Öffentliche Kunstsammlung Basel
Overview
| Works: | 708 works in 1,071 publications in 4 languages and 11,194 library holdings |
|---|---|
| Genres: | Exhibition catalogs Catalogs Criticism, interpretation, etc Notebooks, sketchbooks, etc Biography Autographs Manuscripts Art |
| Roles: | Editor, his, Other, Organizer of meeting, isb, 445, Honoree, 475 |
| Classifications: | NC139.J58, 741.973 |
Publication Timeline
.
Most widely held works about
Öffentliche Kunstsammlung Basel
- Kunstmuseum Basel : the history of the paintings collection and a selection of 250 masterworks by Christian Geelhaar( Book )
- Die Sammlung max Geldner im Kunstmuseum Basel : Vermächtnis und Ankäufe der Stiftung by Öffentliche Kunstsammlung Basel( Book )
- Kunstmuseum Basel by Öffentliche Kunstsammlung Basel( Book )
- Mit Turban und Fahne : Aelbert Cuyps Basler Familienbildnis wiederentdeckt : Kunstmuseum Basel, 11. November 1995-11. Februar 1996 by Öffentliche Kunstsammlung Basel( Book )
- Das Amerbach-Kabinett, die Gemälde by Öffentliche Kunstsammlung Basel( Book )
- "Entartete" Kunst für Basel : die Herausforderung von 1939 by Georg Kreis( Book )
- Kunstmuseum Basel, 150 Gemälde 12.-20. Jahrhundert = Musée des beaux-arts, Bâle, 150 tableaux XIIe-XXe siècle = Museum of Fine Arts, Basle, 150 paintings, 12th-20th century by Öffentliche Kunstsammlung Basel( Book )
- Katalog 1946 by Öffentliche Kunstsammlung Basel( Book )
- 10 Picassos del Kunstmuseum Basel en el Museo del Prado by Öffentliche Kunstsammlung Basel( Book )
- European master paintings from Swiss collections : post-impressionism to World War II : [exhibition] by John Elderfield( )
- White fire, flying man : Amerikanische Kunst 1959-1999 in Basel : Werke aus der Öffentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung by Amerikanische Kunst 1959 - 1999 (1999, Basel) Ausstellung White Fire - Flying Man( Book )
- Le Musée de Bâle de Holbein à Picasso by Öffentliche Kunstsammlung Basel( Book )
- Von Nolde bis Buffet : Werke der Sammlung Obersteg im Forum Würth Arleshseim by Henriette Mentha( Book )
- White fire : the Kunstmuseum Basel Modern Collection by Mafalda Rodríguez( Book )
- Vorbild Holland : Genre und Landschaft im 19. Jahrhundert : Kunstmuseum Basel, 19. Oktober 2002-19. Januar 2003 by Öffentliche Kunstsammlung Basel( Book )
- Kunstmuseum Basel : the history of the paintings collection and a selection of 250 masterworks by Christian Geelhaar( Book )
- Zeichnungen international aus dem Kunstmuseum Basel : Städtisches Kunstmuseum Bonn, 15. September bis 31. Oktober 1982 by Öffentliche Kunstsammlung Basel( Book )
- Kunstmuseum Basel : l'histoire de la collection de peinture et une sélection de 250 chef-d'oeuvres by Öffentliche Kunstsammlung Basel( Book )
- De Beuys à Trockel : dessins contemporains du Kunstmuseum de Bâle : Galerie d'art graphique, 10 juillet-30 septembre 1996 by Öffentliche Kunstsammlung Basel( Book )
- Katalog der oeffentlichen Kunstsamlung in Basel by Öffentliche Kunstsammlung Kunstmuseum Basel( Book )
more
fewer
Most widely held works by
Öffentliche Kunstsammlung Basel
Donald Judd by
Donald Judd(
Book
)
4 editions published in 2004 in 3 languages and held by 539 WorldCat member libraries worldwide
"Beginning as a critic and painter, Donald Judd moved into three dimensions in the early 1960s, with box-like structures arranged on the gallery floor or mounted on the wall. Initially constructed by hand, his sculptures were later industrially manufactured in such materials as galvanised iron, steel, Plexiglas and plywood. His use of brightly hued lacquers, vibrant colours and polished metals ran counter to the public's understanding of what 'minimalist' sculpture should look like." "The authors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. They also examine the importance of colour and new man-made materials in Judd's work. The inclusion of a section on Judd's own permanent installations at the remote town of Marfa, Texas, a full chronology and a major essay by the artist on his own use of colour, completes a comprehensive survey of this compelling artist."--Publisher's description
4 editions published in 2004 in 3 languages and held by 539 WorldCat member libraries worldwide
"Beginning as a critic and painter, Donald Judd moved into three dimensions in the early 1960s, with box-like structures arranged on the gallery floor or mounted on the wall. Initially constructed by hand, his sculptures were later industrially manufactured in such materials as galvanised iron, steel, Plexiglas and plywood. His use of brightly hued lacquers, vibrant colours and polished metals ran counter to the public's understanding of what 'minimalist' sculpture should look like." "The authors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. They also examine the importance of colour and new man-made materials in Judd's work. The inclusion of a section on Judd's own permanent installations at the remote town of Marfa, Texas, a full chronology and a major essay by the artist on his own use of colour, completes a comprehensive survey of this compelling artist."--Publisher's description
