Museum of Modern Art (New York, N.Y.)
Overview
| Works: | 12,382 works in 20,199 publications in 9 languages and 465,960 library holdings |
|---|---|
| Genres: | Exhibition catalogs Catalogs Biographies Photobooks History Essays Juvenile works Fiction Criticism, interpretation, etc Pictorial works |
| Roles: | Editor, Other, Publisher, Patron, Organizer of meeting, his, Producer, Collector, Curator, Distributor, 475, 070, Host, Copyright holder, Contributor, hos, iss, Publishing director, isb, Recipient, Former owner, 205 |
| Classifications: | TR650, 759.4 |
Publication Timeline
.
Most widely held works about
N.Y.) Museum of Modern Art (New York
- Alfred H. Barr, Jr., and the intellectual origins of the Museum of Modern Art by Sybil Gordon Kantor( )
- Looking at photographs : 100 pictures from the collection of the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- Machine art, 1934 by Jennifer Jane Marshall( )
- The Museum of Modern Art, New York : the history and the collection by N.Y.) Museum of Modern Art (New York( Book )
- Diane Arbus by Diane Arbus( Book )
- Seen Art? by Jon Scieszka( Book )
- Modern women : women artists at the Museum of Modern Art by Museum of Modern Art (Nueva York)( Book )
- Good old Modern : an intimate portrait of the Museum of Modern Art by Russell Lynes( Book )
- Modern contemporary : art at MoMA since 1980 by N.Y.) Museum of Modern Art (New York( Book )
- American photography, 1890-1965, from the Museum of Modern Art, New York by N.Y.) Museum of Modern Art (New York( Book )
- Abby Aldrich Rockefeller : the woman in the family by Bernice Kert( Book )
- Twentieth-century art from the Nelson Aldrich Rockefeller Collection by N.Y.) Museum of Modern Art (New York( Book )
- German Expressionism : the graphic impulse by N.Y.) Museum of Modern Art (New York( Book )
- Drawings by Jean Dubuffet( Book )
- Modern painting and sculpture : 1880 to the present at the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- The William S. Paley collection by N.Y.) Museum of Modern Art (New York( Book )
- Alfred H. Barr, Jr. : missionary for the modern by Alice Goldfarb Marquis( Book )
- The first Monday in May by Andrew Rossi( Visual )
- Frank O'Hara : the poetics of coterie by Lytle Shaw( Book )
- Artists & prints : masterworks from the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
more
fewer
Most widely held works by
N.Y.) Museum of Modern Art (New York
Pablo Picasso, a retrospective by
Pablo Picasso(
Book
)
16 editions published in 1980 in English and held by 2,266 WorldCat member libraries worldwide
Contains over one thousand captioned photographs of works by the artist
16 editions published in 1980 in English and held by 2,266 WorldCat member libraries worldwide
Contains over one thousand captioned photographs of works by the artist
Complexity and contradiction in architecture by
Robert Venturi(
Book
)
50 editions published between 1966 and 2019 in 6 languages and held by 1,745 WorldCat member libraries worldwide
Venturi presents his views on architecture as the conscious manipulation of the complexities, contridictions, and ambiguities of urban life in a technologically changing society
50 editions published between 1966 and 2019 in 6 languages and held by 1,745 WorldCat member libraries worldwide
Venturi presents his views on architecture as the conscious manipulation of the complexities, contridictions, and ambiguities of urban life in a technologically changing society
Dada, Surrealism, and their heritage by
William Rubin(
Book
)
9 editions published in 1968 in English and held by 1,621 WorldCat member libraries worldwide
An exhibition tracing the history of the Dada and Surrealist movements
9 editions published in 1968 in English and held by 1,621 WorldCat member libraries worldwide
An exhibition tracing the history of the Dada and Surrealist movements
"Primitivism" in 20th century art : affinity of the tribal and the modern(
Book
)
9 editions published in 1984 in English and held by 1,573 WorldCat member libraries worldwide
The crucial influence of the tribal arts--especially those of Africa and Oceania--on modern painters and sculptors has long been recognized. Yet surprisingly, this book is the first comprehensive scholarly treatment of the subject in half a century, and the first ever to illustrate and discuss tribal works collected by vanguard artists. In this visually stunning and intellectually provocative work, nineteen heavily illustrated essays by fifteen scholars confront complex aesthetic, art-historical, and sociological problems posed by this dramatic chapter in the history of modern art. The long introductory essay by William Rubin, while defining the parameters of modernist primitivism, sketches the history of western attitudes toward primitive peoples and, in particular, toward their art, raising fundamental questions and correcting widespread misconceptions. Succeeding background chapters by historians of