WorldCat Identities

Haworth-Booth, Mark

Overview
Works: 186 works in 587 publications in 5 languages and 11,499 library holdings
Genres: History  Exhibition catalogs  Catalogs  Biography  Pictorial works  Photobooks  Criticism, interpretation, etc 
Roles: Author, Editor, Author of introduction, zxx, Contributor, Other, wst, Secretary, wat, Photographer, Translator, Publishing director, Interviewer, Author of afterword, colophon, etc.
Classifications: TR647, 779.092
Publication Timeline
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Most widely held works about Mark Haworth-Booth
 
Most widely held works by Mark Haworth-Booth
Paul Strand by Paul Strand( Book )

11 editions published between 1987 and 1997 in English and French and held by 899 WorldCat member libraries worldwide

Paul Strand was more than a great artist: he discovered that photography had the potential to be the most dynamic medium of the twentieth century. Purity, elegance, and passion are the hallmarks of Strand's imagery. This inaugural volume of Aperture's Masters of Photography series presents forty-one of Strand's greatest photographs, drawn from a career that spanned six decades
Photography, an independent art : photographs from the Victoria and Albert Museum 1839-1996 by Mark Haworth-Booth( Book )

22 editions published between 1997 and 2004 in English and held by 797 WorldCat member libraries worldwide

In providing a comprehensive introduction to this particular collection, the author also provides "a general history of photography from its beginnings as a scientific curiosity, through its international commercialization, to its coming of age as an art form in its own right."--Jacket
Bill Brandt : behind the camera : photographs 1928-1983 by Bill Brandt( Book )

24 editions published in 1985 in English and held by 785 WorldCat member libraries worldwide

"Universally acknowledged as the greatest British photographer and one of the great masters of all twentieth-century photography, Bill Brandt left an indelible mark on the medium during a career that spanned more than fifty years. Trained in the Paris studio of Man Ray, Brandt returned to England and produced a body of work that ranged from insightful portraits of English upper-crust society to views of the gritty poverty of the industrial north. During the Blitz of World War II, Brandt created an epic picture of blacked-out London, with images of bomb-damaged landmarks such as Saint Paul's Cathedral and residents sheltering in underground subway stations. After the war, he began a series of ninety remarkable nude studies using lens distortions and unusual points of view to interpret the female form in new and exciting ways. At the same time, he photographed the movers and shakers of the English artistic scene, making portraits of everyone from Alec Guinness to David Hockney, and he toured the island nation tracking down landscapes that had been influential to important British writers for a historic series called “Literary Britain.”" -- Publisher's information
A guide to early photographic processes by Brian Coe( Book )

13 editions published in 1983 in English and held by 679 WorldCat member libraries worldwide

"This book offers to the general reader and the specialist a guide to the major photographic processes from 1840 to 1914"--Dust jacket
Manufactured landscapes : the photographs of Edward Burtynsky by Lori Pauli( Book )

10 editions published between 2003 and 2006 in English and held by 679 WorldCat member libraries worldwide

"Over the past twenty-five years, the Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where industrial activity has reshaped the surface of the land. His surveys of the man-made terrain of quarrying, mining, railcutting, recycling, oil refining, and shipbreaking remind us that these incursions into the earth arise out of perennial human needs and desires. Burtynsky's photographs may show us things that are disturbing, but they also have about them an unexpected beauty, subverting our usual notions of the sublime in nature and leading us to a new awareness of the landscape of our times." "Manufactured Landscapes, organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian."--Jacket
The art of Lee Miller by Mark Haworth-Booth( Book )

23 editions published between 2006 and 2009 in English and Undetermined and held by 624 WorldCat member libraries worldwide

"Published in conjunction with the centenary of Miller's birth, this book weaves together Miller's eventful, unconventional life and art, showing how each reflected and inspired the other."--Jacket
Reflections in a looking glass : a centennial celebration of Lewis Carroll, photographer by Morton N Cohen( Book )

6 editions published in 1998 in English and Spanish and held by 583 WorldCat member libraries worldwide

