Thu Jan 22 23:13:45 2009 UTClccn-n79-6533Dramatists, Irish--20th centuryDramatists, Irish--19th centuryDramatists, English--20th century0.470.620.73George_Bernard_Shawn 79006533oca00240672a118642375Shaw, Bernard,1856-1950Birnārd Shū,1856-1950Shū, Birnārd,1856-1950Hsiao, Po-na,1856-1950Shou, Dzhordzh Bernard,1856-1950Corno di Bassetto,1856-1950Bassetto, Corno di,1856-1950Fellow of the Royal Society of Literature,1856-1950Shou, Bernard,1856-1950Shaw, George Bernard,1856-1950Shaw, G. B.(George Bernard),1856-1950Shō, Bānādo,1856-1950Shiyou, Baanādo,1856-1950Shaw, G. Bernard(George Bernard),1856-1950Pern̲āṭṣā,1856-1950Pern̲ārṭuṣā,1856-1950Cā, Pern̲āṭ,1856-1950Ṣā, Pern̲ārṭ,1856-1950Ṣā, Jārj Pern̲ārṭu,1856-1950Шоу, Джордж Бернард,1856-1950שאאו, בערנארדשאו, בערנארדשאו, בערנארד,1856־1950שאו, ברנארדשאו, ברנארד,1950־1856שאו, ברנרדשאו, ג׳ורג׳ ברנרדبرنارد شوشو، برنارد،1856-1950lccn-n50-34681Laurence, Dan H.edtlccn-n79-33041Joanof Arc, Saint1412-1431lccn-n80-89179Fabian Society (Great Britain)lccn-n79-43471Trebitsch, Siegfried1869-1956trllccn-n50-27203Henderson, Archibald1877-1963lccn-n79-70050Ibsen, Henrik1828-1906lccn-n79-21157Chesterton, G. K.(Gilbert Keith)1874-1936lccn-n79-21400Caesar, Juliuslccn-n80-67160CleopatraQueen of Egyptd. 30 B.C.lccn-n50-17532Hamon, Augustin Frédéric1862-1945trlShaw, Bernard1856-1950Shaw, Bernard1856-1950600English dramaComediesHistorical dramaDidactic dramaDramaMusicalsMotion picture playsHistorical drama, EnglishRadio playsLove storiesFriendshipAuthors, EnglishUnited StatesArtFeature filmsContemporariesSocial classesCampbell, Patrick,--Mrs.,--1865-1940Political scienceFacsimilesManuscriptsArt appreciationSpeech and social statusLanguage and languagesMan-woman relationshipsFranceShakespeare, William,--1564-1616Dramatists, EnglishInfluence (Literary, artistic, etc.)ActressesBibliographyIrelandFilm and video adaptationsReligionDrama--TechniqueEgyptMusicBurgoyne, John,--1722-1792CriticsEnglandNew HampshireIbsen, Henrik,--1828-1906DramaCaesar, JuliusCleopatra,--Queen of Egypt,--d. 30 B.CJoan,--of Arc, Saint,--1412-1431Political and social viewsSocialismEngland--LondonTheaterEnglish dramaLiteratureRecords and correspondenceDramaHistoryBiographyGreat BritainDramatists, IrishCriticism, interpretation, etc.Shaw, Bernard,--1856-1950185619501876187718781879188018811883188418851886188718881889189018911892189318941895189618971898189919001901190219031904190519061907190819091910191119121913191419151916191719181919192019211922192319241925192619271928192919301931193219331934193519361937193819391940194119421943194419451946194719481949195019511952195319541955195619571958195919601961196219631964196519661967196819691970197119721973197419751976197719781979198019811982198319841985198619871988198919901991199219931994199519961997199819992000200120022003200420052006200720082009365362book822.912pr5363ocn001685294ocn001442901ocn028947928ocn054853594ocn083470879ocn007154615ocn213329028ocn008867539ocn002688559ocn000266504ocn067904127ocn002899908ocn270567745ocn003536215ocn259974934ocn003266061ocn271227741ocn036172075ocn064044691ocn064044491ocn050934245ocn185668680ocn185530237ocn185976627ocn186383472ocn185192400ocn034981005ocn064027632ocn056093315ocn049513330ocn022395766ocn064044691ocn064027632ocn051118083ocn07813044458061198558Шоу, Джордж Бернардשאו, ג׳ורג׳ ברנרדשאו, ברנארדשאו, בערנארדשאאו, בערנארדشو، برناردשאו, ברנרד蕭伯納38478099344ocn000653530sw000361568:lccn-n79-6533Falsebook19570.47Shaw, BernardComediesEnglish dramaDramaMusicalsDidactic drama

Pygmalion both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw's feminist views. In Shaw's hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his 'creation' has a mind of her own. This is the definitive text produced under the editorial supervision of Dan H. Laurence, with an illuminating introduction by Nicholas Grene, discussing the language and politics of the play. Also included in this volume is Shaw's preface, as well as his 'sequel' written for the first publication in 1916, to rebut public demand for a more conventionally romantic ending.

