Blair, Sheila
Overview
| Works: | 113 works in 399 publications in 3 languages and 11,245 library holdings |
|---|---|
| Genres: | History Conference papers and proceedings Exhibition catalogs Encyclopedias Reference works Manuscripts Illustrated works Catalogs |
| Roles: | Author, Editor, Contributor, Other, Compiler, Redactor |
Publication Timeline
.
Most widely held works by
Sheila Blair
Islamic arts by
Jonathan Bloom(
Book
)
16 editions published in 1997 in English and Undetermined and held by 1,800 WorldCat member libraries worldwide
In this comprehensive survey, the authors highlight those characteristics that connect the various arts of all the Islamic lands, without minimizing the differences. Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in an accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an introduction to the subject for both the student and the general reader
16 editions published in 1997 in English and Undetermined and held by 1,800 WorldCat member libraries worldwide
In this comprehensive survey, the authors highlight those characteristics that connect the various arts of all the Islamic lands, without minimizing the differences. Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in an accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an introduction to the subject for both the student and the general reader
The art and architecture of Islam 1250-1800 by
Sheila Blair(
Book
)
17 editions published in 1994 in English and held by 1,323 WorldCat member libraries worldwide
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles
17 editions published in 1994 in English and held by 1,323 WorldCat member libraries worldwide
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles
Islam : a thousand years of faith and power by
Jonathan Bloom(
Book
)
19 editions published between 2000 and 2004 in English and held by 1,280 WorldCat member libraries worldwide
Historians Jonathan Bloom and Sheila Blair provide a comprehensive and accessible overview of the origin of this extraordinary religion, culture, and belief system that often has been misunderstood in the West. In its first thousand years, while Europe suffered through the Dark Ages, Islamic civilization flourished in a string of glittering cities such as Cordoba, Fez, Cairo, Istanbul, Baghdad, and Samarqand. Muslims expanded the boundaries of human knowledge in literature, art, science, and medicine. Bloom and Blair tell the remarkable story of Islam's rise to world prominence, from its revelation to Muhammed and its extraordinary spread within a century of the Prophet's death, through its golden age of empire and the forging of a rich new culture, to the changes it experienced after the Mongol invasions of the thirteenth century
19 editions published between 2000 and 2004 in English and held by 1,280 WorldCat member libraries worldwide
Historians Jonathan Bloom and Sheila Blair provide a comprehensive and accessible overview of the origin of this extraordinary religion, culture, and belief system that often has been misunderstood in the West. In its first thousand years, while Europe suffered through the Dark Ages, Islamic civilization flourished in a string of glittering cities such as Cordoba, Fez, Cairo, Istanbul, Baghdad, and Samarqand. Muslims expanded the boundaries of human knowledge in literature, art, science, and medicine. Bloom and Blair tell the remarkable story of Islam's rise to world prominence, from its revelation to Muhammed and its extraordinary spread within a century of the Prophet's death, through its golden age of empire and the forging of a rich new culture, to the changes it experienced after the Mongol invasions of the thirteenth century
The Grove encyclopedia of Islamic art and architecture(
Book
)
10 editions published in 2009 in English and held by 816 WorldCat member libraries worldwide
"Deals with all aspects of Islamic art and architecture ranging from the Middle East to Africa to Central, South, and East Asia and includes entries on artists, rulers, writers, ceramics, sculpture, metalwork, painting, calligraphy, textiles, and more"--Provided by publisher
10 editions published in 2009 in English and held by 816 WorldCat member libraries worldwide
"Deals with all aspects of Islamic art and architecture ranging from the Middle East to Africa to Central, South, and East Asia and includes entries on artists, rulers, writers, ceramics, sculpture, metalwork, painting, calligraphy, textiles, and more"--Provided by publisher
Islamic calligraphy by
Sheila Blair(
Book
)
27 editions published between 2006 and 2008 in English and Undetermined and held by 592 WorldCat member libraries worldwide
"This stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script. The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. The book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization. The argument is enhanced by the inclusion of more than 150 colour illustrations, as well as over 100 black-and-white details that highlight the salient features of the individual scripts and hands. Examples are chosen from dated or datable examples with secure provenance, for the problem of forgeries and copies (both medieval and modern) is rampant. The illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script"--Jacket
