WorldCat Identities

Tölzer Knabenchor

Works: 1,975 works in 3,996 publications in 9 languages and 32,437 library holdings
Genres: Musical settings  Live sound recordings  Operas  Symphonies  Requiems  Songs and music  Drama  Oratorios  Cantatas  Excerpts 
Roles: Performer, Musician, Singer, Other, Instrumentalist, Conductor
Classifications: M1530, 782.1
Publication Timeline
Most widely held works by Tölzer Knabenchor
Die tote Stadt by Erich Wolfgang Korngold( Recording )

46 editions published between 1975 and 2009 in 3 languages and held by 1,016 WorldCat member libraries worldwide

Die tote Stadt: Oper in drei Akten, op. 12. Libretto: Paul Schott (Julius Korngold)
Das Kantatenwerk by Johann Sebastian Bach( Recording )

36 editions published between 1977 and 1989 in German and Undetermined and held by 945 WorldCat member libraries worldwide

Michael Emmermann, Sopran ; Paul Esswood, alt ; Max van Egmond, bass ; Knaben
Requiem, K. 626 by Wolfgang Amadeus Mozart( )

13 editions published between 2000 and 2013 in 3 languages and held by 539 WorldCat member libraries worldwide

CD #710
Hansel und Gretel : highlights by Engelbert Humperdinck( )

7 editions published between 2004 and 2005 in German and held by 517 WorldCat member libraries worldwide

Szenen aus Goethes Faust by Robert Schumann( Recording )

38 editions published between 1981 and 2002 in 5 languages and held by 475 WorldCat member libraries worldwide

"Am Pult des Symphonieorchesters des Bayerischen Rundfunks: der herausragende englische Dirigent Daniel Harding. Er präsentiert mit den "Faust-Szenen"ein groß angelegtes Meisterstück, das die komplexe und hochphilosophische literarische Vorlage von Goethe in einer losen Szenenfolge musikalisch nachzeichnet. Immer wieder beschäftigte sich Schumann gerade in seinem letzten Lebensjahrzehnt mit den Möglichkeiten, die im vokal-symphonischen und musikdramatischen Komponieren liegen. Die Partie des Faust gestaltet der außergewöhnliche Bariton Christian Gerhaher, ihm zur Seite stehen Christiane Karg als Gretchen sowie weitere international hoch angesehene Solisten, der Kammerchor der Augsburger Domsingknaben und der Chor des Bayerischen Rundfunks" (
Palestrina : [musikalische Legende in drei Akten] by Hans Pfitzner( )

29 editions published between 1973 and 2011 in 5 languages and held by 429 WorldCat member libraries worldwide

Palestrina is claimed to have 'saved the arts of counterpoint and polyphony' in the face of a Papal edict that church music must be more traditional and revert to plainsong. Palestrina produces a work that contains all the 'modern' and 'sinful' musical styles the Pope disapproves of. Upon hearing the work, the Pope and Palestrina's arch critic, Archbishop Borromeo relents
Die Zauberflöte by Wolfgang Amadeus Mozart( )

9 editions published between 1980 and 2014 in German and Undetermined and held by 425 WorldCat member libraries worldwide

18. Jahrhundert; Oper
De temporum fine comoedia by Carl Orff( )

14 editions published between 1974 and 2013 in 6 languages and held by 418 WorldCat member libraries worldwide

Symphonie no. 8 by Gustav Mahler( )

14 editions published between 1995 and 1997 in 4 languages and held by 401 WorldCat member libraries worldwide

Sinfonie Nr. 8 Es-Dur für Soli, Knabenchor, zwei Chöre und grosses Orchester. Text: Veni creator spiritus; Schluss-Szene aus Goethes Faust
Matthäus Passion by Johann Sebastian Bach( )

25 editions published between 1990 and 2011 in 3 languages and held by 398 WorldCat member libraries worldwide

L'information lisible par ordinateur comprend la reprod. de la partition autographe de la passion conservée à la Staatsbibliothek zu Berlin, Preussischer Kulturbesitz (Mus. Ms. Bach P. 25)
Mass by Leonard Bernstein( )

4 editions published in 2009 in Latin and held by 379 WorldCat member libraries worldwide

Hansel & Gretel by Engelbert Humperdinck( Recording )

5 editions published between 1990 and 1999 in 3 languages and held by 374 WorldCat member libraries worldwide

When they are left in the woods by their parents, two children find their way home despite an encounter with a wicked witch
War requiem by Benjamin Britten( )

