San Francisco Museum of Modern Art
Overview
| Works: | 3,514 works in 5,277 publications in 3 languages and 82,318 library holdings |
|---|---|
| Genres: | Exhibition catalogs History Catalogs Pictorial works Criticism, interpretation, etc Biography Photobooks Periodicals Portraits Interviews |
| Roles: | Editor, Other, his, Organizer of meeting, Publisher, isb, Director, Adapter, Publishing director, Curator |
| Classifications: | TR647, 709.2 |
Publication Timeline
.
Most widely held works about
San Francisco Museum of Modern Art
- Photography, a facet of modernism : photographs from the San Francisco Museum of Modern Art by San Francisco Museum of Modern Art( Book )
- San Francisco Museum of Modern Art, the painting and sculpture collection by San Francisco Museum of Modern Art( Book )
- San Francisco Museum of Modern Art : 75 years of looking forward by San Francisco Museum of Modern Art( Book )
- Taking place : photographs from the Prentice & Paul Sack collection by San Francisco Museum of Modern Art( Book )
- Invitation to the gallery : an introduction to art by R. H Phipps( Book )
- San Francisco Museum of Modern Art by Justin Henderson( Book )
- SFMOMA painting and sculpture highlights by San Francisco Museum of Modern Art( Book )
- Facets of the collection by San Francisco Museum of Modern Art( Book )
- Portraits of artists : 9 December 1984-10 March 1985 : faces photographed : 9 December 1984-24 March 1985 : from the permanent collection, San Francisco Museum of Modern Art by San Francisco Museum of Modern Art( Book )
- Clyfford Still, 1904-1980 : the Buffalo and San Francisco collections by Clyfford Still( Book )
- 50th anniversary commemorative program 1985 by San Francisco Museum of Modern Art( Book )
- What is a museum now? : Snøhetta and the San Francisco Museum of Modern Art by Snøhetta (Firm)( Book )
- San Francisco Museum of Modern Art 360° : views on the collection by San Francisco Museum of Modern Art( Book )
- Icônes américaines : chefs-d'œuvre du SFMOMA et de la collection Fisher by France) Grand Palais (Paris( Book )
- Rauschenberg research project by San Francisco Museum of Modern Art( )
- Annual report by San Francisco Museum of Modern Art( )
- Photographs by Manson & Woods International Inc Christie( Book )
- Post-war and contemporary art : evening sale by Manson & Woods International Inc Christie( Book )
- Old master drawings by Sotheby's (Firm)( Book )
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Most widely held works by
San Francisco Museum of Modern Art
Diane Arbus : revelations by
Diane Arbus(
Book
)
20 editions published between 2003 and 2006 in English and held by 1,123 WorldCat member libraries worldwide
"The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, "The Question of Belief," by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and "In the Darkroom," a discussion of Arbus's printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elizabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist's eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist's letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer's friends and colleagues by Jeff I. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus's controversial and astonishing vision."--Jacket
20 editions published between 2003 and 2006 in English and held by 1,123 WorldCat member libraries worldwide
"The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, "The Question of Belief," by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and "In the Darkroom," a discussion of Arbus's printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elizabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist's eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist's letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer's friends and colleagues by Jeff I. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus's controversial and astonishing vision."--Jacket
Walker Evans by
Walker Evans(
Book
)
3 editions published in 2000 in English and held by 1,064 WorldCat member libraries worldwide
Shares selected images from the American photographer's life's work, and analyzes a career that spanned more than four decades
3 editions published in 2000 in English and held by 1,064 WorldCat member libraries worldwide
Shares selected images from the American photographer's life's work, and analyzes a career that spanned more than four decades
Ansel Adams at 100 by
John Szarkowski(
Book
)
24 editions published between 2001 and 2004 in English and held by 1,032 WorldCat member libraries worldwide