27 editions published between 2006 and 2008 in English and Undetermined and held by 592 WorldCat member libraries worldwide
"This stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script. The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. The book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization. The argument is enhanced by the inclusion of more than 150 colour illustrations, as well as over 100 black-and-white details that highlight the salient features of the individual scripts and hands. Examples are chosen from dated or datable examples with secure provenance, for the problem of forgeries and copies (both medieval and modern) is rampant. The illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script"--Jacket
The art and architecture of Islam 1250-1800 by
Sheila Blair(
Book
)
17 editions published in 1995 in English and held by 515 WorldCat member libraries worldwide
"Virtually all the masterpieces of Islamic art - the Alhambra, the Taj Mahal, and the Tahmasp Shahnama - were produced during the period from the Mongol conquests in the early thirteenth century to the advent of European colonial rule in the nineteenth. This beautiful book surveys the architecture and arts of the traditional Islamic lands during this era." "Conceived as a sequel to the The Art and Architecture of Islam: 650-1250, by Richard Ettinghausen and Oleg Grabar, the book follows the general format of the first volume, with chronological and regional divisions and architecture treated separately from the other arts. The authors describe over two hundred works of Islamic art of this period and also investigate broader social and economic contexts, considering such topics as function, patronage, and meaning. They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. The authors conclude with a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries."--Jacket
17 editions published in 1995 in English and held by 515 WorldCat member libraries worldwide
"Virtually all the masterpieces of Islamic art - the Alhambra, the Taj Mahal, and the Tahmasp Shahnama - were produced during the period from the Mongol conquests in the early thirteenth century to the advent of European colonial rule in the nineteenth. This beautiful book surveys the architecture and arts of the traditional Islamic lands during this era." "Conceived as a sequel to the The Art and Architecture of Islam: 650-1250, by Richard Ettinghausen and Oleg Grabar, the book follows the general format of the first volume, with chronological and regional divisions and architecture treated separately from the other arts. The authors describe over two hundred works of Islamic art of this period and also investigate broader social and economic contexts, considering such topics as function, patronage, and meaning. They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. The authors conclude with a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries."--Jacket
Images of paradise in Islamic art by
Sheila Blair(
Book
)
14 editions published in 1991 in English and Undetermined and held by 466 WorldCat member libraries worldwide
14 editions published in 1991 in English and Undetermined and held by 466 WorldCat member libraries worldwide
Gifts of the Sultan : the arts of giving at the Islamic courts by
Linda Komaroff(
Book
)
8 editions published in 2011 in English and held by 421 WorldCat member libraries worldwide
8 editions published in 2011 in English and held by 421 WorldCat member libraries worldwide
Rivers of paradise : water in Islamic art and culture by Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture(
Book
)
10 editions published in 2009 in English and held by 361 WorldCat member libraries worldwide
For millennia the collection, distribution, and symbolism of water have played pivotal roles in the lands where Islam has flourished. This book is the first to address this important subject. A diverse spectrum of scholars covers a wide range of topics: from the revelation of Islam in the 7th century to todayʹs conservation and development issues, from watering oases in the Moroccan desert to the flooded plains of Bengal. Copiously illustrated with beautiful color photographs and newly drawn plans and maps, this book will provoke readers to appreciate and acknowledge the essential, if often invisible and transitory, roles that water played in the arts of the Islamic lands and beyond
10 editions published in 2009 in English and held by 361 WorldCat member libraries worldwide
For millennia the collection, distribution, and symbolism of water have played pivotal roles in the lands where Islam has flourished. This book is the first to address this important subject. A diverse spectrum of scholars covers a wide range of topics: from the revelation of Islam in the 7th century to todayʹs conservation and development issues, from watering oases in the Moroccan desert to the flooded plains of Bengal. Copiously illustrated with beautiful color photographs and newly drawn plans and maps, this book will provoke readers to appreciate and acknowledge the essential, if often invisible and transitory, roles that water played in the arts of the Islamic lands and beyond
Epic images and contemporary history : the illustrations of the great Mongol Shahnama by
