Duchamp, Marcel 1887-1968
Overview
| Works: | 2,759 works in 6,037 publications in 10 languages and 90,843 library holdings |
|---|---|
| Genres: | Criticism, interpretation, etc Biographies Exhibition catalogs History Interviews Catalogues raisonnés Experimental films Short films Silent films Catalogs |
| Roles: | Author, Illustrator, Director, Artist, Other, Contributor, Interviewee, Editor, Speaker, Honoree, Composer, Bibliographic antecedent, Translator, Author of introduction, Narrator, Creator, Restager , Dedicatee, Thesis advisor, Publishing director, Engraver, Film editor, Performer, Librettist, Singer, Organizer of meeting, Collector, wst, Lyricist, Signer, Musician, Curator, Dancer, Designer, Actor, Set designer , Compiler |
| Classifications: | N6853.D8, 709.2 |
Publication Timeline
.
Most widely held works about
Marcel Duchamp
- The world of Marcel Duchamp, 1887-1968 by Calvin Tomkins( Book )
- Alchemist of the avant-garde : the case of Marcel Duchamp by John F Moffitt( )
- Picasso and the chess player : Pablo Picasso, Marcel Duchamp, and the battle for the soul of modern art by Larry Witham( )
- Duchamp and the aesthetics of chance : art as experiment by Herbert Molderings( )
- Duchamp : a biography by Calvin Tomkins( Book )
- Marcel Duchamp by Arturo Schwarz( Book )
- The private worlds of Marcel Duchamp : desire, liberation, and the self in modern culture by Jerrold E Seigel( )
- Marcel Duchamp, appearance stripped bare by Octavio Paz( Book )
- The exiles of Marcel Duchamp by T. J Demos( )
- Marcel Duchamp in perspective by Joseph Masheck( Book )
- Marcel Duchamp : artist of the century by Rudolf E Kuenzli( Book )
- Displaying the marvelous : Marcel Duchamp, Salvador Dali, and surrealist exhibition installations by Lewis Kachur( Book )
- The complete works of Marcel Duchamp by Arturo Schwarz( Book )
- The bride and the bachelors : five masters of the avant garde by Calvin Tomkins( Book )
- The Definitively unfinished Marcel Duchamp by H. Dennis Young( Book )
- The popular culture of modern art : Picasso, Duchamp, and avant-gardism by Jeffrey S Weiss( Book )
- Duchamp in context : science and technology in the Large glass and related works by Linda Dalrymple Henderson( Book )
- The brothers Duchamp : Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp by Pierre Cabanne( Book )
- Pictorial nominalism on Marcel Duchamp's passage from painting to the readymade by Thierry de Duve( Book )
- Inventing Marcel Duchamp : the dynamics of portraiture by Marcel Duchamp( Book )
more
fewer
Most widely held works by
Marcel Duchamp
Unpacking Duchamp : art in transit by
Dalia Judovitz(
)
12 editions published between 1995 and 1998 in English and Undetermined and held by 2,302 WorldCat member libraries worldwide
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas
12 editions published between 1995 and 1998 in English and Undetermined and held by 2,302 WorldCat member libraries worldwide
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas
Drawing on art : Duchamp and company by
Dalia Judovitz(
)
9 editions published in 2010 in English and held by 1,117 WorldCat member libraries worldwide
This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation
9 editions published in 2010 in English and held by 1,117 WorldCat member libraries worldwide
This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation
Dialogues with Marcel Duchamp by
Pierre Cabanne(
Book
)
16 editions published between 1971 and 2013 in English and Chinese and held by 1,063 WorldCat member libraries worldwide
"Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage--'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
16 editions published between 1971 and 2013 in English and Chinese and held by 1,063 WorldCat member libraries worldwide
"Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage--'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
Marcel Duchamp by
Dawn Ades(
Book
)
3 editions published in 1999 in English and held by 827 WorldCat member libraries worldwide
"Genius, anti-artist, charlatan, guru, impostor? Since 1914 Marcel Duchamp has been called all these. No artist of the twentieth century has aroused more passion and controversy, nor exerted a greater influence on art, whose very nature Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works which transformed artmaking procedures. Written with the enthusiastic support of Duchamp's widow, this is one of the most original books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation."--Jacket
3 editions published in 1999 in English and held by 827 WorldCat member libraries worldwide
