Stravinsky, Igor 1882-1971
Overview
| Works: | 18,138 works in 48,782 publications in 21 languages and 393,734 library holdings |
|---|---|
| Genres: | Biography Ballets (Music) Operas Scores Music Chamber operas Criticism, interpretation, etc Vocal scores Psalms (Music) Interviews |
| Roles: | Author, Conductor, Composer, Arranger, Librettist, Instrumentalist, Performer, Narrator, Musician, Other, Dedicatee, Contributor, Creator, Adapter, Honoree, Bibliographic antecedent, Editor, Interviewee, Recipient, Author of introduction, Dedicator, Collaborator, Compiler, Artist, Lyricist, Speaker, Choreographer, Correspondent, Transcriber, Signer, Curator, cdr |
| Classifications: | ML410.S932, 780.924 |
Publication Timeline
.
Most widely held works about
Igor Stravinsky
- Stravinsky inside out by Charles M Joseph( )
- Stravinsky and the Russian traditions : a biography of the works through Mavra by Richard Taruskin( )
- Philosophy of modern music by Theodor W Adorno( Book )
- Stravinsky : the composer and his works by Eric Walter White( Book )
- The Cambridge companion to Stravinsky by Jonathan Cross( )
- Stravinsky by Roman Vlad( Book )
- Stravinsky : chronicle of a friendship by Robert Craft( )
- The Apollonian clockwork : on Stravinsky by Louis Andriessen( )
- Igor Stravinsky, an autobiography by Igor Stravinsky( Book )
- Stravinsky : chronicle of a friendship, 1948-1971 by Robert Craft( Book )
- Perspectives on Schoenberg and Stravinsky by Benjamin Boretz( Book )
- And music at the close: Stravinsky's last years, a personal memoir by Lillian Libman( Book )
- Encounters with Stravinsky : a personal record by Paul Horgan( Book )
- Stravinsky in pictures and documents by Vera Stravinsky( Book )
- Conversations with Igor Stravinsky by Igor Stravinsky( Book )
- The new music; the sense behind the sound by Joan Peyser( Book )
- Stravinsky : a creative spring : Russia and France, 1882-1934 by Stephen Walsh( Book )
- The lives and times of the great composers by Michael Steen( Book )
- Stravinsky : a new appraisal of his work. With a complete list of works by Paul Henry Lang( Book )
- Stravinsky by Robert Siohan( Book )
more
fewer
Most widely held works by
Igor Stravinsky
Le sacre du printemps by
Igor Stravinsky(
Recording
)
846 editions published between 1900 and 2017 in 10 languages and held by 6,046 WorldCat member libraries worldwide
The Piano Duo Trenkner-Speidel performs the four-hand version of Stravinsky's masterpiece. The Beethoven Orchester Bonn plays the orchestral version. Hybrid SACD
846 editions published between 1900 and 2017 in 10 languages and held by 6,046 WorldCat member libraries worldwide
The Piano Duo Trenkner-Speidel performs the four-hand version of Stravinsky's masterpiece. The Beethoven Orchester Bonn plays the orchestral version. Hybrid SACD
The rake's progress by
Igor Stravinsky(
Recording
)
217 editions published between 1953 and 2016 in 6 languages and held by 3,311 WorldCat member libraries worldwide
Synopsis ACT I: Anne Trulove is in the garden of her father's country house with her suitor, Tom Rakewell, admiring the springtime. Sending Anne into the house, her father, Trulove, tells Tom he has arranged an accountant's job for him in the city. Tom declines the offer and the older man leaves. A stranger enters as Tom declares his determination to live by his wits and enjoy life. When he says "I wish I had money," the stranger introduces himself as Nick Shadow, "at your service." Shadow tells Tom that a forgotten rich uncle has died, leaving the young man a fortune. Anne and Trulove return to hear the news, the latter urging Tom to accompany Shadow to London to settle the estate. As Tom leaves, promising to send for Anne as soon as everything is arranged, Shadow turns to the audience to announce, "the Progress of a Rake begins." At a brothel in the city, whores entertain a group of "roaring boys," dissolute young playboys; together they toast Venus and