Schreier, Peter
Overview
| Works: | 3,854 works in 8,941 publications in 7 languages and 99,940 library holdings |
|---|---|
| Genres: | Operas Live sound recordings Musical settings Drama Songs and music Oratorios Chamber operas Music Masses Song cycles |
| Roles: | Performer, Singer, Conductor, Author, t=t, Other, Translator, Vocalist, Contributor, Musician, Instrumentalist, Artist, Creator, ten, Actor, Composer, Editor, br=, Interviewer |
| Classifications: | M1500, 782.1 |
Publication Timeline
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Most widely held works about
Peter Schreier
- Peter Schreier : eine Bildbiographie by Gottfried Schmiedel( Book )
- Aus meiner Sicht : Gedanken und Erinnerungen by Peter Schreier( Book )
- Peter Schreier : Interviews, Tatsachen, Meinungen by Wolf-Eberhard von Lewinski( Book )
- In character, volume 2 : great singers in great roles( Book )
- Im Rückspiegel : Erinnerungen und Ansichten by Peter Schreier( Book )
- Peter Schreier : Melodien eines Lebens ; eine Bildbiografie by Jürgen Helfricht( Book )
more
fewer
Most widely held works by
Peter Schreier
Kantaten by
Johann Sebastian Bach(
)
129 editions published between 1966 and 2006 in 5 languages and held by 1,792 WorldCat member libraries worldwide
Cantates, . BWV 131,. Bach, Johann Sebastian4230
129 editions published between 1966 and 2006 in 5 languages and held by 1,792 WorldCat member libraries worldwide
Cantates, . BWV 131,. Bach, Johann Sebastian4230
Matthäus Passion by
Johann Sebastian Bach(
)
64 editions published between 1973 and 2015 in 3 languages and held by 1,316 WorldCat member libraries worldwide
L'information lisible par ordinateur comprend la reprod. de la partition autographe de la passion conservée à la Staatsbibliothek zu Berlin, Preussischer Kulturbesitz (Mus. Ms. Bach P. 25)
64 editions published between 1973 and 2015 in 3 languages and held by 1,316 WorldCat member libraries worldwide
L'information lisible par ordinateur comprend la reprod. de la partition autographe de la passion conservée à la Staatsbibliothek zu Berlin, Preussischer Kulturbesitz (Mus. Ms. Bach P. 25)
Così fan tutte by
Wolfgang Amadeus Mozart(
)
31 editions published between 1970 and 2018 in 6 languages and held by 1,048 WorldCat member libraries worldwide
Two Italian soldiers test the faithfulness of their respective lovers by faking their departure to battle, reappearing in disguise as Albanians and proceeding to court them
31 editions published between 1970 and 2018 in 6 languages and held by 1,048 WorldCat member libraries worldwide
Two Italian soldiers test the faithfulness of their respective lovers by faking their departure to battle, reappearing in disguise as Albanians and proceeding to court them
Rienzi by
Richard Wagner(
)
38 editions published between 1970 and 2012 in 4 languages and held by 1,046 WorldCat member libraries worldwide
Recorded Aug.-Sept. 1974 and Apr. 1976, Lucaskirche, Dresden
38 editions published between 1970 and 2012 in 4 languages and held by 1,046 WorldCat member libraries worldwide
Recorded Aug.-Sept. 1974 and Apr. 1976, Lucaskirche, Dresden
Der Messias = Messiah by
George Frideric Handel(
)
38 editions published between 1973 and 2009 in 5 languages and held by 896 WorldCat member libraries worldwide
Messiah highlights Comfort ye my people, And the glory of the Lord, O thou that tellest good tidings to Zion, He shall feed his flock, I know that my Redeemer liveth, Halleluhah chorus Margaret Marshall, Soprano;Catherine Robbin, mezzo-soprano;Charles Brett, countertenor, Anthony Rolfe-Johnson, tenor;Robert Hale, bass;Saul Quirke, boy soprano Monteverdi choir English Baroque soloists John Eliot Gardiner, conductor
38 editions published between 1973 and 2009 in 5 languages and held by 896 WorldCat member libraries worldwide
Messiah highlights Comfort ye my people, And the glory of the Lord, O thou that tellest good tidings to Zion, He shall feed his flock, I know that my Redeemer liveth, Halleluhah chorus Margaret Marshall, Soprano;Catherine Robbin, mezzo-soprano;Charles Brett, countertenor, Anthony Rolfe-Johnson, tenor;Robert Hale, bass;Saul Quirke, boy soprano Monteverdi choir English Baroque soloists John Eliot Gardiner, conductor
Ariadne auf Naxos by
Richard Strauss(
)
31 editions published between 1968 and 2008 in 4 languages and held by 816 WorldCat member libraries worldwide