Gabriel Orozco by
Ann Temkin(
Book
)
3 editions published in 2009 in English and Spanish and held by 472 WorldCat member libraries worldwide
This exhibition covers twenty years of work by Gabriel Orozco
3 editions published in 2009 in English and Spanish and held by 472 WorldCat member libraries worldwide
This exhibition covers twenty years of work by Gabriel Orozco
The drawings of Jasper Johns by
Nan Rosenthal(
Book
)
1 edition published in 1990 in English and held by 385 WorldCat member libraries worldwide
1 edition published in 1990 in English and held by 385 WorldCat member libraries worldwide
Andy Warhol : the early sixties : paintings and drawings, 1961-1964 by
Andy Warhol(
Book
)
5 editions published in 2010 in English and German and held by 350 WorldCat member libraries worldwide
Overview: After a successful career in advertising design, Andy Warhol (1928-1987) change course to pursue a career in art. His concerns, however, did not change, remaining centered on the world of consumerism and mass production. This publication illuminates Warhol's early years as a painter and producer of drawings, from 1961 to 1964. During this period, Warhol gradually replaced his somewhat individualized visual language with purely media-derived (and therefore collective) subject matter, and developed the mechanical painting process of silkscreening on canvas for which he became so well known. This fascinating process--in essence the gestation of Pop art--is examined here through several series, such as the Campbell's soup can paintings and the Dollar Bills, the star series of Elvis and Liz, the Death and Disaster pictures and the Flowers series from 1964. By concentrating on Warhol's early years, this publication makes it possible to comprehend the scope of his impact
5 editions published in 2010 in English and German and held by 350 WorldCat member libraries worldwide
Overview: After a successful career in advertising design, Andy Warhol (1928-1987) change course to pursue a career in art. His concerns, however, did not change, remaining centered on the world of consumerism and mass production. This publication illuminates Warhol's early years as a painter and producer of drawings, from 1961 to 1964. During this period, Warhol gradually replaced his somewhat individualized visual language with purely media-derived (and therefore collective) subject matter, and developed the mechanical painting process of silkscreening on canvas for which he became so well known. This fascinating process--in essence the gestation of Pop art--is examined here through several series, such as the Campbell's soup can paintings and the Dollar Bills, the star series of Elvis and Liz, the Death and Disaster pictures and the Flowers series from 1964. By concentrating on Warhol's early years, this publication makes it possible to comprehend the scope of his impact
Canto d'amore : classicism in modern art and music, 1914-1935 by
Öffentliche Kunstsammlung Basel(
Book
)
5 editions published in 1996 in 3 languages and held by 297 WorldCat member libraries worldwide
The classicism of the 1920s has usually been understood as a counter-modernist, reactionary tendency, summed up in Jean Cocteau's phrase, 'return to order' (Rappel a l'ordre). But the exhibition and catalogue Canto d'Amore, a title taken from De Chirico's key 'metaphysical' painting of 1914, demonstrates that this classicism should be more correctly understood as an alternative modernism, a 'modernist classicism'. The changes of direction undertaken by artists and
5 editions published in 1996 in 3 languages and held by 297 WorldCat member libraries worldwide
The classicism of the 1920s has usually been understood as a counter-modernist, reactionary tendency, summed up in Jean Cocteau's phrase, 'return to order' (Rappel a l'ordre). But the exhibition and catalogue Canto d'Amore, a title taken from De Chirico's key 'metaphysical' painting of 1914, demonstrates that this classicism should be more correctly understood as an alternative modernism, a 'modernist classicism'. The changes of direction undertaken by artists and
Cy Twombly : die Skulptur = Cy Twombly : the sculpture by
Katharina Schmidt(
Book
)
4 editions published in 2000 in German and English and held by 296 WorldCat member libraries worldwide