Mars. Shadow coaxes Tom to recite for the madam, Mother Goose, the catechism he has taught him: to follow nature rather than doctrine, to seek beauty (which is perishable) and pleasure (which means different things to different people). Tom refuses, however, to define love. Turning back the clocks when he sees Tom restless to escape, Shadow commends him to the pursuit of hedonism with these companions. Tom responds with ruminations of love. When the whores offer to console him, Mother Goose claims him for herself and leads him off. As evening falls, Anne leaves her father's house, determined to find Tom, since she has heard nothing from him. ACT II: Tom, who is in the morning room of his house in the city, is beginning to tire of city pleasures and no longer dares to think of Anne. When he says "I wish I were happy," Shadow appears, showing a poster for Baba the Turk, a bearded lady whom he urges Tom to marry, because only when one is obligated to neither passion nor reason can one be truly free. Amused by the idea, Tom gets ready to go out. Anne approaches Tom's house but is hesitant to knock. As darkness falls, she sees servants enter with strangely shaped packages. A conveyance arrives and Tom steps out. Startled to see Anne, he says she must forget him, he cannot go back to her. Baba calls out from the sedan, whereupon Tom admits to the astonished Anne that he is married. Hurried along by Baba's impatient remarks, Anne faces the bitter realities, while Tom repeats that it is too late to turn back. As Tom helps Baba from the sedan, a curious crowd gathers. Anne hurriedly leaves. In his morning room, Tom sits sulking amid Baba's curios as she chatters about the origin of each. When he refuses to respond to her affection, she complains bitterly. Tom silences her and she remains motionless as Tom falls asleep. Shadow wheels in a strange contraption, and when Tom awakens, saying "Oh I wish it were true," the machine turns out to be his dream: an invention for making stones into bread. Seeing it as a means of redemption for his misdeeds, Tom wonders whether he might again deserve Anne. Shadow points out the device's usefulness in gulling potential investors. ACT III: On a spring afternoon, the same scene (including the stationary Baba) is set for an auction. Customers examine the various objects: Tom's business venture has ended in ruin. Amid rumors as to what has become of Tom, Anne enters in search of him. An auctioneer, Sellem, begins to hawk various objects -- including Baba, who resumes her chatter after the crowd bids to purchase her. Indignant at finding her belongings up for sale, she tries to order everyone out. She draws Anne aside, saying the girl should try to save Tom, who still loves her. Anne, hearing Tom and Shadow singing in the street, runs out. Shadow leads Tom to a graveyard with a freshly dug grave, where he reminds the young man that a year and a day have passed since he promised to serve him: now the servant claims his wage. Tom must end his life by any means he chooses before the stroke of twelve. Suddenly, Shadow offers a reprieve: they will gamble for Tom's soul. When Tom, placing his trust in the Queen of Hearts, calls upon Anne, and her voice is heard, Shadow realizes he has lost. In retaliation, he condemns Tom to insanity. As Shadow disappears and dawn rises, Tom -- gone mad -- imagines himself Adonis, waiting for Venus. In an insane asylum, Tom declares Venus will visit him, whereupon fellow inmates mock the idea. The Keeper admits Anne. Believing her to be Venus, Tom confesses his sins: "I hunted the shadows, disdaining thy true love." Briefly they imagine timeless love in Elysium. With his head upon her breast, Tom asks her to sing him to sleep. As she does, her voice moves the other inmates. Trulove comes to fetch his daughter, who bids the sleeping Tom farewell. When he wakens to find her gone, he cries out for Venus as the inmates sing "Mourn for Adonis." EPILOGUE: The principals gather to tell the moral that each finds in the story. Anne warns that not every man can hope for someone like her to save him; Baba warns that all men are mad; Tom warns against self-delusion, to Trulove's agreement; Shadow mourns his role as man's alter ego; and all concur that the devil finds work for idle hands