Oleg Grabar(
Book
)
10 editions published in 1980 in English and held by 346 WorldCat member libraries worldwide
10 editions published in 1980 in English and held by 346 WorldCat member libraries worldwide
Islamic inscriptions by
Sheila Blair(
Book
)
18 editions published between 1997 and 1998 in English and held by 343 WorldCat member libraries worldwide
The first object created by God, according to early Muslim commentators, was the pen, which he used to chronicle events to come. The word, in its various manifestations, is central to the Islamic faith. Surely a reflection of this centrality, profuse inscriptions mark countless Islamic objects, from the humblest oil lamps and unglazed ceramics to the finest and most expensive rock crystals and jades. The inscriptions serve numerous functions: decorating, proclaiming ownership and patronage, proffering good wishes and proverbs, and spreading religious texts throughout the world. Aside from their aesthetic worth, these inscriptions provide a fascinating window onto a distant culture
18 editions published between 1997 and 1998 in English and held by 343 WorldCat member libraries worldwide
The first object created by God, according to early Muslim commentators, was the pen, which he used to chronicle events to come. The word, in its various manifestations, is central to the Islamic faith. Surely a reflection of this centrality, profuse inscriptions mark countless Islamic objects, from the humblest oil lamps and unglazed ceramics to the finest and most expensive rock crystals and jades. The inscriptions serve numerous functions: decorating, proclaiming ownership and patronage, proffering good wishes and proverbs, and spreading religious texts throughout the world. Aside from their aesthetic worth, these inscriptions provide a fascinating window onto a distant culture
God is beautiful and loves beauty : the object in Islamic art and culture by Biennial Hamad bin Khalifa Symposium on Islamic Art(
Book
)
6 editions published in 2013 in English and held by 307 WorldCat member libraries worldwide
The Islamic world, spanning centuries and far-flung regions, is renowned for its diverse cultural and artistic traditions. This sumptuous book delves into that vast creative output, examining a dozen exquisite objects in the Museum of Islamic Art, in Doha, Qatar, designed by the Chinese-American architect I.M. Pei and opened in 2008. Twelve prominent scholars from across the globe select works representing various centers of Islamic life, from early Spain to 17th-century India, as well as a range of media including textiles, ceramics, metalwork, and miniature paintings. Authoritative texts put the objects into context, exploring the relationships to those people who produced and lived among them. In addition, architectural critic Paul Goldberger discusses the museum, assessing its place in Peiʹs career and in the broader scope of Islamic architecture, while Oliver Watson, the museumʹs former director, sheds light on the installation of works throughout the building. -- Publisher description
6 editions published in 2013 in English and held by 307 WorldCat member libraries worldwide
The Islamic world, spanning centuries and far-flung regions, is renowned for its diverse cultural and artistic traditions. This sumptuous book delves into that vast creative output, examining a dozen exquisite objects in the Museum of Islamic Art, in Doha, Qatar, designed by the Chinese-American architect I.M. Pei and opened in 2008. Twelve prominent scholars from across the globe select works representing various centers of Islamic life, from early Spain to 17th-century India, as well as a range of media including textiles, ceramics, metalwork, and miniature paintings. Authoritative texts put the objects into context, exploring the relationships to those people who produced and lived among them. In addition, architectural critic Paul Goldberger discusses the museum, assessing its place in Peiʹs career and in the broader scope of Islamic architecture, while Oliver Watson, the museumʹs former director, sheds light on the installation of works throughout the building. -- Publisher description
And diverse are their hues : color in Islamic art and culture by Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture(
Book
)
8 editions published in 2011 in English and Multiple languages and held by 304 WorldCat member libraries worldwide
The Koran uses the phrase "and diverse are their hues" to describe the glorious chromatic variety of God's creation. Color has always been an important signifier in Islamic art, and its uses have encompassed the practical as well as the mystical and poetic. This comprehensive volume is the first to analyze the use of color in Islamic art and architecture from a range of artistic and cultural perspectives. A prestigious team of international scholars discusses the applications and implications of color in Islamic cultures from medieval to modern times and from Central Asia to Spain and beyond. They look at art, architecture, literature, philosophy, mysticism, optics, and conservation studies. Amply and vividly illustrated, And Diverse Are Their Hues is also a remarkable visual resource for Islamic carpets, ceramic tiles, manuscripts, gardens, and buildings