"Genius, anti-artist, charlatan, guru, impostor? Since 1914 Marcel Duchamp has been called all these. No artist of the twentieth century has aroused more passion and controversy, nor exerted a greater influence on art, whose very nature Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works which transformed artmaking procedures. Written with the enthusiastic support of Duchamp's widow, this is one of the most original books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation."--Jacket
Marcel Duchamp : work and life by
Jennifer Gough-Cooper(
Book
)
10 editions published in 1993 in English and held by 795 WorldCat member libraries worldwide
Leven en werk van de Franse beeldend kunstenaar (1887-1968)
10 editions published in 1993 in English and held by 795 WorldCat member libraries worldwide
Leven en werk van de Franse beeldend kunstenaar (1887-1968)
Marcel Duchamp : the art of making art in the age of mechanical reproduction by
Francis M Naumann(
Book
)
14 editions published in 1999 in 3 languages and held by 752 WorldCat member libraries worldwide
Examines how appropriation and replication were essential to Duchamp's art and disscusses the significance of the many replicas that he created or authorized
14 editions published in 1999 in 3 languages and held by 752 WorldCat member libraries worldwide
Examines how appropriation and replication were essential to Duchamp's art and disscusses the significance of the many replicas that he created or authorized
Avant-garde : experimental cinema of the 1920s and '30s by
Bret Wood(
Visual
)
6 editions published in 2005 in English and French and held by 680 WorldCat member libraries worldwide
Originally produced as individual silent motion pictures in France, the Netherlands, Germany, and the United States, these twenty-five short films epitomize the avant garde movement of the 1920's and 1930's. The films are drawn from the collection assembled by Raymond Rohauer, one of the nation's foremost proponents of experimental cinema, founder of the Hollywood Film Society, and longtime programmer at the Coronet Theatre in Los Angeles. Rohauer helped preserve and promote avant-garde cinema, and these films from his personal archive are some of the most influential and eclectic short films made during the 20th Century
6 editions published in 2005 in English and French and held by 680 WorldCat member libraries worldwide
Originally produced as individual silent motion pictures in France, the Netherlands, Germany, and the United States, these twenty-five short films epitomize the avant garde movement of the 1920's and 1930's. The films are drawn from the collection assembled by Raymond Rohauer, one of the nation's foremost proponents of experimental cinema, founder of the Hollywood Film Society, and longtime programmer at the Coronet Theatre in Los Angeles. Rohauer helped preserve and promote avant-garde cinema, and these films from his personal archive are some of the most influential and eclectic short films made during the 20th Century
Marcel Duchamp : ready-mades, etc., (1913-1964) by
Walter Hopps(
Book
)
6 editions published in 1964 in 3 languages and held by 608 WorldCat member libraries worldwide
6 editions published in 1964 in 3 languages and held by 608 WorldCat member libraries worldwide
Marcel Duchamp by
Robert Lebel(
Book
)
13 editions published in 1959 in English and French and held by 580 WorldCat member libraries worldwide
13 editions published in 1959 in English and French and held by 580 WorldCat member libraries worldwide
Joseph Cornell/Marcel Duchamp --in resonance by
Joseph Cornell(
Book
)
14 editions published in 1998 in English and German and held by 557 WorldCat member libraries worldwide
"This book chronicles the friendship and working relationship between Marcel Duchamp (1887-1968) and Joseph Cornell (1903-1972), two of the twentieth century's most innovative and influential artists. Joseph Cornell/Marcel Duchamp ... in resonance publishes for the first time the Duchamp Dossier (c. 1942-53) - a hitherto publicly unknown collection compiled by Cornell and discovered in the artist's estate following his death in 1972. The small objects, typed and handwritten notes, and ephemera found within the Duchamp Dossier provide an absorbing record of the interchange between these two artists, which included Cornell's assisting Duchamp on the assembly of his edition de ou par Marcel Duchamp ou Rrose Selavy (commonly referred to as the Boite-en-valise)." "Both artists were intrigued by the connection between art and the found object, and they shared a fascination with replicated images and the processes of reproduction. They had parallel interests in optical devices, ephemeral mediums (such as glass, dust, and paper), filmmaking, and graphic design. The book focuses in depth on Duchamp's box editions and Cornell's often neglected "explorations," arranged files of printed matter, notes, and ephemera related to individuals or specific themes."--Jacket