"Beloved as the author of Alice's Adventures in Wonderland and Through the Looking-Glass, two of the most popular children's stories of all time, the Reverend Charles Lutwidge Dodgson (alias Lewis Carroll) was also one of the great photographers of children of the nineteenth century." "The photographs in this richly illustrated book - a number of them previously unpublished - reflect Carroll's lifelong fascination with children and their world. These remarkable portraits of his "child friends" were made between 1856 and 1880, during the height of the Victorian Age in England - many of them at Carroll's rooms at Oxford, where he was Mathematical Lecturer. Also included in this volume are Carroll's photographs of friends, family, and luminaries of the day, as well as the only four nude portraits that have come to light." "The central text, by Carroll biographer and leading scholar Morton N. Cohen, discusses the role of photography in Carroll's vast and diverse creative output. Cohen adds annotated captions and excerpts from Carroll's diaries and other writings to provide unique insight into the creative genius that produced the Alice books and other children's favorites."--Jacket
Things : a spectrum of photography 1850-2001 by Mark Haworth-Booth( Book )

10 editions published between 2004 and 2005 in English and held by 431 WorldCat member libraries worldwide

The medium of photography used the laws of chemistry and physics to create superbly detailed descriptions of the material world that surpassed all earlier graphic media. Objects were photography's earliest subject. This book draws from the photographs in the Victoria and Albert Museum's collection, which were made by artists, scientists, reporters, advertising and editorial photographers, from the pioneers to the postmoderns. Things includes the work of ninety photographers from Talbot and Julia Margaret Cameron to Edward Weston, Cartier-Bresson, Irving Penn, Diane Arbus and that of a new generation on the cutting edge of recent technology. This book is a survey of how we view the physical world, and within the structure of the book is contained the history of photography itself
Police pictures : the photograph as evidence by Sandra S Phillips( Book )

9 editions published in 1997 in English and held by 370 WorldCat member libraries worldwide

The mug shot, the scene of the crime, photographic evidence - all of these are predicated on the belief that the photograph shows the truth, unvarnished and indisputable. But does it? In a remarkable survey of over 120 images from public and private sources, Police Pictures questions the conjunction of photography and enforcement and challenges the ability of image to represent the truth. From haunting photographs of the Lincoln conspirators to Weegee's sordid murder victims and the prisoner portraits taken by the Khmer Rouge, Police Pictures explores the policing function of photography - and the controversial manipulations of images by and for the forces of authority - in a catalogue of the power of the law and the lens
E. McKnight Kauffer : a designer and his public by Mark Haworth-Booth( Book )

22 editions published between 1979 and 2005 in English and Undetermined and held by 364 WorldCat member libraries worldwide

Edward McKnight Kauffer was one of the most gifted and internationally admired graphic designers of the last century. His work dominated the poster hoardings between the two world wars, and his advertisements, book illustrations and theatre designs brought him an audience of millions
Camille Silvy : River scene, France by Mark Haworth-Booth( Book )

13 editions published between 1992 and 1997 in English and Undetermined and held by 355 WorldCat member libraries worldwide

The museum & the photograph : collecting photography at the Victoria and Albert Museum, 1853-1900 by Mark Haworth-Booth( Book )

12 editions published in 1998 in English and Undetermined and held by 281 WorldCat member libraries worldwide

Benjamin Brecknell Turner : rural England through a Victorian lens by Martin Barnes( Book )

5 editions published in 2001 in English and held by 259 WorldCat member libraries worldwide

