WorldCat Identities

Londré, Felicia Hardison 1941-

Overview
Works: 93 works in 237 publications in 2 languages and 8,151 library holdings
Genres: Criticism, interpretation, etc  History  Dictionaries  Reference works  Directories  Biography  Academic theses 
Roles: Author, Thesis advisor, Editor, Other, Translator, Author of introduction, Donor
Classifications: PN2104, 812.54
Publication Timeline
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Most widely held works about Felicia Hardison Londré
 
Most widely held works by Felicia Hardison Londré
Tennessee Williams by Felicia Hardison Londré( Book )

12 editions published between 1979 and 1989 in English and Undetermined and held by 1,327 WorldCat member libraries worldwide

The history of North American theater : the United States, Canada, and Mexico : from pre-Columbian times to the present by Felicia Hardison Londré( Book )

15 editions published between 1998 and 2000 in English and held by 992 WorldCat member libraries worldwide

Tom Stoppard by Felicia Hardison Londré( Book )

10 editions published in 1981 in English and held by 978 WorldCat member libraries worldwide

The history of world theater : from the English Restoration to the present by Felicia Hardison Londré( Book )

19 editions published between 1991 and 2000 in English and held by 668 WorldCat member libraries worldwide

Federico García Lorca by Reed Anderson( Book )

6 editions published in 1984 in 3 languages and held by 526 WorldCat member libraries worldwide

Love's labour's lost : critical essays by Felicia Hardison Londré( Book )

14 editions published between 1997 and 2015 in English and held by 468 WorldCat member libraries worldwide

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this resource. --From publisher's description
Words at play : creative writing and dramaturgy by Felicia Hardison Londré( Book )

6 editions published in 2005 in English and held by 367 WorldCat member libraries worldwide

"In this encompassing and accessible introduction to dramaturgy, Felicia Hardison Londre promotes the dramaturgical essay as both an art form and a method for improving creative writing skills. Words at Play: Creative Writing and Dramaturgy includes Londre's essays on plays produced at several regional professional theatre companies interspersed with instructive examples for writing more clearly, economically, and compellingly." "Beginning with an introduction that outlines the purpose of the dramaturgical essay as well as its usefulness as a tool for teaching how to write for the theatre, Londre provides numerous examples of this specialized literary genre culled from program essays she has written for Missouri Repertory Theatre, Nebraska Shakespeare Festival, Heart of America Shakespeare Festival, American Heartland Theatre, and Cincinati Playhouse in the Park. Words at Play contains more than sixty complete essays and pertinent selections from twenty others." "Drawing on personal and professional experiences as a teacher and dramaturg, Londre considers plays from timeless classics, including those of Shakespeare and Chekhov, to contemporary favorites and a few unusual and largely unknown pieces. Words at Play furthermore incorporates introductory paragraphs that are informal and personal yet cogent and critical, providing readers with object lessons in both writing style and analysis. Taking the reader into her confidence, Londre also shows how a dramaturg develops a print relationship with other theatre artists and the community." "A pioneering compilation of dramaturgical essays combined with practical writing tips, Words at Play is a valuable tool for aspiring dramaturgs, critics, and directors that will appeal to theatergoers as well. The volume also highlights the vitality of American not-for-profit professional theatre in the Midwest, which is often overshadowed by media attention devoted to theatrical activities on the East and West coasts. A foreword by Royal Shakespeare Company associate artist Barry Kyle addresses the evolving role of the dramaturg in Britain and America. Dakin Williams, brother of playwright Tennessee Williams, provides a letter. Book jacket."--Jacket
Historical dictionary of American theater : modernism by James Fisher( Book )

6 editions published in 2008 in English and held by 323 WorldCat member libraries worldwide

The fifty-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The Historical Dictionary of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfield; critics; architects; designers; and costumes
Shakespeare companies and festivals : an international guide( Book )

6 editions published in 1995 in English and held by 301 WorldCat member libraries worldwide

The history of world theater by Margot Berthold( Book )

3 editions published between 1991 and 1999 in English and held by 101 WorldCat member libraries worldwide

The A to Z of American theater : modernism by James Fisher( Book )

4 editions published between 2008 and 2009 in English and held by 63 WorldCat member libraries worldwide

The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes
Much ado about Shakespeare on midwestern frontier stages by Felicia Hardison Londré( Book )

1 edition published in 2005 in English and held by 32 WorldCat member libraries worldwide

Robin Humphrey, the teaching artist by Rebecca Lynn Martin( )

3 editions published in 2005 in English and held by 6 WorldCat member libraries worldwide

The goal of this thesis is to document the life of Robin Humphrey and the contribution to Kansas City's theatre history by this actress, director, and educator. Personal memorabilia, newspaper articles, interview transcripts and journal entries are used to fully summarize and discuss her entire life. Robin Humphrey's life, teachings, and art made immeasurable strides in cultivating the arts in this community. These contributions will be outlined and explored by documenting the full span of Robin Humphrey's life and career. It is the objective of the author to examine both the success and failures of one of Kansas City's modern day theatre pioneers
A history of world theater by Margot Berthold( Book )

