National Gallery (Great Britain)
Overview
| Works: | 4,480 works in 9,878 publications in 5 languages and 135,237 library holdings |
|---|---|
| Genres: | Exhibition catalogs Catalogs Juvenile works Biographies History Picture puzzles Periodicals Toy and movable books Literature Guidebooks |
| Roles: | isb, Other, Editor, Publisher, his, Organizer of meeting, sht, Contributor, Host, Collector, 475, Collaborator, Producer, Publishing director, Owner, 340, Correspondent, Honoree, 070, Distributor, Recipient, Thesis advisor |
| Classifications: | N1070, 759.6 |
Publication Timeline
.
Most widely held works about
National Gallery (Great Britain)
- National Gallery, London by Gigetta Dalli Regoli( Book )
- Stewards of the nation's art : contested cultural authority, 1890-1939 by Andrea Geddes Poole( )
- The public art museum in nineteenth century Britain : the development of the National Gallery by Christopher Whitehead( )
- Giotto to Dürer : early Renaissance painting in the National Gallery by National Gallery (Great Britain)( Book )
- Looking at pictures : an introduction to art for young people by Joy Richardson( Book )
- Dürer to Veronese : sixteenth-century paintings in the National Gallery by Jill Dunkerton( Book )
- If the paintings could talk by Michael Wilson( )
- The National Gallery complete illustrated catalogue by National Gallery (Great Britain)( Book )
- The National Gallery, London by Homan Potterton( Book )
- The sixteenth century Italian paintings by National Gallery (Great Britain)( Book )
- The seventeenth century French paintings by National Gallery (Great Britain)( Book )
- The fifteenth century Italian paintings by National Gallery (Great Britain)( Book )
- The Italian paintings before 1400 by National Gallery (Great Britain)( Book )
- The National Gallery companion guide by National Gallery (Great Britain)( Book )
- One hundred great paintings by National Gallery (Great Britain)( Book )
- National Gallery by Frederick Wiseman( Visual )
- Venus at her mirror : Velázquez and the art of nude painting by Andreas Prater( Book )
- National Gallery London( )
- Caravaggio's angel by Ruth Brandon( Book )
- The fifteenth century Netherlandish schools by National Gallery (Great Britain)( Book )
more
fewer
Most widely held works by
National Gallery (Great Britain)
Degas : beyond impressionism by
Richard Kendall(
Book
)
15 editions published in 1996 in English and held by 1,340 WorldCat member libraries worldwide
"The first publication on Degas's mature work ... presents a new and definitive view of his last decades ... drawings, pastels, oil paintings, and sculptures."--Jacket
15 editions published in 1996 in English and held by 1,340 WorldCat member libraries worldwide
"The first publication on Degas's mature work ... presents a new and definitive view of his last decades ... drawings, pastels, oil paintings, and sculptures."--Jacket
El Greco by
David Davies(
Book
)
8 editions published in 2003 in English and held by 1,319 WorldCat member libraries worldwide
Publisher's description: A much anticipated, wide-ranging survey of works by one of the world's greatest artists. El Greco (1541-1614), born Domenikos Theotokopoulos, was one of the most fascinating and distinctive artists of the sixteenth century. His works are immediately recognizable for their brilliant colors, elongated figures, and spiritual intensity. Initially trained in Crete, in around 1567 El Greco moved to Italy where he purportedly studied with Titian. A decade later he is documented in Toledo (south of Madrid), and he spent the rest of his long life in Spain. His paintings and writings offer a thoughtful, frequently inspired response to the varied environments in which he worked--and they reveal that he was deeply engaged with the religious and artistic thinking of his times. This lavishly illustrated book--the first comprehensive English-language publication on El Greco in many years--addresses the full range of the artist's work in painting and sculpture, from his Byzantine icons to his late altarpieces. It considers his personality from both a religious and intellectual point of view, and presents the artist's religious, mythological, genre, landscape, and portrait works, providing the historical context in which they were made. El Greco is the catalogue for an exhibition organized jointly by The Metropolitan Museum of Art, New York, and the National Gallery, London. The exhibition opens in New York in October 2003, and moves to London in February 2004
8 editions published in 2003 in English and held by 1,319 WorldCat member libraries worldwide
