London Symphony Orchestra
Overview
| Works: | 31,032 works in 63,453 publications in 13 languages and 768,837 library holdings |
|---|---|
| Genres: | Concertos Songs and music Live sound recordings Symphonies Music Suites Oratorios Songs Operas Excerpts |
| Roles: | Instrumentalist, Performer, Musician, Other, orc, Conductor, orf, Printer, Composer, Actor, Proofreader, Producer, Contributor, Publisher, int, chi, Singer |
| Classifications: | M2000, 782.23 |
Publication Timeline
.
Most widely held works about
London Symphony Orchestra
- The show must go on : on tour with the LSO in 1912 and 2012 by Gareth Davies( )
- Orchestra : the LSO: a century of triumph and turbulence by Richard Morrison( Book )
- The LSO : scenes from orchestra life by Linda Blandford( Book )
- The LSO at 70 : a history of the orchestra by Maurice Pearton( Book )
- Trumpets over the sea: being a rambling and egotistical account of the London Symphony Orchestra's engagement at Daytona Beach, Florida, in July-August 1967 by J. B Priestley( Book )
- London Symphony, portrait of an orchestra, 1904-1954 by Hubert J Foss( Book )
- To speak for ourselves: the London Symphony Orchestra by Alan Smyth( Book )
- The facts about a symphony orchestra : featuring the London Symphony Orchestra by John Amis( Book )
- Blind date : the London Symphony Orchestra meets Daytona Beach by Drew Murphy( Book )
- LSO : the music men( Book )
- Bravo LSO! : for large orchestra (2004) by Colin Matthews( )
- Bow to baton : a leader's life by John Georgiadis( Book )
- Committee on the London orchestras. Report by Arts Council of Great Britain( Book )
- Markings by Ulysses Kay( Recording )
- The opening of the Barbican Centre by Her Majesty The Queen 3 March 1982 by Barbican Centre for Arts and Conferences( Book )
- An evening with the London Symphony Orchestra( Book )
- Roger Briggs musical scores by Roger Briggs( )
- LSO season guide by London Symphony Orchestra( )
- To aid Spanish children : Royal Albert Hall, March 28th, 1939 : Pablo Casals with the London Symphony Orchestra( Book )
- Oral history with Ernest Fleischmann by Ernest Fleischmann( )
more
fewer
Most widely held works by
London Symphony Orchestra
Carmina burana by
Carl Orff(
)
82 editions published between 1975 and 2012 in 10 languages and held by 2,141 WorldCat member libraries worldwide
Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana
82 editions published between 1975 and 2012 in 10 languages and held by 2,141 WorldCat member libraries worldwide
Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana
Barbie in the Nutcracker by
Owen Hurley(
Visual
)
35 editions published between 2001 and 2015 in 4 languages and held by 1,934 WorldCat member libraries worldwide
Barbie stars in the story of the popular ballet in which a little girl's love for the Nutcracker brings him to life
35 editions published between 2001 and 2015 in 4 languages and held by 1,934 WorldCat member libraries worldwide
Barbie stars in the story of the popular ballet in which a little girl's love for the Nutcracker brings him to life
Piano concertos by
Wolfgang Amadeus Mozart(
)
20 editions published between 1973 and 2013 in 4 languages and held by 1,754 WorldCat member libraries worldwide
Die dritte SACD dieser Serie bringt neben dem Konzert Nr. 17, einem der wenigen Klavierkonzerte, die Mozart für sich selbst als Solisten schrieb, auch ein sehr bekanntes: Das Konzert Nr. 26, genannt das "Krönungskonzert". Angeblich aufgeführt bei der Krönung Kaiser Leopold II. in Frankfurt im Oktober 1790, daher der Name. Ein Irrtum: Mozart hat das heute wegen seiner melodischen Schönheit und rokokohaften Leichtigkeit so beliebte Konzert zwar in Frankfurt gespielt, allerdings eine Woche nach der Krönung, ohne Teil der Feierlichkeiten zu sein, und es wurde auch nicht für diesen Anlass komponiert, sondern schon ein Jahr früher in Wien für seine Schülerin Barbara Ployer, die es auch uraufführte. "Described in International Record Review as 'an absolutely instinctive Mozartian, with fleet fingerwork to match any, and with melodic playing of consummate beauty', Ronald Brautigam returns with the third instalment in his series of Mozart's piano concertos. As on the two previous discs, he is joined by the period band Die Kölner Akademie conducted by Michael Alexander Willens, forming a partnership described on website klassik-heute.de as 'Mozart interpreters of the first order'" (arkivmusic.com)
20 editions published between 1973 and 2013 in 4 languages and held by 1,754 WorldCat member libraries worldwide
