Hughes, Robert 1938-2012

The fatal shore by Robert Hughes( Book )

105 editions published between 1984 and 2010 in 3 languages and held by 5,097 WorldCat member libraries worldwide

An account of the convict settlements in Australia based upon letters, diaries, and documents from the first landing in Botany Bay in 1788 to the last shipload of convicts in 1868

The Shock of the new by Robert Hughes( Book )

120 editions published between 1980 and 2013 in English and Undetermined and held by 3,726 WorldCat member libraries worldwide

"The hundred-year history of modern art ..."

American visions : the epic history of art in America by Robert Hughes( Book )

42 editions published between 1997 and 2009 in English and held by 2,982 WorldCat member libraries worldwide

The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced: O My America, My New Founde Land explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. The Republic of Virtue sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. The Wilderness and the West discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the luminists, who viewed the natural world as the fingerprint of God's creation, and of those who recorded America's westward expansion, George Caleb Bingham, Albert Bierstadt, and Frederic Remington, and the accompanying shift in the perception of the Indian, from noble savage to outright demon. American Renaissance describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners. The Gritty Cities looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School. Early modernism introduces the first American avant-garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright. Streamlines and Breadlines surveys the boom years, when skyscrapers and art deco were all the rage, and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans the way we live now. The Empire of Signs examines the American hegemony after World War II, when the abstract expressionists, Jackson Pollock, Willem de Kooning, Mark Rothko, et al., ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music. The Age of Anxiety considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 1990s. Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America. Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions is published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America." This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject

Goya by Robert Hughes( Book )

50 editions published between 2003 and 2012 in 6 languages and held by 2,441 WorldCat member libraries worldwide

Publisher's description: Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history's most compelling, enigmatic, and important figures, Francisco Jos ̌de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya's development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya's work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes's own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another--and the result is truly spectacular

Culture of complaint : the fraying of America by Robert Hughes( Book )

45 editions published between 1993 and 1999 in English and Undetermined and held by 2,337 WorldCat member libraries worldwide

This book is a call for the re-knitting of a fragmented and over-tribalized America--a deeply passionate book, filled with barbed wit and devastating takes on public life, both left and right of center. To the right, the author fires broadsides at the populist demagogy of Pat Buchanan, Pat Robertson, Jesse Helms and especially Ronald Reagan. To the left, he skewers political correctness, Afro-centrism, and academic obsessions with theory. PC censoriousness and "family-values" rhetoric, he argues, are only two sides of the same character, extrusions of America's puritan heritage into the present--and, at root, signs of America's difficulty in seeing past the end of the Us-versus-Them mentality implanted by four decades of the Cold War. This book is fired by a deep concern, but it is not a relentless diatribe. While the author lambastes some aspects of American politics and denounces political correctness, he offers a heartfelt defense of non-ideological multiculturalism as an antidote to Americans' difficulty in imagining the rest of the world--and other Americans

Barcelona by Robert Hughes( Book )

51 editions published between 1991 and 2017 in 8 languages and held by 2,078 WorldCat member libraries worldwide

History of Barcelona, Spain as seen through its art and architecture

Rome : a cultural, visual, and personal history by Robert Hughes( Book )

23 editions published between 2009 and 2018 in English and Polish and held by 1,847 WorldCat member libraries worldwide

This book is a comprehensive, and deeply personal history of Rome, as city, as empire, and, crucially, as an origin of Western art and civilization covering the span from the city's origins more than two thousand years ago through the twentieth century. The founding of Rome is shrouded in legend, but current archaeological evidence supports the theory that Rome grew from pastoral settlements and coalesced into a city in the 8th century BC. It developed into the capital of the Roman Kingdom, the Roman Republic and finally the Roman Empire. For almost a thousand years, Rome was the most politically important, richest and largest city in the Western world. This book tells the story of the Eternal City, from its earliest days right up to the present

Nothing if not critical : selected essays on art and artists by Robert Hughes( Book )

47 editions published between 1900 and 2001 in English and Undetermined and held by 1,411 WorldCat member libraries worldwide

A generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse

Lucian Freud paintings by Robert Hughes( Book )

43 editions published between 1987 and 2008 in 3 languages and held by 1,164 WorldCat member libraries worldwide

A study of the paintings of twentieth-century artist Lucian Freud, with illustrations

Heaven and hell in Western art by Robert Hughes( Book )

24 editions published in 1968 in English and Spanish and held by 851 WorldCat member libraries worldwide