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Rauschenberg, Robert 1925-2008

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Most widely held works about Robert Rauschenberg
 
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Most widely held works by Robert Rauschenberg
Robert Rauschenberg by Bernice Rose( )

13 editions published between 2002 and 2003 in 4 languages and held by 1,784 WorldCat member libraries worldwide

Entre Pollock et Warhol, l'expressionnisme abstrait et le pop art, Rauschenberg occupe une place privilégiée. Il intégre le quotidien sous toutes ses formes, en même temps qu'il mêle les techniques de la peinture à la sculpture en passant par le happening. Ses oeuvres exposées ont été créées entre 1995 et 2002
Robert Rauschenberg by National Collection of Fine Arts (U.S.)( Book )

20 editions published between 1976 and 1977 in 3 languages and held by 957 WorldCat member libraries worldwide

"Robert Rauschenberg, long the enfant terrible of avant-garde art, is perhaps the most influential American artist now active in the field of contemporary American art. Although his witty and provocative works of art have frequently outraged his critics, these works are now represented in collections throughout the world. This handsome volume, prepared by the National Collection of Fine Arts in conjunction with the first comprehensive exhibition of Rauschenberg's oeuvre since 1963, provides a full account of his major work from 1949 to 1976. Rauschenberg's career has been marked by a persistent creative exuberance that has the happy effect of invalidating conventional notions about the definition and purpose of art, thus freeing the viewer to find beauty and meaning where he might least expect to find them. In addition to creating paintings, collages, "combines" that incorporate found objects with more conventional media, and posters, he has extended his restless, fertile talent to many other areas, including graphics, film, ballet, and highly original theatrical performances. The unique and varied ways in which Rauschenberg has expressed his creative impulses are examined in the 257 illustrations (19 of them in color) included in this book. In addition to illustrations of 190 of Rauschenberg's works of art, there is an appreciative essay by critic Lawrence Alloway that traces Rauschenberg's development from his early "White Paintings" through his recent prints and fabric constructions. Two sections, one a chronology prepared with Rauschenberg's help and the other a compilation of his activities in experimental dance and theater, are profusely illustrated with photographs of the artist and his circle. A comprehensive bibliography is also included."--Jacket
Robert Rauschenberg : breaking boundaries by Robert Saltonstall Mattison( Book )

8 editions published in 2003 in English and held by 874 WorldCat member libraries worldwide

"Robert Rauschenberg is one of the most prolific and best-known artists of the post-war period, whose work, ranging across a number of disciplines, has influenced avant-garde art since the 1950s. Rauschenberg has allowed Robert Mattison into his studio to observe the artist at work and this resulting book examines selected projects in depth so that the meaning of his art, his working procedures, and the reasons behind his various artistic choices may be better understood." "The book covers the influence of urbanism on Rauschenberg's Combine paintings of the 1950s and explores his involvement with the "space race" during the 1960s and 1970s, relating his works to popular culture and demonstrating the development of his ideas about the peaceful exploration of space. Mattison examines Rauschenberg's extensive involvement in the performing arts, tracing his connections to avant-garde dance in America, addressing his own performances, and focusing on his work with the well-known choreographer Trisha Brown. The final chapter examines Rauschenberg's most extensive artistic undertaking, the Rauschenberg Overseas Culture Interchange (ROCI). One venue of this seven-year and eleven-country project was Chile, which Rauschenberg visited while the country was under the rule of dictator Augusto Pinochet. The author shows how in dangerous political circumstances Rauschenberg was able to execute and exhibit works critical of the government." "Lavishly illustrated with Rauschenberg's works and photographs of the artist in performance and in the studio, the mixture of the visual arts, politics, technology, dance, and urban theory - among other issues - covered in this study recommends it to a wide audience and speaks to the multidisciplinary scholarship of our era."--Jacket
Painters painting : a candid history of the New York art scene, 1940-1970 by Emile De Antonio( Visual )

21 editions published between 1972 and 2010 in English and held by 755 WorldCat member libraries worldwide

Originally released in 1972, Painters Painting is the definitive documentary on the New York School of painters from 1940-1970. Interviews by Emile de Antonio, a close friend to many New York painters who later went on to become famous. He filmed and interviewed the artists informally in their studios. Artists included are Willem de Kooning, Andy Warhol, Robert Motherwell, Barnett Newman, Jules Olitski, Frank Stella, Robert Rauschenberg, Jasper Johns, Helen Frankenthaler, Kenneth Noland, Larry Poons, Phillip Pavia, and Hans Hoffman
Robert Rauschenberg, a retrospective by Walter Hopps( Book )

19 editions published between 1997 and 1999 in English and held by 754 WorldCat member libraries worldwide

Random order : Robert Rauschenberg and the neo-avant-garde by Branden Wayne Joseph( Book )