Publisher's description: A much anticipated, wide-ranging survey of works by one of the world's greatest artists. El Greco (1541-1614), born Domenikos Theotokopoulos, was one of the most fascinating and distinctive artists of the sixteenth century. His works are immediately recognizable for their brilliant colors, elongated figures, and spiritual intensity. Initially trained in Crete, in around 1567 El Greco moved to Italy where he purportedly studied with Titian. A decade later he is documented in Toledo (south of Madrid), and he spent the rest of his long life in Spain. His paintings and writings offer a thoughtful, frequently inspired response to the varied environments in which he worked--and they reveal that he was deeply engaged with the religious and artistic thinking of his times. This lavishly illustrated book--the first comprehensive English-language publication on El Greco in many years--addresses the full range of the artist's work in painting and sculpture, from his Byzantine icons to his late altarpieces. It considers his personality from both a religious and intellectual point of view, and presents the artist's religious, mythological, genre, landscape, and portrait works, providing the historical context in which they were made. El Greco is the catalogue for an exhibition organized jointly by The Metropolitan Museum of Art, New York, and the National Gallery, London. The exhibition opens in New York in October 2003, and moves to London in February 2004
Vermeer and the Delft school by
Walter A Liedtke(
Book
)
12 editions published in 2001 in English and held by 1,150 WorldCat member libraries worldwide
"Seventeenth-century Delft has often been viewed as a quaint town whose artists painted scenes of domestic life. This book revises that image, showing that the small but vibrant Dutch city produced a wide range of artworks, including luxurious tapestries and silver objects, as well as sophisticated paintings for the court at The Hague and for patrician collectors in Delft itself."--Jacket
12 editions published in 2001 in English and held by 1,150 WorldCat member libraries worldwide
"Seventeenth-century Delft has often been viewed as a quaint town whose artists painted scenes of domestic life. This book revises that image, showing that the small but vibrant Dutch city produced a wide range of artworks, including luxurious tapestries and silver objects, as well as sophisticated paintings for the court at The Hague and for patrician collectors in Delft itself."--Jacket
Impressionism by
David Bomford(
Book
)
9 editions published in 1990 in English and Undetermined and held by 1,054 WorldCat member libraries worldwide
The third catalogue in a series of exhibitions entitled: Art in the making, organized by the National Gallery - Exhibition dates: 28 Nov. 1990 to 21 April 1991
9 editions published in 1990 in English and Undetermined and held by 1,054 WorldCat member libraries worldwide
The third catalogue in a series of exhibitions entitled: Art in the making, organized by the National Gallery - Exhibition dates: 28 Nov. 1990 to 21 April 1991
Raphael : from Urbino to Rome by
Hugo Chapman(
Book
)
9 editions published in 2004 in English and held by 1,025 WorldCat member libraries worldwide
"Within little more than a decade Raffaello di Giovanni Santi (1483-1520) transformed himself from a master of provincial church decoration to one of the greatest painters who ever lived. This illustrated catalogue tells the story of his artistic journey from Urbino, where he was born, to the papal court in Rome, via the Central Italian cities of Citta di Castello, Perugia, Siena and Florence." "This book follows this dramatic evolution from his origins in Urbino and the early influences of his father, Giovanni Santi, and the famous Umbrian master Pietro Perugino. It explores his earliest works in Umbria and his studies in Florence under the influence of Leonardo and Michelangelo, concluding by investigating how and why Raphael's art flourished and changed so dramatically under the enlightened patronage of Pope Julius II in Rome."--Jacket
9 editions published in 2004 in English and held by 1,025 WorldCat member libraries worldwide
"Within little more than a decade Raffaello di Giovanni Santi (1483-1520) transformed himself from a master of provincial church decoration to one of the greatest painters who ever lived. This illustrated catalogue tells the story of his artistic journey from Urbino, where he was born, to the papal court in Rome, via the Central Italian cities of Citta di Castello, Perugia, Siena and Florence." "This book follows this dramatic evolution from his origins in Urbino and the early influences of his father, Giovanni Santi, and the famous Umbrian master Pietro Perugino. It explores his earliest works in Umbria and his studies in Florence under the influence of Leonardo and Michelangelo, concluding by investigating how and why Raphael's art flourished and changed so dramatically under the enlightened patronage of Pope Julius II in Rome."--Jacket