217 editions published between 1953 and 2016 in 6 languages and held by 3,311 WorldCat member libraries worldwide
Synopsis ACT I: Anne Trulove is in the garden of her father's country house with her suitor, Tom Rakewell, admiring the springtime. Sending Anne into the house, her father, Trulove, tells Tom he has arranged an accountant's job for him in the city. Tom declines the offer and the older man leaves. A stranger enters as Tom declares his determination to live by his wits and enjoy life. When he says "I wish I had money," the stranger introduces himself as Nick Shadow, "at your service." Shadow tells Tom that a forgotten rich uncle has died, leaving the young man a fortune. Anne and Trulove return to hear the news, the latter urging Tom to accompany Shadow to London to settle the estate. As Tom leaves, promising to send for Anne as soon as everything is arranged, Shadow turns to the audience to announce, "the Progress of a Rake begins." At a brothel in the city, whores entertain a group of "roaring boys," dissolute young playboys; together they toast Venus and Mars. Shadow coaxes Tom to recite for the madam, Mother Goose, the catechism he has taught him: to follow nature rather than doctrine, to seek beauty (which is perishable) and pleasure (which means different things to different people). Tom refuses, however, to define love. Turning back the clocks when he sees Tom restless to escape, Shadow commends him to the pursuit of hedonism with these companions. Tom responds with ruminations of love. When the whores offer to console him, Mother Goose claims him for herself and leads him off. As evening falls, Anne leaves her father's house, determined to find Tom, since she has heard nothing from him. ACT II: Tom, who is in the morning room of his house in the city, is beginning to tire of city pleasures and no longer dares to think of Anne. When he says "I wish I were happy," Shadow appears, showing a poster for Baba the Turk, a bearded lady whom he urges Tom to marry, because only when one is obligated to neither passion nor reason can one be truly free. Amused by the idea, Tom gets ready to go out. Anne approaches Tom's house but is hesitant to knock. As darkness falls, she sees servants enter with strangely shaped packages. A conveyance arrives and Tom steps out. Startled to see Anne, he says she must forget him, he cannot go back to her. Baba calls out from the sedan, whereupon Tom admits to the astonished Anne that he is married. Hurried along by Baba's impatient remarks, Anne faces the bitter realities, while Tom repeats that it is too late to turn back. As Tom helps Baba from the sedan, a curious crowd gathers. Anne hurriedly leaves. In his morning room, Tom sits sulking amid Baba's curios as she chatters about the origin of each. When he refuses to respond to her affection, she complains bitterly. Tom silences her and she remains motionless as Tom falls asleep. Shadow wheels in a strange contraption, and when Tom awakens, saying "Oh I wish it were true," the machine turns out to be his dream: an invention for making stones into bread. Seeing it as a means of redemption for his misdeeds, Tom wonders whether he might again deserve Anne. Shadow points out the device's usefulness in gulling potential investors. ACT III: On a spring afternoon, the same scene (including the stationary Baba) is set for an auction. Customers examine the various objects: Tom's business venture has ended in ruin. Amid rumors as to what has become of Tom, Anne enters in search of him. An auctioneer, Sellem, begins to hawk various objects -- including Baba, who resumes her chatter after the crowd bids to purchase her. Indignant at finding her belongings up for sale, she tries to order everyone out. She draws Anne aside, saying the girl should try to save Tom, who still loves her. Anne, hearing Tom and Shadow singing in the street, runs out. Shadow leads Tom to a graveyard with a freshly dug grave, where he reminds the young man that a year and a day have passed since he promised to serve him: now the servant claims his wage. Tom must end his life by any means he chooses before the stroke of twelve. Suddenly, Shadow offers a reprieve: they will gamble for Tom's soul. When Tom, placing his trust in the Queen of Hearts, calls upon Anne, and her voice is heard, Shadow realizes he has lost. In retaliation, he condemns Tom to insanity. As Shadow disappears and dawn rises, Tom -- gone mad -- imagines himself Adonis, waiting for Venus. In an insane asylum, Tom declares Venus will visit him, whereupon fellow inmates mock the idea. The Keeper admits Anne. Believing her to be Venus, Tom confesses his sins: "I hunted the shadows, disdaining thy true love." Briefly they imagine timeless love in Elysium. With his head upon her breast, Tom asks her to sing him to sleep. As she does, her voice moves the other inmates. Trulove comes to fetch his daughter, who bids the sleeping Tom farewell. When he wakens to find her gone, he cries out for Venus as the inmates sing "Mourn for Adonis." EPILOGUE: The principals gather to tell the moral that each finds in the story. Anne warns that not every man can hope for someone like her to save him; Baba warns that all men are mad; Tom warns against self-delusion, to Trulove's agreement; Shadow mourns his role as man's alter ego; and all concur that the devil finds work for idle hands
The rite of spring by
Igor Stravinsky(
)
240 editions published between 1900 and 2013 in 6 languages and held by 2,956 WorldCat member libraries worldwide
"Composed for Diaghilev's Ballets Russes, The Rite of Spring premiered in 1913 to a near-riot. The most famous musical work of the 20th century, this brilliant and uncompromising masterpiece changed the course of modern music. Nearly a century later, it remains in the repertoire of every large symphony orchestra."--Publisher's information
240 editions published between 1900 and 2013 in 6 languages and held by 2,956 WorldCat member libraries worldwide
"Composed for Diaghilev's Ballets Russes, The Rite of Spring premiered in 1913 to a near-riot. The most famous musical work of the 20th century, this brilliant and uncompromising masterpiece changed the course of modern music. Nearly a century later, it remains in the repertoire of every large symphony orchestra."--Publisher's information
L'oiseau de feu = Der Feuervogel = The firebird ; Feux d'artifice = Feuerwerk = Fireworks ; 4 etudes by
Igor Stravinsky(
)
140 editions published between 1930 and 2013 in 8 languages and held by 2,888 WorldCat member libraries worldwide
140 editions published between 1930 and 2013 in 8 languages and held by 2,888 WorldCat member libraries worldwide
Poetics of music in the form of six lessons by
Igor Stravinsky(
Book
)
134 editions published between 1942 and 2016 in 8 languages and held by 2,597 WorldCat member libraries worldwide
One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical execution. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism, the operas of Verdi, musical taste, musical snobbery, the influence of political ideas on Russian music under the Soviets, musical improvisation as opposed to musical construction, the nature of melody, and the function of the critic of music. Musical people of every sort will welcome this first presentation in English of an unusually interesting book
134 editions published between 1942 and 2016 in 8 languages and held by 2,597 WorldCat member libraries worldwide