9 editions published between 2003 and 2007 in English and held by 648 WorldCat member libraries worldwide

"Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School - whose theories have dominated discussions of avant-garde and neo-avante-garde aesthetics - Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity." "Beginning with the White Paintings, Joseph examines Rauschenberg's artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures. Combines and Combine paintings transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work but also deepens our understanding of the entire neo-avant-garde project."--Jacket
Rauschenberg Overseas Culture Interchange by Robert Rauschenberg( Book )

14 editions published in 1991 in English and held by 590 WorldCat member libraries worldwide

A catalog of an international art project seven years in the making, ROCI documents an exhibition that traveled in many senses. Robert Rauschenberg, once the enfant terrible of the New York School, is now the Old Master journeying to disparate locales in Asia, Eastern Europe, and the Americas, salvaging found or discarded objects and imagery. The resulting ROCI exhibitions, held in each nation after intensely focused research trips by the artist, incorporate Rauschenberg's ability to accumulate the images and colors of a society--from the sacred to the banal--into a structure of cultural interchange and international diplomacy. The art inspired by each region is reproduced here in successive chapters introduced by local notables like Octavio Paz and Yevgeny Yevtushenko. The results are as bewilderingly varied and compelling as his travels must have been. Indeed, the book is splendid to behold, laconically emphasizing the work itself rather than allowing art jargon to overwhelm the lovely color reproductions. Highly recommended
Robert Rauschenberg : cardboards and related pieces by Robert Rauschenberg( Book )

10 editions published in 2007 in English and held by 585 WorldCat member libraries worldwide

This volume is the first to focus exclusively on Rauschenberg's rarely seen Cardboards, along with related works from his Made in Tampa Clay, Cardbirds, Egyptian, and Venetian series
Rauschenberg by Andrew Forge( Book )

8 editions published between 1972 and 1979 in English and held by 541 WorldCat member libraries worldwide

"Considered by many to be one of the most influential American artists due to his radical blending of materials and methods, Robert Rauschenberg was a crucial figure in the transition from Abstract Expressionism to later modern movements ... his experimental approach expanded the traditional boundaries of art, opening up avenues of exploration for future artists."--Theartstory.org
Robert Rauschenberg by Sam Hunter( Book )

9 editions published in 1999 in English and held by 505 WorldCat member libraries worldwide

Robert Rauschenberg : the silkscreen paintings, 1962-64 by Roni Feinstein( Book )

7 editions published in 1990 in English and held by 502 WorldCat member libraries worldwide

Encounters with Rauschenberg : (a lavishly illustrated lecture) by Leo Steinberg( Book )

6 editions published between 1999 and 2000 in English and held by 501 WorldCat member libraries worldwide

"Leo Steinberg is the rare art historian who has known the pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg." "Steinberg offers in-depth discussions of such major challenges as the Erased de Kooning Drawing, Bed, and Monogram. Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own changes of mind over the years." "Steinberg warns against the modish interpretations that now load Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and the viewer more subtly intentioned."--Jacket
Robert Rauschenberg by Catherine Craft( Book )

2 editions published in 2013 in English and held by 486 WorldCat member libraries worldwide

The work of Robert Rauschenberg has had a profound impact on avant-garde art from the 1950s onwards. A pioneer of multimedia are, this book explores his experimentations from his Combines (works melding painting and sculpture), prints, silkscreen paintings to his use of technology and his collaborations with choreographers such as Merce Cunningham and Trisha Brown. This book explores his work
Rauschenberg by Andrew Forge( Book )

2 editions published between 1969 and 1970 in English and held by 476 WorldCat member libraries worldwide

Cage Cunningham by Elliot Caplan( Visual )

6 editions published between 1991 and 2007 in English and Undetermined and held by 356 WorldCat member libraries worldwide

Combines archival material and eight years of world tour footage to document the 50 year collaboration between composer John Cage and dancer/choreographer Merce Cunningham
Merce Cunningham : a lifetime of dance by Merce Cunningham( Visual )

3 editions published between 2000 and 2001 in English and held by 354 WorldCat member libraries worldwide

Merce Cunningham, a colossus of 20th-century choreography, is perhaps most famous for his sheer fecundity--inventing steps, choreographing 200+ dances, and over 800 "Events" (site-specific works). At the forefront of the American avant-garde for more than 50 years, he abandoned conventional elements of dance structure, most controversially, the relationship of dance and music influenced by his collaboration with composer John Cage. Endlessly inventive and inquisitive, Cunningham collaborated with a wide range of composers, designers, and artists, incorporating video into pieces, and employing computerized choreography in his later years to instruct members of his company. Unlike most choreographers, movement itself was his principal subject matter--neither narrative nor musical form determines the dance structure. Cunningham leaves a vast legacy, but he expressed his view of his art saying, "Dancing is the art of the present tense." Cunningham himself, along with his dancers, collaborators, and observers, traces the course of his long career and that of his dance company. Topics include: his special qualities as a dancer; his performances as a member of Martha Graham's company; his choreographic approach and sources of inspiration; his longtime association and collaboration with composer John Cage; his residency at Black Mountain College; the development of his use of chance procedures; the early years of his company; his preference for avant-garde music, and his collaborations with various composers; and his use of technological innovations such as the computer program Life forms
The great migrator : Robert Rauschenberg and the global rise of American art by Hiroko Ikegami( Book )

