WorldCat Identities

London Symphony Orchestra

Works: 30,467 works in 61,181 publications in 12 languages and 750,384 library holdings
Genres: Concertos  Songs and music  Live sound recordings  Symphonies  Music  Suites  Oratorios  Operas  Excerpts  Songs 
Roles: Instrumentalist, Performer, Musician, Other, orc, Conductor, orf, Printer, Composer, Proofreader, Producer, Publisher, Singer, per, int, chi
Classifications: M1012, 784.272
Publication Timeline
Most widely held works about London Symphony Orchestra
moreShow More Titles
fewerShow Fewer Titles
Most widely held works by London Symphony Orchestra
Carmina burana by Carl Orff( )

75 editions published between 1975 and 2012 in 9 languages and held by 2,104 WorldCat member libraries worldwide

Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana
Barbie in the Nutcracker by Owen Hurley( Visual )

34 editions published between 2001 and 2015 in 4 languages and held by 1,930 WorldCat member libraries worldwide

Barbie stars in the story of the popular ballet in which a little girl's love for the Nutcracker brings him to life
Copland conducts Copland by Aaron Copland( Recording )

54 editions published between 1969 and 2014 in 5 languages and held by 1,683 WorldCat member libraries worldwide

War requiem by Benjamin Britten( Recording )

93 editions published between 1963 and 2018 in 7 languages and held by 1,532 WorldCat member libraries worldwide

Public awareness of Benjamin Britten's person and works advanced dramatically -- even explosively -- twice during his lifetime. The first time was in 1945, when his opera Peter Grimes was produced for the postwar reopening of Sadler's Wells Theatre in London. The second time followed the premier at Coventry and the subsequent series of performances all across Europe and North America of the War Requiem. Except to those provincials who thought that milky pastoral was the only idiom appropriate for an Englishman and who also found the young Britten too clever by half, the triumph of Peter Grimes marked not just the confirmation of a prodigious talent; it represented a moment of hope that, for the first time since the death of Henry Purcell in 1695, England had produced a composer of international stature. The impact the War Requiem made 17 years later was wider and deeper by far. Britten, approaching 50, had become an artist whose every new utterance was awaited with the most lively interest and the highest expectations. The War Requiem, moreover, was tied to a pair of events that were heavily freighted with history and emotion: the destruction of Coventry Cathedral in an air raid during the night of November 14-15, 1940, and its reconsecration more than 21 years later. Its first performance was planned as an international event with respect both to participants and audience. Most importantly, the War Requiem was a weighty and poignant statement on the subject of piercingly urgent concern to much of humankind. In the War Requiem, Britten drew on forces larger and more complex than in any previous work of his. The basic division of the performers is into two groups, reflecting the dual source of the words; the libretto stands in a relation of text (the Latin Missa pro defunctis) and commentary (the nine Owen poems). The Latin text is essentially the province of the large mixed chorus, but from this there is spillover in two opposite directions: the solo soprano represents a heightening of the choral singing at its most emotional, while the boys' choir represents liturgy at its most distanced. The mixed chorus and solo soprano are accompanied by the full orchestra; the boys' choir, whose sound should be distant, is supported by an organ. All this constitutes one group. The other group consists of the tenor and baritone soloists, whose province is the series of Owen songs; they are accompanied by the chamber orchestra. - Program notes / Michael Steinberg
Violin concertos by Wolfgang Amadeus Mozart( )

96 editions published between 1962 and 2017 in 7 languages and held by 1,505 WorldCat member libraries worldwide

Den tyske fiolinisten Anne-Sophie Mutter er tilbake med ny utgivelse sammen med Trondheimsolistene. På repertoaret står denne gangen "Fiolinkonsert nr. 1 i a-moll", BWV 1041 og "Fiolinkonsert nr. 2 i E-dur", BWV 1042 av Johann Sebastian Bach. Albumet inneholder også fiolinkonserten "In tempus praesens", konsert for fiolin og orkester av Sofia Gubaidulina, skrevet spesielt til Anne-Sophie Mutter. Fiolinkonsertene er spilt inn med London Symphony Orchestra under ledelse av Valery Gergiev
Romeo and Juliet by Sergey Prokofiev( )

31 editions published between 1987 and 2011 in 5 languages and held by 1,454 WorldCat member libraries worldwide

The Kirov Orchestra in St. Petersburg performs Sergei Prokofiev's "Romeo and Juliet."
Violin concerto by Ludwig van Beethoven( )