Commemorates the art of the late landscape photographer and accompanies an international exhibit by showcasing 114 photographic images complemented by a critical essay on Adams' contributions to modern art
24 editions published between 2001 and 2004 in English and held by 1,032 WorldCat member libraries worldwide
Commemorates the art of the late landscape photographer and accompanies an international exhibit by showcasing 114 photographic images complemented by a critical essay on Adams' contributions to modern art
The artist and the camera : Degas to Picasso by
Dorothy M Kosinski(
Book
)
11 editions published in 1999 in English and held by 1,018 WorldCat member libraries worldwide
"Artists continued to discover and explore the artistic and practical applications of photography at the end of the nineteenth and the beginning of the twentieth centuries. This book explores the highly individual ways some of the most influential artists of the turn of the century put this "wondrous new medium" to use in their painting and sculpture and shows how they enfolded photographs into their creative processes."--Jacket
11 editions published in 1999 in English and held by 1,018 WorldCat member libraries worldwide
"Artists continued to discover and explore the artistic and practical applications of photography at the end of the nineteenth and the beginning of the twentieth centuries. This book explores the highly individual ways some of the most influential artists of the turn of the century put this "wondrous new medium" to use in their painting and sculpture and shows how they enfolded photographs into their creative processes."--Jacket
Japanese art after 1945 : scream against the sky by
Alexandra Munroe(
Book
)
2 editions published in 1994 in English and held by 996 WorldCat member libraries worldwide
2 editions published in 1994 in English and held by 996 WorldCat member libraries worldwide
Images of America : precisionist painting and modern photography by
Karen Tsujimoto(
Book
)
7 editions published in 1982 in English and held by 980 WorldCat member libraries worldwide
" ... documents the parallel courses followed by American painting and photography from the years just preceding World War I through the forties, a time when a new direction in American painting, identified as Precisioniwsm, was emerging."--Page 4 of cover
7 editions published in 1982 in English and held by 980 WorldCat member libraries worldwide
" ... documents the parallel courses followed by American painting and photography from the years just preceding World War I through the forties, a time when a new direction in American painting, identified as Precisioniwsm, was emerging."--Page 4 of cover
Picasso and American art by
Michael C FitzGerald(
Book
)
7 editions published in 2006 in English and held by 970 WorldCat member libraries worldwide
"Picasso and American Art is a publication juxtaposing works by Picasso with the paintings, sculptures, and drawings created in response by an extremely diverse group of his contemporaries and successors, including Max Weber, Stuart Davis, Arshile Gorky, John Graham, Willem de Kooning, Jackson Pollock, David Smith, Roy Lichtenstein, and Jasper Johns." "Based on extensive research, Michael FitzGerald's text provides valuable new information on the fundamental role that Picasso played in the development of modern American art - both through his friendships with individual artists and through the dissemination of his evolving work. This book also documents, for the first time, the accessibility of Picasso's work in the United States between 1910 and 1957 in exhibitions, collections, and publications through a comprehensive chronology."--Jacket
7 editions published in 2006 in English and held by 970 WorldCat member libraries worldwide
"Picasso and American Art is a publication juxtaposing works by Picasso with the paintings, sculptures, and drawings created in response by an extremely diverse group of his contemporaries and successors, including Max Weber, Stuart Davis, Arshile Gorky, John Graham, Willem de Kooning, Jackson Pollock, David Smith, Roy Lichtenstein, and Jasper Johns." "Based on extensive research, Michael FitzGerald's text provides valuable new information on the fundamental role that Picasso played in the development of modern American art - both through his friendships with individual artists and through the dissemination of his evolving work. This book also documents, for the first time, the accessibility of Picasso's work in the United States between 1910 and 1957 in exhibitions, collections, and publications through a comprehensive chronology."--Jacket