primitive art trace the arrival and dissemination of African, Oceanic, American Indian, and Eskimo art in the West. In 1906 tribal sculpture was "discovered" by twentieth century artists; these objects had suddenly become relevant because of the changes in the nature of modern art itself. The main body of the book contains a series of essays on primitivism in the works of Gauguin, the Fauves, Picasso, Brancusi, the German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, the Surrealists, Abstract Expressionists. It concludes with a discussion of primitivist contemporary artists, including those involved in earthworks, shamanism, and ritual -inspired performances. More than a thousand illustrations juxtapose on the pages of these volumes specific Primitive works with those of modernist masters, exploring their underlying affinities and illuminating intricate problems of influence and rapport. The tribal works illustrated include not only a variety of masterpieces pertinent to modernist interests, but other objects vital to the history of primitivism."--Publisher's description
9 editions published in 1984 in English and held by 1,573 WorldCat member libraries worldwide
The crucial influence of the tribal arts--especially those of Africa and Oceania--on modern painters and sculptors has long been recognized. Yet surprisingly, this book is the first comprehensive scholarly treatment of the subject in half a century, and the first ever to illustrate and discuss tribal works collected by vanguard artists. In this visually stunning and intellectually provocative work, nineteen heavily illustrated essays by fifteen scholars confront complex aesthetic, art-historical, and sociological problems posed by this dramatic chapter in the history of modern art. The long introductory essay by William Rubin, while defining the parameters of modernist primitivism, sketches the history of western attitudes toward primitive peoples and, in particular, toward their art, raising fundamental questions and correcting widespread misconceptions. Succeeding background chapters by historians of primitive art trace the arrival and dissemination of African, Oceanic, American Indian, and Eskimo art in the West. In 1906 tribal sculpture was "discovered" by twentieth century artists; these objects had suddenly become relevant because of the changes in the nature of modern art itself. The main body of the book contains a series of essays on primitivism in the works of Gauguin, the Fauves, Picasso, Brancusi, the German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, the Surrealists, Abstract Expressionists. It concludes with a discussion of primitivist contemporary artists, including those involved in earthworks, shamanism, and ritual -inspired performances. More than a thousand illustrations juxtapose on the pages of these volumes specific Primitive works with those of modernist masters, exploring their underlying affinities and illuminating intricate problems of influence and rapport. The tribal works illustrated include not only a variety of masterpieces pertinent to modernist interests, but other objects vital to the history of primitivism."--Publisher's description
Henri Matisse : a retrospective by
John Elderfield(
Book
)
6 editions published in 1992 in English and held by 1,520 WorldCat member libraries worldwide
Complete overview of the art and career of Henri Matisse through an exhibition at the Museum of Modern Art
6 editions published in 1992 in English and held by 1,520 WorldCat member libraries worldwide
Complete overview of the art and career of Henri Matisse through an exhibition at the Museum of Modern Art
The family of man : the greatest photographic exhibition of all time, 503 pictures from 68 countries by
Edward Steichen(
Book
)
14 editions published in 1955 in English and held by 1,477 WorldCat member libraries worldwide
"Conceived as an exhibition for MoMA in New York in 1955, with a catalogue published both by Maco Magazine Corporation and Simon and Schuster, The Family of Man has been heavily criticized, usually for its sentimentality and its disingenuous simplicity. Although indeed sentimental, The Family of Man was not as simple as it looked. ... The de-politicization of the photography was in fact a calculated piece of political image-making, stating that American values were the only universal values, and that the world could be one big happy family under the beneficent guidance of Uncle Sam. ... One of the ironic aspects of the project is the way its whole aesthetic derives from those German and Soviet exhibitions and propaganda books of the 1930s. The sententious tone, the grim determinism, the tendentious ideological stance, even the design, place The Family of Man in the propagandist mode of modernism rather than in the utopian wing to which it nominally aspires. Nevertheless, and this is an important point, it contains many fine photographs."--The Photobook : A History Volume II / Martin Parr and Gerry Badger. London : Phaidon, 2004