8 editions published in 2011 in English and Multiple languages and held by 304 WorldCat member libraries worldwide
The Koran uses the phrase "and diverse are their hues" to describe the glorious chromatic variety of God's creation. Color has always been an important signifier in Islamic art, and its uses have encompassed the practical as well as the mystical and poetic. This comprehensive volume is the first to analyze the use of color in Islamic art and architecture from a range of artistic and cultural perspectives. A prestigious team of international scholars discusses the applications and implications of color in Islamic cultures from medieval to modern times and from Central Asia to Spain and beyond. They look at art, architecture, literature, philosophy, mysticism, optics, and conservation studies. Amply and vividly illustrated, And Diverse Are Their Hues is also a remarkable visual resource for Islamic carpets, ceramic tiles, manuscripts, gardens, and buildings
Text and image in medieval Persian art by
Sheila Blair(
Book
)
9 editions published between 2013 and 2019 in English and Undetermined and held by 284 WorldCat member libraries worldwide
This book investigates the interaction between word and image in medieval Persian art. Greater Iranian arts from the 10th to the 16th century are technically some of the finest produced anywhere. They are also intellectually engaging, showing the lively interaction between the verbal and the visual arts. Focusing on objects found in the main media at the time, Sheila S. Blair shows how artisans played with form, material and decoration to engage their audiences. She also shows how the reception of these objects has changed and that their present context has implications for our understanding of the past. It is lavishly illustrated in colour. It features five case studies - on ceramics, metalwares, painting, architecture and textiles - that showcase the variety of Persian art. It investigates the interaction between the visual and the verbal in a multi-lingual society. It looks at the transformation of everyday objects into works of art. It is written by one of the foremost experts in Persian art
9 editions published between 2013 and 2019 in English and Undetermined and held by 284 WorldCat member libraries worldwide
This book investigates the interaction between word and image in medieval Persian art. Greater Iranian arts from the 10th to the 16th century are technically some of the finest produced anywhere. They are also intellectually engaging, showing the lively interaction between the verbal and the visual arts. Focusing on objects found in the main media at the time, Sheila S. Blair shows how artisans played with form, material and decoration to engage their audiences. She also shows how the reception of these objects has changed and that their present context has implications for our understanding of the past. It is lavishly illustrated in colour. It features five case studies - on ceramics, metalwares, painting, architecture and textiles - that showcase the variety of Persian art. It investigates the interaction between the visual and the verbal in a multi-lingual society. It looks at the transformation of everyday objects into works of art. It is written by one of the foremost experts in Persian art
God is the light of the heavens and the earth : light in Islamic art and culture by Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture(
Book
)
4 editions published in 2015 in English and held by 207 WorldCat member libraries worldwide
The Qur'an makes rich references to light, tying it to revelation, and light consequently permeates the culture and visual arts of the Islamic lands. This book explores the integral role of light in Islamic civilization across a wide range of media, from the Qur'an and literature to buildings, paintings, performances, photography, and other works produced over the past 14 centuries. A team of international experts conveys current scholarship on Islamic art in a manner that is engaging and accessible to the general reader. The objects discussed include some of the first identifiable works of Islamic art-modest oil lamps inscribed in Arabic, which developed into elaborately decorated metal and glass lamps and chandeliers. Later, photography, which creates images with light, was readily adopted in Islamic lands, and it continues to provide inspiration for contemporary artists. Generously illustrated with specially commissioned, sumptuous color photographs, this book shows the potential of light to reveal color, form, and meaning
4 editions published in 2015 in English and held by 207 WorldCat member libraries worldwide
The Qur'an makes rich references to light, tying it to revelation, and light consequently permeates the culture and visual arts of the Islamic lands. This book explores the integral role of light in Islamic civilization across a wide range of media, from the Qur'an and literature to buildings, paintings, performances, photography, and other works produced over the past 14 centuries. A team of international experts conveys current scholarship on Islamic art in a manner that is engaging and accessible to the general reader. The objects discussed include some of the first identifiable works of Islamic art-modest oil lamps inscribed in Arabic, which developed into elaborately decorated metal and glass lamps and chandeliers. Later, photography, which creates images with light, was readily adopted in Islamic lands, and it continues to provide inspiration for contemporary artists. Generously illustrated with specially commissioned, sumptuous color photographs, this book shows the potential of light to reveal color, form, and meaning