One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical execution. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism, the operas of Verdi, musical taste, musical snobbery, the influence of political ideas on Russian music under the Soviets, musical improvisation as opposed to musical construction, the nature of melody, and the function of the critic of music. Musical people of every sort will welcome this first presentation in English of an unusually interesting book
Oedipus Rex by
Igor Stravinsky(
)
233 editions published between 1900 and 2016 in 11 languages and held by 2,586 WorldCat member libraries worldwide
Valery Gergiev conducts a new recording of Stravinsky's iconic neo-classical oratorio Oedipus Rex, complete with Jean Cocteau's original French narration spoken by Gerard Depardieu
233 editions published between 1900 and 2016 in 11 languages and held by 2,586 WorldCat member libraries worldwide
Valery Gergiev conducts a new recording of Stravinsky's iconic neo-classical oratorio Oedipus Rex, complete with Jean Cocteau's original French narration spoken by Gerard Depardieu
The soldier's tale by
Igor Stravinsky(
)
116 editions published between 1954 and 2017 in 5 languages and held by 2,530 WorldCat member libraries worldwide
A soldier, on leave from the army, trades his old violin for a magic book that can tell the future and make him rich. He soon discovers, however, that he has made a deal with the devil and that money does not bring happiness
116 editions published between 1954 and 2017 in 5 languages and held by 2,530 WorldCat member libraries worldwide
A soldier, on leave from the army, trades his old violin for a magic book that can tell the future and make him rich. He soon discovers, however, that he has made a deal with the devil and that money does not bring happiness
The rite of spring by
Igor Stravinsky(
Recording
)
269 editions published between 1913 and 2017 in 10 languages and held by 2,449 WorldCat member libraries worldwide
A six-part hypercard program on floppy diskettes, linked to the audio CD, allows the user to explore the Rite of Spring using text and graphics
269 editions published between 1913 and 2017 in 10 languages and held by 2,449 WorldCat member libraries worldwide
A six-part hypercard program on floppy diskettes, linked to the audio CD, allows the user to explore the Rite of Spring using text and graphics
Petrushka : original version by
Igor Stravinsky(
)
149 editions published between 1900 and 2007 in 7 languages and held by 2,289 WorldCat member libraries worldwide
149 editions published between 1900 and 2007 in 7 languages and held by 2,289 WorldCat member libraries worldwide
L'histoire du soldat = The soldier's tale by
Igor Stravinsky(
)
231 editions published between 1900 and 2005 in 8 languages and held by 2,183 WorldCat member libraries worldwide
231 editions published between 1900 and 2005 in 8 languages and held by 2,183 WorldCat member libraries worldwide
Symphonie de Psaumes by
Igor Stravinsky(
)
168 editions published between 1930 and 1996 in 6 languages and held by 2,070 WorldCat member libraries worldwide
168 editions published between 1930 and 1996 in 6 languages and held by 2,070 WorldCat member libraries worldwide
Stravinsky conducts Stravinsky by
Igor Stravinsky(
Recording
)
107 editions published between 1960 and 2012 in 8 languages and held by 1,963 WorldCat member libraries worldwide
L'information lisible par ordinateur sur le v. 1 comprend des notes de programme et les paroles des oeuvres vocales en anglais
107 editions published between 1960 and 2012 in 8 languages and held by 1,963 WorldCat member libraries worldwide
L'information lisible par ordinateur sur le v. 1 comprend des notes de programme et les paroles des oeuvres vocales en anglais
The firebird by
Igor Stravinsky(
Recording
)
199 editions published between 1925 and 2016 in 7 languages and held by 1,831 WorldCat member libraries worldwide
Pierre Boulez tackles Igor Stravinsky with the aid of two orchestras
