WorldCat Identities

Arnheim, Rudolf

Overview
Works: 474 works in 2,156 publications in 11 languages and 31,223 library holdings
Genres: Motion pictures  Criticism, interpretation, etc  Illustrated works  Art  Poetry  Exhibition catalogs  Records and correspondence  Interviews 
Roles: Author, Author of introduction, Creator, Contributor, Editor, Honoree, Other, Interviewee, Translator
Classifications: N70, 701.15
Publication Timeline
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Most widely held works about Rudolf Arnheim
 
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Most widely held works by Rudolf Arnheim
Art and visual perception : a psychology of the creative eye by Rudolf Arnheim( Book )

205 editions published between 1941 and 2011 in 5 languages and held by 3,854 WorldCat member libraries worldwide

Since its first publication in 1954, this work has established itself as a unique classic. It applies the approaches and findings of modern psychology to the study of art: it describes the visual process that takes place when people create- or look at- works in the various arts, and explains how the eye organizes visual material according to definite psychological laws. Fresh in thought, clean in style, this book is a highly readable contribution to the study of aesthetics. It could be recommended as an excellent introduction to the psychology of perception, however, it is the art lover, whether psychologist or not, who will find this book the most rewarding. -- from Book Jacket
Visual thinking by Rudolf Arnheim( Book )

159 editions published between 1969 and 2015 in 8 languages and held by 2,875 WorldCat member libraries worldwide

For the general reader
Film as art by Rudolf Arnheim( Book )

145 editions published between 1931 and 2016 in 5 languages and held by 2,208 WorldCat member libraries worldwide

This book presents a theory of film. The greater part is an adaptation of the book originally published in 1933, long out of print but still in demand because it raises fundamental questions that the intervening years have by no means answered. Arnheim's provocative thesis is that the peculiar virtues of film as art derive from an exploitation of limitations of the medium: the absence of sound, the absence of color, the lack of three-dimensional depth. Silent-film artists made virtues of these necessities and were on their way to developing a new and distinctive art form. Mechanical advancement has led to greater realism, and a corresponding loss in artistry. The four essays which make up the rest of the book are supplementary in nature. The final one discusses the general aesthetic rules for the combination of different media--word, image, and sound--and leads to an evaluation of the talking picture as a medium for artistic expression.--Adapted from back cover
Picasso's Guernica; the genesis of a painting by Rudolf Arnheim( Book )

74 editions published between 1962 and 2012 in 5 languages and held by 1,755 WorldCat member libraries worldwide

Rudolf Arnheim explores the creative process through the sketches executed by Picasso for his mural Guernica. The drawings and paintings shown herein, as well as the photographs of the stages of the final painting, represent the complete visual record of the creative stages of a major work of art
The power of the center : a study of composition in the visual arts by Rudolf Arnheim( Book )

52 editions published between 1982 and 2009 in English and held by 1,727 WorldCat member libraries worldwide

Using a wealth of examples, Arnheim considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. Using a wealth of examples, Arnheim considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture
Toward a psychology of art; collected essays by Rudolf Arnheim( Book )

60 editions published between 1966 and 2010 in English and held by 1,631 WorldCat member libraries worldwide

From the Publisher: Presents an interpretation of the expression of art and the relationship between this psychology and the art form
The dynamics of architectural form : based on the 1975 Mary Duke Biddle lectures at the Cooper Union by Rudolf Arnheim( Book )

33 editions published between 1977 and 2009 in English and Undetermined and held by 1,074 WorldCat member libraries worldwide

Entropy and art : an essay on disorder and order by Rudolf Arnheim( Book )

32 editions published between 1971 and 2010 in English and Undetermined and held by 1,053 WorldCat member libraries worldwide

New essays on the psychology of art by Rudolf Arnheim( Book )

15 editions published between 1986 and 1996 in English and held by 944 WorldCat member libraries worldwide

Thousands of readers who have profited from engagement with the lively mind of Rudolf Arnheim over the decades will receive news of this new collection of essays expectantly. In the essays collected here, as in his earlier work on a large variety of art forms, Arnheim explores concrete poetry and the metaphors of Dante, photography and the meaning of music. There are essays on color composition, forgeries, and the problems of perspective, on art in education and therapy, on the style of artists' late works, and the reading of maps. Also, in a triplet of essays on pioneers in the psychology of art (Max Wertheimer, Gustav Theodor Fechner, and Wilhelm Worringer) Arnheim goes back to the roots of modern thinking about the mechanisms of artistic perception
Picture this : perception & composition by Molly Bang( Book )

3 editions published between 1991 and 1995 in English and held by 658 WorldCat member libraries worldwide

Grade level: 1, 2, 3, 4, 5, 6, 7, p, e, i, t
To the rescue of art : twenty-six essays by Rudolf Arnheim( Book )

20 editions published between 1991 and 2014 in English and Undetermined and held by 656 WorldCat member libraries worldwide