49 editions published between 1969 and 2016 in 5 languages and held by 1,443 WorldCat member libraries worldwide

Romanzen Nr. 1 und 2 [Romanzen, Vl Orch]
Violin concertos by Johann Sebastian Bach( )

22 editions published between 1987 and 2019 in No Linguistic content and Undetermined and held by 1,437 WorldCat member libraries worldwide

Faust performs the remarkable violin concertos of Beethoven and Berg with the Orchestra Mozart
Symphony no. 6 by Gustav Mahler( )

32 editions published between 2002 and 2019 in 4 languages and held by 1,402 WorldCat member libraries worldwide

Sinfonie Nr. 6 A-Dur (Originalfassung)
Piano concerto no. 1 by Peter Ilich Tchaikovsky( )

53 editions published between 1965 and 2017 in 4 languages and held by 1,300 WorldCat member libraries worldwide

Contents: Piano concerto no. 1 (Tchaikovsky), Piano concerto no. 5 (Beethoven)
Messiah : arias and choruses by George Frideric Handel( Recording )

14 editions published between 1961 and 2001 in English and Undetermined and held by 1,280 WorldCat member libraries worldwide

No. 2 recitative (tenor): Comfort ye, comfort ye my people -- No. 3 Aria (tenor): Every valley shall be exalted -- No. 4 (chorus): And the glory of the Lord -- No. 8 Recitative (alto): Behold, a virgin shall conceive; No. 9 Aria (alto, chorus): O thou that tellest good tidings to Zion -- No. 12 (chorus): For unto us a child is born -- No. 16 Recitative (soprano): And suddenly there was with the angel; No. 17 (chorus): Glory to God in the highest -- No. 18 Aria (soprano): Rejoice greatly, O daughter of Zion -- No. 40 Aria (bass): Why do the nations so furiously rage together -- No. 41 (chorus): Let us break their bonds asunder -- No. 44 (chorus): Hallelujah! -- No. 45 Aria (soprano): I know that my Redeemer liveth -- No. 47 Recitative (bass): Behold I tell you a mystery; No. 48 Aria (bass): The trumpet shall sound -- No. 53 (chorus): Worthy is the Lamb - Amen
Cello concerto by Antonín Dvořák( )

58 editions published between 1959 and 2017 in 5 languages and held by 1,266 WorldCat member libraries worldwide

The much-anticipated album from the brilliant young American cellist. Alisa Weilerstein is the first cellist for many years to play the Elgar Concerto with Daniel Barenboim, and his decision to record it with her is a major statement
Symphony no. 2 by Sergei Rachmaninoff( )

16 editions published between 1981 and 2018 in 4 languages and held by 1,231 WorldCat member libraries worldwide

Following the critically acclaimed and award winning recordings of Rossini's Stabat Mater and Verdi's Requiem, conductor Antonio Pappano leads the Orchestra dell'Accademia Nazionale di Santa Cecilia in this brand new recording of the twentieth century's most thrilling and emotive symphonies. Coupled with Anatoly Liadov's beautiful tone poem, this release marks a return to symphonic music, which suits their passionate, sophisticated and virtuosic talents
The Messiah by George Frideric Handel( Recording )

107 editions published between 1928 and 2012 in 7 languages and held by 1,189 WorldCat member libraries worldwide

Tafelmusik Baroque Orchestra and Chamber Choir present an intimate and stirring performance of Handel's Messiah. This 2-CD recording of the full score on period instruments features a stellar cast of soloists. Tafelmusik presents this baroque masterpiece with the spirit and vitality of Handel's own 18th-century productions. A perennial favorite with audiences and critics alike, Tafelmusik's Messiah has garnered glowing reviews year after year
The planets by Gustav Holst( )

44 editions published between 1928 and 2012 in 5 languages and held by 1,181 WorldCat member libraries worldwide

The Planets op. 32 av den britiske komponisten Gustav Holst (1874-1934) er den mest kjente verket hans. Her er det flott presentert med dyktige utøvere
Piano concerto, no. 3 by Sergei Rachmaninoff( )

29 editions published between 1966 and 2017 in 4 languages and held by 1,170 WorldCat member libraries worldwide

Emil Gilels fra Russland spiller her blant annet Saint-Saëns g-moll konsert, for den er en av de mest briljante innen sin sjanger. Og hvilket spill Gilels leverer. Man blir både rett og slett glad over å høre slik spontan musisering. Perlende elegant, men også med all den tyngde romantiske klaverkonserter krever
Norma by Vincenzo Bellini( Recording )