Cosmophilia : Islamic art from the David Collection, Copenhagen by
Sheila Blair(
Book
)
5 editions published in 2006 in English and held by 183 WorldCat member libraries worldwide
5 editions published in 2006 in English and held by 183 WorldCat member libraries worldwide
A compendium of chronicles : Rashid al-Din's illustrated history of the world by
Nasser D. Khalili Collection of Islamic Art(
Book
)
10 editions published in 1995 in English and Arabic and held by 172 WorldCat member libraries worldwide
10 editions published in 1995 in English and Arabic and held by 172 WorldCat member libraries worldwide
The monumental inscriptions from early Islamic Iran and Transoxiana by
Sheila Blair(
Book
)
11 editions published between 1991 and 2014 in English and held by 166 WorldCat member libraries worldwide
11 editions published between 1991 and 2014 in English and held by 166 WorldCat member libraries worldwide
By the pen and what they write : writing in Islamic art and culture by
Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture(
Book
)
7 editions published in 2017 in English and held by 161 WorldCat member libraries worldwide
Considered by Muslims as the only true art, calligraphy has played a prominent role in Islamic culture since the time of the prophet Muhammad. Exploring this central role of the written word in Islam and how writing practices have evolved and adapted in different historical contexts, this book provides an overview of the enormous impact that writing in Arabic script has had on the visual arts of the Islamic world. Approaching the topic from a number of different perspectives, the essays in this volume include discussions on the relationship between orality and the written word; the materiality of the written word, ranging from the type of paper on which books were written to monumental inscriptions in stone and brick; and the development of Arabic typography and the printed book. Generously illustrated, By Pen and What They Write is an engaging look at how writing has remained a foundational component of Islamic art throughout fourteen centuries
7 editions published in 2017 in English and held by 161 WorldCat member libraries worldwide
Considered by Muslims as the only true art, calligraphy has played a prominent role in Islamic culture since the time of the prophet Muhammad. Exploring this central role of the written word in Islam and how writing practices have evolved and adapted in different historical contexts, this book provides an overview of the enormous impact that writing in Arabic script has had on the visual arts of the Islamic world. Approaching the topic from a number of different perspectives, the essays in this volume include discussions on the relationship between orality and the written word; the materiality of the written word, ranging from the type of paper on which books were written to monumental inscriptions in stone and brick; and the development of Arabic typography and the printed book. Generously illustrated, By Pen and What They Write is an engaging look at how writing has remained a foundational component of Islamic art throughout fourteen centuries
ISABEL'S CAR WASH : by
Judy Stead(
)
1 edition published in 2014 in English and held by 151 WorldCat member libraries worldwide
The Nelly Longhair doll, the object of Isabel's desire, is on sale at Murphy's Toys for ten dollars. But Isabel has only fifty cents. Isabel decides to start a car wash business; she's sure she can make money. But at the hardware store she learns that her supplies will cost five dollars! She thinks long and hard and comes up with a plan. If five of her friends will give her one dollar each, she'll have enough. She tells her friends she'll work very hard and believes she'll be able to pay them back, plus extra. Her friends agree. Will Isabel be able pay them back and have enough left over for the Nelly doll' This clever story is sure to get kids thinking about how people invest in businesses. The book includes a note on investing in a business and buying stocks. Sheila Bair also wrote Rock, Brock, and the Savings Shock. Judy Stead's brightly colored artwork complements the story."Today, with children growing up in a complex global economy, it's never too early to teach them about the value of saving and investing. Isabel's simple story about risk and reward takes an intimidating topic and makes it accessible and fun for the next generation of investors. Sheila Bair has done parents, and all of us in the financial literacy field, a valuable service with this book." 'Mary L. Schapiro, CEO, Financial Industry Regulatory Authority and Chairman of the FINRA Investor Education Foundation "This title is a great introduction to the economic principles of business loans and could be applied to concepts of stocks and the stock market." 