14 editions published in 1955 in English and held by 1,477 WorldCat member libraries worldwide
"Conceived as an exhibition for MoMA in New York in 1955, with a catalogue published both by Maco Magazine Corporation and Simon and Schuster, The Family of Man has been heavily criticized, usually for its sentimentality and its disingenuous simplicity. Although indeed sentimental, The Family of Man was not as simple as it looked. ... The de-politicization of the photography was in fact a calculated piece of political image-making, stating that American values were the only universal values, and that the world could be one big happy family under the beneficent guidance of Uncle Sam. ... One of the ironic aspects of the project is the way its whole aesthetic derives from those German and Soviet exhibitions and propaganda books of the 1930s. The sententious tone, the grim determinism, the tendentious ideological stance, even the design, place The Family of Man in the propagandist mode of modernism rather than in the utopian wing to which it nominally aspires. Nevertheless, and this is an important point, it contains many fine photographs."--The Photobook : A History Volume II / Martin Parr and Gerry Badger. London : Phaidon, 2004
The sculpture of Picasso by
Roland Penrose(
Book
)
6 editions published in 1967 in English and held by 1,467 WorldCat member libraries worldwide
An exhibition of Picasso's sculptures
6 editions published in 1967 in English and held by 1,467 WorldCat member libraries worldwide
An exhibition of Picasso's sculptures
Andy Warhol : a retrospective by
Andy Warhol(
Book
)
4 editions published in 1989 in English and held by 1,442 WorldCat member libraries worldwide
More than 600 illustrations of Warhol's works from the fifties to the eighties
4 editions published in 1989 in English and held by 1,442 WorldCat member libraries worldwide
More than 600 illustrations of Warhol's works from the fifties to the eighties
Matisse Picasso by
Réunion des musées nationaux (France)(
Book
)
14 editions published in 2002 in French and English and held by 1,302 WorldCat member libraries worldwide
Annotation. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art, as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. Matisse Picasso presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition (a joint effort of The Museum of Modern Art, New York; the Tate Modern, London; the Reunion des musees nationaux/Musee Picasso, and the Musee national d'art moderne/Centre Georges Pompidou, Paris), Matisse Picasso is the first major examination of the fascinating relationships between their art, their careers, and their lives. Thirty-four essays, each by a member of the exhibition's curatorial team, focus on a particular moment in the artists' evolving relationship. These texts are accompanied by an introductory history, commentary on the public perception of important artistic relationships, and an extensive chronology
14 editions published in 2002 in French and English and held by 1,302 WorldCat member libraries worldwide
Annotation. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art, as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. Matisse Picasso presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition (a joint effort of The Museum of Modern Art, New York; the Tate Modern, London; the Reunion des musees nationaux/Musee Picasso, and the Musee national d'art moderne/Centre Georges Pompidou, Paris), Matisse Picasso is the first major examination of the fascinating relationships between their art, their careers, and their lives. Thirty-four essays, each by a member of the exhibition's curatorial team, focus on a particular moment in the artists' evolving relationship. These texts are accompanied by an introductory history, commentary on the public perception of important artistic relationships, and an extensive chronology
Futurism by
Joshua C Taylor(
Book
)
5 editions published in 1961 in English and held by 1,295 WorldCat member libraries worldwide
Discusses the Italian artistic movement and the artists involved. The most creative period was from 1910-16, and the book is concerned with that period. Illustrations include sculptures and paintings
5 editions published in 1961 in English and held by 1,295 WorldCat member libraries worldwide
Discusses the Italian artistic movement and the artists involved. The most creative period was from 1910-16, and the book is concerned with that period. Illustrations include sculptures and paintings
Cézanne : the late work : essays by
Paul Cézanne(
Book
)
7 editions published in 1977 in English and held by 1,293 WorldCat member libraries worldwide
"Published on the occasion of the exhibition ... organized by the Museum of Modern Art, New York, and the Reunion des musees nationaux, France, and shown also at the Museum of Fine Arts, Houston."