199 editions published between 1925 and 2016 in 7 languages and held by 1,831 WorldCat member libraries worldwide
Pierre Boulez tackles Igor Stravinsky with the aid of two orchestras
Pétrouchka ; Le sacre du printemps by
Igor Stravinsky(
)
60 editions published between 1988 and 2015 in 6 languages and held by 1,711 WorldCat member libraries worldwide
60 editions published between 1988 and 2015 in 6 languages and held by 1,711 WorldCat member libraries worldwide
Les noces = The wedding by
Igor Stravinsky(
)
179 editions published between 1900 and 2005 in 7 languages and held by 1,697 WorldCat member libraries worldwide
179 editions published between 1900 and 2005 in 7 languages and held by 1,697 WorldCat member libraries worldwide
Petrouchka = Petrushka ; Le sacre du printemps = The rite of spring by
Igor Stravinsky(
Recording
)
253 editions published between 1928 and 2016 in 8 languages and held by 1,564 WorldCat member libraries worldwide
Titre. Instr. No . Do meur
253 editions published between 1928 and 2016 in 8 languages and held by 1,564 WorldCat member libraries worldwide
Titre. Instr. No . Do meur
Histoire du soldat = The soldier's tale by
Igor Stravinsky(
)
139 editions published between 1924 and 2014 in 8 languages and held by 1,500 WorldCat member libraries worldwide
L'histoire du soldat, . Stravinsky, Igor
139 editions published between 1924 and 2014 in 8 languages and held by 1,500 WorldCat member libraries worldwide
L'histoire du soldat, . Stravinsky, Igor
L'histoire du soldat = The soldier's tale : narrated in English by
Igor Stravinsky(
Recording
)
138 editions published between 1948 and 2012 in 11 languages and held by 1,404 WorldCat member libraries worldwide
Written in 1918, this ballet is a response to the chaos and misery of World War One. The work blends narration, dance, music and characters in changing disguises to tell the story of a common soldier who loses his soul to the devil
138 editions published between 1948 and 2012 in 11 languages and held by 1,404 WorldCat member libraries worldwide
Written in 1918, this ballet is a response to the chaos and misery of World War One. The work blends narration, dance, music and characters in changing disguises to tell the story of a common soldier who loses his soul to the devil
Symphony of Psalms by
Igor Stravinsky(
Recording
)
142 editions published between 1948 and 2008 in 10 languages and held by 1,379 WorldCat member libraries worldwide
142 editions published between 1948 and 2008 in 10 languages and held by 1,379 WorldCat member libraries worldwide
The rake's progress : opera in 3 acts by
Igor Stravinsky(
)
115 editions published between 1949 and 2010 in 7 languages and held by 1,370 WorldCat member libraries worldwide
115 editions published between 1949 and 2010 in 7 languages and held by 1,370 WorldCat member libraries worldwide
more
fewer
Audience Level
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| Kids | General | Special | ||
Related Identities
- Craft, Robert Other Interviewee Writer of accompanying material Performer Librettist Interviewer Conductor Author Editor Translator
- Columbia Symphony Orchestra Other Performer Instrumentalist Musician
- London Symphony Orchestra Performer Instrumentalist Musician
- Boulez, Pierre 1925-2016 Other Interviewee Performer Translator Director Conductor Author Composer
- Ramuz, C. F. (Charles Ferdinand) 1878-1947 Other Librettist Lyricist Creator Adapter Bibliographic antecedent Author Actor Narrator Translator
- New York Philharmonic Other Performer Instrumentalist Musician
- Bernstein, Leonard 1918-1990 Other Performer Director Conductor Speaker Author Contributor Narrator Compiler Composer
- Schoenberg, Arnold 1874-1951 Other Arranger Performer Adapter Musician Commentator Dedicatee Author Composer
- Auden, W. H. (Wystan Hugh) 1907-1973 Other Creator Librettist Lyricist Author
- Cleveland Orchestra Other Performer Instrumentalist Musician