Die dritte SACD dieser Serie bringt neben dem Konzert Nr. 17, einem der wenigen Klavierkonzerte, die Mozart für sich selbst als Solisten schrieb, auch ein sehr bekanntes: Das Konzert Nr. 26, genannt das "Krönungskonzert". Angeblich aufgeführt bei der Krönung Kaiser Leopold II. in Frankfurt im Oktober 1790, daher der Name. Ein Irrtum: Mozart hat das heute wegen seiner melodischen Schönheit und rokokohaften Leichtigkeit so beliebte Konzert zwar in Frankfurt gespielt, allerdings eine Woche nach der Krönung, ohne Teil der Feierlichkeiten zu sein, und es wurde auch nicht für diesen Anlass komponiert, sondern schon ein Jahr früher in Wien für seine Schülerin Barbara Ployer, die es auch uraufführte. "Described in International Record Review as 'an absolutely instinctive Mozartian, with fleet fingerwork to match any, and with melodic playing of consummate beauty', Ronald Brautigam returns with the third instalment in his series of Mozart's piano concertos. As on the two previous discs, he is joined by the period band Die Kölner Akademie conducted by Michael Alexander Willens, forming a partnership described on website klassik-heute.de as 'Mozart interpreters of the first order'" (arkivmusic.com)
War requiem by
Benjamin Britten(
Recording
)
68 editions published between 1963 and 2018 in 7 languages and held by 1,729 WorldCat member libraries worldwide
Public awareness of Benjamin Britten's person and works advanced dramatically -- even explosively -- twice during his lifetime. The first time was in 1945, when his opera Peter Grimes was produced for the postwar reopening of Sadler's Wells Theatre in London. The second time followed the premier at Coventry and the subsequent series of performances all across Europe and North America of the War Requiem. Except to those provincials who thought that milky pastoral was the only idiom appropriate for an Englishman and who also found the young Britten too clever by half, the triumph of Peter Grimes marked not just the confirmation of a prodigious talent; it represented a moment of hope that, for the first time since the death of Henry Purcell in 1695, England had produced a composer of international stature. The impact the War Requiem made 17 years later was wider and deeper by far. Britten, approaching 50, had become an artist whose every new utterance was awaited with the most lively interest and the highest expectations. The War Requiem, moreover, was tied to a pair of events that were heavily freighted with history and emotion: the destruction of Coventry Cathedral in an air raid during the night of November 14-15, 1940, and its reconsecration more than 21 years later. Its first performance was planned as an international event with respect both to participants and audience. Most importantly, the War Requiem was a weighty and poignant statement on the subject of piercingly urgent concern to much of humankind. In the War Requiem, Britten drew on forces larger and more complex than in any previous work of his. The basic division of the performers is into two groups, reflecting the dual source of the words; the libretto stands in a relation of text (the Latin Missa pro defunctis) and commentary (the nine Owen poems). The Latin text is essentially the province of the large mixed chorus, but from this there is spillover in two opposite directions: the solo soprano represents a heightening of the choral singing at its most emotional, while the boys' choir represents liturgy at its most distanced. The mixed chorus and solo soprano are accompanied by the full orchestra; the boys' choir, whose sound should be distant, is supported by an organ. All this constitutes one group. The other group consists of the tenor and baritone soloists, whose province is the series of Owen songs; they are accompanied by the chamber orchestra. - Program notes / Michael Steinberg
68 editions published between 1963 and 2018 in 7 languages and held by 1,729 WorldCat member libraries worldwide
Public awareness of Benjamin Britten's person and works advanced dramatically -- even explosively -- twice during his lifetime. The first time was in 1945, when his opera Peter Grimes was produced for the postwar reopening of Sadler's Wells Theatre in London. The second time followed the premier at Coventry and the subsequent series of performances all across Europe and North America of the War Requiem. Except to those provincials who thought that milky pastoral was the only idiom appropriate for an Englishman and who also found the young Britten too clever by half, the triumph of Peter Grimes marked not just the confirmation of a prodigious talent; it represented a moment of hope that, for the first time since the death of Henry Purcell in 1695, England had produced a composer of international stature. The impact the War Requiem made 17 years later was wider and deeper by far. Britten, approaching 50, had become an artist whose