Wayne Thiebaud by
Karen Tsujimoto(
Book
)
3 editions published in 1985 in English and held by 967 WorldCat member libraries worldwide
3 editions published in 1985 in English and held by 967 WorldCat member libraries worldwide
Eva Hesse by
Eva Hesse(
Book
)
17 editions published in 2002 in English and German and held by 963 WorldCat member libraries worldwide
Indlæg af: Elisabeth Sussman, Renate Petzinger, James Meyer, Briony Fer, Gioia Timpanelli, Julian Bryan-Wilson, Robin Clark, Scott Rothkopf, Michelle Barger og Jill Sterrett
17 editions published in 2002 in English and German and held by 963 WorldCat member libraries worldwide
Indlæg af: Elisabeth Sussman, Renate Petzinger, James Meyer, Briony Fer, Gioia Timpanelli, Julian Bryan-Wilson, Robin Clark, Scott Rothkopf, Michelle Barger og Jill Sterrett
Alexander Calder, 1898-1976 by
Marla Prather(
Book
)
5 editions published in 1998 in English and held by 895 WorldCat member libraries worldwide
Catalogue of a centenary retrospective exhibition of 265 objects by Alexander Calder, including sculptures, paintings, drawings and jewelry. Text of the catalogue is divided into five chronological sections each of which is accompanied by a detailed chronology. The exhibition emphasizes the artist's early career into the 1940s when he created his first mobiles, stabiles and standing mobiles. His monumental public scuptures from the last two-and-a-half decades of his career is the focus of the final section. The publication also includes an essay titled Staging Movement by Arnauld Pierre and a detailed exhibition history by Alexander S.C. Rower
5 editions published in 1998 in English and held by 895 WorldCat member libraries worldwide
Catalogue of a centenary retrospective exhibition of 265 objects by Alexander Calder, including sculptures, paintings, drawings and jewelry. Text of the catalogue is divided into five chronological sections each of which is accompanied by a detailed chronology. The exhibition emphasizes the artist's early career into the 1940s when he created his first mobiles, stabiles and standing mobiles. His monumental public scuptures from the last two-and-a-half decades of his career is the focus of the final section. The publication also includes an essay titled Staging Movement by Arnauld Pierre and a detailed exhibition history by Alexander S.C. Rower
Tina Modotti : photographs by
Sarah M Lowe(
Book
)
3 editions published in 1995 in English and held by 895 WorldCat member libraries worldwide
This is the first serious art-historical study of the photographic achievement of Tina Modotti (1896-1942). Modotti's photographic career spanned a brief but intense seven years (1923-30) when she lived in Mexico and became committed to revolutionary Communism. The beautifully reproduced duotone images in this book include portraits, still lifes (among them, Modotti's memorable "revolutionary icons" incorporating an ear of dried corn, a bandolier, a sickle, and a guitar), Mexican workers, folk art, street photographs, architectural studies, and flowers and plants. They have been selected to represent the full range of Modotti's esthetic imagination, and nearly half have rarely or never been reproduced before. In an informative biographical and critical essay based on exhaustive research, Sarah M. Lowe, curator, art historian, author of a book about Frida Kahlo, and contributor to Abrams' The Diary of Frida Kahlo, explores the forces that shaped Modotti's early family influences in Italy; her formative experiences in the bohemian communities of San Francisco and Los Angeles in the 1910s; the relationship with legendary American photographer Edward Weston that provided her with her first photographic training; and the artistic and political circles she entered in Mexico. Lowe casts new light on Modotti's Mexican years, describing her relationships with a constellation of powerful artists, critics, activists, and journalists. Tina Modotti: Photographs is the catalogue of the first comprehensive exhibition of Modotti's work, organized on the occasion of the centennial of her birth by the Philadelphia Museum of Art and traveling to the Museum of Fine Arts, Houston, and the San Francisco Museum of Modern Art
3 editions published in 1995 in English and held by 895 WorldCat member libraries worldwide
