WorldCat Identities

Orgel, Stephen

Overview
Works: 246 works in 1,004 publications in 4 languages and 26,277 library holdings
Genres: Drama  Fiction  Criticism, interpretation, etc  Tragicomedies  History  Domestic fiction  Comedy plays  Romance fiction  Tragedies (Drama)  Masques 
Roles: Author, Editor, Author of introduction, Contributor, Other, Author of afterword, colophon, etc., Thesis advisor, Redactor, Creator, Compiler
Classifications: PR2833.A2, 822.33
Publication Timeline
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Most widely held works about Stephen Orgel
 
Most widely held works by Stephen Orgel
Patronage in the Renaissance by Guy Fitch Lytle( Book )

15 editions published between 1981 and 1996 in English and held by 1,577 WorldCat member libraries worldwide

The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
The age of innocence by Edith Wharton( )

16 editions published between 2006 and 2008 in English and held by 1,551 WorldCat member libraries worldwide

"They lived in a kind of hieroglyphic world, where the real thing was never said or done or even thought, but only represented by a set of arbitrary signs. A brilliantly realized anatomy of New York society in the 1870s, the world in which Wharton grew up, and from which she spent her life escaping. Newland Archer, Wharton's protagonist, charming, tactful, enlightened, is a thorough product of this society; he accepts its standards and abides by its rules but he also recognizes its limitations. His engagement to the impeccable May Welland assures him of a safe and conventional future, until the arrival of May's cousin Ellen Olenska puts all his plans in jeopardy. Independent, free thinking, scandalously separated from her husband, Ellen forces Archer to question the values and assumptions of his narrow world. As their love for each other grows, Archer has to decide where his ultimated loyalty lies."--Jacket
The tempest by William Shakespeare( Book )

57 editions published between 1986 and 2008 in English and held by 1,275 WorldCat member libraries worldwide

Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art. Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both more open and more historically determined than traditional views have allowed
The Jonsonian masque by Stephen Orgel( Book )

34 editions published between 1965 and 1981 in English and held by 1,161 WorldCat member libraries worldwide

Imagining Shakespeare : a history of texts and visions by Stephen Orgel( Book )

14 editions published between 2003 and 2004 in English and held by 1,155 WorldCat member libraries worldwide

"In this illustrated book, one of the foremost Shakespeareans of our time explores the ways in which Shakespeare has been imagined from his time to ours. In wide-ranging discussions of plays as disparate as Henry V, Macbeth, A Midsummer Night's Dream, The Merchant of Venice, and The Winter's Tale, six richly detailed chapters anatomize the changing nature of dramatic representation over the centuries. Drawing on performance history, textual history and the visual arts, including a fascinating chapter on Shakespearean portraiture, Imagining Shakespeare displays throughout the cultural versatility, elegance, lucidity, and wit which have become the hallmarks of Stephen Orgel's style."--Jacket
Shakespeare's songbook by Ross W Duffin( Recording )

11 editions published in 2004 in English and held by 1,109 WorldCat member libraries worldwide

Publisher's description: A remarkable work that recovers the songs Shakespeare's audiences actually heard and brings them to life through performance. Shakespeare lovers have long lamented that so few songs in his plays survive with original music; of about sixty song lyrics, only a handful have come down to us with musical settings. For over 150 years, scholars have aspired₇without success₇to fill that gap. In Shakespeare's Songbook, Ross W. Duffin does just that. Eight years in the making, Shakespeare's Songbook is a meticulously researched collection of 160 songs₇ballads and narratives, drinking songs, love songs, and rounds₇that appear in, are quoted in, or alluded to in Shakespeare's plays. Drawing substantially on the unmatched resources of the Folger Shakespeare Library, Duffin brings complete lyrics (many newly recovered) and music notation together for the first time, and in the process sheds new light on Shakespeare's dramatic art. With performances by leading early-music singers and instrumentalists, the accompanying audio CD brings the songbook to life. Shakespeare's Songbook is the perfect gift for lovers of Shakespeare and an invaluable reference for singers, actors, directors, and scholars. 49 illustrations, 500 music examples
The Renaissance imagination : essays and lectures by D. J Gordon( Book )

16 editions published between 1975 and 1980 in English and held by 1,010 WorldCat member libraries worldwide

The illusion of power : political theater in the English Renaissance by Stephen Orgel( Book )

25 editions published between 1974 and 2001 in English and held by 987 WorldCat member libraries worldwide

Presents a study of political theater in the English Renaissance, discussing the differences between a public playhouse and a private, or court theater, and looking at masques and the role of king in the Renaissance court
The winter's tale by William Shakespeare( Book )

40 editions published between 1995 and 2011 in English and held by 921 WorldCat member libraries worldwide

The Winter's Tale is Shakespeare's most perfectly realized tragi-comedy, as notable for its tragic intensity as for its comic grace and, throughout, for the richness and complexity of its poetry. It concludes, moreover, with the most daring and moving reconciliation scene in all Shakespeare's plays. Though the title may suggest an escapist fantasy, recent criticism has seen in the play a profoundly realist psychology and a powerful commentary on the violence implicit in family relationships and deep, long-lasting friendships. Stephen Orgel's edition considers the play in relation to Renaissance conceptions of both dramatic genre and the family, traces the changing critical and theatrical attitudes towards it, and places its psychological and dramatic conflicts within the Jacobean cultural and political context. The commentary pays special attention to the play's linguistic complexity, and the edition also includes a complete reprint of Shakespeare's source, Pandosto, by Robert Greene
Ben Jonson : the complete masques by Ben Jonson( Book )