every new utterance was awaited with the most lively interest and the highest expectations. The War Requiem, moreover, was tied to a pair of events that were heavily freighted with history and emotion: the destruction of Coventry Cathedral in an air raid during the night of November 14-15, 1940, and its reconsecration more than 21 years later. Its first performance was planned as an international event with respect both to participants and audience. Most importantly, the War Requiem was a weighty and poignant statement on the subject of piercingly urgent concern to much of humankind. In the War Requiem, Britten drew on forces larger and more complex than in any previous work of his. The basic division of the performers is into two groups, reflecting the dual source of the words; the libretto stands in a relation of text (the Latin Missa pro defunctis) and commentary (the nine Owen poems). The Latin text is essentially the province of the large mixed chorus, but from this there is spillover in two opposite directions: the solo soprano represents a heightening of the choral singing at its most emotional, while the boys' choir represents liturgy at its most distanced. The mixed chorus and solo soprano are accompanied by the full orchestra; the boys' choir, whose sound should be distant, is supported by an organ. All this constitutes one group. The other group consists of the tenor and baritone soloists, whose province is the series of Owen songs; they are accompanied by the chamber orchestra. - Program notes / Michael Steinberg
Copland conducts Copland by
Aaron Copland(
Recording
)
59 editions published between 1969 and 2014 in 5 languages and held by 1,679 WorldCat member libraries worldwide
59 editions published between 1969 and 2014 in 5 languages and held by 1,679 WorldCat member libraries worldwide
Piano concerto no. 1 by
Petr Ilʹich Chaĭkovskiĭ(
)
58 editions published between 1965 and 2020 in 4 languages and held by 1,602 WorldCat member libraries worldwide
Contents: Piano concerto no. 1 (Tchaikovsky), Piano concerto no. 5 (Beethoven)
58 editions published between 1965 and 2020 in 4 languages and held by 1,602 WorldCat member libraries worldwide
Contents: Piano concerto no. 1 (Tchaikovsky), Piano concerto no. 5 (Beethoven)
Romeo and Juliet by
Sergej S Prokofʹev(
)
36 editions published between 1973 and 2018 in 5 languages and held by 1,493 WorldCat member libraries worldwide
The Kirov Orchestra in St. Petersburg performs Sergei Prokofiev's "Romeo and Juliet."
36 editions published between 1973 and 2018 in 5 languages and held by 1,493 WorldCat member libraries worldwide
The Kirov Orchestra in St. Petersburg performs Sergei Prokofiev's "Romeo and Juliet."
The Messiah by
George Frideric Handel(
Recording
)
105 editions published between 1928 and 2010 in 7 languages and held by 1,441 WorldCat member libraries worldwide
Tafelmusik Baroque Orchestra and Chamber Choir present an intimate and stirring performance of Handel's Messiah. This 2-CD recording of the full score on period instruments features a stellar cast of soloists. Tafelmusik presents this baroque masterpiece with the spirit and vitality of Handel's own 18th-century productions. A perennial favorite with audiences and critics alike, Tafelmusik's Messiah has garnered glowing reviews year after year
105 editions published between 1928 and 2010 in 7 languages and held by 1,441 WorldCat member libraries worldwide
Tafelmusik Baroque Orchestra and Chamber Choir present an intimate and stirring performance of Handel's Messiah. This 2-CD recording of the full score on period instruments features a stellar cast of soloists. Tafelmusik presents this baroque masterpiece with the spirit and vitality of Handel's own 18th-century productions. A perennial favorite with audiences and critics alike, Tafelmusik's Messiah has garnered glowing reviews year after year
Messiah : arias and choruses by
George Frideric Handel(
Recording
)
23 editions published between 1961 and 2001 in 3 languages and held by 1,306 WorldCat member libraries worldwide
Arias and choruses from Handel's Messiah
23 editions published between 1961 and 2001 in 3 languages and held by 1,306 WorldCat member libraries worldwide
Arias and choruses from Handel's Messiah
Cello concerto by
Antonín Dvořák(
)
66 editions published between 1959 and 2017 in 5 languages and held by 1,284 WorldCat member libraries worldwide
The much-anticipated album from the brilliant young American cellist. Alisa Weilerstein is the first cellist for many years to play the Elgar Concerto with Daniel Barenboim, and his decision to record it with her is a major statement
66 editions published between 1959 and 2017 in 5 languages and held by 1,284 WorldCat member libraries worldwide