This is the first serious art-historical study of the photographic achievement of Tina Modotti (1896-1942). Modotti's photographic career spanned a brief but intense seven years (1923-30) when she lived in Mexico and became committed to revolutionary Communism. The beautifully reproduced duotone images in this book include portraits, still lifes (among them, Modotti's memorable "revolutionary icons" incorporating an ear of dried corn, a bandolier, a sickle, and a guitar), Mexican workers, folk art, street photographs, architectural studies, and flowers and plants. They have been selected to represent the full range of Modotti's esthetic imagination, and nearly half have rarely or never been reproduced before. In an informative biographical and critical essay based on exhaustive research, Sarah M. Lowe, curator, art historian, author of a book about Frida Kahlo, and contributor to Abrams' The Diary of Frida Kahlo, explores the forces that shaped Modotti's early family influences in Italy; her formative experiences in the bohemian communities of San Francisco and Los Angeles in the 1910s; the relationship with legendary American photographer Edward Weston that provided her with her first photographic training; and the artistic and political circles she entered in Mexico. Lowe casts new light on Modotti's Mexican years, describing her relationships with a constellation of powerful artists, critics, activists, and journalists. Tina Modotti: Photographs is the catalogue of the first comprehensive exhibition of Modotti's work, organized on the occasion of the centennial of her birth by the Philadelphia Museum of Art and traveling to the Museum of Fine Arts, Houston, and the San Francisco Museum of Modern Art
An uncertain grace by
Sebastião Salgado(
Book
)
8 editions published in 1990 in English and held by 891 WorldCat member libraries worldwide
From a Brazilian mine where 50,000 mud-covered men haul heavy bags of dirt up and down slippery ladders in search of a stray nugget of gold, to a former lake in western Africa now swallowed by the encroaching desert, where emaciated, starving people walk over its surface of sand, photographer Sebastião Salgado explores the live of the planet's often ignored people with a critical eye and an empathetic heart
8 editions published in 1990 in English and held by 891 WorldCat member libraries worldwide
From a Brazilian mine where 50,000 mud-covered men haul heavy bags of dirt up and down slippery ladders in search of a stray nugget of gold, to a former lake in western Africa now swallowed by the encroaching desert, where emaciated, starving people walk over its surface of sand, photographer Sebastião Salgado explores the live of the planet's often ignored people with a critical eye and an empathetic heart
Marc Chagall by
Jacob Baal-Teshuva(
Book
)
12 editions published in 2003 in English and held by 836 WorldCat member libraries worldwide
Marc Chagall is one of the twentieth century's favorite artists, known and admired for his rich palette, his inventive approach, his accessible subjects, and the rich traditions behind his work. Combining fantasy, spirituality, and nostalgia with a distinctive modern painting style, Chagall's canvases are infused with a joyous, dreamlike simplicity. Even as styles shifted from Cubism to Suprematism to Surrealism, his work remained individual and idiosyncratic-sometimes harming his art world reputation, but never his popular appeal. Lavishly illustrated with more than one hundred and fifty color reproductions, Marc Chagall is the first full-scale survey of the artist's work in nearly twenty years. An introductory essay by exhibition curator Jean-Michel Foray contextualizes the Russian-born artist's work, while a heavily illustrated chronology of Chagall's life assembled by Meret Meyer Graber and Jakov Bruk details the many stages of his career. The work is organized into four sections, each with an introduction by Foray, to help make sense of the artist's prodigious oeuvre. This catalogue is published on the occasion of a major retrospective conceived by Reunion des Musees Nationaux, Paris, with the Musee National Message Biblique Marc Chagall, Nice, and co-organized with the San Francisco Museum of Modern Art
12 editions published in 2003 in English and held by 836 WorldCat member libraries worldwide