Portraits by Ingres : image of an epoch by
Jean-Auguste-Dominique Ingres(
Book
)
9 editions published in 1999 in English and held by 976 WorldCat member libraries worldwide
"Portraits by Ingres: Image of an Epoch, published in conjunction with an exhibition at The National Gallery, London, the National Gallery of Art, Washington, D.C., and The Metropolitan Museum of Art, New York, is the first comprehensive study of these nineteenth-century masterpieces." "This volume unites texts by American and European scholars with the most complete visual presentation ever of Ingres's portraits. The biographical essays and the catalogue entries provide fresh insights based on examination and interpretation of original correspondence, contemporary reviews, and newly discovered documents; supplementing these are an introduction that discusses Ingres's sources of inspiration, essays on the critical reception of the portraits and on the artist's use of assistants, and a detailed illustrated chronology."--Jacket
9 editions published in 1999 in English and held by 976 WorldCat member libraries worldwide
"Portraits by Ingres: Image of an Epoch, published in conjunction with an exhibition at The National Gallery, London, the National Gallery of Art, Washington, D.C., and The Metropolitan Museum of Art, New York, is the first comprehensive study of these nineteenth-century masterpieces." "This volume unites texts by American and European scholars with the most complete visual presentation ever of Ingres's portraits. The biographical essays and the catalogue entries provide fresh insights based on examination and interpretation of original correspondence, contemporary reviews, and newly discovered documents; supplementing these are an introduction that discusses Ingres's sources of inspiration, essays on the critical reception of the portraits and on the artist's use of assistants, and a detailed illustrated chronology."--Jacket
Impression : painting quickly in France, 1860-1890 by
Richard R Brettell(
Book
)
9 editions published in 2000 in English and held by 919 WorldCat member libraries worldwide
The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions--paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The book surveys the various practices of individual artists in the making, signing, exhibiting, and selling of Impressions. Brettell discusses the pictorial theories behind the paintings, the sales strategies for them, and the various forms they took, including works completed in one sitting, "apparent" Impressions, and repeated Impressions. In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major post-Impressionist painter to push the aesthetic of the Impression even further
9 editions published in 2000 in English and held by 919 WorldCat member libraries worldwide
The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions--paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The book surveys the various practices of individual artists in the making, signing, exhibiting, and selling of Impressions. Brettell discusses the pictorial theories behind the paintings, the sales strategies for them, and the various forms they took, including works completed in one sitting, "apparent" Impressions, and repeated Impressions. In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major post-Impressionist painter to push the aesthetic of the Impression even further
Goya by
Patricia Wright(
Book
)
11 editions published between 1993 and 2001 in 3 languages and held by 909 WorldCat member libraries worldwide
A study of the art and life of the Spanish artist, and the influences that shaped his work
11 editions published between 1993 and 2001 in 3 languages and held by 909 WorldCat member libraries worldwide
A study of the art and life of the Spanish artist, and the influences that shaped his work
National Gallery technical bulletin by
National Gallery (Great Britain)(
)
in English and held by 858 WorldCat member libraries worldwide
in English and held by 858 WorldCat member libraries worldwide
Renaissance Florence : the art of the 1470s by
Patricia Lee Rubin(
Book
)
10 editions published in 1999 in English and held by 857 WorldCat member libraries worldwide