The much-anticipated album from the brilliant young American cellist. Alisa Weilerstein is the first cellist for many years to play the Elgar Concerto with Daniel Barenboim, and his decision to record it with her is a major statement
Violin concerto by
Johannes Brahms(
)
41 editions published between 1969 and 2016 in 4 languages and held by 1,275 WorldCat member libraries worldwide
Romanzen Nr. 1 und 2 [Romanzen, Vl Orch]
41 editions published between 1969 and 2016 in 4 languages and held by 1,275 WorldCat member libraries worldwide
Romanzen Nr. 1 und 2 [Romanzen, Vl Orch]
The planets by
Gustav Holst(
)
47 editions published between 1928 and 2012 in 5 languages and held by 1,211 WorldCat member libraries worldwide
The Planets op. 32 av den britiske komponisten Gustav Holst (1874-1934) er den mest kjente verket hans. Her er det flott presentert med dyktige utøvere
47 editions published between 1928 and 2012 in 5 languages and held by 1,211 WorldCat member libraries worldwide
The Planets op. 32 av den britiske komponisten Gustav Holst (1874-1934) er den mest kjente verket hans. Her er det flott presentert med dyktige utøvere
Lucia di Lammermoor by
Donizetti(
Recording
)
76 editions published between 1970 and 2011 in 7 languages and held by 1,205 WorldCat member libraries worldwide
This is Maria Callas's only broadcast from the stage of the Met. Hearing "La Divina" in an actual performance is a unique thrill, and Lucia is a huge part of the palpable Callas mystique. Donizetti's bloody tale of the Scottish lass torn from her true love and forced into an arranged marriage, only to go mad and murder her bridegroom on their wedding night, was the perfect vehicle for Callas's wizardry. Her haunting voice simply becomes Lucia's--every facet of emotion so pronounced that we cannot escape her spell
76 editions published between 1970 and 2011 in 7 languages and held by 1,205 WorldCat member libraries worldwide
This is Maria Callas's only broadcast from the stage of the Met. Hearing "La Divina" in an actual performance is a unique thrill, and Lucia is a huge part of the palpable Callas mystique. Donizetti's bloody tale of the Scottish lass torn from her true love and forced into an arranged marriage, only to go mad and murder her bridegroom on their wedding night, was the perfect vehicle for Callas's wizardry. Her haunting voice simply becomes Lucia's--every facet of emotion so pronounced that we cannot escape her spell
Piano concerto no. 3 by
Sergej Vasilʹevič Rachmaninov(
)
25 editions published between 1966 and 2017 in 4 languages and held by 1,202 WorldCat member libraries worldwide
Emil Gilels fra Russland spiller her blant annet Saint-Saëns g-moll konsert, for den er en av de mest briljante innen sin sjanger. Og hvilket spill Gilels leverer. Man blir både rett og slett glad over å høre slik spontan musisering. Perlende elegant, men også med all den tyngde romantiske klaverkonserter krever
25 editions published between 1966 and 2017 in 4 languages and held by 1,202 WorldCat member libraries worldwide
Emil Gilels fra Russland spiller her blant annet Saint-Saëns g-moll konsert, for den er en av de mest briljante innen sin sjanger. Og hvilket spill Gilels leverer. Man blir både rett og slett glad over å høre slik spontan musisering. Perlende elegant, men også med all den tyngde romantiske klaverkonserter krever
Violin concertos by
Johann Sebastian Bach(
)
14 editions published between 1987 and 2019 and held by 1,176 WorldCat member libraries worldwide
The second instalment in Richard Tognetti's acclaimed Bach Violin cycle. Following the unprecedented success of Tognetti's recording of Bach's Sonatas and Partitas for Solo Violin, this recording includes the complete violin concertos with the Australian Chamber Orchestra and contains the beautiful double violin concerto (with Helena Rathbone) and the concerto for oboe and violin with the divine Diana Doherty
14 editions published between 1987 and 2019 and held by 1,176 WorldCat member libraries worldwide
The second instalment in Richard Tognetti's acclaimed Bach Violin cycle. Following the unprecedented success of Tognetti's recording of Bach's Sonatas and Partitas for Solo Violin, this recording includes the complete violin concertos with the Australian Chamber Orchestra and contains the beautiful double violin concerto (with Helena Rathbone) and the concerto for oboe and violin with the divine Diana Doherty
The Planets : op. 32 by
Gustav Holst(
)
40 editions published between 1958 and 2002 in 5 languages and held by 1,173 WorldCat member libraries worldwide
Brief historical notes included in container insert. Performed by the London Symphony Orchestra with Geoffrey Simon conducting. Includes Holst's "The Planets" followed by a selection by Niccollo Paganini
