸਲਾਵਸਕੀ
ಕಾನ್ಸ್ಟಾಂಟಿನ್ ಸ್ಟಾನಿಸ್ಲಾವಸ್ಕಿ
คอนสแตนติน สตานิสลาฟสกี
콘스탄틴 스타니슬랍스키
コンスタンチン・スタニスラフスキー
スタニスラフスキー, K
スタニスラフスキー, コンスタンチン
スタニスラフスキイ
スタニスラフスキイ, コンスタンチン
史坦尼斯拉夫斯基
康斯坦丁·斯坦尼斯拉夫斯基
斯坦尼拉夫斯基
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