Museum of Modern Art (New York, N.Y.)
Overview
| Works: | 5,528 works in 8,328 publications in 4 languages and 270,240 library holdings |
|---|---|
| Genres: | Exhibition catalogs Catalogs History Biographies Photobooks Criticism, interpretation, etc Biography Architectural drawings Pictorial works Interviews |
| Roles: | Editor, Other, Organizer of meeting, Patron, his, 475, Publisher, isb, Distributor, Contributor, Collector, 070, Recipient, Publishing director |
| Classifications: | TR650, 759.4 |
Publication Timeline
.
Most widely held works about
N.Y.) Museum of Modern Art (New York
- Looking at photographs : 100 pictures from the collection of the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- The family of man : the photographic exhibition by Edward Steichen( Book )
- The Museum of Modern Art, New York : the history and the collection by N.Y.) Museum of Modern Art (New York( Book )
- Modern women : women artists at the Museum of Modern Art by Museum of Modern Art (Nueva York)( Book )
- American photography, 1890-1965, from the Museum of Modern Art, New York by N.Y.) Museum of Modern Art (New York( Book )
- Modern contemporary : art at MoMA since 1980 by N.Y.) Museum of Modern Art (New York( Book )
- Abby Aldrich Rockefeller : the woman in the family by Bernice Kert( Book )
- Twentieth-century art from the Nelson Aldrich Rockefeller Collection by N.Y.) Museum of Modern Art (New York( Book )
- Alfred H. Barr, Jr., and the intellectual origins of the Museum of Modern Art by Sybil Gordon Kantor( Book )
- German Expressionism : the graphic impulse by N.Y.) Museum of Modern Art (New York( Book )
- Modern painting and sculpture : 1880 to the present at the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- The first Monday in May by Andrew Rossi( Visual )
- Artists & prints : masterworks from the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- Photography at MoMA by N.Y.) Museum of Modern Art (New York( Book )
- Visions of modern art : painting and sculpture from the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- Objects of design, from the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- Pop impressions : Europe/USA : prints and multiples from the Museum of Modern Art by N.Y.) Museum of Modern Art (New York( Book )
- Art in our time : a chronicle of the Museum of Modern Art by New York. Museum of Modern Art( Book )
- Yoshio Taniguchi : nine museums by Terence Riley( Book )
- The changing of the avant-garde : visionary architectural drawings from the Howard Gilman collection by N.Y.) Museum of Modern Art (New York( Book )
more
fewer
Most widely held works by
N.Y.) Museum of Modern Art (New York
Pablo Picasso, a retrospective by
Pablo Picasso(
Book
)
9 editions published in 1980 in English and held by 2,190 WorldCat member libraries worldwide
Contains over one thousand captioned photographs of works by the artist
9 editions published in 1980 in English and held by 2,190 WorldCat member libraries worldwide
Contains over one thousand captioned photographs of works by the artist
Dada, Surrealism, and their heritage by
William Rubin(
Book
)
8 editions published in 1968 in English and Undetermined and held by 1,622 WorldCat member libraries worldwide
An exhibition tracing the history of the Dada and Surrealist movements
8 editions published in 1968 in English and Undetermined and held by 1,622 WorldCat member libraries worldwide
An exhibition tracing the history of the Dada and Surrealist movements
Complexity and contradiction in architecture by
Robert Venturi(
Book
)
19 editions published between 1966 and 2019 in 3 languages and held by 1,580 WorldCat member libraries worldwide
A practicing architect discusses the theoretical background of modern architecture
19 editions published between 1966 and 2019 in 3 languages and held by 1,580 WorldCat member libraries worldwide
A practicing architect discusses the theoretical background of modern architecture
"Primitivism" in 20th century art : affinity of the tribal and the modern(
Book
)
2 editions published in 1984 in English and held by 1,550 WorldCat member libraries worldwide