40 editions published between 1958 and 2002 in 5 languages and held by 1,173 WorldCat member libraries worldwide
Brief historical notes included in container insert. Performed by the London Symphony Orchestra with Geoffrey Simon conducting. Includes Holst's "The Planets" followed by a selection by Niccollo Paganini
Piano concerto No. 2 ; Rhapsody on a theme of Paganini by
Sergej Vasil'evič Rahmaninov(
)
14 editions published between 1986 and 2005 in 4 languages and held by 1,134 WorldCat member libraries worldwide
14 editions published between 1986 and 2005 in 4 languages and held by 1,134 WorldCat member libraries worldwide
Giovanna d'Arco by
Giuseppe Verdi(
)
54 editions published between 1973 and 2011 in 5 languages and held by 1,101 WorldCat member libraries worldwide
Booklet contains notes on Verdi's career & the first performance of this opera, a synopsis, the libretto and biographical sketches of the soloists & conductor
54 editions published between 1973 and 2011 in 5 languages and held by 1,101 WorldCat member libraries worldwide
Booklet contains notes on Verdi's career & the first performance of this opera, a synopsis, the libretto and biographical sketches of the soloists & conductor
Symphony no. 5 by
Gustav Mahler(
)
27 editions published between 1969 and 2011 in 6 languages and held by 1,085 WorldCat member libraries worldwide
Composed in 1902, this purely instrumental work followed upon three symphonies that had all included vocal parts. This and the opening trumpet motif, an allusion to the rhythm that begins Beethoven's Fifth have been interpreted as Mahler's return to a more conventional idea of the symphonic genre
27 editions published between 1969 and 2011 in 6 languages and held by 1,085 WorldCat member libraries worldwide
Composed in 1902, this purely instrumental work followed upon three symphonies that had all included vocal parts. This and the opening trumpet motif, an allusion to the rhythm that begins Beethoven's Fifth have been interpreted as Mahler's return to a more conventional idea of the symphonic genre
La navarraise by
Jules Massenet(
Recording
)
46 editions published between 1975 and 2018 in 4 languages and held by 1,072 WorldCat member libraries worldwide
46 editions published between 1975 and 2018 in 4 languages and held by 1,072 WorldCat member libraries worldwide
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fewer
Audience Level
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Related Identities
- London Symphony Chorus Other Singer Performer Musician Vocalist Actor Instrumentalist
- Davis, Colin 1927-2013 Other Copyright holder Performer Director Conductor Author Editor Instrumentalist
- Previn, André 1929-2019 Other Performer Director Conductor Author Narrator Instrumentalist Composer
- Abbado, Claudio Other Singer Performer Director Conductor Author Instrumentalist
- London Philharmonic Orchestra Other Performer Musician Conductor Proofreader Instrumentalist
- Hickox, Richard 1948-2008 Other Singer Conductor Performer Contributor
- Tchaikovsky, Peter Ilich 1840-1893 Musician Conductor Author Contributor Creator Instrumentalist Composer
- Beethoven, Ludwig van 1770-1827 Other Performer Musician Author Contributor Creator Instrumentalist Composer
- Mozart, Wolfgang Amadeus 1756-1791 Other Performer Musician Author Contributor Creator Composer
- Dorati, Antal Other Conductor Performer Author Composer
Useful Links
Associated Subjects
Ballet Ballets Ballets--Excerpts Barbie--(Fictitious character) Cantatas, Secular Cello with orchestra Choruses, Sacred (Mixed voices) with orchestra Choruses, Secular (Mixed voices) with orchestra Concertos (Cello) Concertos (Oboe and violin with string orchestra), Arranged Concertos (Piano) Concertos (Pianos (2)) Concertos (Violin) Concertos (Violins (2) with string orchestra) Concertos (Violins (3) with string orchestra), Arranged Concertos (Violin with string orchestra) Concertos (Violin with string orchestra), Arranged Goliards Jesus Christ Joan,--of Arc, Saint, Live sound recordings London Symphony Orchestra Monologues with music (Orchestra) Nutcrackers (Implements) Operas Operas--Excerpts Oratorios Oratorios--Excerpts Orchestral music Overtures Owen, Wilfred, Piano music Piano with orchestra Planets Requiems Rhapsodies (Music) Rondos (Piano with orchestra) Songs, Latin (Medieval and modern) String orchestra music Students' songs Suites (Orchestra) Suites (Piano) Suites (Violin with string orchestra) Symphonic poems Symphonies Variations (Cello with orchestra) Variations (Orchestra) Variations (Piano with orchestra) Violin and piano music Violin with orchestra
Covers
Alternative Names
L.S.O.