12 editions published between 1993 and 2014 in 3 languages and held by 367 WorldCat member libraries worldwide

Public awareness of Benjamin Britten's person and works advanced dramatically -- even explosively -- twice during his lifetime. The first time was in 1945, when his opera Peter Grimes was produced for the postwar reopening of Sadler's Wells Theatre in London. The second time followed the premier at Coventry and the subsequent series of performances all across Europe and North America of the War Requiem. Except to those provincials who thought that milky pastoral was the only idiom appropriate for an Englishman and who also found the young Britten too clever by half, the triumph of Peter Grimes marked not just the confirmation of a prodigious talent; it represented a moment of hope that, for the first time since the death of Henry Purcell in 1695, England had produced a composer of international stature. The impact the War Requiem made 17 years later was wider and deeper by far. Britten, approaching 50, had become an artist whose every new utterance was awaited with the most lively interest and the highest expectations. The War Requiem, moreover, was tied to a pair of events that were heavily freighted with history and emotion: the destruction of Coventry Cathedral in an air raid during the night of November 14-15, 1940, and its reconsecration more than 21 years later. Its first performance was planned as an international event with respect both to participants and audience. Most importantly, the War Requiem was a weighty and poignant statement on the subject of piercingly urgent concern to much of humankind. In the War Requiem, Britten drew on forces larger and more complex than in any previous work of his. The basic division of the performers is into two groups, reflecting the dual source of the words; the libretto stands in a relation of text (the Latin Missa pro defunctis) and commentary (the nine Owen poems). The Latin text is essentially the province of the large mixed chorus, but from this there is spillover in two opposite directions: the solo soprano represents a heightening of the choral singing at its most emotional, while the boys' choir represents liturgy at its most distanced. The mixed chorus and solo soprano are accompanied by the full orchestra; the boys' choir, whose sound should be distant, is supported by an organ. All this constitutes one group. The other group consists of the tenor and baritone soloists, whose province is the series of Owen songs; they are accompanied by the chamber orchestra. - Program notes / Michael Steinberg
Die Zauberflöte : Querschnitt = highlights by Wolfgang Amadeus Mozart( )

5 editions published between 1981 and 1985 in German and No Linguistic content and held by 337 WorldCat member libraries worldwide

10 Symphonien by Gustav Mahler( )

13 editions published between 1967 and 1999 in 3 languages and held by 335 WorldCat member libraries worldwide

Carmina burana by Carl Orff( )

27 editions published between 1973 and 2015 in 4 languages and held by 329 WorldCat member libraries worldwide

Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana
Symphony no. 3 in D minor by Gustav Mahler( )

12 editions published between 1991 and 1992 in 3 languages and held by 310 WorldCat member libraries worldwide

(1) NORMAN, Jessye (soprano). (1) CONCERT CHORUS OF THE VIENNA STATE OPERA. (1) VIENNA BOYS CHOIR. (1) VIENNA PHILHARMONIC. (1) ABBADO, Claudio (conductor). (1) HETZEL, Gerhart (violin)
Salmi da Vespro per il Giorno di S. Petronio by Giovanni Paolo Colonna( )

6 editions published in 1989 in Latin and No Linguistic content and held by 276 WorldCat member libraries worldwide

Missa C-Dur by Franz Schnitzer( )

14 editions published between 1982 and 1997 in 5 languages and held by 275 WorldCat member libraries worldwide

Das Christelflein by Hans Pfitzner( )

4 editions published in 2005 in German and Undetermined and held by 275 WorldCat member libraries worldwide

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Audience Level
Audience Level
  Kids General Special  
Audience level: 0.41 (from 0.33 for Die Zauber ... to 0.47 for De temporu ...)

WorldCat IdentitiesRelated Identities
Alternative Names
Boys' Choir

Boys Choir of Tölz.

Choeur de Garçons

Choeur de Garçons Tölz

Choeur d'enfants de Tolz

Chœur des petits chanteurs de Tölz

Coro de niños de Tölz

Coro di Voci Bianche

Coro di voci bianche di Tölz.

Coro di Voci Bianche Tölz

Coro di voci bianche "Tölzer Knaben"

Der Tölzer Knabenchor.

Der Tölzer Knabenchor (Munich). Choeur


Knabenchor Tölz

Petits chanteurs de Tölz.

Tölz boychoir.

Tölz Boys' Choir.

Tölzer Boys' Choir

Tölzer Knaben.

Tölzer Knabenchor choir

Tölzer Sängerknaben.

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