The crucial influence of the tribal arts--especially those of Africa and Oceania--on modern painters and sculptors has long been recognized. Yet surprisingly, this book is the first comprehensive scholarly treatment of the subject in half a century, and the first ever to illustrate and discuss tribal works collected by vanguard artists. In this visually stunning and intellectually provocative work, nineteen heavily illustrated essays by fifteen scholars confront complex aesthetic, art-historical, and sociological problems posed by this dramatic chapter in the history of modern art. The long introductory essay by William Rubin, while defining the parameters of modernist primitivism, sketches the history of western attitudes toward primitive peoples and, in particular, toward their art, raising fundamental questions and correcting widespread misconceptions. Succeeding background chapters by historians of primitive art trace the arrival and dissemination of African, Oceanic, American Indian, and Eskimo art in the West. In 1906 tribal sculpture was "discovered" by twentieth century artists; these objects had suddenly become relevant because of the changes in the nature of modern art itself. The main body of the book contains a series of essays on primitivism in the works of Gauguin, the Fauves, Picasso, Brancusi, the German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, the Surrealists, Abstract Expressionists. It concludes with a discussion of primitivist contemporary artists, including those involved in earthworks, shamanism, and ritual -inspired performances. More than a thousand illustrations juxtapose on the pages of these volumes specific Primitive works with those of modernist masters, exploring their underlying affinities and illuminating intricate problems of influence and rapport. The tribal works illustrated include not only a variety of masterpieces pertinent to modernist interests, but other objects vital to the history of primitivism."--Publisher's description
2 editions published in 1984 in English and held by 1,550 WorldCat member libraries worldwide
The crucial influence of the tribal arts--especially those of Africa and Oceania--on modern painters and sculptors has long been recognized. Yet surprisingly, this book is the first comprehensive scholarly treatment of the subject in half a century, and the first ever to illustrate and discuss tribal works collected by vanguard artists. In this visually stunning and intellectually provocative work, nineteen heavily illustrated essays by fifteen scholars confront complex aesthetic, art-historical, and sociological problems posed by this dramatic chapter in the history of modern art. The long introductory essay by William Rubin, while defining the parameters of modernist primitivism, sketches the history of western attitudes toward primitive peoples and, in particular, toward their art, raising fundamental questions and correcting widespread misconceptions. Succeeding background chapters by historians of primitive art trace the arrival and dissemination of African, Oceanic, American Indian, and Eskimo art in the West. In 1906 tribal sculpture was "discovered" by twentieth century artists; these objects had suddenly become relevant because of the changes in the nature of modern art itself. The main body of the book contains a series of essays on primitivism in the works of Gauguin, the Fauves, Picasso, Brancusi, the German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, the Surrealists, Abstract Expressionists. It concludes with a discussion of primitivist contemporary artists, including those involved in earthworks, shamanism, and ritual -inspired performances. More than a thousand illustrations juxtapose on the pages of these volumes specific Primitive works with those of modernist masters, exploring their underlying affinities and illuminating intricate problems of influence and rapport. The tribal works illustrated include not only a variety of masterpieces pertinent to modernist interests, but other objects vital to the history of primitivism."--Publisher's description
Henri Matisse : a retrospective by
John Elderfield(
Book
)
5 editions published in 1992 in English and Undetermined and held by 1,476 WorldCat member libraries worldwide
Complete overview of the art and career of Henri Matisse through an exhibition at the Museum of Modern Art
5 editions published in 1992 in English and Undetermined and held by 1,476 WorldCat member libraries worldwide
Complete overview of the art and career of Henri Matisse through an exhibition at the Museum of Modern Art
Andy Warhol : a retrospective by
Andy Warhol(
Book
)
4 editions published in 1989 in English and held by 1,445 WorldCat member libraries worldwide
More than 600 illustrations of Warhol's works from the fifties to the eighties
4 editions published in 1989 in English and held by 1,445 WorldCat member libraries worldwide
More than 600 illustrations of Warhol's works from the fifties to the eighties