"The 1470s - the decade of Lorenzo de'Medici's rise to power - was a remarkable moment in Florence's history. It was a time of intense activity for the city's creative workforce. Beauty had long been an intrinsic part of the city's identity and prestige, and rich and powerful Florentine families saw cultivation of the visual arts as an essential way to assert their influence, commissioning artists and craftsmen to create impressive paintings, objects and monuments to enhance their status." "Published to accompany a major exhibition at the National Gallery, London, this illustrated volume offers an introduction to the principal patrons, projects and artistic personalities within Florence during this period. It concentrates on the activities of the leading artists - Andrea del Verrocchio, Antonio and Piero del Pollaiuolo, Sandro Botticelli, Filippino Lippi and the young Leonardo da Vinci - illustrating their special contributions and highlighting their differences, common sources, ambitions and responses to each other."--Jacket
10 editions published in 1999 in English and held by 857 WorldCat member libraries worldwide
"The 1470s - the decade of Lorenzo de'Medici's rise to power - was a remarkable moment in Florence's history. It was a time of intense activity for the city's creative workforce. Beauty had long been an intrinsic part of the city's identity and prestige, and rich and powerful Florentine families saw cultivation of the visual arts as an essential way to assert their influence, commissioning artists and craftsmen to create impressive paintings, objects and monuments to enhance their status." "Published to accompany a major exhibition at the National Gallery, London, this illustrated volume offers an introduction to the principal patrons, projects and artistic personalities within Florence during this period. It concentrates on the activities of the leading artists - Andrea del Verrocchio, Antonio and Piero del Pollaiuolo, Sandro Botticelli, Filippino Lippi and the young Leonardo da Vinci - illustrating their special contributions and highlighting their differences, common sources, ambitions and responses to each other."--Jacket
On reflection by
Jonathan Miller(
Book
)
4 editions published in 1998 in English and held by 829 WorldCat member libraries worldwide
"How can we tell the difference between a reflection and the real thing? How does a reflection betray its identity? Why is it that when we look at a mirror we can see either our reflection or the mirror but not both at the same time? How and when do we learn to recognise our own reflection? What does a reflective surface look like and how can we distinguish it from a non-reflective surface? Why is it that certain paintings may be turned upside down and still be visually acceptable? How are the various qualities of reflection represented in art - from the diffuse sheen of burnished copper to the realism of silvered glass?" "In this innovative book, published to accompany the exhibition Mirror Image at the National Gallery, London, Jonathan Miller discusses these puzzling questions and investigates the pictorial representation of reflection - 'sheen, shine, glimmer and gleam' - through a wonderfully varied selection of paintings and photographs, covering nine centuries, drawn from the National Gallery and other international collections."--Jacket
4 editions published in 1998 in English and held by 829 WorldCat member libraries worldwide
"How can we tell the difference between a reflection and the real thing? How does a reflection betray its identity? Why is it that when we look at a mirror we can see either our reflection or the mirror but not both at the same time? How and when do we learn to recognise our own reflection? What does a reflective surface look like and how can we distinguish it from a non-reflective surface? Why is it that certain paintings may be turned upside down and still be visually acceptable? How are the various qualities of reflection represented in art - from the diffuse sheen of burnished copper to the realism of silvered glass?" "In this innovative book, published to accompany the exhibition Mirror Image at the National Gallery, London, Jonathan Miller discusses these puzzling questions and investigates the pictorial representation of reflection - 'sheen, shine, glimmer and gleam' - through a wonderfully varied selection of paintings and photographs, covering nine centuries, drawn from the National Gallery and other international collections."--Jacket
Renoir landscapes, 1865-1883 by
Colin B Bailey(
Book
)
21 editions published in 2007 in 3 languages and held by 803 WorldCat member libraries worldwide
This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age