3 editions published in 2010 in English and held by 345 WorldCat member libraries worldwide

This volume examines American artist Robert Rauschenberg's (1925-2008) activities abroad and charts the increasing international dominance of American art during that period. Rauschenberg came to prominence during the 1950s transition from Abstract Expressionism to Pop Art. The author focuses on Rauschenberg's stops in four cities -- Paris, Venice, Stockholm, and Tokyo. In each city Rauschenberg's work encountered both enthusiasm and resistance. The author feels that the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization
Who gets to call it art? : the legend of Henry Geldzahler, 1935-1994 by Peter Rosen( Visual )

2 editions published between 2005 and 2006 in English and held by 340 WorldCat member libraries worldwide

Henry Geldzahler (1935-94), star curator and cultural impresario, lived a life worth examining. The first curator of the Department of 20th-Century Art at the Metropolitan Museum, first director of visual arts for the National Endowment of the Arts, and the first full-time commissioner of cultural affairs for New York City, his landmark 1969 show at the Metropolitan is still remembered with awe. "New York Painting and Sculpture: 1940-1970" filled 35 galleries with more than 400 groundbreaking works of contemporary art. This film is not a full biographical examination of this singular figure's life, but rather a portrait in profile, as many of 'his' artists talk about Geldzahler and what his friendship meant to them
Black paintings by Stephanie Rosenthal( Book )

8 editions published in 2006 in German and English and held by 321 WorldCat member libraries worldwide

Exposition collective regroupant : Rauschenberg, Robert, 1925- ; Reinhardt, Ad, 1913-1967; Rothko, Mark, 1903-1970; Stella, Frank, 1936-
Robert Rauschenberg: Man at Work by Chris Granlund( Visual )

22 editions published between 1997 and 2014 in 3 languages and held by 321 WorldCat member libraries worldwide

A look at one of the most influential artists of the 20th century. Includes Rauschenberg's autobiographical work, the multipaneled 1/4 mile or 2 furlong piece, filmed at his Captiva Island studio
 
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WorldCat IdentitiesRelated Identities
Robert Rauschenberg : breaking boundaries
Covers
Robert Rauschenberg : breaking boundariesRobert Rauschenberg, a retrospectiveRandom order : Robert Rauschenberg and the neo-avant-gardeRobert Rauschenberg : cardboards and related piecesRobert RauschenbergEncounters with Rauschenberg : (a lavishly illustrated lecture)The great migrator : Robert Rauschenberg and the global rise of American artBlack paintings
Alternative Names
Lao sen bo ge 1925-2008

Laosenboge 1925-2008

Rauschenberg, B. 1925-2008

Rauschenberg Bob 1925-2008

Rauschenberg, Milton Ernest

Rauschenberg Milton Ernest 1925-2008

Rauschenberg, R. 1925-2008

Rauschenberg, R. M. 1925-2008

Rauschenberg, R. M. E. 1925-2008

Rauschenberg, Robert

Rauschenberg, Robert, 1925-

Rauschenberg, Robert M. 1925-2008

Rauschenberg, Robert M. E. 1925-2008

Rauschenberg, Robert Milton E. 1925-2008

Rauschenberg, Robert Milton Ernest

Rauschenberg, Robert Milton Ernest 1925-2008

Rawşenberg

Robert Rauschenberg

Robert Rauschenberg American artist

Robert Rauschenberg americký výtvarník

Robert Rauschenberg Amerikaans kunstschilder

Robert Rauschenberg artist american

Robert Rauschenberg artista estadounidense

Robert Rauschenberg artista estatunidenc

Robert Rauschenberg artiste américain

Robert Rauschenberg fotografo e pittore statunitense

Robert Rauschenberg Usana artisto

Robert Raušenberg

Roberts Raušenbergs

Раушенберг

Раушенберг, Роберт

Роберт Раушенберг

רוברט ראושנברג אמן אמריקאי

رابرت راشنبرگ هنرمند، عکاس، نقاش، و مجسمه‌ساز آمریکایی

راۋشەنبەرگ

ラウシェンバーグ

ロウシェンバーグ

ロバート・ラウシェンバーグ

劳生柏

羅伯特·勞森伯格

Languages
English (377)

French (17)

German (16)

Italian (6)

Spanish (1)