7 editions published in 1977 in English and held by 1,293 WorldCat member libraries worldwide
"Published on the occasion of the exhibition ... organized by the Museum of Modern Art, New York, and the Reunion des musees nationaux, France, and shown also at the Museum of Fine Arts, Houston."
African textiles and decorative arts by
Roy Sieber(
Book
)
12 editions published in 1972 in English and Undetermined and held by 1,286 WorldCat member libraries worldwide
12 editions published in 1972 in English and Undetermined and held by 1,286 WorldCat member libraries worldwide
Dada : Zurich, Berlin, Hannover, Cologne, New York, Paris by
Leah Dickerman(
Book
)
11 editions published in 2005 in English and held by 1,275 WorldCat member libraries worldwide
"Dada includes many of the key figures in the history of modernism, such as Hans Arp, Marcel Duchamp, Max Ernst, Hannah Hoch, John Heartfield, Francis Picabla, Kurt Schwitters, and Sophie Taeuber, and introduces artists who are less well known. This book explores the variety of art-making practices that emerged between 1916 and 1924 in the movement's primary centers: Zurich, Berlin, Hannover, Cologne, New York, and Paris. Six city essays by scholars of the movement; an illustrated chronology; more than forty artists' biographies; period photographs; and extensive plate sections document a provocative and influential artistic era." "This illustrated book accompanies Dada, the most comprehensive museum exhibition of Dada art ever mounted in the United States, on view in 2006 at the National Gallery of Art, Washington, and The Museum of Modern Art, New York. The exhibition was on view at the Musee national d'art moderne-Centre Pompidou in Paris in 2005."--BOOK JACKET
11 editions published in 2005 in English and held by 1,275 WorldCat member libraries worldwide
"Dada includes many of the key figures in the history of modernism, such as Hans Arp, Marcel Duchamp, Max Ernst, Hannah Hoch, John Heartfield, Francis Picabla, Kurt Schwitters, and Sophie Taeuber, and introduces artists who are less well known. This book explores the variety of art-making practices that emerged between 1916 and 1924 in the movement's primary centers: Zurich, Berlin, Hannover, Cologne, New York, and Paris. Six city essays by scholars of the movement; an illustrated chronology; more than forty artists' biographies; period photographs; and extensive plate sections document a provocative and influential artistic era." "This illustrated book accompanies Dada, the most comprehensive museum exhibition of Dada art ever mounted in the United States, on view in 2006 at the National Gallery of Art, Washington, and The Museum of Modern Art, New York. The exhibition was on view at the Musee national d'art moderne-Centre Pompidou in Paris in 2005."--BOOK JACKET
The family of man : the photographic exhibition by
Edward Steichen(
Book
)
4 editions published in 1955 in English and held by 1,275 WorldCat member libraries worldwide
"The greatest photographic exhibition of all time--503 pictures from 68 countries"--Title page of standard edition
4 editions published in 1955 in English and held by 1,275 WorldCat member libraries worldwide
"The greatest photographic exhibition of all time--503 pictures from 68 countries"--Title page of standard edition
The "wild beasts" : Fauvism and its affinities by
John Elderfield(
Book
)
7 editions published in 1976 in English and held by 1,261 WorldCat member libraries worldwide
7 editions published in 1976 in English and held by 1,261 WorldCat member libraries worldwide
Latin American artists of the twentieth century by
N.Y.) Museum of Modern Art (New York(
Book
)
9 editions published in 1993 in English and held by 1,257 WorldCat member libraries worldwide
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York
9 editions published in 1993 in English and held by 1,257 WorldCat member libraries worldwide
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York
Marcel Duchamp by
Arturo Schwarz(
Book
)
10 editions published in 1973 in English and French and held by 1,234 WorldCat member libraries worldwide
Bound catalogue for retrospective exhibition lists, annotates and illustrates 255 works; artist portraits