L.S.O. (London Symphony Orchestra)
London S O
London Symph. Orch.
London Symphany Orchestra
London Symphonic Orchestra
London Symphony
London Symphony Orch.
London Symphony Orchestr
London Symphony Orchestra
London Symphony Orchestra and Chorus
London Symphony Orchestra britský orchestr
London Symphony Orchestra (LSO)
London Symphony Orchestra orkiestra symfoniczna
London Symphony Orchestra, Roy
London Symphony Orchestra, The
Londona Simfonia Orkestro
Londonas Simfoniskais orķestris
Londoner Symph.-Orchester
Londoner Symphonie-Orchester
Londoner Symphonieorchester
Londoni Sümfooniaorkester
Londoni Szimfonikus Zenekar
Londono simfoninis orkestras
Londonski simfonični orkester
Londonski simfonijski orkestar
Londonskiĭ simfonicheskiĭ orkestr
Londonskij simfoničeskij orkestr.
Londýnsky symfonický orchester
Londýnský symfonický orchestr
Lontoon sinfoniaorkesteri
LSO
LSO (London Symphony Orchestra)
Orchestra Simfonică din Londra
Orchestre symphonique
Orchestre symphonique de Londres
Orchestre symphonique de Londres orchestre symphonique britannique
Orchestre symphonique (London)
Orchestre Symphonique (Londýn, Anglicko)
Orkestra Simfoni London
Orquesta Sinfónica
Orquesta sinfonica de Londres
Orquesta Sinfónica de Londres la orquesta de Londres, lleva activa desde 1904
Orquesta Sinfónica London
Orquestra Simfònica de Londres
Orquestra Sinfônica de Londres.
Sinfonie-Orchester
Sinfonie-Orchester London
Symphonic Orchestra
Symphonie-Orchester
Symphonie-Orchester London
Symphonie-Orchester (Londýn, Anglicko)
Symphonieorchester
Symphony Orchestra
Symphony Orchestra London, London Symphony Orchestra
Symphony Orchestra (Londres)
The London Symfony Orchestra
The London Symphonic Orchestra
The London Symphony Orchestra
Ūkistrā Landan al-Sīmfūnīyah
Συμφωνική Ορχήστρα του Λονδίνου ορχήστρα με έδρα το Λονδίνο
Лондонски симфоничен оркестър
Лондонский симф. орк.
Лондонский симфонический оркестр
Лондонский симфонический оркестр академический музыкальный коллектив Великобритании
Лондонський симфонічний оркестр
Լոնդոնյան սիմֆոնիկ նվագախումբ
התזמורת הסימפונית של לונדון תזמורת סימפונית
ارکستر سمفونیک لندن
أوكسترا لندن السيمفونية
ลอนดอนซิมโฟนีออร์เคสตรา
런던 교향악단
런던 심포니 오케스트라
ロンドンこうきょうがくだん
ロンドン交響楽団
伦敦交响乐团
Languages
English
(281)
Italian (96)
German (94)
Latin (74)
French (52)
Spanish (13)
Multiple languages (3)
German, Middle High (2)
Chinese (1)
Russian (1)
Portuguese (1)
French, Middle (1)
Miscellaneous languages (1)
Italian (96)
German (94)
Latin (74)
French (52)
Spanish (13)
Multiple languages (3)
German, Middle High (2)
Chinese (1)
Russian (1)
Portuguese (1)
French, Middle (1)
Miscellaneous languages (1)