The great Jessye Norman is Ariadne, the mythological heroine abandoned by her lover on the island of Naxos. In Strauss and Hofmannsthal's charming opera-within-an-opera, she is joined by Ruth Ann Swenson as Zerbinetta, the flirtatious leader of a commedia dell'arte troupe that--by order of an eccentric patron--unexpectedly finds itself in the middle of Ariadne's tragic story. Thomas Moser sings Bacchus, the young god who wins Ariadne, and Susanne Mentzer is the Composer of the fictional opera. Wagnerian bass-baritone Thomas Stewart makes a late-career cameo appearance as the Music Master
31 editions published between 1968 and 2008 in 4 languages and held by 816 WorldCat member libraries worldwide
The great Jessye Norman is Ariadne, the mythological heroine abandoned by her lover on the island of Naxos. In Strauss and Hofmannsthal's charming opera-within-an-opera, she is joined by Ruth Ann Swenson as Zerbinetta, the flirtatious leader of a commedia dell'arte troupe that--by order of an eccentric patron--unexpectedly finds itself in the middle of Ariadne's tragic story. Thomas Moser sings Bacchus, the young god who wins Ariadne, and Susanne Mentzer is the Composer of the fictional opera. Wagnerian bass-baritone Thomas Stewart makes a late-career cameo appearance as the Music Master
Die Schöpfung = The creation by
Joseph Haydn(
)
24 editions published between 1974 and 2017 in German and French and held by 764 WorldCat member libraries worldwide
"This marvellous recording, sung in German, comes as a surprise, since Bernard Haitink is not obviously associated with Haydn. In fact he didn't tackle The Creation until 2011, when he was 82. He approaches this great choral masterpiece with wit, unhurried grandeur, riveting orchestral detail and forward momentum - in short, with just the acuity he brings to anything he conducts. (....) Gabriel (soprano Camilla Tilling), Uriel (tenor Mark Padmore), and Raphael (bass Hanno Müller-Brachmann). Choir, orchestra and soloists are on sparkling form in this live recording - an invigorating reminder, if any were needed, of Haydn's genius" (The Guardian)
24 editions published between 1974 and 2017 in German and French and held by 764 WorldCat member libraries worldwide
"This marvellous recording, sung in German, comes as a surprise, since Bernard Haitink is not obviously associated with Haydn. In fact he didn't tackle The Creation until 2011, when he was 82. He approaches this great choral masterpiece with wit, unhurried grandeur, riveting orchestral detail and forward momentum - in short, with just the acuity he brings to anything he conducts. (....) Gabriel (soprano Camilla Tilling), Uriel (tenor Mark Padmore), and Raphael (bass Hanno Müller-Brachmann). Choir, orchestra and soloists are on sparkling form in this live recording - an invigorating reminder, if any were needed, of Haydn's genius" (The Guardian)
Weihnachtsoratorium : BWV 248 by
Johann Sebastian Bach(
)
16 editions published between 1984 and 2009 in 3 languages and held by 745 WorldCat member libraries worldwide
16 editions published between 1984 and 2009 in 3 languages and held by 745 WorldCat member libraries worldwide
Die schöne Magelone by
Johannes Brahms(
)
11 editions published between 1983 and 2015 in 3 languages and held by 734 WorldCat member libraries worldwide
„In München ist er seit Jahrzehnten so etwas wie ein Lokalmatador und heute über alle Grenzen hinweg berühmt: der Bariton Christian Gerhaher... Jetzt hat Christian Gerhaher „Die schöne Magelone“ von Johannes Brahms eingesungen, unterstützt von seinem Liedbegleiter Gerold Huber – und keinem Geringeren als Martin Walser. Die „Magelone“, das ist die Nacherzählung eines altfranzösischen Ritterromans von Ludwig Tieck. In die Geschichte von der schönen Magelone und dem Grafen Peter, der ihr Herz im Sturm erobert, finden sich 18 Gedichte eingestreut, von denen Brahms 15 vertont hat. Was tun mit den epischen Textlängen zwischen den Gedichten, das fragt sich jeder, der diesen Zyklus aufführt. Einfach weglassen? Dann bleibt der Inhalt kryptisch. Am besten: kürzen und neu dichten. Das hat Martin Walser getan, und es ist ihm ganz wunderbar gelungen, durch Tiecks romantische Sprache den alemannischen Tonfall der Vorlage durchschimmern zu lassen. Dadurch dass Gerhaher sich mehr aufs Rapportierende verlegt, geht dem Zyklus einiges an Spannung verloren: die Spannung zwischen dem Erlebten und dem Erzählten, zwischen Sitte und Eros, die Spannung aber auch zwischen Okzident und Orient. Vielleicht sieht Christian Gerhaher diese Bezüge nicht, vielleicht traut er ihnen nicht, vielleicht traut er Tieck und Brahms auch nicht. Die Distanz jedenfalls, die man hier hört und spürt, ist schade. Denn die Musik gehört zum Schönsten, was Brahms an Liedern je geschrieben hat“ (swr.de)