18 editions published between 1969 and 2001 in English and held by 898 WorldCat member libraries worldwide

Impersonations : the performance of gender in Shakespeare's England by Stephen Orgel( Book )

19 editions published between 1996 and 2000 in English and held by 839 WorldCat member libraries worldwide

"Why was England the only country in Europe to maintain an all-male public theatre in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and society. Why were boys used to play female roles in drama, and how did such cross-dressing impact on the plays of Shakespeare and his contemporaries? What was the place of women in the Renaissance theatre, either on the stage or in the audience? And what did society make of those women who significantly and successfully violated accepted gender boundaries? At once provocative and witty, lucid and stylish, Impersonations will reshape our understanding of the Renaissance theatre, and make us rethink our own inadequate categories of gender, power and sexuality." http://www.loc.gov/catdir/description/cam027/95041287.html
Macbeth by William Shakespeare( Book )

11 editions published between 2000 and 2016 in English and held by 713 WorldCat member libraries worldwide

Shakespeare's great tragedy tells of the lord Macbeth, who plots with his wife to assume the throne of Scotland by murdering the king
William Shakespeare, the complete works by William Shakespeare( Book )

7 editions published in 2002 in English and held by 697 WorldCat member libraries worldwide

Contains the complete text to all of Shakespeare's poems and plays; includes footnotes and an introduction to Shakespeare's life and times
The complete poems and translations by Christopher Marlowe( Book )

30 editions published between 1971 and 2014 in 3 languages and held by 567 WorldCat member libraries worldwide

This anthology offers a comprehensive look at the poems of Christopher Marlowe, one of England's great poets and playwrights
John Milton by John Milton( Book )

15 editions published between 1990 and 1992 in English and Undetermined and held by 520 WorldCat member libraries worldwide

Features the full text of some poetry written by English poet John Milton (1608-1674), from the "Oxford English Verse 1900" and provided online by bibliomania.com Ltd. Includes the poems "Hymn on the Morning of Christ's Nativity," "L'Allegro," "Il Penseroso," and many others
The taming of the shrew by William Shakespeare( Book )

9 editions published between 2000 and 2016 in English and held by 494 WorldCat member libraries worldwide

The general editors of the new series of forty volumes--the reowned Shakespeareans Stephen Orgel of Stanford University and A.R. Braunmuller of UCLA--have assembled a team of eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare's plays and poems
The authentic Shakespeare, and other problems of the early modern stage by Stephen Orgel( Book )

16 editions published between 2002 and 2013 in English and held by 488 WorldCat member libraries worldwide

In this lavishly illustrated book, one of the most important and influential scholars of the Renaissance stage brings together essays that have changed the way we think about the age of Shakespeare. His subjects are varied and interconnected: the theater as social phenomenon, the development of the stage as an architectural presence and a cultural institution, the changing use of setting and costume, the changing status of the acting profession, the complex relation of theater to the political life of the age. Most of all, The Authentic Shakespeare is about how the modern constructs the past, how the texts that were performed on the Elizabethan stage became the books and editions that are, for our time, Renaissance drama. Many essays in The Authentic Shakespeare have become classics. Collected here for the first time, they essential reading for students of the Renaissance stage and the history of the book
From script to stage in early Modern England by Peter Holland( Book )

14 editions published in 2004 in English and Undetermined and held by 483 WorldCat member libraries worldwide

This collection brings together a group of distinguished and original theatre historians engaged in rethinking the nature of early modern theater history as a discipline. Whether focusing on the relation between scripts and performance practice, the structure of theatrical companies, the social dimensions of drama, or the archaeology of the stage, all are concerned with basic questions of evidence and interpretation, and offer significant, and often startling, revisions of our view of the early modern theater
From performance to print in Shakespeare's England by Peter Holland( Book )

17 editions published between 2006 and 2008 in English and held by 480 WorldCat member libraries worldwide

Published in association with the Huntington Library, Redefining British Theatre History is a five-volume series under the general editorship of Peter Holland. The series brings together major practitioners in theatre history in order to establish ways in which previous assumptions need fundamental questioning and to initiate new directions for the field. The series aims to establish a new future for theatre history, not least by making theatre historians aware of their own history, current practice and future. What can the printed texts of plays from Shakespeare's time tell us about performance? How were plays marketed? How have printed plays been read and interpreted for performance? The essays in this collection freshly consider the evidence of early modern printed plays and their histories of production and reception. Bringing together a group of major scholars in the field who are concerned to rethink the nature of the evidence and the modes of interpretation for print materials in relation to theatre history, the essays examine a wide variety of cases, from the texts of Romeo and Juliet to the masque in Timon of Athens, from the ways title pages refer to early modern performance to the psychology of Hamlet, from grammar-school beatings to the London bookshops of the Renaissance
 
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The age of innocence
Covers
The tempestImagining Shakespeare : a history of texts and visionsShakespeare's songbookThe illusion of power : political theater in the English RenaissanceThe winter's taleBen Jonson : the complete masquesImpersonations : the performance of gender in Shakespeare's EnglandMacbeth
Alternative Names
Stephen Orgel Amerikaans literatuurcriticus

Стивън Оргъл

オーゲル, スティーヴン

Languages
English (384)

Spanish (1)

German (1)

Latin (1)