WorldCat Identities

Hughes, Robert 1938-2012

Publication Timeline
Most widely held works by Robert Hughes
The fatal shore by Robert Hughes( Book )

116 editions published between 1984 and 2010 in 3 languages and held by 4,843 WorldCat member libraries worldwide

An account of the convict settlements in Australia based upon letters, diaries, and documents from the first landing in Botany Bay in 1788 to the last shipload of convicts in 1868
The Shock of the New by Robert Hughes( Book )

138 editions published between 1980 and 2013 in 3 languages and held by 3,573 WorldCat member libraries worldwide

"The hundred-year history of modern art ..."
American visions : the epic history of art in America by Robert Hughes( Book )

47 editions published between 1997 and 2009 in English and held by 2,893 WorldCat member libraries worldwide

The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced: O My America, My New Founde Land explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. The Republic of Virtue sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. The Wilderness and the West discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the luminists, who viewed the natural world as the fingerprint of God's creation, and of those who recorded America's westward expansion, George Caleb Bingham, Albert Bierstadt, and Frederic Remington, and the accompanying shift in the perception of the Indian, from noble savage to outright demon. American Renaissance describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners. The Gritty Cities looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School. Early modernism introduces the first American avant-garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright. Streamlines and Breadlines surveys the boom years, when skyscrapers and art deco were all the rage, and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans the way we live now. The Empire of Signs examines the American hegemony after World War II, when the abstract expressionists, Jackson Pollock, Willem de Kooning, Mark Rothko, et al., ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music. The Age of Anxiety considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 1990s. Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America. Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions is published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America." This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject
Goya by Robert Hughes( Book )

60 editions published between 2003 and 2012 in 7 languages and held by 2,400 WorldCat member libraries worldwide

Publisher's description: Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history's most compelling, enigmatic, and important figures, Francisco Jos ̌de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya's development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya's work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes's own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another--and the result is truly spectacular
Culture of complaint : the fraying of America by Robert Hughes( Book )

53 editions published between 1993 and 1999 in English and French and held by 2,306 WorldCat member libraries worldwide

This book is a call for the re-knitting of a fragmented and over-tribalized America--a deeply passionate book, filled with barbed wit and devastating takes on public life, both left and right of center. To the right, the author fires broadsides at the populist demagogy of Pat Buchanan, Pat Robertson, Jesse Helms and especially Ronald Reagan. To the left, he skewers political correctness, Afro-centrism, and academic obsessions with theory. PC censoriousness and "family-values" rhetoric, he argues, are only two sides of the same character, extrusions of America's puritan heritage into the present--and, at root, signs of America's difficulty in seeing past the end of the Us-versus-Them mentality implanted by four decades of the Cold War. This book is fired by a deep concern, but it is not a relentless diatribe. While the author lambastes some aspects of American politics and denounces political correctness, he offers a heartfelt defense of non-ideological multiculturalism as an antidote to Americans' difficulty in imagining the rest of the world--and other Americans
Barcelona by Robert Hughes( Book )

73 editions published between 1991 and 2017 in 6 languages and held by 1,987 WorldCat member libraries worldwide

History of Barcelona, Spain as seen through its art and architecture
Rome : a cultural, visual, and personal history by Robert Hughes( Book )

30 editions published between 2009 and 2018 in 3 languages and held by 1,793 WorldCat member libraries worldwide

This book is a comprehensive, and deeply personal history of Rome, as city, as empire, and, crucially, as an origin of Western art and civilization covering the span from the city's origins more than two thousand years ago through the twentieth century. The founding of Rome is shrouded in legend, but current archaeological evidence supports the theory that Rome grew from pastoral settlements and coalesced into a city in the 8th century BC. It developed into the capital of the Roman Kingdom, the Roman Republic and finally the Roman Empire. For almost a thousand years, Rome was the most politically important, richest and largest city in the Western world. This book tells the story of the Eternal City, from its earliest days right up to the present
Nothing if not critical : selected essays on art and artists by Robert Hughes( Book )

60 editions published between 1900 and 2001 in 3 languages and held by 1,382 WorldCat member libraries worldwide

The most controversial art critic in America and author of the bestselling The Fatal Shore looks with love and loathing, wit and authority, at art, artists, and the art world-from sixteenth-century Rome to 1980s SoHo. -- Back cover
Heaven and hell in Western art by Robert Hughes( Book )

28 editions published in 1968 in English and Spanish and held by 849 WorldCat member libraries worldwide

Amish, the art of the quilt by Robert Hughes( Book )

20 editions published between 1990 and 1995 in English and German and held by 621 WorldCat member libraries worldwide

Frank Auerbach by Robert Hughes( Book )

14 editions published in 1990 in English and Undetermined and held by 572 WorldCat member libraries worldwide

Frank Auerbach, born in Berlin in 1931, has lived in England since 1939. He is one of the very few renowned representational artists of today, and his paintings and drawings are to be found in most major public and private collections in the United States and Europe. This is the first full study of his work, with a remarkable text by Robert Hughes that is itself a veritable tour de force.--Book jacket
Lucian Freud paintings by Robert Hughes( Book )