11 editions published between 1983 and 2015 in 3 languages and held by 734 WorldCat member libraries worldwide
„In München ist er seit Jahrzehnten so etwas wie ein Lokalmatador und heute über alle Grenzen hinweg berühmt: der Bariton Christian Gerhaher... Jetzt hat Christian Gerhaher „Die schöne Magelone“ von Johannes Brahms eingesungen, unterstützt von seinem Liedbegleiter Gerold Huber – und keinem Geringeren als Martin Walser. Die „Magelone“, das ist die Nacherzählung eines altfranzösischen Ritterromans von Ludwig Tieck. In die Geschichte von der schönen Magelone und dem Grafen Peter, der ihr Herz im Sturm erobert, finden sich 18 Gedichte eingestreut, von denen Brahms 15 vertont hat. Was tun mit den epischen Textlängen zwischen den Gedichten, das fragt sich jeder, der diesen Zyklus aufführt. Einfach weglassen? Dann bleibt der Inhalt kryptisch. Am besten: kürzen und neu dichten. Das hat Martin Walser getan, und es ist ihm ganz wunderbar gelungen, durch Tiecks romantische Sprache den alemannischen Tonfall der Vorlage durchschimmern zu lassen. Dadurch dass Gerhaher sich mehr aufs Rapportierende verlegt, geht dem Zyklus einiges an Spannung verloren: die Spannung zwischen dem Erlebten und dem Erzählten, zwischen Sitte und Eros, die Spannung aber auch zwischen Okzident und Orient. Vielleicht sieht Christian Gerhaher diese Bezüge nicht, vielleicht traut er ihnen nicht, vielleicht traut er Tieck und Brahms auch nicht. Die Distanz jedenfalls, die man hier hört und spürt, ist schade. Denn die Musik gehört zum Schönsten, was Brahms an Liedern je geschrieben hat“ (swr.de)
Early Italian operas by
Wolfgang Amadeus Mozart(
)
3 editions published in 2006 in Italian and held by 729 WorldCat member libraries worldwide
3 editions published in 2006 in Italian and held by 729 WorldCat member libraries worldwide
Die schöne Müllerin by
Franz Schubert(
)
57 editions published between 1974 and 2014 in 5 languages and held by 725 WorldCat member libraries worldwide
Content: Four lieder
57 editions published between 1974 and 2014 in 5 languages and held by 725 WorldCat member libraries worldwide
Content: Four lieder
Die Entführung aus dem Serail by
Wolfgang Amadeus Mozart(
)
39 editions published between 1974 and 2019 in 4 languages and held by 720 WorldCat member libraries worldwide
René Jacobs conducts this performance of Mozart's opera. With the RIAS Kammerchor and Akademie für Alte Musik Berlin
39 editions published between 1974 and 2019 in 4 languages and held by 720 WorldCat member libraries worldwide
René Jacobs conducts this performance of Mozart's opera. With the RIAS Kammerchor and Akademie für Alte Musik Berlin
Die Zauberflote by
Wolfgang Amadeus Mozart(
)
55 editions published between 1970 and 2012 in 4 languages and held by 649 WorldCat member libraries worldwide
18. Jahrhundert; Oper
55 editions published between 1970 and 2012 in 4 languages and held by 649 WorldCat member libraries worldwide
18. Jahrhundert; Oper
Don Giovanni by
Wolfgang Amadeus Mozart(
)
25 editions published between 1967 and 2006 in 5 languages and held by 616 WorldCat member libraries worldwide
Performed at the 2006 Innsbruck Festival, Rene Jacobs leads a riveting production that is illustrated by the notion of Don Giovanni as a young rebel and taboo-breaker. Jacobs also tries to respect Mozart's original intentions as closely as possible
25 editions published between 1967 and 2006 in 5 languages and held by 616 WorldCat member libraries worldwide
Performed at the 2006 Innsbruck Festival, Rene Jacobs leads a riveting production that is illustrated by the notion of Don Giovanni as a young rebel and taboo-breaker. Jacobs also tries to respect Mozart's original intentions as closely as possible
Elijah : op. 70 by
Felix Mendelssohn-Bartholdy(
Recording
)
27 editions published between 1968 and 1993 in German and Undetermined and held by 608 WorldCat member libraries worldwide