The provocative title of this new collection of essays was chosen by Rudolf Arnheim for good reason. He has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. He says that we must face the threat "that the work crew charged with erecting the edifice of our principles is infiltrated by termites." As the leading explorer of the psychology of art, Arnheim has always sought to let works of art speak for themselves. His many books have reached innumerable students, teachers, museum visitors, and theorists. The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature monographs on a variety of great works of art. In other essays, Arnheim uncovers enlightening perspectives in the art of the blind, in architectural space, in caricature, and in the work of psychotics and autistic children. He also presents new scientific aspects of the psychology of art, and he widens our range of vision by reaching out to connect art with language, literature, and religion. Anyone who prizes vital, spirited interaction with works of art will find this new volume of Arnheim essays a personal treasure
Thoughts on art education by Rudolf Arnheim( Book )

24 editions published between 1989 and 1991 in English and Undetermined and held by 624 WorldCat member libraries worldwide

Poets at work; essays based on the modern poetry collection at the Lockwood Memorial Library, University of Buffalo by Rudolf Arnheim( Book )

12 editions published between 1948 and 1973 in English and German and held by 500 WorldCat member libraries worldwide

Parables of sun light : observations on psychology, the arts, and the rest by Rudolf Arnheim( Book )

16 editions published between 1989 and 1990 in English and Undetermined and held by 463 WorldCat member libraries worldwide

For many years Rudolf Arnheim, known as the leading psychologist of art, has been keeping notebooks in which to jot down observations, ideas, questions, and even (after a stay in Japan for a year) poems in the haiku pattern. Some of these notes found their way into his books--known and prized the world over--such as Art and Visual Perception, Visual Thinking, and The Power of the Center (see list below). Now he has selected, from the remaining riches of his notebooks, the items in this volume. The book will be a joy to ramble through for all lovers of Arnheim's work, and indeed for anyone who sh
The split and the structure : twenty-eight essays by Rudolf Arnheim( Book )

13 editions published in 1996 in English and held by 457 WorldCat member libraries worldwide

Radio by Rudolf Arnheim( Book )

36 editions published between 1936 and 2005 in 5 languages and held by 427 WorldCat member libraries worldwide

Kunst und Sehen. Eine Psychologie des schöpferischen Auges by Rudolf Arnheim( Book )

30 editions published between 1964 and 2000 in German and Undetermined and held by 350 WorldCat member libraries worldwide

Review text: "Faszinierend unaufdringlich begegnet der Leser bei der Lektüre Material von der Steinzeit bis zu Picasso."In: KUNST Magazin Berlin 2/2010
Vision and artifact( Book )

6 editions published in 1976 in English and held by 290 WorldCat member libraries worldwide

Simon Dinnerstein : paintings and drawings by Simon Dinnerstein( Book )

1 edition published in 1999 in English and held by 211 WorldCat member libraries worldwide

Rudolf Arnheim by Rudolf Arnheim( Book )

11 editions published between 2000 and 2012 in 3 languages and held by 44 WorldCat member libraries worldwide

El cuaderno número 100 es una lectura revisada del libro de Rudolf Arnheim Arte y percepción visual: psicología del ojo creador (1954). Carolyn Christov-Bakargiev contrapone el abstracto discurso artístico del presente al proceso de la percepción concreta y de la obra de arte en sí misma. Aunque hoy día no sea posible seguir todas las tesis de Arnheim, influidas por la teoría de la Gestalt y la psicología de la percepción, sí vale la pena repensar sus teorías, así como su rechazo de la excesiva crítica de arte, que conduce la obra de arte a la muerte. Incluye una página de la reimpresión en 1956 de la primera edición del libro de Arnheim de 1954, con comentarios manuscritos del crítico de arte J.P. Hodin, así como fragmentos de la edición revisada y aumentada de 1974, con notas de Christov-Bakargiev
 
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Audience level: 0.40 (from 0.07 for To the res ... to 0.94 for Zauber des ...)

Visual thinking
Alternative Names
Arnchejm, Rudol'f 1904-1997

Arnchejm, Rudol'f 1904-2007

Arnhajm, Rudolf

Arnhajm, Rudolf 1904-2007

Arnheim, R.

Arnheim Rudolf

Arnheim, Rudolf 1904-

Arnheim, Rudolf Julius

Arnheim, Rudolph 1904-

Arnheim, Rudolph 1904-2007

Arnhejm, Rudol'f.

Rudolf Arnheim

Rudolf Arnheim Duits schrijver

Rudolf Arnheim German psychologist

Rudolf Arnheim scrittore, storico dell'arte e psicologo tedesco

Rudolph Arnheim

Арнхайм, Рудольф

Арнхейм, Рудольф

Арнхейм, Рудольф 1904-2007

Рудольф Арнгейм

رودلف آرنهایم

رودولف ارنهييم

رودۆلفئا رنهەم

아른하임, 루돌프 1904-

アルンハイム, R

アルンハイム, ルドルフ

ルドルフ・アルンハイム

鲁道夫·阿恩海姆

Languages
Covers
Visual thinkingFilm as artPicasso's Guernica; the genesis of a paintingThe power of the center : a study of composition in the visual artsToward a psychology of art; collected essaysThe dynamics of architectural form : based on the 1975 Mary Duke Biddle lectures at the Cooper UnionEntropy and art : an essay on disorder and orderNew essays on the psychology of art