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Folder contains the printed script mounted on blank leaves, with manuscript annotations, stage directions, notes, rehearsals schedules, cues.

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Production of the last two scenes and the epilogue of George Bernard Shaw's play entitled Saint Joan. Actress Julie Harris introduces the scenes and discusses different dramatists' interpretations of Joan.

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A drama about a modern Don Juan and a discourse on social reform comprise a volume of writings by the Irish dramatist

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The eminent British writer describes how he came to be a satisfied customer of the Hemstreet firm, and quotes from a letter of Elbert Hubbard.

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<p>Barbara is a major in the Salvation Army - but she₂s also the daughter of Andrew Undershaft, a man who₂s made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics, and politics - as only Shaw, the master dramatist, can!

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It's 1885, and Raina's bourgeois Bulgarian family is caught up in the heady patriotism of their war with Serbia. The beautiful and headstrong Raina eagerly awaits her fiancé's victorious return from battle - but instead meets a soldier who seeks asylum in her bedroom. This is one soldier who definitely prefers romance and chocolate to fear and bullets. War may be raging on the battlefield, but it's the battle of the sexes that heats up this extraordinary comedy and offers very different notions of love and war.

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An October night on the Syrian border of Egypt towards the end of the XXXIII Dynasty, in the year 706 by Roman computation, afterwards reckoned by Christian computation as 48 B.C. A great radiance of silver fire, the dawn of a moonlit night, is rising in the east. The stars and the cloudless sky are our own contemporaries, nineteen and a half centuries younger than we know them; but you would not guess that from their appearance.

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"Into the eccentric household of Captain Shotover and his daughter Hesione comes Ellie Dunn, a young woman ready to marry for money rather than love. Hesione protests vigorously, but her rakish husband, Hector, snobbish sister, Ariadne, and the wealthy industrialist Boss Mangan have also joined the house-party and opinion becomes divided on the matter. Should financial concerns take priority over romantic ones, or should we hold on to our ideals, regardless of the consequences?"--BOOK JACKET.

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The story centers on Sidney Trefusis, a millionaire socialist, who leaves his bride on their wedding day because he fears his passion for her will get in the way of his plans to overthrow the British government. Sidney vanished "underground" - disguises himself as a common laborer called "Mengels" - and infiltrates Alton College, a girl's school where well-bred young women are "fitted and fatted to be put on the marriage market". His plan: take over the school and plant the seed of radical socialism into the fertile brains of the future consorts of cabinet ministers and kings. What he doesn't plan on is the presence of one Agatha Wylie, a sixth-form rabble-rouser, who falls hopelessly in love with both Sidney and his politics, and just happens to be his deserted wife's cousin. Love triangles, mistaken identities, Marx, Engels, pistols and the proletariat jostle for position.

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Presents a humorous play concerning a beautiful woman's choice between two men who love her.

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A comprehensive research and study guide for several plays by George Bernard Shaw, including plot summaries, lists of characters, and critical views.

0585249075169517805ocn000761058sw000299484:lccn-n79-6533Falsebook19560.61Ervine, St. John G1503194921ocn037886696sw000362364:lccn-n79-6533Falsebook19420.63Pearson, Hesketh145714593ocn003516951sw003516951:lccn-n79-6533Falsebook19780.56Hill, Eldon C1444196652ocn000362178sw000362178:lccn-n79-6533Falsebook19560.67Chesterton, G. K184232988X144315883ocn032924456sw032924456:lccn-n79-6533Falsebook19960.62Peters, Sally0585361142125312982ocn000627998sw000627998:lccn-n79-6533Falsebook19730.64Valency, Maurice Jacques120513249ocn000362175sw000007435:lccn-n79-6533Falsebook19630.67Meisel, Martin119412477ocn000026368sw000026368:lccn-n79-6533Falsebook19690.63Wilson, Colin117312189ocn000029365sw000029365:lccn-n79-6533Falsebook19690.61Shaw, Bernard116611905ocn000362085sw000362085:lccn-n79-6533Falsebook19620.66Ohmann, Richard M112611969ocn000795073sw000394168:lccn-n79-6533Falsebook19560.63Henderson, Archibald102522204ocn048139911sw042861941:lccn-n79-6533Falsebook20000.64Dukore, Bernard Frank08130223981007132524ocn002745841sw000123204:lccn-n79-6533Falsebook19510.68Ward, A. C74115666ocn048137937sw040632711:lccn-n79-6533Falsebook19990.65Reynolds, Jean081302381572815426ocn050175555sw045166671:lccn-n79-6533Falsebook20010.64Lenker, Lagretta Tallent031300057363412682ocn008451499sw008451499:lccn-n79-6533Falsebook19820.68Silver, Arnold Jacques490140620ocn000030524sw000030524:lccn-n79-6533Falsebook19690.70Broad, C. Lewis014045022XWed Mar 04 18:36:39 EST 2009