One of the essential artists of our time, Cy Twombly is known primarily for his paintings, but his lesser-known sculpture oeuvre is an important dimension of his work as an artist. This large-format publication reveals his extensive body of sculptural work. Inspired by Kurt Schwitters, Giacometti and Surrealist object art, some of his early assemblages date back to the 1950s. These pieces are composed of everyday found objects, which Twombly arranged in the vein of magical or fetishistic objects. Later he began to cover them with a uniform coat of white paint. Thus placed in a new formal context, the original meaning of the individual pieces is blurred, connecting them with a wide range of cultural references. Literature and music, landscape and plantlife are all evoked. Twombly's sculptures are always white, exuding both an odd, ethereal quality and an aura of timeless poetry. -- Amazon.com
4 editions published in 2000 in German and English and held by 296 WorldCat member libraries worldwide
One of the essential artists of our time, Cy Twombly is known primarily for his paintings, but his lesser-known sculpture oeuvre is an important dimension of his work as an artist. This large-format publication reveals his extensive body of sculptural work. Inspired by Kurt Schwitters, Giacometti and Surrealist object art, some of his early assemblages date back to the 1950s. These pieces are composed of everyday found objects, which Twombly arranged in the vein of magical or fetishistic objects. Later he began to cover them with a uniform coat of white paint. Thus placed in a new formal context, the original meaning of the individual pieces is blurred, connecting them with a wide range of cultural references. Literature and music, landscape and plantlife are all evoked. Twombly's sculptures are always white, exuding both an odd, ethereal quality and an aura of timeless poetry. -- Amazon.com
Douglas Cooper und die Meister des Kubismus by
Dorothy M Kosinski(
Book
)
4 editions published in 1987 in 3 languages and held by 269 WorldCat member libraries worldwide
4 editions published in 1987 in 3 languages and held by 269 WorldCat member libraries worldwide
Andreas Gursky by
Andreas Gursky(
Book
)
5 editions published in 2007 in German and held by 269 WorldCat member libraries worldwide
"Famed worldwide for his epically proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula 1 races and the other on the famous Arirang Festival (a closely choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here."--Publisher description
5 editions published in 2007 in German and held by 269 WorldCat member libraries worldwide
"Famed worldwide for his epically proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula 1 races and the other on the famous Arirang Festival (a closely choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here."--Publisher description
Renoir : between Bohemia and bourgeoisie : the early years by
Auguste Renoir(
Book
)
2 editions published in 2012 in English and held by 211 WorldCat member libraries worldwide
Renoir is celebrated as a "painter of happiness," but is all too often reduced to the one cliché. This is the first extensive examination of the painter's early oeuvre in the border zone between the bohemian and the bourgeois milieu in which he felt most at home. The fifteen-year period it covers was a time of great upward mobility for Renoir: having risen up from his parents' petit-bourgeois origins, he was soon at the heart of the bohemian milieu inhabited by his friends and fellow artists, and by the end of the 1870s had become a welcome guest at the salons of the haute bourgeoisie--Jacket
2 editions published in 2012 in English and held by 211 WorldCat member libraries worldwide
Renoir is celebrated as a "painter of happiness," but is all too often reduced to the one cliché. This is the first extensive examination of the painter's early oeuvre in the border zone between the bohemian and the bourgeois milieu in which he felt most at home. The fifteen-year period it covers was a time of great upward mobility for Renoir: having risen up from his parents' petit-bourgeois origins, he was soon at the heart of the bohemian milieu inhabited by his friends and fellow artists, and by the end of the 1870s had become a welcome guest at the salons of the haute bourgeoisie--Jacket
Frank Stella : working drawings, 1956-1970 = Zeichnungen by
Frank Stella(
Book
)
4 editions published in 1980 in German and Undetermined and held by 164 WorldCat member libraries worldwide
4 editions published in 1980 in German and Undetermined and held by 164 WorldCat member libraries worldwide
Konrad Witz by
Konrad Witz(
Book
)
1 edition published in 2011 in English and held by 158 WorldCat member libraries worldwide