15 editions published in 1989 in English and Spanish and held by 557 WorldCat member libraries worldwide

A study of the paintings of twentieth-century artist Lucian Freud, with illustrations
Lucian Freud paintings by Robert Hughes( Book )

14 editions published in 1987 in English and Undetermined and held by 532 WorldCat member libraries worldwide

Leven en werk van de Engelse schilder van Duitse origine
Human rights/human wrongs : art and social change : essays by members of the faculty of the University of Iowa( Book )

1 edition published in 1986 in English and held by 483 WorldCat member libraries worldwide

Antonio Gaudí by Hiroshi Teshigahara( Visual )

2 editions published between 1984 and 2008 in Japanese and held by 446 WorldCat member libraries worldwide

"Everything comes from the great book of Nature; human attainments are an already printed book."--Gaudi, end title screen. The Catalan architect, ceramist, and sculptor united Neo-Gothic mysticism and grandeur with Art Nouveau lines, combined with a surreal apprehension of the power of nature. Less of a documentary than a tribute, Teshigahara's film becomes a place to get lost, a radically hypnotic travelogue that's completely symbiotic with its subject. Almost wordless, this visual rhapsody is accompanied by music from composer Toru Takemitsu, whose free-floating East-meets-West impressionism and organic flow mimics the sprouting curvilinear shapes of Gaudi's buildings
The art of Australia by Robert Hughes( Book )

37 editions published between 1966 and 1991 in English and held by 422 WorldCat member libraries worldwide

The Colony 1788-1885; Heidelberg School 1885-96; landscape with various figures; Expatriates 1890-1930; Post-Impressionism 1913-38; the angry decade 1937-47; Stylists 1939-50; figures and images 1950-62; myths and personae 1947-62; abstract painting 1938-66
American visions( Visual )

16 editions published between 1996 and 2016 in English and No Linguistic content and held by 400 WorldCat member libraries worldwide

Presents a glimpse of American history through its visual art, painting, sculpture, architecture and monuments. Follows nearly three centuries of creativity, exploring a nation whose art mirrors its diversity
The shock of the new( Visual )

3 editions published between 1980 and 2001 in English and held by 394 WorldCat member libraries worldwide

"Robert Hughes' history of modern art from cubism to pop and the avant-garde. The sequel to the BBC's Civilization series, picks up at the threshold of the 20th century. It is written and presented by Robert Hughes, art critic and senior writer for Time. Hughes draws on a wealth of documentary materials from the archives of the BBC, including rare footage and interviews with noted artists. The range of major figures includes Henri Matisse, Pablo Picasso, le Corbusier, Maz Ernst, Francis Bacon and Jackson Pollock."--Container
The portable Magritte : with an essay by René Magritte( Book )

6 editions published in 2002 in English and held by 378 WorldCat member libraries worldwide

An illustrated study of the Belgian artist Magritte
A jerk on one end : reflections of a mediocre fisherman by Robert Hughes( Book )

5 editions published in 1999 in English and Undetermined and held by 309 WorldCat member libraries worldwide

"In A Jerk on One End, Hughes traces his love of fishing back to his earliest boyhood on Sydney Harbor, Australia, and recounts the high and low points of his career with rod and reel - the first surge of triumph when he snagged a six-pound bonito, the shame of having his father catch him trout-fishing with live bait (the most perfidious failing in the eyes of every fly fisher), hair-raising shark tales he picked up on the Sydney waterfront."
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American visions : the epic history of art in America
The Shock of the NewAmerican visions : the epic history of art in AmericaGoyaCulture of complaint : the fraying of AmericaBarcelonaRome : a cultural, visual, and personal historyNothing if not critical : selected essays on art and artistsAmish, the art of the quilt
Alternative Names
Forrest Hughes, Robert Studley 1938-2012

Hughes, R.S.F. 1938-2012

Hughes, Robert

Hughes, Robert 1938-

Hughes, Robert Studley Forrest, 1938-

Hughes, Robert Studley Forrest 1938-2012

Hughes, Robert Stydley Forrest 1938-2012

Robert Hughes

Robert Hughes Australisch schrijver

Robert Hughes critico d'arte e saggista australiano

Robert Hughes critico d'arte e scrittore australiano

Robert Hughes crítico de arte, historiador y escritor australiano

Robert Hughes escriptor, historiador i crític d'art australià

Роберт Хьюз

Робърт Хюз

Хьюз Р.

Хьюз Роберт

רוברט יוז

رابرت هیوز

روبرت هيوز

রবার্ট হিউজ

റോബർട്ട് ഹ്യൂസ്

로버트 휴즈 1938-2012

휴스, 로버트 1938-2012

휴즈, 로버트 1938-2012

ヒューズ, ロバート





English (732)

Spanish (22)

Polish (12)

German (10)

Dutch (5)

French (3)

Italian (3)

Chinese (2)

Japanese (2)

Catalan (2)


Portuguese (1)

Swedish (1)