Marc Chagall is one of the twentieth century's favorite artists, known and admired for his rich palette, his inventive approach, his accessible subjects, and the rich traditions behind his work. Combining fantasy, spirituality, and nostalgia with a distinctive modern painting style, Chagall's canvases are infused with a joyous, dreamlike simplicity. Even as styles shifted from Cubism to Suprematism to Surrealism, his work remained individual and idiosyncratic-sometimes harming his art world reputation, but never his popular appeal. Lavishly illustrated with more than one hundred and fifty color reproductions, Marc Chagall is the first full-scale survey of the artist's work in nearly twenty years. An introductory essay by exhibition curator Jean-Michel Foray contextualizes the Russian-born artist's work, while a heavily illustrated chronology of Chagall's life assembled by Meret Meyer Graber and Jakov Bruk details the many stages of his career. The work is organized into four sections, each with an introduction by Foray, to help make sense of the artist's prodigious oeuvre. This catalogue is published on the occasion of a major retrospective conceived by Reunion des Musees Nationaux, Paris, with the Musee National Message Biblique Marc Chagall, Nice, and co-organized with the San Francisco Museum of Modern Art
Frida Kahlo by
Frida Kahlo(
Book
)
4 editions published in 2007 in English and held by 825 WorldCat member libraries worldwide
"Frida Kahlo's paintings and person illustrate the inevitable intertwining of freedom and pain, embodying the heroic reclamation of self and the repudiation of social repression through the art-making process. She is a woman both of her time and ours. Born in 1907, on the cusp of a new century, she was a radical in imagining and then asserting a peculiarly adventuresome artistic, sexual, and political identity. In her paintings she blurred the realms of saints and shamans as well as the cosmological and the technological, often permitting shockingly personal depictions of her physical and psychological pain to bleed into the iconography of Mexico's Aztec, colonial, and revolutionary history. This overturning of traditional approaches to thinking, seeing, and fantasizing is clear in the fearless self-portraits Kahlo constructed as well as in the life she lived." "This richly illustrated catalogue features more than 80 of Kahlo's works, including the hauntingly seductive and often brutal self-portraits, as well as a selection of key portraits and still-lifes that span the years of her career, up to her death in 1954, New critical essays by Elizabeth Carpenter, Hayden Herrera, and Victor Zamudio-Taylor examine Kahlo's position within art history and visual culture. Also reproduced are more than 100 photographs that belonged to Kahlo and her husband, renowned Mexican muralist Diego Rivera, some taken by eminent photographers of the period such as Lola Alvarez Bravo, Manuel Alvarez Bravo, Gisele Freund, Tina Modotti, and Nickolas Muray. More personal snapshots show Kahlo with family and friends, among them luminaries Andre Breton and Leon Trotsky, and many carry graphic inscriptions and interventions by the artist. An illustrated timeline, bibliography, and exhibition history offer added context."--Jacket
4 editions published in 2007 in English and held by 825 WorldCat member libraries worldwide
"Frida Kahlo's paintings and person illustrate the inevitable intertwining of freedom and pain, embodying the heroic reclamation of self and the repudiation of social repression through the art-making process. She is a woman both of her time and ours. Born in 1907, on the cusp of a new century, she was a radical in imagining and then asserting a peculiarly adventuresome artistic, sexual, and political identity. In her paintings she blurred the realms of saints and shamans as well as the cosmological and the technological, often permitting shockingly personal depictions of her physical and psychological pain to bleed into the iconography of Mexico's Aztec, colonial, and revolutionary history. This overturning of traditional approaches to thinking, seeing, and fantasizing is clear in the fearless self-portraits Kahlo constructed as well as in the life she lived." "This richly illustrated catalogue features more than 80 of Kahlo's works, including the hauntingly seductive and often brutal self-portraits, as well as a selection of key portraits and still-lifes that span the years of her career, up to her death in 1954, New critical essays by Elizabeth Carpenter, Hayden Herrera, and Victor Zamudio-Taylor examine Kahlo's position within art history and visual culture. Also reproduced are more than 100 photographs that belonged to Kahlo and her husband, renowned Mexican muralist Diego Rivera, some taken by eminent photographers of the period such as Lola Alvarez Bravo, Manuel Alvarez Bravo, Gisele Freund, Tina Modotti, and Nickolas Muray. More personal snapshots show Kahlo with family and friends, among them luminaries Andre Breton and Leon Trotsky, and many carry graphic inscriptions and interventions by the artist. An illustrated timeline, bibliography, and exhibition history offer added context."--Jacket