Useful Links
Associated Subjects
Ballets Ballets, Arranged Ballets--Excerpts Ballets--Scores Bartók, Béla, Beethoven, Ludwig van, Berlioz, Hector, Bizet, Georges, Brahms, Johannes, Britten, Benjamin, Choruses, Sacred (Mixed voices) with orchestra Choruses, Sacred (Mixed voices) with orchestra--Scores Composers Craft, Robert Debussy, Claude, Elgar, Edward, Fauré, Gabriel, Franck, César, Glinka, M. I.--(Mikhail Ivanovich), Grieg, Edvard, Liszt, Franz, Mendelssohn-Bartholdy, Felix, Meyerbeer, Giacomo, Music Music--Philosophy and aesthetics Music theater Offenbach, Jacques, Operas Orchestral music Orchestral music, Arranged Psalms (Music) Puccini, Giacomo, Rossini, Gioacchino, Russia Schoenberg, Arnold, Schubert, Franz, Schumann, Robert, Shostakovich, Dmitriĭ Dmitrievich, Sibelius, Jean, Smetana, Bedřich, Strauss, Johann, Strauss, Richard, Stravinsky, Igor, Suites (Orchestra) Symphonic poems Symphonies Tchaikovsky, Peter Ilich, United States Varèse, Edgard, Wagner, Richard,
Covers
Alternative Names
Igor' Fëdorovič Stravinskij compositore russo
Igor' Fëdorovič Stravinskij compositore russo naturalizzato francese, e in seguito statunitense
Igor Feodorovic Stravinsky
Igor Fiodorovič Stravinskij
Igor Fiodorovitch Stravinsky
Igor Fjodorovič Stravinski
Igor Fjodorovič Stravinskij ruský skladatel
Igor Fjodorowitsch Strawinski russisch-französisch-amerikanischa Komponist
Igor Fyodorovitch Stravinsky
Ígor Stravinski
Ígor Stravinski compositor ruso
Ígor Stravinski compositor y director de orquesta ruso
Ígor Stravinski pianista, director de orquestra e compositor ruso naturalizado francés
Ígor Stravínskii
Igor Stravinskij
Igor Stravinskij russisk komponist
Igor Stravinskiy
Igor Stravinsky
Igor Stravinsky Frans componist (1882-1971)
Igor Stravinsky pianiste et compositeur
Igor Stravinsky Ruso a pianista ken konduktor
Igor Stravinsky Russian composer, pianist and conductor
Igor Strawinski
Igor Strawinski rosyjski kompozytor, pianista i dyrygent
Igor Strawinsky
Igor Strawinsky russisch-französisch-US-amerikanischer Komponist
Igoris Stravinskis
Igors Stravinskis
Iguorės Stravėnskis
Inguarus Strawiński
İqor Stravinski
Istrāvīnskī, Īgūr
Istrāvīnskī, Īgūr 1882-1971
Sravinsky, Igor
Stavinskij , I. F.
Strainskij, Igor 1882-1971
Straviky, Igor
Stravinksi
Stravinksi, Igor
Stravinksy
Stravinksy, Igor
stravinski
Stravinski , Igor
Stravinski Igor 1882-1971
Stravinski , Igor Fedorovič
Stravinski Igor Fedorovitch 1882-1971
Stravinski, Igor Féodorovitch 1882-1971
Stravinski, Igor Fiodorovitch.
Stravinskiĭ, I. F.
Stravinskiĭ, I. F. 1882-1971
Stravinskiĭ, I. F. (Igorʹ Fedorovich), 1882-1971
Stravinskiĭ, I. (Igor'), 1882-1971
Stravinskii Igor'
Stravinskiĭ, Igor', 1882-1971
Stravinskii, Igor' Fedorovich
Stravinskiĭ, Igorʹ Fedorovich 1882-1971
Stravinskii, Igor Fedorovitch
Stravinskiï, Igorʹ Fëdorovitch 1882-1971
Stravinskij, I.
Stravinskij, I. F.
Stravinskij I. F. 1882-1971
Štravinskij, Igor
Stravinskij, Igor 1882-1971
Stravinskij, Igor' F.
Stravinskij, Igor' F. 1882-1971
Stravinskij , Igorʹ Fëdorovič
Stravinskij Igorʹ Fedorovič 1882-1971
Stravinskij , Igor Fedorovich
Stravinskij, Igor Fiodorovič
Stravinskij, Igor Fiodorovič 1882-1971
Stravinskij, Igor Fjodorovitj 1882-1971
Stravinskij, Igor' Fodorovic 1882-1971
Stravinskis, Igors 1882-1971
Stravinskiy Igor Fyodorovich
Stravinskj, I. 1882-1971
Stravinsky.
Stravinsky, .. 1882-1971
Stravinsky, I.
Stravinsky, I. 1882-1971
Stravinsky, Igo
Stravinsky Igor
Stravinsky, Igor 1882-1971
Stravinsky, Igor F. 1882-1971
Stravinsky, Igor Fëdorovich
Stravinsky, Igor' Fedorovich 1882-1971
Stravinsky, Igor Fëdorovitch
Stravinsky, Igor Fedorovitch 1882-1971
Stravinsky Igor Feodorovich
Stravinsky, Igor Fyodorovich
Stravinsky, Igor Fyodorovich 1882-1971
Stravinsky, Igor Fyodorovitch
Stravinskyy, Igor
Stravinsy
Stravinsy, Igor
Stravnsky, Igor
Stravynsʹkyj, Ihor 1882-1971
Stravynsʹkyj, Ihor Fedorovyč 1882-1971
Strawinksy, Igor
Strawinky, Igor
Strawinski.
Strawiński, I.
Strawiński, Igor.