The family of man : the greatest photographic exhibition of all time-- 503 pictures from 68 countries-- by
Edward Steichen(
Book
)
5 editions published in 1955 in English and Undetermined and held by 1,402 WorldCat member libraries worldwide
"Conceived as an exhibition for MoMA in New York in 1955, with a catalogue published both by Maco Magazine Corporation and Simon and Schuster, The Family of Man has been heavily criticized, usually for its sentimentality and its disingenuous simplicity. Although indeed sentimental, The Family of Man was not as simple as it looked. ... The de-politicization of the photography was in fact a calculated piece of political image-making, stating that American values were the only universal values, and that the world could be one big happy family under the beneficent guidance of Uncle Sam. ... One of the ironic aspects of the project is the way its whole aesthetic derives from those German and Soviet exhibitions and propaganda books of the 1930s. The sententious tone, the grim determinism, the tendentious ideological stance, even the design, place The Family of Man in the propagandist mode of modernism rather than in the utopian wing to which it nominally aspires. Nevertheless, and this is an important point, it contains many fine photographs."--The Photobook : A History Volume II / Martin Parr and Gerry Badger. London : Phaidon, 2004
5 editions published in 1955 in English and Undetermined and held by 1,402 WorldCat member libraries worldwide
"Conceived as an exhibition for MoMA in New York in 1955, with a catalogue published both by Maco Magazine Corporation and Simon and Schuster, The Family of Man has been heavily criticized, usually for its sentimentality and its disingenuous simplicity. Although indeed sentimental, The Family of Man was not as simple as it looked. ... The de-politicization of the photography was in fact a calculated piece of political image-making, stating that American values were the only universal values, and that the world could be one big happy family under the beneficent guidance of Uncle Sam. ... One of the ironic aspects of the project is the way its whole aesthetic derives from those German and Soviet exhibitions and propaganda books of the 1930s. The sententious tone, the grim determinism, the tendentious ideological stance, even the design, place The Family of Man in the propagandist mode of modernism rather than in the utopian wing to which it nominally aspires. Nevertheless, and this is an important point, it contains many fine photographs."--The Photobook : A History Volume II / Martin Parr and Gerry Badger. London : Phaidon, 2004
Cézanne : the late work : essays by
N.Y.) Museum of Modern Art (New York(
Book
)
3 editions published between 1977 and 1978 in English and held by 1,317 WorldCat member libraries worldwide
"Published on the occasion of the exhibition ... organized by the Museum of Modern Art, New York, and the Reunion des musees nationaux, France, and shown also at the Museum of Fine Arts, Houston."
3 editions published between 1977 and 1978 in English and held by 1,317 WorldCat member libraries worldwide
"Published on the occasion of the exhibition ... organized by the Museum of Modern Art, New York, and the Reunion des musees nationaux, France, and shown also at the Museum of Fine Arts, Houston."
Marcel Duchamp by
Anne D'Harnoncourt(
Book
)
11 editions published between 1973 and 1989 in English and French and held by 1,304 WorldCat member libraries worldwide
11 editions published between 1973 and 1989 in English and French and held by 1,304 WorldCat member libraries worldwide
The "wild beasts" : Fauvism and its affinities by
John Elderfield(
Book
)
3 editions published in 1976 in English and held by 1,206 WorldCat member libraries worldwide
3 editions published in 1976 in English and held by 1,206 WorldCat member libraries worldwide
Gerhard Richter : forty years of painting by
Robert Storr(
Book
)
7 editions published in 2002 in English and Undetermined and held by 1,162 WorldCat member libraries worldwide
