WorldCat Identities

Andrew, Dudley 1945-

Works: 77 works in 420 publications in 11 languages and 14,488 library holdings
Genres: Criticism, interpretation, etc  Drama  Motion pictures  History  Biography  Comedy films  Screenplays  Film adaptations  Bibliography  Samurai films 
Roles: Author, Editor, Translator, Author of introduction, Contributor, Composer, Interviewee
Classifications: PN1995, 791.4301
Publication Timeline
Most widely held works about Dudley Andrew
Most widely held works by Dudley Andrew
The major film theories : an introduction by Dudley Andrew( Book )

56 editions published between 1976 and 2010 in 10 languages and held by 1,118 WorldCat member libraries worldwide

Betreft: Munsterberg, Arnheim, Ejzenstejn, Balázs, Kracauer, Bazin, Mitry, Metz, Ayfre, Agel
André Bazin by Dudley Andrew( Book )

54 editions published between 1977 and 2013 in 5 languages and held by 912 WorldCat member libraries worldwide

Updated throughout, Dudley Andrew's biography of Bazin remains the definitive account of the great critic's life and his enduring legacy
Concepts in film theory by Dudley Andrew( Book )

28 editions published between 1977 and 1984 in English and Undetermined and held by 871 WorldCat member libraries worldwide

A remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism
Film in the aura of art by Dudley Andrew( Book )

13 editions published between 1984 and 1996 in English and held by 789 WorldCat member libraries worldwide

Popular front Paris and the poetics of culture by Dudley Andrew( Book )

12 editions published between 2005 and 2008 in English and held by 550 WorldCat member libraries worldwide

The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade
Mists of regret : culture and sensibility in classic French film by Dudley Andrew( Book )

12 editions published in 1995 in English and held by 507 WorldCat member libraries worldwide

Breathless : Jean-Luc Godard, director by Jean-Luc Godard( Book )

20 editions published between 1960 and 2001 in English and held by 461 WorldCat member libraries worldwide

Breathless, a low-budget film, came to be regarded as one of the major accomplishments of the French New Wave cinema of the early sixties. It had a tremendous influence on French filmmakers and on world cinema in general. Beyond its significance in film history, it was also a film of considerable cultural impact. Young students and film enthusiasts today continue to try to outdo one another in their Jean-Paul Belmondo and Jean Seberg imitations, just as Belmondo himself in the film had rendered his own version of Bogart and Gabin. In Breathless, Jean-Luc Godard captured the spirit of a disillusioned generation and fashioned a style, which drew on the past, to parade that disillusionment. In his introduction, Dudley Andrew explains what Godard set out to accomplish twenty-seven years ago. He illuminates the intertextual and cultural references of the film and the tensions within it between tradition and innovation. This volume also features, for the first time in English, the complete and accurate continuity script of Breathless, together with François Truffaut's surprisingly detailed original treatment. Also included are an in-depth selection of reviews and criticism in French and English; a brief biographical sketch of the director's life that covers the development of his career, as well as a filmography and selected bibliography
The image in dispute : art and cinema in the age of photography( Book )

11 editions published in 1997 in English and held by 445 WorldCat member libraries worldwide

Saikaku ichidai onna by Kenji Mizoguchi( Visual )

5 editions published between 2010 and 2013 in Japanese and held by 335 WorldCat member libraries worldwide

A peerless chronicler of the soul who specialized in supremely emotional, visually exquisite films about the circumstances of women in Japanese society throughout its history, Kenji Mizoguchi (Ugetsu) had already been directing movies for decades when he made The Life of Oharu; in 1952. But this epic portrait of an inexorable fall from grace, starring the incredibly talented Kinuyo Tanaka as an imperial lady-in-waiting who gradually descends to street prostitution
Opening Bazin : postwar film theory and its afterlife by Hervé Joubert-Laurencin( Book )

18 editions published between 2010 and 2011 in English and Undetermined and held by 275 WorldCat member libraries worldwide

Andre Bazin remains one of the most read, most studied, and most engaging figures ever to have written about film. This volume includes essays from the best scholars of French cinema in the US and abroad
What cinema is! : Bazin's quest and its charge by Dudley Andrew( Book )

22 editions published between 2005 and 2014 in English and French and held by 265 WorldCat member libraries worldwide

What Cinema Is! offers an engaging answer to Andre Bazin's famous question, exploring his 'idea of cinema' with a sweeping look back at the near century of Cinema's phenomenal ascendancy. Written by one of the foremost film scholars of our timeEstablishes cinema's distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older modeExamines cinema's institutions and its social force through the qualities of key filmsTraces the history of an idea that has made cinema supremely alive to (and in) our times
La nuit américaine = Day for night by François Truffaut( Visual )

7 editions published between 1973 and 2015 in French and English and held by 263 WorldCat member libraries worldwide