10 editions published in 1973 in English and French and held by 1,234 WorldCat member libraries worldwide
Bound catalogue for retrospective exhibition lists, annotates and illustrates 255 works; artist portraits
Jackson Pollock by
Kirk Varnedoe(
Book
)
9 editions published in 1998 in English and held by 1,196 WorldCat member libraries worldwide
Offers a brief profile of the artist, shows his major paintings and drawings, and discusses his place in modern art
9 editions published in 1998 in English and held by 1,196 WorldCat member libraries worldwide
Offers a brief profile of the artist, shows his major paintings and drawings, and discusses his place in modern art
Gerhard Richter : forty years of painting by
Robert Storr(
Book
)
12 editions published in 2002 in English and held by 1,159 WorldCat member libraries worldwide
"Gerhard Richter is one of the most influential painters working today. Since the early 1960s, his work has received much attention and many international accolades. Richter's diverse body of work calls into question such widely held assumptions as the importance of stylistic consistency, individual artistic sensibility, spontaneous creativity, and the impact of technology and media imagery to traditional studio methods and formats. Unlike many artists today, he has explored these issues mainly through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. His varied output ranges from austere photo-based figurative realism of the early 1960s to brightly colored gestural abstractions of the early 1980s and encompasses such startling works as his brilliant cycle of black-and-white paintings of the Baader-Meinhof group, thought-provoking monochrome abstractions and banal Pop images, delicate landscapes and intimate portraits. As an artist, Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be; and the result has been a vital renewal of painting itself." "This book accompanies the first comprehensive exhibition of the seventy-year-old German artist's paintings ever to appear in New York and includes beautiful color plates and duotones of some two hundred canvases in a broad representation of his forty years of painting. In addition, this volume contains a substantial recent interview with Richter, a chronology, selected bibliography, and comprehensive exhibition history. The retrospective this book accompanies was organized by Robert Storr, Senior Curator of Painting and Sculpture at The Museum of Modern Art, New York. After its showing in New York, this extraordinary exhibition will be seen in Chicago, San Francisco, and Washington, D.C."--Jacket
12 editions published in 2002 in English and held by 1,159 WorldCat member libraries worldwide
"Gerhard Richter is one of the most influential painters working today. Since the early 1960s, his work has received much attention and many international accolades. Richter's diverse body of work calls into question such widely held assumptions as the importance of stylistic consistency, individual artistic sensibility, spontaneous creativity, and the impact of technology and media imagery to traditional studio methods and formats. Unlike many artists today, he has explored these issues mainly through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. His varied output ranges from austere photo-based figurative realism of the early 1960s to brightly colored gestural abstractions of the early 1980s and encompasses such startling works as his brilliant cycle of black-and-white paintings of the Baader-Meinhof group, thought-provoking monochrome abstractions and banal Pop images, delicate landscapes and intimate portraits. As an artist, Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be; and the result has been a vital renewal of painting itself." "This book accompanies the first comprehensive exhibition of the seventy-year-old German artist's paintings ever to appear in New York and includes beautiful color plates and duotones of some two hundred canvases in a broad representation of his forty years of painting. In addition, this volume contains a substantial recent interview with Richter, a chronology, selected bibliography, and comprehensive exhibition history. The retrospective this book accompanies was organized by Robert Storr, Senior Curator of Painting and Sculpture at The Museum of Modern Art, New York. After its showing in New York, this extraordinary exhibition will be seen in Chicago, San Francisco, and Washington, D.C."--Jacket