"Gerhard Richter is one of the most influential painters working today. Since the early 1960s, his work has received much attention and many international accolades. Richter's diverse body of work calls into question such widely held assumptions as the importance of stylistic consistency, individual artistic sensibility, spontaneous creativity, and the impact of technology and media imagery to traditional studio methods and formats. Unlike many artists today, he has explored these issues mainly through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. His varied output ranges from austere photo-based figurative realism of the early 1960s to brightly colored gestural abstractions of the early 1980s and encompasses such startling works as his brilliant cycle of black-and-white paintings of the Baader-Meinhof group, thought-provoking monochrome abstractions and banal Pop images, delicate landscapes and intimate portraits. As an artist, Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be; and the result has been a vital renewal of painting itself." "This book accompanies the first comprehensive exhibition of the seventy-year-old German artist's paintings ever to appear in New York and includes beautiful color plates and duotones of some two hundred canvases in a broad representation of his forty years of painting. In addition, this volume contains a substantial recent interview with Richter, a chronology, selected bibliography, and comprehensive exhibition history. The retrospective this book accompanies was organized by Robert Storr, Senior Curator of Painting and Sculpture at The Museum of Modern Art, New York. After its showing in New York, this extraordinary exhibition will be seen in Chicago, San Francisco, and Washington, D.C."--Jacket
7 editions published in 2002 in English and Undetermined and held by 1,162 WorldCat member libraries worldwide
"Gerhard Richter is one of the most influential painters working today. Since the early 1960s, his work has received much attention and many international accolades. Richter's diverse body of work calls into question such widely held assumptions as the importance of stylistic consistency, individual artistic sensibility, spontaneous creativity, and the impact of technology and media imagery to traditional studio methods and formats. Unlike many artists today, he has explored these issues mainly through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. His varied output ranges from austere photo-based figurative realism of the early 1960s to brightly colored gestural abstractions of the early 1980s and encompasses such startling works as his brilliant cycle of black-and-white paintings of the Baader-Meinhof group, thought-provoking monochrome abstractions and banal Pop images, delicate landscapes and intimate portraits. As an artist, Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be; and the result has been a vital renewal of painting itself." "This book accompanies the first comprehensive exhibition of the seventy-year-old German artist's paintings ever to appear in New York and includes beautiful color plates and duotones of some two hundred canvases in a broad representation of his forty years of painting. In addition, this volume contains a substantial recent interview with Richter, a chronology, selected bibliography, and comprehensive exhibition history. The retrospective this book accompanies was organized by Robert Storr, Senior Curator of Painting and Sculpture at The Museum of Modern Art, New York. After its showing in New York, this extraordinary exhibition will be seen in Chicago, San Francisco, and Washington, D.C."--Jacket
Matisse Picasso by
Réunion des musées nationaux (France)(
Book
)
4 editions published in 2002 in French and English and held by 1,160 WorldCat member libraries worldwide
Annotation. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art, as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. Matisse Picasso presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition (a joint effort of The Museum of Modern Art, New York; the Tate Modern, London; the Reunion des musees nationaux/Musee Picasso, and the Musee national d'art moderne/Centre Georges Pompidou, Paris), Matisse Picasso is the first major examination of the fascinating relationships between their art, their careers, and their lives. Thirty-four essays, each by a member of the exhibition's curatorial team, focus on a particular moment in the artists' evolving relationship. These texts are accompanied by an introductory history, commentary on the public perception of important artistic relationships, and an extensive chronology
4 editions published in 2002 in French and English and held by 1,160 WorldCat member libraries worldwide