21 editions published in 2007 in 3 languages and held by 803 WorldCat member libraries worldwide
This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age
Americans in Paris, 1860-1900 by
Kathleen Adler(
Book
)
6 editions published in 2006 in English and held by 778 WorldCat member libraries worldwide
John White Alexander, Cecilia Beaux, James Carroll Beckwich, Frank Weston Benson, Nelson Norris Bickford, John Leslie Breck, Dennis Miller Bunker, Mary Stevenson Cassatt, Jefferson David Chalfant, William Merritt Chase, Charles Courtney Curran, Thomas Eakins, Mary Fairchild, Elizabeth Jane Gardner, Abbott Fuller Graves, Ellen Day Hale, Frederick Childe Hassam, Winslow Homer, Thomas Hovenden, William Morris Hunt, Anna Elizabeth Klumpke, Willard Leroy Metcalf, Hermann Dudley Murphy, Elizabeth Nourse, Charles Sprague Pearce, Maurice Brazil Prendergast, Theodore Robinson, John Singer Sargent, Julius LeBlanc Stewart, Henry Ossawa Tanner, Edmund Charles Tarbell, John Henry Twachtman, Harry van der Weyden, Frederic Porter Vinton, Robert Vonnoh, Julian Alden Weir, James Abbott McNeill Whistler
6 editions published in 2006 in English and held by 778 WorldCat member libraries worldwide
John White Alexander, Cecilia Beaux, James Carroll Beckwich, Frank Weston Benson, Nelson Norris Bickford, John Leslie Breck, Dennis Miller Bunker, Mary Stevenson Cassatt, Jefferson David Chalfant, William Merritt Chase, Charles Courtney Curran, Thomas Eakins, Mary Fairchild, Elizabeth Jane Gardner, Abbott Fuller Graves, Ellen Day Hale, Frederick Childe Hassam, Winslow Homer, Thomas Hovenden, William Morris Hunt, Anna Elizabeth Klumpke, Willard Leroy Metcalf, Hermann Dudley Murphy, Elizabeth Nourse, Charles Sprague Pearce, Maurice Brazil Prendergast, Theodore Robinson, John Singer Sargent, Julius LeBlanc Stewart, Henry Ossawa Tanner, Edmund Charles Tarbell, John Henry Twachtman, Harry van der Weyden, Frederic Porter Vinton, Robert Vonnoh, Julian Alden Weir, James Abbott McNeill Whistler
Picasso : challenging the past by
Pablo Picasso(
Book
)
11 editions published in 2009 in English and German and held by 767 WorldCat member libraries worldwide
"This book showcases the technical dexterity, independence and vitality of Pablo Picasso's creative processes, for here we witness the daring transformation of the art of the past into, in Picasso's own words, 'something else entirely'."--Jacket
11 editions published in 2009 in English and German and held by 767 WorldCat member libraries worldwide
"This book showcases the technical dexterity, independence and vitality of Pablo Picasso's creative processes, for here we witness the daring transformation of the art of the past into, in Picasso's own words, 'something else entirely'."--Jacket
Rubens : a master in the making by
David Jaffé(
Book
)
10 editions published in 2005 in English and held by 745 WorldCat member libraries worldwide
"Peter Paul Rubens (1577-1640) was a prodigious artist and one of the most extraordinary figures of the seventeenth century. He eventually became the dominant international painter of his generation, and this book traces his progress from hesitant beginnings in the late 1590s through to the first works made after his triumphant return to Antwerp in 1608. Most of the eight intervening years were spent in Italy, where he was inspired by classical sculpture, by the work of Renaissance masters - above all Michelangelo and Raphael - and by the revolutionary styles of Caravaggio and other contemporaries." "This book follows the artist's creative engagement with these sources and others, exploring where Rubens went and, more importantly, what he saw. He studied and copied avidly, finally transforming his influences into a style that, in paintings such as The Fall of Plaeton (National Gallery of Art, Washington), Ecce Homo (State Hermitage Museum, St. Petersburg) and Samson and Delilah (The National Gallery, London) is entirely, breathtakingly, his own."--Jacket
10 editions published in 2005 in English and held by 745 WorldCat member libraries worldwide
"Peter Paul Rubens (1577-1640) was a prodigious artist and one of the most extraordinary figures of the seventeenth century. He eventually became the dominant international painter of his generation, and this book traces his progress from hesitant beginnings in the late 1590s through to the first works made after his triumphant return to Antwerp in 1608. Most of the eight intervening years were spent in Italy, where he was inspired by classical sculpture, by the work of Renaissance masters - above all Michelangelo and Raphael - and by the revolutionary styles of Caravaggio and other contemporaries." "This book follows the artist's creative engagement with these sources and others, exploring where Rubens went and, more importantly, what he saw. He studied and copied avidly, finally transforming his influences into a style that, in paintings such as The Fall of Plaeton (National Gallery of Art, Washington), Ecce Homo (State Hermitage Museum, St. Petersburg) and Samson and Delilah (The National Gallery, London) is entirely, breathtakingly, his own."--Jacket