Konrad Witz (ca. 1400-ca. 1445) counts among the most radical revivalists of painting in the first half of the fifteenth century. While his achievements testify to his knowledge of the Old Netherlandish painting of his time, they also constitute Witz's extraordinarily original signature. The uncontested highlight of his work is the Geneva Altar (1444), which features the Biblical scene of Peter fishing embedded in a veduta-like view of Lake Geneva-the first topographically accurate, identifiable landscape in the history of German painting
1 edition published in 2011 in English and held by 158 WorldCat member libraries worldwide
Konrad Witz (ca. 1400-ca. 1445) counts among the most radical revivalists of painting in the first half of the fifteenth century. While his achievements testify to his knowledge of the Old Netherlandish painting of his time, they also constitute Witz's extraordinarily original signature. The uncontested highlight of his work is the Geneva Altar (1444), which features the Biblical scene of Peter fishing embedded in a veduta-like view of Lake Geneva-the first topographically accurate, identifiable landscape in the history of German painting
Arnold Böcklin : 1827-1901 : Gemälde, Zeichn., Plastiken : Ausstellung zum 150. Geburtstag, 11. Juni-11. September 1977 by
Arnold Böcklin(
Book
)
3 editions published in 1977 in German and held by 152 WorldCat member libraries worldwide
3 editions published in 1977 in German and held by 152 WorldCat member libraries worldwide
Strawinsky, sein Nachlass, sein Bild : Kunstmuseum Basel in Zusammenarbeit mit der Paul Sacher Stiftung Basel by
Öffentliche Kunstsammlung Basel(
Book
)
3 editions published in 1984 in German and held by 134 WorldCat member libraries worldwide
Beilagen: Katalog der ausgestellten Bildnisse und Entwürfe für die Ausstattung seiner Bühnenwerke ; Programm und Ansprachen des Eröffnungsaktes im Stadttheater Basel 5. Juni 1984
3 editions published in 1984 in German and held by 134 WorldCat member libraries worldwide
Beilagen: Katalog der ausgestellten Bildnisse und Entwürfe für die Ausstattung seiner Bühnenwerke ; Programm und Ansprachen des Eröffnungsaktes im Stadttheater Basel 5. Juni 1984
Kazimir Malevich : the world as objectlessness by
Kazimir Severinovich Malevich(
Book
)
3 editions published in 2014 in English and held by 127 WorldCat member libraries worldwide
In 1927, Kazimir Malevich (1879-1935)--the creator of the modernist icon Black Square on a White Ground --published The World as Objectlessness, his vision of a world of non-representation, through the Bauhaus publishing arm. For a long time this book was Malevich's only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). Malevich described his theory as the supremacy of pure feeling or perception in the pictorial arts, and emphasized the feeling of a work, rather than the depiction of objects, advancing a philosophy that was both anti-material and non-utilitarian, focusing on geometric forms--lines, squares and circles--within a limited chromatic range. This volume offers a new translation of the artist's illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication, which are now in the possession of the Kunstmuseum Basel. The intensive research on these works of art provides new insights into the history of this creation: when and where were the illustrations done, and what stage in Malevich's artistic development do they reflect? Malevich's The World as Objectlessness is a snapshot of a moment in a boundless artistic universe
3 editions published in 2014 in English and held by 127 WorldCat member libraries worldwide
In 1927, Kazimir Malevich (1879-1935)--the creator of the modernist icon Black Square on a White Ground --published The World as Objectlessness, his vision of a world of non-representation, through the Bauhaus publishing arm. For a long time this book was Malevich's only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). Malevich described his theory as the supremacy of pure feeling or perception in the pictorial arts, and emphasized the feeling of a work, rather than the depiction of objects, advancing a philosophy that was both anti-material and non-utilitarian, focusing on geometric forms--lines, squares and circles--within a limited chromatic range. This volume offers a new translation of the artist's illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication, which are now in the possession of the Kunstmuseum Basel. The intensive research on these works of art provides new insights into the history of this creation: when and where were the illustrations done, and what stage in Malevich's artistic development do they reflect? Malevich's The World as Objectlessness is a snapshot of a moment in a boundless artistic universe
Picasso : aus dem Museum of Modern Art, New York, und Schweizer Sammlungen : [Ausstellung] Kunstmuseum Basel, 15. Juni-12.