14 editions published in 1998 in English and German and held by 557 WorldCat member libraries worldwide
"This book chronicles the friendship and working relationship between Marcel Duchamp (1887-1968) and Joseph Cornell (1903-1972), two of the twentieth century's most innovative and influential artists. Joseph Cornell/Marcel Duchamp ... in resonance publishes for the first time the Duchamp Dossier (c. 1942-53) - a hitherto publicly unknown collection compiled by Cornell and discovered in the artist's estate following his death in 1972. The small objects, typed and handwritten notes, and ephemera found within the Duchamp Dossier provide an absorbing record of the interchange between these two artists, which included Cornell's assisting Duchamp on the assembly of his edition de ou par Marcel Duchamp ou Rrose Selavy (commonly referred to as the Boite-en-valise)." "Both artists were intrigued by the connection between art and the found object, and they shared a fascination with replicated images and the processes of reproduction. They had parallel interests in optical devices, ephemeral mediums (such as glass, dust, and paper), filmmaking, and graphic design. The book focuses in depth on Duchamp's box editions and Cornell's often neglected "explorations," arranged files of printed matter, notes, and ephemera related to individuals or specific themes."--Jacket
Marcel Duchamp, the bachelor stripped bare : a biography by
Alice Goldfarb Marquis(
Book
)
4 editions published in 2002 in English and held by 523 WorldCat member libraries worldwide
"Marcel Duchamp: The Bachelor Stripped Bare is not the first full-length biography of Duchamp, but it is the first to present him in all his human contradictions and to take a refreshingly objective look at his real contribution to twentieth-century art. The well-known facts are explored here: Duchamp's myriad personal relations (with family, lovers, collectors, and artists ranging from Man Ray, Picabia, and Breton to the Stettheimer sisters and the Arensbergs); the creation of major works such as the "readymades" and the Large Glass; his passion for chess and presumed abandonment of painting. But beyond this, Alice Goldfarb Marquis looks past the diffident, humorous mask that Duchamp wore with friend and acquaintance alike, to explore the passions and insecurities that motivated many of his artistic and personal evolutions. And she separates the artist from the con artist, to determine just how profound an influence Duchamp has been."--Jacket
4 editions published in 2002 in English and held by 523 WorldCat member libraries worldwide
"Marcel Duchamp: The Bachelor Stripped Bare is not the first full-length biography of Duchamp, but it is the first to present him in all his human contradictions and to take a refreshingly objective look at his real contribution to twentieth-century art. The well-known facts are explored here: Duchamp's myriad personal relations (with family, lovers, collectors, and artists ranging from Man Ray, Picabia, and Breton to the Stettheimer sisters and the Arensbergs); the creation of major works such as the "readymades" and the Large Glass; his passion for chess and presumed abandonment of painting. But beyond this, Alice Goldfarb Marquis looks past the diffident, humorous mask that Duchamp wore with friend and acquaintance alike, to explore the passions and insecurities that motivated many of his artistic and personal evolutions. And she separates the artist from the con artist, to determine just how profound an influence Duchamp has been."--Jacket
Debating American modernism : Stieglitz, Duchamp, and the New York avant-garde by
Debra Bricker Balken(
Book
)
6 editions published in 2003 in English and held by 488 WorldCat member libraries worldwide
"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery that appears in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed factions. Jay Bochner provides an absorbing analysis of the artists' respective violations of American expectations about art." "Debating American Modernism includes reproductions of work by artists from both factions, from Arthur Dove, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley, as well as by a group who melded the concerns of each, among them, Charles Demuth, Charles Sheeler, John Storrs, and Stuart Davis."--Jacket
6 editions published in 2003 in English and held by 488 WorldCat member libraries worldwide
"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery that appears in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed factions. Jay Bochner provides an absorbing analysis of the artists' respective violations of American expectations about art." "Debating American Modernism includes reproductions of work by artists from both factions, from Arthur Dove, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley, as well as by a group who melded the concerns of each, among them, Charles Demuth, Charles Sheeler, John Storrs, and Stuart Davis."--Jacket