Masters of light : Dutch painters in Utrecht during the golden age by
Joaneath A Spicer(
Book
)
9 editions published in 1997 in English and held by 740 WorldCat member libraries worldwide
Provides a comprehensive treatment of the achievements of the school of the Dutch Golden Age. The volume is the catalogue for an exhibition at the Fine Arts Museum of San Francisco; the Walters Art Gallery, Baltimore; and the National Gallery, London, (May-July 1998)
9 editions published in 1997 in English and held by 740 WorldCat member libraries worldwide
Provides a comprehensive treatment of the achievements of the school of the Dutch Golden Age. The volume is the catalogue for an exhibition at the Fine Arts Museum of San Francisco; the Walters Art Gallery, Baltimore; and the National Gallery, London, (May-July 1998)
Underdrawings in Renaissance paintings by
London. National Gallery(
Book
)
8 editions published in 2002 in English and held by 728 WorldCat member libraries worldwide
Preliminary drawings beneath the surface layers of a painting can often be made visible by a technique called infra-red reflectography. The fascinating revelations of such underdrawings are always a source of important material for art history, leading to deductions about attribution, style, changes in composition, and workshop practices. This accessible book presents the results of pioneering research on the underdrawings of fifteenth- and sixteenth-century paintings by conservation, scientific, and curatorial staff at the National Gallery in London
8 editions published in 2002 in English and held by 728 WorldCat member libraries worldwide
Preliminary drawings beneath the surface layers of a painting can often be made visible by a technique called infra-red reflectography. The fascinating revelations of such underdrawings are always a source of important material for art history, leading to deductions about attribution, style, changes in composition, and workshop practices. This accessible book presents the results of pioneering research on the underdrawings of fifteenth- and sixteenth-century paintings by conservation, scientific, and curatorial staff at the National Gallery in London
Art fraud detective by
Anna Nilsen(
Book
)
4 editions published between 2000 and 2005 in English and Multiple languages and held by 719 WorldCat member libraries worldwide
A security guard at the Town Gallery learns that 30 of the museum's 34 European masterpieces are forgeries and asks young readers to help him find the forgeries by closely comparing the paintings with pictures of the originals. Each forger leaves a distinctive trademark, making the fakes identifiable. Use of a magnifying glass is suggested. Includes information about the painting by artists such as Botticelli, Holbein, da Vinci, Picasso, Turner, and van Gogh, as well as a glossary of art terms
4 editions published between 2000 and 2005 in English and Multiple languages and held by 719 WorldCat member libraries worldwide
A security guard at the Town Gallery learns that 30 of the museum's 34 European masterpieces are forgeries and asks young readers to help him find the forgeries by closely comparing the paintings with pictures of the originals. Each forger leaves a distinctive trademark, making the fakes identifiable. Use of a magnifying glass is suggested. Includes information about the painting by artists such as Botticelli, Holbein, da Vinci, Picasso, Turner, and van Gogh, as well as a glossary of art terms
The Usborne Introduction to art : in association with the National Gallery, London by
Rosie Dickins(
Book
)
17 editions published between 2003 and 2014 in English and French and held by 710 WorldCat member libraries worldwide
Detailed introduction to the history of art with Internet links about featured artists and examples of their work and works by related artists
17 editions published between 2003 and 2014 in English and French and held by 710 WorldCat member libraries worldwide
Detailed introduction to the history of art with Internet links about featured artists and examples of their work and works by related artists
Encounters : new art from old by
Richard Morphet(