High & low : modern art, popular culture by
Kirk Varnedoe(
Book
)
13 editions published in 1990 in English and held by 1,154 WorldCat member libraries worldwide
Readins in high & low
13 editions published in 1990 in English and held by 1,154 WorldCat member libraries worldwide
Readins in high & low
more
fewer
Audience Level
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Related Identities
- Barr, Alfred H. Jr 1902-1981 Author of introduction Contributor Other Author Editor
- Rubin, William 1927-2006 Other Editor Author of introduction Publishing director Author Contributor
- Picasso, Pablo 1881-1973 Honoree Artist Author
- Art Institute of Chicago Other Contributor Editor
- Elderfield, John Other Contributor Author Editor
- Szarkowski, John Other Contributor Author of introduction Author Editor Compiler
- Soby, James Thrall 1906-1979 Other Author of introduction Author Editor
- Lieberman, William S. (William Slattery) 1923-2005 Other Author of introduction Author Editor Publishing director
- Varnedoe, Kirk 1946-2003 Other Author of introduction Author Editor
- Matisse, Henri 1869-1954 Artist Author
Useful Links
Associated Subjects
Abby Aldrich Rockefeller Folk Art Center Africa Arbus, Diane, Architecture--Composition, proportion, etc Art, Latin American Art, Modern Art appreciation Artists Art museum directors Art patrons Art--Private collections Arts Arts, Modern Barr, Alfred H.,--Jr., Cézanne, Paul, Dadaism Decoration and ornament Duchamp, Marcel, Expressionism (Art) Fauvism Folk art--Collectors and collecting France Futurism (Art) Germany Human beings in art Humanity in art Matisse, Henri, Museum of Modern Art (New York, N.Y.) Museums New York (State)--New York Painting Painting, Italian Photograph collections Photography Photography, Artistic Picasso, Pablo, Pollock, Jackson, Popular culture Portrait photography Primitivism in art Prints Richter, Gerhard, Rockefeller, Abby Aldrich Rockefeller, Nelson A.--(Nelson Aldrich), Surrealism Textile fabrics United States Warhol, Andy, Women artists Women in art
Covers
Alternative Names
Amgueddfa Celfyddyd Fodern, Efrog Newydd
M.O.M.A.
M.O.M.A. (Museum of Modern Art (New York, N.Y.))
Modern Művészeti Múzeum
Modernās mākslas muzejs
Modernās mākslas muzejs (Ņujorka, Amerikas Savienotās Valstis)
Moma
MoMA (Museum of Modern Art, New York)
MOMA (Museum of Modern Art (New York, N.Y.))
Músaem na Nua-Ealaíne
Musée d'art moderne
Musée d'art moderne de New York
Musée d'art moderne (New York, N.Y.)
Musée d'Art Moderne New York, NY
Museo de Arte Moderna de Nova York
Museo de Arte Moderno de Nueva York
Museu d'Art Modern de Nova York
Museu de Arte Moderna
Museu de Arte Moderna New York, NY
Museum Artis Modernae
Museum of Modern Art
Museum of Modern Art lending library
Museum of Modern Art New York
Museum of Modern Art (New York, N.Y.)
Museum of Modern Art (Nova York)
Museum of Modern Art (Nova York, Nova York, Estats Units d'Amèrica)
Muzej moderne umetnosti u Njujorku
Muzej moderne umjetnosti
Muzeo de Moderna Arto de Novjorko
Muzeul de Artă Modernă
Muzeum moderního umění
Muzium Seni Moden
New Yorgi moodsa kunsti muuseum
New York (City) Museum of Modern Art
New York Museum of Modern Art
New York (N.Y.)
New York (N.Y.) Museum of Modern Art
New Yorkeko Arte Modernoaren Museoa
Nova York (Nova York). Museum of Modern Art
Ņujorka (Amerikas Savienotās Valstis). Modernās mākslas muzejs
Ņujorka (Amerikas Savienotās Valstis). Museum of Modern Art
Ņujorkas Modernās mākslas muzejs
Nyū Yōku Kindai Bijutsukan
Nyu-York Müasir İncəsənət Muzeyi
The Museum of Modern Art
Μουσείο Μοντέρνας Τέχνης της Νέας Υόρκης
Заманауи өнер мұражайы
Музей на модерното изкуство (MoMA)
Музей современного искусства
Музей сучасного мистецтва (Нью-Йорк)
Музеј модерне уметности у Њујорку
Музеј на современата уметност
Нью-Ёркскі музей сучаснага мастацтва
Нью-ёрскі музэй сучаснага мастацтва
Нью-Йорк заманча сәнгать музее
Нью-Йоркри паянкун ÿнер музейĕ
Хәҙерге сәнғәт музейы (Нью-Йорк)
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