Es normal, lamentablemente, que cuando llegan grandes grabaciones a nuestras tiendas de discos rápidamente se agoten y no aparezcan más. Este registro de "Elias", el oratorio más importante de Felix Mendelssohn, es del año 1966 y está dirigido por el maestro Wolfgang Sawallisch. Acompañan a los solistas, excelentes por demás, el coro y la orquesta de la Gewandhaus de Leipzig, la misma de la que Mendelssohn fuera titular. La versión del maestro Sawallisch es sencillamente una referencia
27 editions published between 1968 and 1993 in German and Undetermined and held by 608 WorldCat member libraries worldwide
Es normal, lamentablemente, que cuando llegan grandes grabaciones a nuestras tiendas de discos rápidamente se agoten y no aparezcan más. Este registro de "Elias", el oratorio más importante de Felix Mendelssohn, es del año 1966 y está dirigido por el maestro Wolfgang Sawallisch. Acompañan a los solistas, excelentes por demás, el coro y la orquesta de la Gewandhaus de Leipzig, la misma de la que Mendelssohn fuera titular. La versión del maestro Sawallisch es sencillamente una referencia
Hänsel und Gretel by
Engelbert Humperdinck(
)
30 editions published between 1970 and 2016 in German and English and held by 592 WorldCat member libraries worldwide
The Vienna boy's Choir ; Vienna
30 editions published between 1970 and 2016 in German and English and held by 592 WorldCat member libraries worldwide
The Vienna boy's Choir ; Vienna
Mass in B minor = Messe in h-Moll = Messe en si mineur by
Johann Sebastian Bach(
)
32 editions published between 1974 and 2013 in 6 languages and held by 583 WorldCat member libraries worldwide
Recorded at St. Lukes in London, a live recording of the soaring Mass in B Minor performed with the never-mailed-in performance by the Monteverdi Choir and English Baroque Soloists led by John Eliot Gardiner during the course of their wildly successful 2014 European tour
32 editions published between 1974 and 2013 in 6 languages and held by 583 WorldCat member libraries worldwide
Recorded at St. Lukes in London, a live recording of the soaring Mass in B Minor performed with the never-mailed-in performance by the Monteverdi Choir and English Baroque Soloists led by John Eliot Gardiner during the course of their wildly successful 2014 European tour
Die Meistersinger von Nürnberg by
Richard Wagner(
Recording
)
38 editions published between 1967 and 2010 in 4 languages and held by 573 WorldCat member libraries worldwide
Richard Wagner's Die Meistersinger von Nürnberg (The Master-Singers of Nuremberg): Overture performed by the Leningrad Philharmonic Orchestra with Yevgeny Mravinsky conducting. [Note: This product is an authorized CD-R and is manufactured on demand]
38 editions published between 1967 and 2010 in 4 languages and held by 573 WorldCat member libraries worldwide
Richard Wagner's Die Meistersinger von Nürnberg (The Master-Singers of Nuremberg): Overture performed by the Leningrad Philharmonic Orchestra with Yevgeny Mravinsky conducting. [Note: This product is an authorized CD-R and is manufactured on demand]
Palestrina : [musikalische Legende in drei Akten] by
Hans Pfitzner(
)
19 editions published between 1990 and 2015 in 3 languages and held by 569 WorldCat member libraries worldwide
Palestrina is claimed to have 'saved the arts of counterpoint and polyphony' in the face of a Papal edict that church music must be more traditional and revert to plainsong. Palestrina produces a work that contains all the 'modern' and 'sinful' musical styles the Pope disapproves of. Upon hearing the work, the Pope and Palestrina's arch critic, Archbishop Borromeo relents
19 editions published between 1990 and 2015 in 3 languages and held by 569 WorldCat member libraries worldwide
Palestrina is claimed to have 'saved the arts of counterpoint and polyphony' in the face of a Papal edict that church music must be more traditional and revert to plainsong. Palestrina produces a work that contains all the 'modern' and 'sinful' musical styles the Pope disapproves of. Upon hearing the work, the Pope and Palestrina's arch critic, Archbishop Borromeo relents
Tristan und Isolde by
Richard Wagner(
Recording
)
51 editions published between 1966 and 2016 in 5 languages and held by 543 WorldCat member libraries worldwide