Book
)
7 editions published in 2000 in English and held by 705 WorldCat member libraries worldwide
"To celebrate the millennium, the National Gallery invited twenty-four of the world's leading contemporary artists to create an entirely new work in response to one of the greatest collections of European painting of the past. These new works - paintings, drawings, sculpture, photography and video - are presented here alongside the paintings that inspired them."--Jacket
7 editions published in 2000 in English and held by 705 WorldCat member libraries worldwide
"To celebrate the millennium, the National Gallery invited twenty-four of the world's leading contemporary artists to create an entirely new work in response to one of the greatest collections of European painting of the past. These new works - paintings, drawings, sculpture, photography and video - are presented here alongside the paintings that inspired them."--Jacket
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Audience Level
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| Kids | General | Special | ||
Related Identities
- Metropolitan Museum of Art (New York, N.Y.) Publisher Editor Host
- Penny, Nicholas 1949- Author of introduction Other Author
- Bomford, David Other Contributor Editor Author Adapter
- Riopelle, Christopher Other Editor Curator Publishing director Author Contributor Collector
- Brown, Christopher 1948- Other Artist Author of introduction Illustrator Author Editor
- Langmuir, Erika Compiler Author Editor Creator
- Gordon, Dillian Other Illustrator Author Editor
- Davies, Martin 1908-1975 Other Author of introduction Honoree Author Editor Redactor
- Foister, Susan 1954- Other Editor Author of screenplay Author Contributor
- Levey, Michael Other Author of introduction Author Editor
Useful Links
Associated Subjects
Appropriation (Art) Art Art, Dutch Art, Italian Art, Renaissance Art appreciation Artists Art--Philosophy Belgium Degas, Edgar, Delft school of art England--London France France--Paris Goya, Francisco, Greco, Impressionism (Art) Impressionism (Art)--Technique Ingres, Jean-Auguste-Dominique, Intellectual life Italy--Florence Landscape painting, French Light in art Mirrors in art National Gallery (Great Britain) Netherlands--Delft Netherlands--Utrecht Painters Painting Painting, American Painting, Dutch Painting, European Painting, Flemish Painting, French Painting, Italian Painting, Renaissance Painting--Appreciation Painting--Expertising Painting--Forgeries Panel painting, Gothic Panel painting, Renaissance Picasso, Pablo, Raphael, Reflection (Optics) in art Reflections Renoir, Auguste, Rubens, Peter Paul, Spain Underdrawing Vermeer, Johannes,
Covers
Alternative Names
An Gailearaí Náisiúnta
Bảo tàng Quốc gia Luân Đôn
England London UK. National Gallery
Galeri Nasional London
Galeria Narodowa w Londynie.
Galeria Nasional
Galleria nazionale (London)
Grande-Bretagne. National Gallery
Great Britain National Gallery
Listasafn Bretlands
London, England. National Gallery
London, England, UK. National Gallery
London milli qalereyası
London National Gallery
Londono nacionalinė galerija
Londres (GB)
Londres National Gallery.
Nacia Galerio
Nacionālā galerija
Nacionalna galerija
Nacionalna galerija, London
Nacionalna galerija u Londonu
Nacionalʹnaja galereja
Národná galéria v Londýne
Narodna galerija, London
Národní galerie
Nat?s︡ionalʹnai?a︡ galerei?a︡ (Great Britain)
National Gallery
National Gallery de Londres
National Gallery di Londra
National Gallery (Great Britain)
National Gallery, London
National Gallery (London, England)
National Gallery (Londres)
National Gallery (Londres, Anglaterra)
national gallery of london
National Gallery w Londynie
Nationalgalerie in London.
Nationalgalerie London
Nat︠s︡ionalʹnai︠a︡ galerei︠a︡ (Great Britain)
NG
Pinacotheca Nationalis
Rahvusgalerii
The Bangkok National Museum
The National Gallery
The National Gallery of Thailand
The National Gallery (Storbritannia)
Velká Británie National Gallery
Εθνική Πινακοθήκη Λονδίνου
Εθνική Πινακοθήκη (Μεγάλη Βρετανία)
Λονδίνο (Αγγλία) Εθνική Πινακοθήκη
Μεγάλη Βρετανία Εθνική Πινακοθήκη
Лонданская Нацыянальная галерэя
Лондонская национальная галерея
Национална галерия (Лондон)
Национална галерија
Национална галерија у Лондону
Национальная галерея (Great Britain)
Нацыянальная галерэя
Національна галерея
Լոնդոնի ազգային պատկերասրահ
הגלריה הלאומית
נשונל גלרי (בריטניה)
المتحف الوطنى فى لندن
المتحف الوطني في لندن
لندن ملی نگارخنه
نگارخانه ملی لندن
نیشنل گیلری
नैशनल गैलरी, लंदन
ন্যাশনাল গ্যালারি
லண்டன் தேசிய அருங்காட்சியகம்
หอศิลป์แห่งชาติ
ეროვნული გალერეა
내셔널 갤러리
ナショナル・ギャラリー
国家美术馆
国家美术馆 (伦敦)
國立畫廊
Languages