September 1976 by
Pablo Picasso(
Book
)
3 editions published in 1976 in German and held by 125 WorldCat member libraries worldwide
3 editions published in 1976 in German and held by 125 WorldCat member libraries worldwide
Jasper Johns : Working Proofs : [Ausstellung], Kunstmuseum Basel, 7. April-2. Juni 1979 ... by
Jasper Johns(
Book
)
3 editions published in 1979 in German and held by 122 WorldCat member libraries worldwide
3 editions published in 1979 in German and held by 122 WorldCat member libraries worldwide
Die Malerfamilie Holbein in Basel by
Öffentliche Kunstsammlung Basel(
Book
)
4 editions published in 1960 in German and held by 120 WorldCat member libraries worldwide
4 editions published in 1960 in German and held by 120 WorldCat member libraries worldwide
Komponisten des 20. Jahrhunderts in der Paul Sacher Stiftung by
Switzerland) Paul Sacher Stiftung (Basel(
Book
)
2 editions published in 1986 in German and held by 120 WorldCat member libraries worldwide
2 editions published in 1986 in German and held by 120 WorldCat member libraries worldwide
Covering the real : Kunst und Pressbild, von Warhol bis Tillmans = art and the press picture, from Warhol to Tillmans : Kunstmuseum
Basel : 01.05.-21.08.2005 by
Hartwig Fischer(
Book
)
2 editions published in 2005 in German and English and held by 111 WorldCat member libraries worldwide
2 editions published in 2005 in German and English and held by 111 WorldCat member libraries worldwide
Pablo Picasso : das Spätwerk : Themen 1964-1972 : 6. September-8. November 1981, Kunstmuseum Basel : [Katalog] by
Pablo Picasso(
Book
)
4 editions published in 1981 in German and held by 109 WorldCat member libraries worldwide
4 editions published in 1981 in German and held by 109 WorldCat member libraries worldwide
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Related Identities
- Schmidt, Katharina Dr Author Editor
- Geelhaar, Christian Other Contributor Author Editor
- Bürgi, Bernhard Curator Author of introduction Editor Collector Author
- Museum of Modern Art (New York, N.Y.)