Annotation. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art, as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. Matisse Picasso presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition (a joint effort of The Museum of Modern Art, New York; the Tate Modern, London; the Reunion des musees nationaux/Musee Picasso, and the Musee national d'art moderne/Centre Georges Pompidou, Paris), Matisse Picasso is the first major examination of the fascinating relationships between their art, their careers, and their lives. Thirty-four essays, each by a member of the exhibition's curatorial team, focus on a particular moment in the artists' evolving relationship. These texts are accompanied by an introductory history, commentary on the public perception of important artistic relationships, and an extensive chronology
Jackson Pollock by
Kirk Varnedoe(
Book
)
5 editions published in 1998 in English and held by 1,151 WorldCat member libraries worldwide
Offers a brief profile of the artist, shows his major paintings and drawings, and discusses his place in modern art
5 editions published in 1998 in English and held by 1,151 WorldCat member libraries worldwide
Offers a brief profile of the artist, shows his major paintings and drawings, and discusses his place in modern art
Alberto Giacometti by
Alberto Giacometti(
Book
)
4 editions published in 1965 in English and held by 1,143 WorldCat member libraries worldwide
Catalog of a comprehensive exhibition of Glacometti's work organized by the Museum of Modern Art, New York, in 1965
4 editions published in 1965 in English and held by 1,143 WorldCat member libraries worldwide
Catalog of a comprehensive exhibition of Glacometti's work organized by the Museum of Modern Art, New York, in 1965
Mies van der Rohe by
N.Y.) Museum of Modern Art (New York(
Book
)
6 editions published between 1947 and 1978 in English and held by 1,123 WorldCat member libraries worldwide
Expanded version of book published in conjunction with an exhibition held at the Museum of Modern Art, New York, in 1947. Includes plans, photographs of structures now demolished, chronology, and some writings by Mies van der Rohe
6 editions published between 1947 and 1978 in English and held by 1,123 WorldCat member libraries worldwide
Expanded version of book published in conjunction with an exhibition held at the Museum of Modern Art, New York, in 1947. Includes plans, photographs of structures now demolished, chronology, and some writings by Mies van der Rohe
Mirrors and windows : American photography since 1960 by
John Szarkowski(
Book
)
8 editions published in 1978 in English and German and held by 1,113 WorldCat member libraries worldwide
Catalogue d'exposition
8 editions published in 1978 in English and German and held by 1,113 WorldCat member libraries worldwide
Catalogue d'exposition
Walker Evans by
Walker Evans(
Book
)
3 editions published in 1971 in English and held by 1,104 WorldCat member libraries worldwide
3 editions published in 1971 in English and held by 1,104 WorldCat member libraries worldwide
German art of the twentieth century by
N.Y.) Museum of Modern Art (New York(
Book
)
4 editions published in 1957 in English and held by 1,094 WorldCat member libraries worldwide
4 editions published in 1957 in English and held by 1,094 WorldCat member libraries worldwide
Before photography : painting and the invention of photography by
Peter Galassi(
Book
)
3 editions published in 1981 in English and German and held by 1,077 WorldCat member libraries worldwide
3 editions published in 1981 in English and German and held by 1,077 WorldCat member libraries worldwide
Chuck Close by
Robert Storr(
Book
)
5 editions published in 1998 in English and held by 1,068 WorldCat member libraries worldwide
"Chuck Close, a leading figure in the New York art world since the early 1970s, has had essentially one subject - the human face. These oversized, closely cropped images invite the viewers' attention: they look out at us while we stare back at them. In his early work, Close used himself, his family, and many of his friends as his subjects. More recently he has concentrated on portraits of his artist friends, including Elizabeth Murray, Roy Lichtenstein, Lucas Samaras, Alex Katz, Kiki Smith, Lorna Simpson, and Robert Rauschenberg."--BOOK JACKET. "Chuck Close is published to accompany a mid-career retrospective exhibition at The Museum of Modern Art, New York, in February 1998, organized by Robert Storr, Curator in the Department of Painting and Sculpture."--Publisher's description
5 editions published in 1998 in English and held by 1,068 WorldCat member libraries worldwide