'Library Media Connection "This vividly illustrated picture book serves as math incentive, good story, and business primer." 'Children's LiteratureSheila C. Bair is one of the leading financial experts in the world. She has an extensive background in banking and finance and has received several honors for her published work on financial issues, including her educational writings on money and finance for children, and for professional achievement. Among the honors she has received are: Distinguished Achievement Award, Association of Education Publishers (2005); Personal Service Feature of the Year, and Author of the Month Awards, Highlights Magazine for Children (2002, 2003, and 2004); and the Treasury Medal (2002). She lives in Maryland with her husband and children. Judy Stead has worked as a teacher, graphic designer, art director, illustrator, author, and painter. She's illustrated more than a dozen children's books including Snowy, Blowy Winter and Best Friend on Wheels. She lives with her family in Charlotte, NC, where her "treetop" studio overlooks some of Mother Nature's wildest work
1 edition published in 2014 in English and held by 151 WorldCat member libraries worldwide
The Nelly Longhair doll, the object of Isabel's desire, is on sale at Murphy's Toys for ten dollars. But Isabel has only fifty cents. Isabel decides to start a car wash business; she's sure she can make money. But at the hardware store she learns that her supplies will cost five dollars! She thinks long and hard and comes up with a plan. If five of her friends will give her one dollar each, she'll have enough. She tells her friends she'll work very hard and believes she'll be able to pay them back, plus extra. Her friends agree. Will Isabel be able pay them back and have enough left over for the Nelly doll' This clever story is sure to get kids thinking about how people invest in businesses. The book includes a note on investing in a business and buying stocks. Sheila Bair also wrote Rock, Brock, and the Savings Shock. Judy Stead's brightly colored artwork complements the story."Today, with children growing up in a complex global economy, it's never too early to teach them about the value of saving and investing. Isabel's simple story about risk and reward takes an intimidating topic and makes it accessible and fun for the next generation of investors. Sheila Bair has done parents, and all of us in the financial literacy field, a valuable service with this book." 'Mary L. Schapiro, CEO, Financial Industry Regulatory Authority and Chairman of the FINRA Investor Education Foundation "This title is a great introduction to the economic principles of business loans and could be applied to concepts of stocks and the stock market." 'Library Media Connection "This vividly illustrated picture book serves as math incentive, good story, and business primer." 'Children's LiteratureSheila C. Bair is one of the leading financial experts in the world. She has an extensive background in banking and finance and has received several honors for her published work on financial issues, including her educational writings on money and finance for children, and for professional achievement. Among the honors she has received are: Distinguished Achievement Award, Association of Education Publishers (2005); Personal Service Feature of the Year, and Author of the Month Awards, Highlights Magazine for Children (2002, 2003, and 2004); and the Treasury Medal (2002). She lives in Maryland with her husband and children. Judy Stead has worked as a teacher, graphic designer, art director, illustrator, author, and painter. She's illustrated more than a dozen children's books including Snowy, Blowy Winter and Best Friend on Wheels. She lives with her family in Charlotte, NC, where her "treetop" studio overlooks some of Mother Nature's wildest work
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Audience Level
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| Kids | General | Special | ||
Related Identities
- Bloom, Jonathan (Jonathan M.) Other Editor Author Contributor Compiler Redactor
- Hood Museum of Art Other
- Asia Society Other
- Komaroff, Linda 1953- Author Editor
- Museum of Fine Arts, Houston
- Los Angeles County Museum of Art
- Grabar, Oleg Author
- Museum of Islamic Art (Dawḥah, Qatar)
- C. L. Davids fond og samling
- Prisse d'Avennes 1807-1879 Artist Author
Associated Subjects
Art Art, Iranian Art, Medieval Art and society C.L. Davids fond og samling Calligraphy, Arabic Children's stories Color in art Denmark--Copenhagen England--London Gifts Illumination of books and manuscripts, Iranian Inscriptions, Persian Iran Islam Islamic architecture Islamic art Islamic art objects Islamic arts Islamic calligraphy Islamic calligraphy in art Islamic civilization Islamic countries Islamic Empire Islamic illumination of books and manuscripts Islamic inscriptions Jāmīʻ al-tavārīkh (Rashīd al-Dīn Ṭabīb) Light in art Manners and customs Manuscripts Manuscripts, Arabic Nasser D. Khalili Collection of Islamic Art Paradise in art Paradise--Islam Qurʼan Shāhnāmah (Firdawsī) Spain--Córdoba Water and architecture Water and civilization Water in art
Covers
Alternative Names
Blair, Sheila.
Blair, Sheila S.
Blair Sheila S. 1948-....
Pŭlleŏ, Seilla 1948-
ブレア, シーラ
Languages