Digital Audio Download Includes: Part 1: 1. Tristan und Isolde (1994 - Remaster), Act I: Vorspiel (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Karl Ridderbusch/Bernd Weikl/Peter Schreier/Martin Vantin/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 2. Tristan und Isolde (1994 - Remaster), Act I, Scene 1: Westw?rts schweift der Blick (Helga Dernesch/Christa Ludwig/Peter Schreier/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 3. Tristan und Isolde (1994 - Remaster), Act I, Scene 2: Frisch weht der Wind der Heimat zu (Helga Dernesch/Christa Ludwig/Peter Schreier/Berliner Philharmoniker/Herbert von Karajan) 4. Tristan und Isolde (1994 - Remaster), Act I, Scene 2: Hab 'acht, Tristan! (Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 5. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Weh! ach wehe! Dies zu dulden! (Helga Dernesch/Christa Ludwig/Berliner Philharmoniker/Herbert von Karajan) 6. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Wie lachend sie mir Lieder singen (Helga Dernesch/Christa Ludwig/Berliner Philharmoniker/Herbert von Karajan) 7. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: O blinde Augen! Bl?de Herzen! (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 8. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Welcher Wahn! Welch' eitles Z?rnen! (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 9. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Kennst du der Mutter K?nste nicht? (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 10. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: Auf! Auf! Ihr Frauen! (Helga Dernesch/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 11. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: Herrn Tristan bringe meinen Gruss (Helga Dernesch/Christa Ludwig/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 12. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: H?rtest du nicht? Hier bleib' ich (Helga Dernesch/Christa Ludwig/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 13. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Begehrt, Herrin, was ihr w?nscht (Helga Dernesch/Jon Vickers/Berliner Philharmoniker/Herbert von Karajan) 14. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Da du so sittsam, mein Herr Tristan (Helga Dernesch/Jon Vickers/Berliner Philharmoniker/Herbert von Karajan) Part 2: 1. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: War Morold dir so wert (Helga Dernesch/Jon Vickers/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 2. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Des Schweigens Herrin heisst mich schweigen (Helga Dernesch/Jon Vickers/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 3. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Tristan! ... Isolde! (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 4. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Schnell, den Mantel, den K?nigsschmuck! (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 5. Tristan und Isolde (1994 - Remaster), Act II: Vorspiel (Berliner Philharmoniker/Herbert von ... (P) 2011 The copyright in this sound recording is owned by EMI Records Ltd
51 editions published between 1966 and 2016 in 5 languages and held by 543 WorldCat member libraries worldwide
Digital Audio Download Includes: Part 1: 1. Tristan und Isolde (1994 - Remaster), Act I: Vorspiel (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Karl Ridderbusch/Bernd Weikl/Peter Schreier/Martin Vantin/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 2. Tristan und Isolde (1994 - Remaster), Act I, Scene 1: Westw?rts schweift der Blick (Helga Dernesch/Christa Ludwig/Peter Schreier/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 3. Tristan und Isolde (1994 - Remaster), Act I, Scene 2: Frisch weht der Wind der Heimat zu (Helga Dernesch/Christa Ludwig/Peter Schreier/Berliner Philharmoniker/Herbert von Karajan) 4. Tristan und Isolde (1994 - Remaster), Act I, Scene 2: Hab 'acht, Tristan! (Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 5. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Weh! ach wehe! Dies zu dulden! (Helga Dernesch/Christa Ludwig/Berliner Philharmoniker/Herbert von Karajan) 6. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Wie lachend sie mir Lieder singen (Helga Dernesch/Christa Ludwig/Berliner Philharmoniker/Herbert von Karajan) 7. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: O blinde Augen! Bl?de Herzen! (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 8. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Welcher Wahn! Welch' eitles Z?rnen! (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 9. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Kennst du der Mutter K?nste nicht? (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 10. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: Auf! Auf! Ihr Frauen! (Helga Dernesch/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 11. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: Herrn Tristan bringe meinen Gruss (Helga Dernesch/Christa Ludwig/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 12. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: H?rtest du nicht? Hier bleib' ich (Helga Dernesch/Christa Ludwig/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 13. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Begehrt, Herrin, was ihr w?nscht (Helga Dernesch/Jon Vickers/Berliner Philharmoniker/Herbert von Karajan) 14. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Da du so sittsam, mein Herr Tristan (Helga Dernesch/Jon Vickers/Berliner Philharmoniker/Herbert von Karajan) Part 2: 1. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: War Morold dir so wert (Helga Dernesch/Jon Vickers/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 2. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Des Schweigens Herrin heisst mich schweigen (Helga Dernesch/Jon Vickers/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 3. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Tristan! ... Isolde! (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 4. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Schnell, den Mantel, den K?nigsschmuck! (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 5. Tristan und Isolde (1994 - Remaster), Act II: Vorspiel (Berliner Philharmoniker/Herbert von ... (P) 2011 The copyright in this sound recording is owned by EMI Records Ltd
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Related Identities
- Adam, Theo Other Singer Performer Musician Vocalist Conductor
- Bach, Johann Sebastian 1685-1750 Other Musician Director Author Contributor Creator Composer
- Mathis, Edith Other Singer Performer Vocalist Contributor
- Mozart, Wolfgang Amadeus 1756-1791 Other Arranger Performer Musician Adapter Author Editor Creator Composer
- Staatskapelle Dresden Other Performer Instrumentalist Musician
- Rundfunkchor Leipzig Other Singer Performer Instrumentalist Musician
- Fischer-Dieskau, Dietrich 1925-2012 Other Singer Performer Artist Vocalist Creator
- Schubert, Franz 1797-1828 Other Creator Author Lyricist Composer
- Augér, Arleen Other Singer Performer Vocalist
- Karajan, Herbert von Conductor Performer Instrumentalist Author
Useful Links
Associated Subjects
Ariadne--(Greek mythological character) Bible.--Genesis Cantatas Cantatas, Sacred Cantatas, Secular Choruses Choruses, Sacred (Mixed voices) with orchestra Christmas music Church music Creation Elijah--(Biblical prophet) Germany Incidental music--Excerpts Iseult (Legendary character) Jesus Christ Juan,--Don (Legendary character) Live sound recordings Mass (Music) Masses Müller, Wilhelm, Music--Computer network resources New York (State)--New York Nonets (Bassoons (2), clarinets (2), horns (2), oboes (2), double bass), Arranged Opera Operas Operas--Excerpts Operas--Excerpts, Arranged Operas--Librettos Oratorios Oratorios--Excerpts Overtures Palestrina, Giovanni Pierluigi da, Passion music Piano music (4 hands), Arranged Recitative Rienzo, Cola di, Sacred vocal music Solo cantatas, Sacred (Low voice) Song cycles Songs Songs, German Songs (High voice) with piano Songs (Low voice) with piano Songs (Medium voice) with piano Suites (Orchestra) Suites (Orchestra), Arranged Symphonies, Arranged Tieck, Ludwig, Tristan (Legendary character) Vocal duets
Alternative Names
Peter Schreier
Peter Schreier artiste lyrique
Peter Schreier cantante y director de orquesta
Peter Schreier Duits zanger
Peter Schreier German tenor and conductor
Peter Schreier niemiecki śpiewak (tenor) i dyrygent
Peter Schreier tenore tedesco
Schreier.
Schreier 1935-
Schreier, P.
Schreier, P. 1935-
Schreier, P. (Peter)
Schreir P.
Shuraiya, Pētā 1935-
Šrajer, Peter 1935-
Šreiers Peters
Петер Шраєр
Шрайер, Петер
Шрайер, Петер 1935-
פטר שרייר
シュライヤー, ペーター
ペーター・シュライアー
彼得·許萊爾
Languages