"Chuck Close, a leading figure in the New York art world since the early 1970s, has had essentially one subject - the human face. These oversized, closely cropped images invite the viewers' attention: they look out at us while we stare back at them. In his early work, Close used himself, his family, and many of his friends as his subjects. More recently he has concentrated on portraits of his artist friends, including Elizabeth Murray, Roy Lichtenstein, Lucas Samaras, Alex Katz, Kiki Smith, Lorna Simpson, and Robert Rauschenberg."--BOOK JACKET. "Chuck Close is published to accompany a mid-career retrospective exhibition at The Museum of Modern Art, New York, in February 1998, organized by Robert Storr, Curator in the Department of Painting and Sculpture."--Publisher's description
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Audience Level
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Related Identities
- Elderfield, John Other Contributor Adapter Author Editor
- Rubin, William 1927-2006 Other Contributor Author Editor
- Art Institute of Chicago Other Contributor Editor
- Picasso, Pablo 1881-1973 Illustrator Artist Author Editor Creator
- Barr, Alfred H. Jr 1902-1981 Other Author of introduction Author Editor Creator
- Szarkowski, John Other Arranger Editor Author Contributor Compiler
- McShine, Kynaston Author Editor
- Galassi, Peter Editor Author of introduction Secretary Author Contributor Redactor
- Matisse, Henri 1869-1954 Illustrator Author
- Lieberman, William S. (William Slattery) 1923-2005 Other Author Editor
Useful Links
Associated Subjects
Abby Aldrich Rockefeller Folk Art Center Architecture--Composition, proportion, etc Art Art, German Art, Modern Art, Modern Art and photography Art museum directors Art patrons Art--Private collections Arts Arts, Modern Barr, Alfred H.,--Jr., Cézanne, Paul, Close, Chuck, Dadaism Duchamp, Marcel, Evans, Walker, Expressionism (Art) Fauvism Folk art--Collectors and collecting Germany Giacometti, Alberto, Human beings in art Human figure in art Humanity in art Matisse, Henri, Mies van der Rohe, Ludwig, Museum of Modern Art (New York, N.Y.) New York (State)--New York Painting Painting, Modern Photograph collections Photography Photography, Artistic Picasso, Pablo, Pollock, Jackson, Portrait photography Primitivism in art Prints Prints, German Richter, Gerhard, Rockefeller, Abby Aldrich Rockefeller, Nelson A.--(Nelson Aldrich), Sculpture, Modern Surrealism United States Warhol, Andy, Women artists Women in art
Covers
Alternative Names
Amgueddfa Celfyddyd Fodern, Efrog Newydd
M.O.M.A.
M.O.M.A. (Museum of Modern Art (New York, N.Y.))
Modern Művészeti Múzeum New York-i Modern Művészeti Múzeum
Modernās mākslas muzejs
Moma
MoMA (Museum of Modern Art, New York)
MOMA (Museum of Modern Art (New York, N.Y.))
Musée d'art moderne
Musée d'art moderne de New York
Musée d'art moderne (New York, N.Y.)
Musée d'Art Moderne New York, NY
[Musée. New York.] Museum of Modern Art
Museo de Arte Moderna
Museo de Arte Moderno de Nueva York Museo de Arte en Nueva York
Museu d'Art Modern de Nova York
Museu de Arte Moderna
Museu de Arte Moderna museu de arte em Nova Iorque
Museu de Arte Moderna New York, NY
Museum Artis Modernae
Museum of Modern Art
Museum of Modern Art art gallery in New York, USA
Museum of Modern Art kunstmuseum i New York City, USA
Museum of Modern Art lending library
Museum of Modern Art musée américain
Museum of Modern Art Museum für moderne Kunst in New York, USA
Museum of Modern Art museum in New York City
Museum of Modern Art museum pertunjukan seni di Amerika Serikat
Museum of Modern Art muzeum sztuki nowoczesnej (Manhattan, Nowy Jork)
Museum of Modern Art New York
Museum of Modern Art (New York, N.Y.)
Museum of Modern Art (New York NY)
Museum of Modern Art taidemuseo New Yorkissa, Yhdysvalloissa
Muzej moderne umetnosti u Njujorku
Muzej moderne umjetnosti
Muzeo de Moderna Arto de Novjorko
Muzeul de Artă Modernă
Muzeum moderního umění
Muzium Seni Moden
New Yorgi moodsa kunsti muuseum
New York (City) Museum of Modern Art
New York Museum of Modern Art
New York (N.Y)
New York (N.Y.) Museum of Modern Art
New Yorkeko Arte Modernoaren Museoa
Nyū Yōku Kindai Bijutsukan
Nyu-York Müasir İncəsənət Muzeyi
The Museum of Modern Art
Μουσείο Μοντέρνας Τέχνης
Музей на модерното изкуство
Музей современного искусства
Музей сучасного мистецтва в Нью-Йорку
Музеј модерне уметности у Њујорку
Нью-Ёркскі музей сучаснага мастацтва
Нью-ёрскі музэй сучаснага мастацтва
Нью-Йорк заманса сәнғәт музейы
Нью-Йорк заманча сәнгать музее
Нью-Йоркри паянкун ÿнер музейĕ
Нью-Йоркский музей современного искусства один из первых и наиболее представительных музеев современного искусства в мире
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