In the early 1850s, Benjamin Brecknell Turner (1815–1894) photographed picturesque, quintessentially English scenes: ruined abbeys and castles, thatched barns and half-timbered houses, crumbling cottages, ancient oak trees and woodland paths. His poetic images reveal the rough-hewn beauty of rustic subjects and the moral worth of tradition, nature, and rural life and labor. Nearly all of the works are drawn from one magnificent album, Photographic Views from Nature, assembled by the artist in 1854 or 1855 and passed down in his family until it was acquired by London's Victoria and Albert Museum in 1982.Turner, who was born in London in 1815 and entered the family candle and saddle soap business at the age of sixteen, first took up photography in 1849, when the medium was barely a decade old. Like many early practitioners, he was a "gentleman amateur" for whom photography was a passion, not a profession, so he made only a few prints of each image. Photographic Views from Nature constitutes the richest group of Turner's rare surviving prints.The album opens with two views of the Crystal Palace, Joseph Paxton's vast iron-and-glass pavilion built for the "Great Exhibition of the Works of Industry of All Nations" in 1851—the first world's fair. Crystal Palace, Hyde Park, 1852, Transept shows the building after its six million visitors had left and its thousands of exhibits had been removed—an empty, enormous modern greenhouse built around an ancient elm. Two lacy networks—tree branches and iron trusses—form a visual metaphor for nature and industry, tradition and modernity, all issues central to the artist's work.Most of Turner's photographs eschew the modern, urban world in favor of country scenes and historic subjects. The artist described his approach to picture-making by way of a Washington Irving text he chose to accompany his photograph in The Photographic Album for the Year 1855: "England does not abound in grand and sublime prospects, but rather in little home-scenes of rural repose and sheltered quiet. Every antique farm-house and moss grown cottage is a picture." Many of Turner's best photographs, such as Foldyard, Bredicot Court (1852–54) and Hedgerow Trees, Clerkenleap (1852–54), were made quite close to home, at his picturesquely rundown farm near the village of Bredicot and in other nearby Worcestershire towns.Other photographs in the album represent historic architecture—Hawkhurst Church mirrored in a pond, a windmill at Kempsey, Ludlow Castle, and a gateway at Peterborough Cathedral, and others. Among the most striking are a series of dramatic photographs made in 1852–54 at Whitby Abbey, a thirteenth-century Benedictine cloister in Yorkshire the gaunt remains of which sit atop a cliff high above the town. Turner depicted the abbey in a progression beginning from a distant point to the very heart of the ruined structure, evoking all the connotations such sites inspired in the Romantic era—the echo of history, the reminder of mortality, and the inexorable reclaiming of man's constructions by nature
British photography : towards a bigger picture by Keith Arnatt( Book )

9 editions published in 1988 in English and Undetermined and held by 255 WorldCat member libraries worldwide

Camille Silvy : photographer of modern life by Mark Haworth-Booth( Book )

11 editions published in 2010 in English and held by 247 WorldCat member libraries worldwide

"One of the most original and fashionable photographers of his time, Camille Silvy transformed portrait photography from an art into an industry."--Back cover
One hundred photographs : a collection by Bruce Bernard by Bruce Bernard( Book )

9 editions published in 2002 in English and held by 224 WorldCat member libraries worldwide

In 1996 Bruce Bernard was commissioned to curate a photography collection for a private collector. Finalized shortly before his death in 2000, the selection demonstrates Bernard's unique ability to identify pictures that are imbued with sensitivity, humanity and intelligence
Photography now by Mark Haworth-Booth( Book )

13 editions published in 1989 in English and German and held by 221 WorldCat member libraries worldwide

Overzicht van recent werk van een aantal vooraanstaande fotografen uit de hele wereld
Literary Britain by Bill Brandt( Book )

9 editions published in 1986 in English and held by 219 WorldCat member libraries worldwide

"A classic collection of photographs from one of England's greatest artists, Bill Brandt. This volume, the first American edition of Brandt's masterwork, consists of 75 images informed by the great heritage of British poetry and prose. Included are photographs of William Wordsworth's room at Dove Cottage, Shaw's Corner, Glamis Castle from Macbeth, and the scene of Oscar WIlde's imprisonment at Reading Gaol. From the brooding beauty of Withens, the house which was the model for Emily Brontë's Wuthering Heights, to the Cooling Graveyard from Dickens's Great Expectations, these photographs echo the richness of Britain's literary legacy and the eloquence of Brandt's camera eye"--From publisher description
Old and modern masters of photography by Victoria and Albert Museum( Book )

18 editions published in 1981 in 3 languages and held by 218 WorldCat member libraries worldwide

 
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Audience level: 0.46 (from 0.34 for Paul Stran ... to 0.86 for Polaroids ...)

WorldCat IdentitiesRelated Identities
The Golden age of British photography, 1839-1900 : photographs from the Victoria and Albert Museum, London, with selections from the Philadelphia Museum of Art, Royal Archives, Windsor Castle, the Royal Photographic Society, Bath, Science Museum, London, Scottish National Portrait Gallery, Edinburgh
Alternative Names
Booth, Mark H.- 1944-

Booth, Mark Haworth-.

Booth Mark Haworth- 1944-....

Haworth, Mark 1944-

Mark Haworth-Booth British curator

Languages
English (264)

German (5)

Spanish (2)

French (1)

Danish (1)

Covers
Paul StrandPhotography, an independent art : photographs from the Victoria and Albert Museum 1839-1996Bill Brandt : behind the camera : photographs 1928-1983Manufactured landscapes : the photographs of Edward BurtynskyThe art of Lee MillerReflections in a looking glass : a centennial celebration of Lewis Carroll, photographerThings : a spectrum of photography 1850-2001Police pictures : the photograph as evidence