Thu Jan 22 23:13:48 2009 UTClccn-n79-89419Composers--United StatesComposers--United States--20th centuryJewish composers--United States0.560.640.73Aaron_Coplandn 79089419oca00321790a118986481Copland, Aaron,1900-1990Koplend, Aaron,1900-1990Kopland, Aaron,1900-1990lccn-n50-7704Bernstein, Leonard1918-1990cndlccn-n81-139912New York Philharmonicprflccn-n81-14472London Symphony Orchestraprflccn-n79-6779Lincoln, Abraham1809-1865lccn-n79-54166Dickinson, Emily1830-1886lccn-n79-70061Stravinsky, Igor1882-1971cndlccn-n81-42604Dorati, Antalcndlccn-n80-122958Ormandy, Eugene1899-1985cndlccn-n50-56384Boston Symphony Orchestraprflccn-n81-15460Barber, Samuel1910-1981prfCopland, Aaron1900-1990Copland, Aaron1900-1990100Western art musicBalletsOrchestral musicSuites (Orchestra)Motion picture musicPiano musicDance musicOrchestral music, ArrangedMonologues with music (Orchestra)Variations (Orchestra), ArrangedPiano music, ArrangedSong cyclesOverturesOperasBibliographyAmerican poetryOperas--ExcerptsSongs, EnglishImaginationInstrumental ensemblesCreation (Literary, artistic, etc.)Billy,--the KidMotion picture music--ExcerptsSongs (Medium voice) with pianoOrchestral music, ArrangedSonatas (Piano)Symphonies--ScoresDramaFriendshipSuites (Orchestra)--ScoresFolk songs, EnglishConcertos (Piano)Songs (High voice) with pianoSuites (Chamber orchestra)English horn and trumpet with string orchestraVariations (Piano)Concertos (Clarinet with string orchestra)Suites (Orchestra), ArrangedOrchestral music--ScoresDickinson, Emily,--1830-1886Ballets--Excerpts, ArrangedMonologues with music (Orchestra)Lincoln, Abraham,--1809-1865MusicMusic appreciationMusical settingsPiano musicBalletsFanfaresSymphoniesCriticism, interpretation, etc.MusicOrchestral musicBallets--ExcerptsBiographyComposersSuites (Orchestra)United StatesCopland, Aaron,--1900-1990190019901900191619171918191919201921192219231924192519261927192819291930193119321933193419351936193719381939194019411942194319441945194619471948194919501951195219531954195519561957195819591960196119621963196419651966196719681969197019711972197319741975197619771978197919801981198219831984198519861987198819891990199119921993199419951996199719981999200020012002200320042005200620072008122877rcrd784.2ml410.c756ocn052281949ocn003281143ocn011070055ocn025222110ocn038447400ocn003163495ocn180170031ocn019755324ocn081783706ocn064081961ocn022177273ocn002844157ocn162121282ocn018453382ocn070667293ocn002859736ocn034969106ocn003159341ocn276360496ocn022587926ocn031464210ocn003922483ocn033232842ocn002959741ocn238761085ocn003115383ocn122606454ocn162121443ocn002649447ocn070590986ocn276360496ocn058747698ocn051248611ocn232335806ocn085035315ocn081939393ocn099926487ocn147940496ocn062477365ocn155847773ocn144651769ocn004043799ocn064081961ocn081127774ocn036153819ocn078457407ocn248980373ocn081298303ocn078518120ocn083579453ocn081822447ocn003989146ocn054785298ocn166622757ocn084980026ocn079372803ocn083662796ocn025020582ocn064029979ocn063548569ocn083664836ocn018298766ocn003122440ocn042631563ocn062477365ocn024653713ocn081987394ocn079778718ocn230737797ocn042592547ocn230736731ocn042592535ocn026486104ocn046491190ocn016161521ocn063068044ocn052960765ocn056029584ocn070746467ocn051152997ocn062173003ocn044543635ocn062173234ocn081025446ocn227175432ocn082591873ocn043965797ocn044263260ocn042592625155450931柯普蘭3154440839ocn000269329sw000269329:lccn-n79-89419Falsebook19570.57Copland, Aaron04516288021979262315ocn000436312sw000388195:lccn-n79-89419Falsebook19680.62Copland, Aaron1902337312ocn000376663sw000376663:lccn-n79-89419Falsebook19600.62Copland, Aaron185018977ocn010876473sw010876473:lccn-n79-89419Falsebook19840.56Copland, Aaron1804199427ocn000248989sw000248989:lccn-n79-89419Falsebook19520.64Copland, Aaron950042479714602765106ocn010816644sw001033847:lccn-n79-89419Falsercrd19820.68Copland, Aaron1361307295ocn013632222sw000272887:lccn-n79-89419Falsercrd19450.66Copland, Aaron

Archival photographs of the first performance of Copland's ballet on October 30, 1944 at the Library of Congress, and other visual materials, are used to accompany a recording of the ballet suite.

1357331167ocn000501272sw000501272:lccn-n79-89419Falsercrd19470.65Copland, Aaron11002433189ocn020652806sw000903922:lccn-n79-89419Falsercrd19740.65Copland, Aaron

Side A. Appalachian Spring : Side B. The Tender Land.

1035176090ocn003131118sw001011012:lccn-n79-89419Falsercrd19460.66Copland, AaronOrchestral music

Introduces students to Aaron Copland's musical composition entitled Rodeo. Visuals accompany the music.

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A presentation of Copland's opera, which looks at the heartland of America during the Great Depression. He created a story which explores a recurring human drama, the passage from adolescence to adulthood. The three acts tell a simple tale of a country girl who, having reached womanhood, chooses freedom to security with her family.

900144463ocn052086238sw002852169:lccn-n79-89419Falsercrd20040.59Copland, Aaron

The Aaron Copland collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomsom. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection.

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Reminiscences by composer Aaron Copland about his musical life. Features a wealth of Copland's music, including ballet sequences with Agnes de Mille dancing in Rodeo and Martha Graham in Appalachian Spring, scenes of Copland conducting, and interviews with Leonard Bernstein and Ned Rorem.

3173171ocn000003754sw000003754:lccn-n79-89419Falsebook19690.15Peare, Catherine Owens

A biography of one of the prominent twentieth-century American composers whose music encompasses many forms including opera, ballet, symphony, and concerto.

3153276ocn043050267sw043050267:lccn-n79-89419Falsebook20010.75Robertson, Marta08153217832582582ocn056191901sw056191901:lccn-n79-89419Falsebook20040.75Felsenfeld, Daniel15746709802582581ocn049312696sw049312696:lccn-n79-89419Falsebook20020.7908511590282252262ocn076944151sw076944151:lccn-n79-89419Falsevisu2006Documentary films

"Michael Tilson Thomas and the San Francisco Symphony explore the music of Copland and the cityscapes, landscapes, and social and political developments that shaped it"--Container.

1561561ocn000775759sw000775759:lccn-n79-89419Falsebook19600.721331332ocn048050210sw048050210:lccn-n79-89419Falsercrd2000Copland, Aaron

Addresses on Aaron Copland by Michael Tilson Thomas intended to supplement the two recordings: Copland the modernist, and Copland the populist, preceded and followed by a recording of Copland's Fanfare for the common man.

0451628802Wed Mar 04 22:11:04 EST 2009