Notes and projects for the Large Glass by
Marcel Duchamp(
Book
)
14 editions published between 1969 and 1970 in English and Undetermined and held by 463 WorldCat member libraries worldwide
14 editions published between 1969 and 1970 in English and Undetermined and held by 463 WorldCat member libraries worldwide
Marcel Duchamp by
Anne D'Harnoncourt(
Book
)
3 editions published in 1989 in English and held by 407 WorldCat member libraries worldwide
First published in 1973, this continues to be the definitive book on the artist
3 editions published in 1989 in English and held by 407 WorldCat member libraries worldwide
First published in 1973, this continues to be the definitive book on the artist
The complete works of Marcel Duchamp by
Arturo Schwarz(
Book
)
19 editions published in 1997 in English and held by 380 WorldCat member libraries worldwide
Catalogue raisonné
19 editions published in 1997 in English and held by 380 WorldCat member libraries worldwide
Catalogue raisonné
New York Dada : Duchamp, Man Ray, Picabia ; Städt. Galerie im Lenbachhaus, München, 15. Dez. 1973-27. Jan. 1974 ; Kunsthalle
Tübingen, 9. März 1974-28. April 1974 by
Arturo Schwarz(
Book
)
11 editions published in 1973 in 3 languages and held by 331 WorldCat member libraries worldwide
11 editions published in 1973 in 3 languages and held by 331 WorldCat member libraries worldwide
Marcel Duchamp, the box in a valise : de ou par Marcel Duchamp ou Rrose Sélavy : inventory of an edition by
Ecke Bonk(
Book
)
2 editions published in 1989 in English and held by 293 WorldCat member libraries worldwide
Om Marcel Duchamp kuffert-æskekunst eller transportable museum
2 editions published in 1989 in English and held by 293 WorldCat member libraries worldwide
Om Marcel Duchamp kuffert-æskekunst eller transportable museum
Voices and piano by
Peter Ablinger(
)
4 editions published in 2009 in 3 languages and held by 291 WorldCat member libraries worldwide
4 editions published in 2009 in 3 languages and held by 291 WorldCat member libraries worldwide
The bride stripped bare by her bachelors, even by
Marcel Duchamp(
Book
)
4 editions published in 1960 in English and held by 283 WorldCat member libraries worldwide
4 editions published in 1960 in English and held by 283 WorldCat member libraries worldwide
The complete works of Marcel Duchamp by
Arturo Schwarz(
Book
)
7 editions published in 1970 in English and held by 279 WorldCat member libraries worldwide
7 editions published in 1970 in English and held by 279 WorldCat member libraries worldwide
more
fewer
Audience Level
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Related Identities
- Tomkins, Calvin 1925- Author Interviewer Creator
- Schwarz, Arturo 1924- Other Interviewee Artist Editor Author of introduction Author Interviewer
- Philadelphia Museum of Art Other Editor
- Judovitz, Dalia Author
- Naumann, Francis M. Other Author Editor
- Time-Life Books
- Picasso, Pablo 1881-1973 Other Illustrator Artist
- Cabanne, Pierre Author Interviewer
- Man Ray 1890-1976 Interviewee Performer Artist Editor Illustrator Director Author Contributor Photographer
- Cage, John Other Interviewee Performer Speaker Author Composer
Useful Links
Associated Subjects
Alchemy--Influence Appropriation (Art) Art, American Art, French Art, Modern Art and science Art--Exhibition techniques Artists Art--Philosophy Art--Reproduction Avant-garde (Aesthetics) Box in a valise (Duchamp, Marcel) Bride stripped bare by her bachelors, even (Duchamp, Marcel) Cage, John Cornell, Joseph Cubism Cubism in motion pictures Cunningham, Merce Dadaism Dadaism in motion pictures Dalí, Salvador, Duchamp, Marcel, Duchamp-Villon, Raymond, Expatriation in art France Friendship Glass painting and staining Influence (Literary, artistic, etc.) Installations (Art) Modernism (Art) Modernism (Art)--Influence Monologues with music New York (State)--New York Nominalism Painters Painting, French Painting, Modern Piano music Picasso, Pablo, Portraits Postmodernism Rauschenberg, Robert, Stieglitz, Alfred, Stieglitz Circle (Group of artists) Surrealism Surrealism in motion pictures Tinguely, Jean, United States Villon, Jacques, Voices of famous people
Covers
Alternative Names
Dišāns, Anrī Robērs Marsels, 1887-1968
Dišāns, Marsels, 1887-1968
Duchamp, .. 1887-1968
Duchamp, H. R. M. 1887-1968
Duchamp, H. R. M. (Henri Robert Marcel), 1887-1968
Duchamp, Henri-Robert-Marcel
Duchamp, Henri-Robert-Marcel 1887-1968
Duchamp M. 1887-1968
Duchamp, Marc, 1887-1968
Duchamp, Marcel
Duchamp-Villon, Marcel.