Willem de Kooning : tracing the figure by
Willem De Kooning(
Book
)
6 editions published in 2002 in English and held by 822 WorldCat member libraries worldwide
6 editions published in 2002 in English and held by 822 WorldCat member libraries worldwide
Bay Area figurative art, 1950-1965 by
Caroline A Jones(
Book
)
8 editions published between 1989 and 1990 in English and Undetermined and held by 811 WorldCat member libraries worldwide
During the 1950s a few painters in the San Francisco Bay Area began to stage personal, dramatic defections from the prevailing style of Abstract Expressionism, creating what would come to be known as Bay Area Figurative Art. In 1949 David Park destroyed many of his nonobjective canvases and began a new style of consciously naive figuration. Soon Elmer Bischoff and Richard Diebenkorn joined Park and other painters such as Nathan Oliveira, Theophilus Brown, James Weeks, and Paul Wonner in the move away from abstraction and toward figurative subject matter. When artists such as Bruce McGaw, Manuel Neri, and Joan Brown emerged as a second generation of figurative artists, the momentum grew for a powerful new development in American painting. The achievement of Bay Area Figurative painters and sculptors has become directly relevant to current debates regarding abstraction and representation, as well as to discourses on modernism and postmodernism. Indeed, the historical phenomenon of the movement is an important case study in the evolution of modernism in America, serving as an early example of rupture in the formalist "mainstream." Bay Area Figurative Art 1950-1965 was written to accompany an exhibition of the same name at the San Francisco Museum of Modern Art. Based on extensive archival research and interviews, it is the first study of the movement as a whole and is the broadest and most accurate account of the careers and interactions of ten Bay Area artists who worked in this new style
8 editions published between 1989 and 1990 in English and Undetermined and held by 811 WorldCat member libraries worldwide
During the 1950s a few painters in the San Francisco Bay Area began to stage personal, dramatic defections from the prevailing style of Abstract Expressionism, creating what would come to be known as Bay Area Figurative Art. In 1949 David Park destroyed many of his nonobjective canvases and began a new style of consciously naive figuration. Soon Elmer Bischoff and Richard Diebenkorn joined Park and other painters such as Nathan Oliveira, Theophilus Brown, James Weeks, and Paul Wonner in the move away from abstraction and toward figurative subject matter. When artists such as Bruce McGaw, Manuel Neri, and Joan Brown emerged as a second generation of figurative artists, the momentum grew for a powerful new development in American painting. The achievement of Bay Area Figurative painters and sculptors has become directly relevant to current debates regarding abstraction and representation, as well as to discourses on modernism and postmodernism. Indeed, the historical phenomenon of the movement is an important case study in the evolution of modernism in America, serving as an early example of rupture in the formalist "mainstream." Bay Area Figurative Art 1950-1965 was written to accompany an exhibition of the same name at the San Francisco Museum of Modern Art. Based on extensive archival research and interviews, it is the first study of the movement as a whole and is the broadest and most accurate account of the careers and interactions of ten Bay Area artists who worked in this new style
Ceramic sculpture : six artists by
Richard Marshall(
Book
)
6 editions published in 1981 in English and held by 791 WorldCat member libraries worldwide
Includes material on the works of Peter Voulkos, John Mason, Kenneth Price, Robert Arneson, David Gilhooly, Richard Shaw
6 editions published in 1981 in English and held by 791 WorldCat member libraries worldwide
Includes material on the works of Peter Voulkos, John Mason, Kenneth Price, Robert Arneson, David Gilhooly, Richard Shaw
Sol LeWitt : a retrospective by
Sol LeWitt(
Book
)