The leading lady is recovering from a nervous breakdown, another performer is soused on the set, unions threaten to walk, shooting must finish before the insurance lapses and a cat can't hit its mark. Is this any way to make a film?
Kenji Mizoguchi : a guide to references and resources by Dudley Andrew( Book )

7 editions published in 1981 in English and Undetermined and held by 263 WorldCat member libraries worldwide

Sanshô dayû by Dudley Andrew( Book )

11 editions published in 2000 in English and held by 262 WorldCat member libraries worldwide

"Among Mizoguchi Kenji's unquestioned masterpieces Sansho Dayu (Sansho the Bailiff, 1954) is a version of one of Japan's most famous folk-legends. When their father is exiled to a remote outpost, Anju and Zushio are forced to flee with their mother. Kidnapped, the children are separated from her and enslaved by the malevolent Sansho. Though a reunion ends the film, it is only at the most terrible human cost." "A heartbreaking tragedy in form, rooted in elemental aspects of Japanese society, Sansho Dayu is also a modern artwork made in the aftermath of World War II, which reflects on old and new values. It was responsible as much as any other film for bringing Japanese cinema to the rapt attention of Western audiences." "Dudley Andrew and Carole Cavanaugh bring out the film's cultural, aesthetic and contextual nuances. In dialogue with each other, the authors elucidate a distinctively Japanese work that nevertheless speaks of universal themes."--Jacket
Andre Bazin's new media by André Bazin( Book )

11 editions published in 2014 in English and held by 222 WorldCat member libraries worldwide

André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the “new media” of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies--their artistic potential, social influence, and relationship to existing art forms--have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media.--Publisher website
Roland Barthes' cinema by Philip Watts( Book )

8 editions published in 2016 in English and held by 169 WorldCat member libraries worldwide

"The most famous name in French literary circles from the late 1950s till his death in 1981, Roland Barthes maintained a contradictory rapport with the cinema. As a cultural critic, he warned of its surreptitious ability to lead the enthralled spectator toward an acceptance of a pre-given world. As a leftist, he understood that spectacle could be turned against itself and provoke deep questioning of that pre-given world. And as an extraordinarily sensitive human being, he relished the beauty of images and the community they could bring together."--Publisher's description
A companion to Francois Truffaut by Dudley Andrew( Book )

20 editions published between 2013 and 2015 in English and held by 156 WorldCat member libraries worldwide

"The 34 essays of this collection by leading international scholars reassess Truffaut's impact on cinema as they locate the unique quality of his thematic obsessions and his remarkable narrative techniques. Almost 30 years after his death, we are presented with strikingly original perspectives on his background, influences, and importance. Bridges a gap in film scholarship with a series of 34 original essays by leading film scholars that assess the lasting impact of Truffaut's work."--Publisher's website
Futures of comparative literature : ACLA state of the discipline report by Ursula K Heise( Book )

6 editions published in 2017 in English and held by 75 WorldCat member libraries worldwide

Futures of Comparative Literatures' is a unique report on the state of the discipline in Comparative Literature. Offering a broad spectrum of viewpoints from all career stages, a variety of different institutions, and many language backgrounds, this collection is fully global and diverse. The book includes previously unpublished interviews with key figures in the discipline as well as a range of different essays such as short pieces on key topics (e.g human rights, fundamentalism) and longer, in-depth pieces (Electronic Literature, New Orality, Environmental Humanities). Curated by an expert editorial team, this book captures what is at stake in the study of Comparative Literature today
Les théories du cinéma aujourd'hui by Guy Hennebelle( Book )

2 editions published in 1988 in French and held by 49 WorldCat member libraries worldwide

What is cinema? by André Bazin( Book )

22 editions published between 1971 and 2005 in English and held by 15 WorldCat member libraries worldwide

"Andre Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinema, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protege of Francois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not.""--PUBLISHER DESCRIPTION
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WorldCat IdentitiesRelated Identities
The major film theories : an introduction
Alternative Names
Andrew, Dudley.

Andrew, Dudley 1945-

Andrew, Dudley J. 1945-

Andrew, J. Dudley.

Andrew, J. Dudley 1945-

Andrew, J. Dudley (James Dudley), 1945-

Andrew, James D.

Andrew, James D. 1945-

Andrew, James Dudley

Andrew James Dudley 1945-....

Dudley Andrew American film theorist

Dudley Andrew, James 1945-

Endru, Dadli Dž.

ج. دادلي أندرو، 1945-

앤드루, 더들리 1945-

앤드류, J. 더들리 1945-

앤드류, 더들리 1945-

André BazinConcepts in film theoryPopular front Paris and the poetics of cultureMists of regret : culture and sensibility in classic French filmBreathless : Jean-Luc Godard, directorThe image in dispute : art and cinema in the age of photographyOpening Bazin : postwar film theory and its afterlifeWhat cinema is! : Bazin's quest and its charge