3 editions published between 1991 and 1999 in English and held by 5 WorldCat member libraries worldwide

An analysis of Euripides' play the Bacchae by Katrina L Darden( )

3 editions published in 2005 in English and held by 5 WorldCat member libraries worldwide

This thesis analyzes Euripides' play The Bacchae, using a translation/adaptation by Nicholas Rudall. The analysis explores the themes of moderation, failing government, and the necessity of accepting new ideas. It focuses on the warnings of excess in ruling parties, society, and religion that appear throughout the translation/adaptation. Although this analysis examines each character in the play, it primarily focuses on Dionysus and Pentheus. After studying both Pentheus and Dionysus as individuals, the analysis compares these two characters and finds them to be polar opposites. It also observes the shifts in their polar attitudes. Pentheus moves from a position of masculine strength and power to that of a weak individual who, under Dionysus' control, dresses as a woman. Dionysus appears as an effeminate, weak priest who claims he will not harm Thebes unless Pentheus attempts to fight his followers. When Pentheus chooses war, Dionysus becomes the dominant figure and seeks revenge
Garland Wright and K : impressions, reactions, and the ensemble by Thomas Edward Davis( )

3 editions published between 2003 and 2004 in English and held by 5 WorldCat member libraries worldwide

Mei Lanfang and his audience, including a consideration of his cooperation with Qi Rushan by Wen-Chi Yu( )

3 editions published in 2004 in English and held by 5 WorldCat member libraries worldwide

Twentieth-century China experienced great upheaval of its political, social and cultural perspectives. At the same time, it was full of strength, vigor and opportunities. The renowned Peking Opera actor, Mei Lanfang, came to stardom on the wings of fortune. He conducted artistic experiments supported by literati, which featured the dramatist, Qi Rushan. Among these new approaches, Mei re-energized the audience first with the costume. Then, with the serious psychological portrayal of characters, he captured the interest of foreigners, encountering Peking Opera for the first time. The changing composition of the audience assisted Mei's interaction with the audience and promoted his artistic transformation. Opinions from his international tours reinforced his enthusiasm for the classical plays. Creating is easy; the difficulty lies in its continuation. Mei Lanfang sought his artistic integrity in a dynamic process. At first, Mei observed, created and waited; later, he formed, revived and led
Kansas City's Community Children's Theatre : a history by Sarah Miranda Oliver( )

3 editions published in 2008 in English and held by 5 WorldCat member libraries worldwide

From 1947 to 1999, the Junior League's Community Children's Theatre was a many-branched, multi-faceted, organization that brought live theatre to school-age children in Kansas City and the surrounding area. The theatre, a completely volunteer women's organization, had the goal "to entertain, to educate, to broaden the horizons, to train future audiences to appreciate live theater by supporting and encouraging Trouping Units and furthering performing arts for children in our community." This thesis covers the history, women, trouping units, and plays of Community Children's Theatre. The included production photographs are reproduced from photographs contained in the Community Children's Theatre's records, housed at the Western Historical Manuscripts Collection at the University of Missouri-Kansas. One thesis could never fully explain the complexity of a long-lived theatre. However, this thesis elucidates a theatre group that touched the lives of over two million children with the magic of live theatre
Arthur Wayland Ellison : a Kansas City actor by Stephanie Ann Kelman( )

3 editions published in 2006 in English and held by 5 WorldCat member libraries worldwide

Arthur Wayland Ellison (1899-1994), actor/ director/ make-up artist, was born in Pottsdam, New York, and died in Kansas City, Missouri. Ellison worked for Kansas City Power and Light for forty-seven years, before becoming a professional actor. He performed with Romola Nijinsky, George Burns and Gracie Allen, James Cameron Swazey [i.e. John Camerson Swayze], Harriet Levitt, Margaret "Peg" Hillias, and blacklisted actors Morris Carnovsky and Albert Dekker. Ellison appeared in the films Carnival of Souls; Terror From the Skies; The Murder of Lidice; Shoot it Blue, Shoot it Black; and Paper Moon. Art Ellison worked for years with Patricia McIlrath and the Missouri Repertory Theatre. This thesis covers his life in Kansas City theater from 1914 to 1994. Reference sources were scrapbooks on microfilm at the Western Historical Manuscript Collection at the University of Missouri-Kansas City, and primary sources (recorded interviews)
 
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The history of North American theater : the United States, Canada, and Mexico : from pre-Columbian times to the present
Alternative Names
Hardison Londré, Felicia

Hardison Londré, Felicia 1941-

Londre, Felicia H.

Londré, Felicia Hardison

Languages
English (121)

Spanish (1)

Covers
The history of North American theater : the United States, Canada, and Mexico : from pre-Columbian times to the presentThe history of world theater : from the English Restoration to the presentLove's labour's lost : critical essaysWords at play : creative writing and dramaturgyHistorical dictionary of American theater : modernismShakespeare companies and festivals : an international guideThe history of world theaterThe A to Z of American theater : modernismA history of world theater