Strawinski, Igor 1882-1971
Strawiński, Igor Fiodorowicz
Strawiński, Igor Fiodorowicz 1882-1971
Strawinski, Igor Fjodorowitsch
Strawinski, Igor Fjodorowitsch 1882-1971
Strawinskii, Igor 1882-1971
Strawinskij, I.
Strawinskij, I. 1882-1971
Strawinskij , Igor
Strawinskij, Igor 1882-1971
Strawinskij, Igor Fedorowitsj 1882-1971
Strawinsky.
Strawinsky 1882-1971
Strawinsky, I.
Strawinsky, I. 1882-1971
Strawinsky, I. (Igor), 1882-1971
Strawinsky Igor
Strawinsky Igor 1882-1971
Strawinsky, Igor F.
Strawinsky, Igor F. 1882-1971
Strawinsky, Igor Feodorowitsch 1882-1971
Strawinsky, Igor Fjodorowitsch 1882-1971
Strawinsky, Jgor
Strawinsky, Jgor 1882-1971
Ιγκόρ Στραβίνσκι Ρώσος συνθέτης
Игор Стравински
Игорь Стравинский
Игорь Фёдорович Стравинский русский, французский и американский композитор, дирижёр и пианист
Стравинскай Игорь Федорович
Стравинский, И 1882-1971
Стравинский, И. (Игорь), 1882-1971
Стравинский, И.Ф 1882-1971
Стравинский, И. Ф. (Игорь Федорович)
Стравинский, Игорь
Стравинский, Игорь 1882-1971
Стравинский, Игорь (Игорь Федорович), 1882-1971
Стравинский, Игорь Фёдорович
Стравинский, Игорь Фёдорович 1882-1971
Стравинский, Игорь Фёдорович русский, французский и американский композитор, дирижёр и пианист
Стравінський Ігор Федорович
Стравінський Ігор Федорович Український, російський, французький та американський композитор, диригент та піаніст
Ігар Стравінскі
Ігар Фёдаравіч Стравінскі
Іґор Стравіньскый
Իգոր Ստրավինսկի
איגאר סטראווינסקי
איגור סטרווינסקי
איגור סטרווינסקי מלחין רוסי
סטראווינסקי, איגור
סטראוינסקי, איגור
סטרבינסקי, איגור פדיורוביץ 1882-1971
סטרבינסקי, איגור פיודורוביץ 1882-1971
סטרוינסקי, איגור, 1882-1971
סטרוינסקי, איגור פיודורוביץ 1882-1971
إيجور سترافينسكي
إيجور ستراڤينيسكى
إيغور سترافينسكي
ایگور استراوینسکی
آیگور سٹراونسکی
ئیگۆر ستراڤینسکی
इगोर स्त्राव्हिन्स्की
ইগর স্ট্রাভিনস্কি
ਇਗੋਰ ਸਟਰਾਵਿੰਸਕੀ
இகோர் ஸ்ட்ராவின்ஸ்கி
ഇഗോർ സ്ട്രാവിൻസ്കി Russian classical composer
ഇഗോർ സ്ട്രാവിൻസ്കി റഷ്യൻ സംഗീതജ്ഞന്
อิกอร์ สตราวินสกี
იგორ სტრავინსკი
스트라빈스키 1882-1971
스트라빈스키, 이고르 1882-1971
스트라빈스키, 이고르 페도로비치 1882-1971
스트라빈스키, 이고리 1882-1971
이고리 스트라빈스키
ኢጎር ስትራቪንስኪ
イーゴリ・ストラヴィンスキー
ストラヴィンスキー
ストラヴィンスキー, I. F.
ストラヴィンスキー, イーゴリ
ストラヴィンスキー, イーゴル
ストラヴィンスキー, イゴール・フョードロヴィチ
ストラヴィーンスキイ, イーゴリ・フョドロヴィチ
ストラビンスキー, イーゴリ
伊戈·式査溫斯基
伊戈尔·费奥多罗维奇·斯特拉文斯基
史特拉汶斯基
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