Duchamp-Villon, Marcel 1887-1968
Dushan, Marsel
Dushan, Marsel 1887-1968
Duxiang
Duxiang 1887-1968
Dyutsuyan, Maruseru 1887-1968
Marcel Duchamp
Marcel Duchamp franca/usona artisto
Marcel Duchamp francia festő és szobrász
Marcel Duchamp francouzský malíř
Marcel Duchamp Frans dadaïstisch kunstenaar
Marcel Duchamp Fransız ressam ve heykeltıraş
Marcel Duchamp fransk konstnär
Marcel Duchamp französisch-amerikanischer Maler und Objektkünstler
Marcel Duchamp French painter and sculptor (1887-1968)
Marcel Duchamp livour galleg
Marcel Duchamp malarz francuski
Marcel Duchamp péintéir agus dealbhóir Francach
Marcel Duchamp peintre, plasticien et homme de lettres français
Marcel Duchamp pemeran laki-laki asal Amerika Serikat
Marcel Duchamp pintor i escultor francès
Marcel Duchamp pintor y escultor francés
Marcel Duchamp pittore, scultore e scacchista statunitense (1887-1968)
Marcellus Duchamp
Marchand du sel, 1887-1968
Marsel Düşan
Marsels Dišāns
Mutt, R.
Mutt, R. 1887-1968
R. Mutt
Rrose Sélavy, 1887-1968
Sélavy, Rose
Sélavy, Rose, 1887-1968
Sélavy, Rrose.
Sélavy, Rrose, 1887-1968
Villon, Marcel Duchamp-.
Villon, Marcel-Duchamp, 1887-1968
Μαρσέλ Ντυσάν Γαλλο-Αμερικανός ηθοποιός, σκακιστής, ζωγράφος, γλύπτης και χαράκτης
Дюшан М. 1887-1968
Дюшан, Марсель, 1887-1968
Марсел Дишан француски уметник
Марсел Дюшан френски художник
Марсель Дзюшан
Марсель Дюшан французский и американский художник, теоретик искусства
Марсель Дюшан французький та американський художник, скульптор, теоретик мистецтва, шахіст
Марсэль Душам францускі маляр
Մարսել Դյուշան ֆրանսիացի նկարիչ
דושאן, מרסל
דושאן, מרסל, 1887-1968
דישן, מרסל, 1887-1968
מרסל דושאן אמן צרפתי-אמריקאי
مارسل دوشان
مارسيل دوشامب، 1887-1968
مارسيل دوشامب فنانًا فرنسيّا
മാർസൽ ഡുഷാംപ് അമേരിക്കയിലെ ചലച്ചിത്ര അഭിനേതാവ്
มาร์แซล ดูว์ช็อง
მარსელ დიუშანი
뒤샹, 마르셀 1887-1968
마르셀 뒤샹
デュシャン, M.
デュシャン, マルセル
デュシャン, マルセル 1887-1968
デユシヤンマルセル
デユシヤンマルセル 1887-1968
マルセル・デュシャン フランスの芸術家
馬塞爾·杜象 達達主義美籍法裔藝術家
马塞尔·杜尚
Languages