14 editions published in 2000 in English and held by 785 WorldCat member libraries worldwide
"This book, the first retrospective of LeWitt's work in more than twenty years, fosters a deeper understanding of the artist's career and its significance to American art and thought." "Including essays by a number of curators and art historians, this volume charts the evolution of LeWitt's art from his work in Conceptualism during the early 1960s through his turn toward a more lyrical and sensual form of abstraction round 1980. With over 450 images, the book provides a visual survey of LeWitt's oeuvre from 1960 to the present, including wall drawings, three-dimensional structures, works on paper and photographs."--Jacket
14 editions published in 2000 in English and held by 785 WorldCat member libraries worldwide
"This book, the first retrospective of LeWitt's work in more than twenty years, fosters a deeper understanding of the artist's career and its significance to American art and thought." "Including essays by a number of curators and art historians, this volume charts the evolution of LeWitt's art from his work in Conceptualism during the early 1960s through his turn toward a more lyrical and sensual form of abstraction round 1980. With over 450 images, the book provides a visual survey of LeWitt's oeuvre from 1960 to the present, including wall drawings, three-dimensional structures, works on paper and photographs."--Jacket
Clyfford Still, 1904-1980 : the Buffalo and San Francisco collections by
Clyfford Still(
Book
)
10 editions published in 1992 in German and English and held by 33 WorldCat member libraries worldwide
10 editions published in 1992 in German and English and held by 33 WorldCat member libraries worldwide
Portraits of artists : 9 December 1984-10 March 1985 : faces photographed : 9 December 1984-24 March 1985 : from the permanent
collection, San Francisco Museum of Modern Art by
San Francisco Museum of Modern Art(
Book
)
5 editions published in 1984 in English and held by 21 WorldCat member libraries worldwide
5 editions published in 1984 in English and held by 21 WorldCat member libraries worldwide
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Related Identities
- Museum of Modern Art (New York, N.Y.)
- Walker Art Center Publisher
- Phillips, Sandra S. 1945- Author of introduction Other Author Editor
- Garrels, Gary Other Organizer of meeting Author Editor
- Whitney Museum of American Art Publisher
- Solomon R. Guggenheim Museum Other Organizer of meeting
- Metropolitan Museum of Art (New York, N.Y.) Organizer of meeting Editor
- Art Institute of Chicago
- National Gallery of Art (U.S.) Other Publishing director
- Bishop, Janet C. Author Editor
Useful Links
Associated Subjects
Adams, Ansel, Arbus, Diane, Architectural photography Art Art, American Art, Japanese Art and photography Art appreciation Artists Art museums Avant-garde (Aesthetics) Calder, Alexander, California California--San Francisco California--San Francisco Bay Area Ceramic sculpture, American Chagall, Marc, De Kooning, Willem, Europe Evans, Walker, Figurative art Hesse, Eva, Influence (Literary, artistic, etc.) Japan Kahlo, Frida LeWitt, Sol, Mexico Minimal art Mobiles (Sculpture) Modotti, Tina, Museum of Modern Art (New York, N.Y.) Painters Painting, American Photograph collections Photographers Photography Photography, Artistic Picasso, Pablo, Portrait photography Precisionism Sack, Paul Sack, Prentice Salgado, Sebastião, San Francisco Museum of Modern Art Sculptors Social conditions Thiebaud, Wayne United States Women artists Women in art
Alternative Names
musée d'art moderne de San Francisco
Museo de Arte Moderno de San Francisco
Museu d'Art Modern de San Francisco
Museum of Art (San Francisco)
Museum of modern art
Museum of Modern Art San Francisco
Museum of modern art San Francisco, Calif.
Museum of Modern Art (Sanfrancisko, Amerikas Savienotās Valstis)
Muzeum Sztuki Współczesnej w San Francisco
San Francisco (Calif.)
San Francisco (Calif.) Museum of Modern Art
San Franciscó-i Modern Művészetek Múzeuma
San Francisco (Kalifornie) Museum of Modern Art
San Francisco museum of art
Sanfrancisko (Amerikas Savienotās Valstis). Museum of Modern Art
SF MOMA
SFMOMA
SFMOMA (San Francisco Museum of Modern Art)
Музей современного искусства Сан-Франциско
Սան Ֆրանցիսկոյի ժամանակակից արվեստի թանգարան
سانفرانسیسکو معاصر هنرون موزه
موزه هنرهای معاصر سانفرانسیسکو
სან-ფრანცისკოს თანამედროვე ხელოვნების მუზეუმი
샌프란시스코 현대미술관
サンフランシスコ近代美術館
三藩市現代藝術博物館
旧金山现代艺术博物馆
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