- Paul Sacher Stiftung (Basel, Switzerland) Editor
- Orozco, Gabriel 1962- Author
- Centre Georges Pompidou
- Tate Modern (Gallery) Editor
- Serota, Nicholas
- Picasso, Pablo 1881-1973 Other Illustrator
Useful Links
Associated Subjects
Art Art, Modern Art and music Artists' preparatory studies Art--Private collections Arts, Modern Böcklin, Arnold, Cooper, Douglas, Cubism Demand, Thomas, Drawing, American Europe France Gursky, Andreas, Hamilton, Richard, Holbein family Johns, Jasper, Judd, Donald, Kawara, On Malevich, Kazimir Severinovich, Manuscripts Minimal art Modernism (Art) Music Newspapers in art Nineteen sixties Öffentliche Kunstsammlung Basel Orozco, Gabriel, Painting Painting, Dutch Painting, European Painting, German Painting--Collectors and collecting Photography, Artistic Picasso, Pablo, Post-impressionism (Art) Renoir, Auguste, Rosler, Martha Saussier, Gilles Serralongue, Bruno Stella, Frank Stravinsky, Igor, Suprematism in art Switzerland Switzerland--Basel Tillmans, Wolfgang, Twombly, Cy, United States Warhol, Andy, Witz, Konrad,
Covers
Alternative Names
Bâle (Suisse)
Bâle, Suisse Öffentliche Kunstsammlung
Bâle, Suisse Public Art Collection
Basel, Kunstmuseum
Basel Kunstsammlung
Basel Oeffentliche Kunstsammlung
Basel Öffentliche Kunstsammlung
Basel (Switzerland) Museum of Fine Arts
Basel (Switzerland) Öffentliche Kunstsammlung
Basel (Switzerland) Public Art Collection
Basileako Arte Museoa
Basler Kunstmuseum
Bāzeles mākslas muzejs
Bazelʹskiĭ khudozhestvennyĭ muzeĭ
Bazelʹskij Chudožestvennyj Muzej
Chudožestvennyj Muzej
Kunstmuseum Bâle, Suisse
Kunstmuseum Basel
Kunstmuseum Basel bouwwerk in Bazel
Kunstmuseum Basel kunstmuseum i Basel
Kunstmuseum Basel museo d'arte a Basilea
Kunstmuseum Basel Museum in Basel (Schweiz)
Kunstmuseum Basel museum in Basel (Switzerland)
Kunstmuseum Basel Öffentliche Kunstsammlung
Kunstmuseum (Basel, Switzerland)
Kunstmuseum (Basilej, Švýcarsko)
Kunstmuseum din Basel
Musée
Musée de Bâle
Musée des beaux-arts
Musée des beaux-arts (Basel)
Musée des beaux-arts (Basel, Switzerland)
Musée des beaux-arts (Basilea)
Musée des beaux-arts (Basilej, Švýcarsko)
Musée des beaux-arts de Basel
Museo de Arte de Basilea institución estatal dedicada al arte situada en la ciudad suiza de Basilea
Museo delle belle arti di Basilea
Museo delle belle arti di Basilea (Suisse)
Museo delle belle arti di Basilea, Svizzera
Museu d'Art de Basilea
Museu das Belas Artes
Museum of Fine Arts
Museum of Fine Arts (Bâle, Suisse)
Museum of Fine Arts (Basel)
Museum of Fine Arts (Basel, Switzerland)
Museum of Fine Arts (Basilej, Švýcarsko)
Muzeum Sztuki w Bazylei
Oeffentliche Kunstsammlung Basel
Oeffentliche Kunstsammlung Basel Kunstmuseum
Öffentliche Kunstsammlung
Öffentliche Kunstsammlung (Bâle, Suisse)
Öffentliche Kunstsammlung Basel
Öffentliche Kunstsammlung Basel Bazelʹskij Chudožestvennyj Muzej
Öffentliche Kunstsammlung Basel Kunstmuseum
Öffentliche Kunstsammlung Basel Musée des beaux-arts
Öffentliche Kunstsammlung Basel Museum of Fine Arts
Öffentliche Kunstsammlung (Basel, Switzerland)
Öffentliche Kunstsammlung (Basilej, Švýcarsko)
Öffentliche Kunstsammlung Musée des Beaux Arts
Public art collection (Bâle, Suisse)
Public Art Collection (Basel, Switzerland)
Public Art Collection (Basilej, Švýcarsko)
Umělecké muzeum Basilej
Universität Basel. Öffentliche Kunstsammlung
Universität Basel Öffentliche Kunstsammlung Basel
Базельский художественный музей музей в Швейцарии
Ликовен музеј Базел
Художній музей
Բազելի արվեստի թանգարան
מוזיאון האמנות של בזל מוזיאון בשווייץ
バーゼル市立美術館
巴塞爾美術館
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