Kuijken, Sigiswald

Overview

Works:	1,302 works in 3,054 publications in 6 languages and 27,585 library holdings
Genres:	Songs and music Drama Live sound recordings Oratorios Concerti grossi Operas Excerpts Holy Week music Musical settings Symphonies
Roles:	Conductor, Performer, Instrumentalist, Author, Other, Director, Author of introduction, Interviewee, Arranger, Singer, Editor
Classifications:	M2000, 782.1

Publication Timeline

Most widely held works by Sigiswald Kuijken

Cantatas by Johann Sebastian Bach( )

29 editions published between 2006 and 2014 in 3 languages and held by 2,989 WorldCat member libraries worldwide

Recorded Sept. 1989, St. John's, Smith Square, London

The artistry of Barthold Kuijken by Barthold Kuijken( )

11 editions published in 2008 and held by 1,010 WorldCat member libraries worldwide

Magnificat in D, BWV 243 ; Ich hatte viel Bekümmernis : cantata, BWV 21 by Johann Sebastian Bach( )

11 editions published between 1989 and 2007 in 5 languages and held by 694 WorldCat member libraries worldwide

Livietta e Tracollo ; La serva padrona by Giovanni Battista Pergolesi( )

10 editions published between 1996 and 2014 in Italian and held by 561 WorldCat member libraries worldwide

Late French viol music by Charles Dollé( )

17 editions published between 1978 and 2010 in 4 languages and held by 525 WorldCat member libraries worldwide

Sonatas for fortepiano and violin by Wolfgang Amadeus Mozart( )

8 editions published between 1992 and 2006 in 3 languages and held by 490 WorldCat member libraries worldwide

Orfeo ed Euridice by Christoph Willibald Gluck( )

39 editions published between 1982 and 2006 in 5 languages and held by 447 WorldCat member libraries worldwide

Odeon: 80756

Pièces de clavecin en concerts by Jean-Philippe Rameau( )

32 editions published between 1971 and 2008 in 6 languages and held by 438 WorldCat member libraries worldwide

Pièces de clavecin en concerts pour clavecin, flûte et violon: Premier concert en ut mineur; Deuxième concert en sol majeur; Troisième concert en la majeur; Quatrième concert en si bémol majeur; Cinquième concert en ré mineur

Brandenburg concertos = Brandenburgische Konzerte = Concertos Brandebourgeois by Johann Sebastian Bach( )

27 editions published between 1977 and 2014 in 4 languages and held by 414 WorldCat member libraries worldwide

"Il Giardino Armonico's sheer sparkle gives it the edge."--New York Times

Die Schöpfung = The creation by Joseph Haydn( )

21 editions published between 1980 and 2012 in German and Undetermined and held by 337 WorldCat member libraries worldwide

"This marvellous recording, sung in German, comes as a surprise, since Bernard Haitink is not obviously associated with Haydn. In fact he didn't tackle The Creation until 2011, when he was 82. He approaches this great choral masterpiece with wit, unhurried grandeur, riveting orchestral detail and forward momentum - in short, with just the acuity he brings to anything he conducts. (....) Gabriel (soprano Camilla Tilling), Uriel (tenor Mark Padmore), and Raphael (bass Hanno Müller-Brachmann). Choir, orchestra and soloists are on sparkling form in this live recording - an invigorating reminder, if any were needed, of Haydn's genius" (The Guardian)

The Paris symphonies 82-87 by Joseph Haydn( )

10 editions published between 1999 and 2000 in 3 languages and held by 331 WorldCat member libraries worldwide

Estas piezas florecen con ritmo e ingenio, sin perder el equilibrio entre la calidez y el detalle

Sonate a violino e violon o cimbalo op. V by Arcangelo Corelli( )

17 editions published between 1984 and 2014 in 4 languages and held by 329 WorldCat member libraries worldwide

Music for a viol by Christopher Simpson( )

19 editions published between 1973 and 2011 in 4 languages and held by 325 WorldCat member libraries worldwide

Johannes-Passion = St. John Passion : BWV 245 by Johann Sebastian Bach( )

13 editions published between 1988 and 2013 in 3 languages and held by 294 WorldCat member libraries worldwide

"The foundations of Marc Minkowski's career lie in Baroque music, and he has enjoyed a long relationship with Warner Classics, but this Johannes-Passion (St John Passion) is his first Bach for the label. The work's terse drama--here presented through just nine singers--is ideally suited to both his scrupulous musicianship and his keen sense of theatre. The French conductor describes Bach's great masterpieces as 'a journey you have to prepare for meticulously, over a long period of time. You come back from it like an explorer comes back from Everest or the moon--transformed'"--Warnerclassics.com

Cantatas BWV 82, 49, 58 by Johann Sebastian Bach( )

13 editions published between 1993 and 2014 in 3 languages and held by 285 WorldCat member libraries worldwide

Concert de danse by Petite Bande( )

12 editions published between 1996 and 2006 in 3 languages and held by 284 WorldCat member libraries worldwide

Motetten by Johann Sebastian Bach( )

7 editions published between 1992 and 2008 in German and French and held by 282 WorldCat member libraries worldwide

Enth.: Singet dem Herrn ein neues Lied, BWV 225. Der Geist hilft unser Schwachheit auf, BWV 226. Jesu, meine Freude, BWV 227. Fürchte dich nicht, ich bin bei dir, BWV 228. Komm, Jesu, komm, BWV 229. Lobet den Herrn, alle Heiden, BWV 230. Ich lasse dich nicht, du segnest mich dennn, BWV Anh. 159. - Interpr.: The Hilliard Ensemble

German chamber music by Johann Sebastian Bach( )

9 editions published between 1980 and 1990 in No Linguistic content and Undetermined and held by 280 WorldCat member libraries worldwide

H-Moll-Messe, BWV 232 by Johann Sebastian Bach( )

9 editions published between 2009 and 2010 in Latin and Undetermined and held by 278 WorldCat member libraries worldwide

Cello suites, BWV 1007-1012 by Johann Sebastian Bach( )

7 editions published in 2009 in No Linguistic content and Undetermined and held by 275 WorldCat member libraries worldwide

Historical and iconographic evidence suggests that the Bach suites and other violoncello parts were intended to be performed on the viola or violoncello da spalla, which is played across the arm, rather than between the legs as with the modern violoncello