21 editions published between 1965 and 2006 in Italian and No Linguistic content and held by 1,146 WorldCat member libraries worldwide

Pollione, a Roman Proconsul, has two children by Norma, a Druid priestess, in the course of a long relationship. Norma isn't as young and beautiful as once she was. A temple virgin, Adalgisa, is young and beautiful. Pollione must have her. He has importuned the young virgin to run away with him to Rome, and she has finally agreed. When Norma learns of Pollione's faithlessness, she threatens to kill the two children. Before she can do this, the Druid temple priests apprehend Pollione as he attempts to abscond with their sacred virgin, Adalgisa. The priests build a pyre to burn Pollione to death. Norma relents. Instead of killing the children, she blames herself for her misery and climbs onto the pyre to die with Pollione
The Planets : op. 32 by Gustav Holst( )

36 editions published between 1958 and 2002 in 5 languages and held by 1,138 WorldCat member libraries worldwide

Brief historical notes included in container insert. Performed by the London Symphony Orchestra with Geoffrey Simon conducting. Includes Holst's "The Planets" followed by a selection by Niccollo Paganini
Piano concerto no. 2 ; Rhapsody on a theme of Paganini by Sergei Rachmaninoff( )

14 editions published between 1986 and 2005 in 4 languages and held by 1,112 WorldCat member libraries worldwide

Lucia di Lammermoor by Gaetano Donizetti( )

23 editions published between 1970 and 2011 in 3 languages and held by 1,089 WorldCat member libraries worldwide

This is Maria Callas's only broadcast from the stage of the Met. Hearing "La Divina" in an actual performance is a unique thrill, and Lucia is a huge part of the palpable Callas mystique. Donizetti's bloody tale of the Scottish lass torn from her true love and forced into an arranged marriage, only to go mad and murder her bridegroom on their wedding night, was the perfect vehicle for Callas's wizardry. Her haunting voice simply becomes Lucia's--every facet of emotion so pronounced that we cannot escape her spell
moreShow More Titles
fewerShow Fewer Titles
Audience Level
Audience Level
  Kids General Special  
Audience level: 0.35 (from 0.11 for The show m ... to 0.92 for LSO season ...)

WorldCat IdentitiesRelated Identities
Alternative Names

L.S.O. (London Symphony Orchestra)

London Cinema Orchestra

London S O

London Symph. Orch.

London Symphany Orchestra

London Symphonic Orchestra‏

London Symphonie Orchestra

London Symphony

London Symphony Orch.

London Symphony Orchestr

London Symphony Orchestra

London Symphony Orchestra and Chorus

London Symphony Orchestra britský orchestr

London Symphony Orchestra (LSO)

London Symphony Orchestra orkiestra symfoniczna

London Symphony Orchestra, Roy

London Symphony Orchestra, The

Londona Simfonia Orkestro

Londonas Simfoniskais orķestris

Londoner Symph.-Orchester

Londoner Symphonie-Orchester‏

Londoner Symphonieorchester

Londoni Sümfooniaorkester

Londoni Szimfonikus Zenekar

Londono simfoninis orkestras

Londonski simfonični orkester

Londonski simfonijski orkestar

Londonskiĭ simfonicheskiĭ orkestr

Londonskij simfoničeskij orkestr.

Londýnsky symfonický orchester

Londýnský symfonický orchestr

Lontoon sinfoniaorkesteri


LSO (London Symphony Orchestra)

Nueva Orquesta Sinfónica de Londres

Orchestra Cinema

Orchestra Simfonică din Londra

Orchestre symphonique

Orchestre symphonique de Londres

Orchestre symphonique de Londres le plus ancien orchestre symphonique de Londres

Orchestre symphonique (London)

Orchestre Symphonique‏ (Londýn, Anglicko)

Orkestra Simfoni London

Orquesta Sinfonia de Londres

Orquesta Sinfónica

Orquesta sinfonica de Londres

Orquesta Sinfónica London

Orquesta Sinfónica Nacional de Londres

Orquestra Simfònica de Londres

Orquestra Sinfônica de Londres.


Sinfonie-Orchester London

Symphonic Orchestra


Symphonie-Orchester London

Symphonie-Orchester‏ (Londýn, Anglicko)


Symphony Orchestra

Symphony Orchestra London, London Symphony Orchestra

The London Symfony Orchestra

The London Symphonic Orchestra

The London Symphony Orchestra

Συμφωνική Ορχήστρα του Λονδίνου

Лондонски симфоничен оркестър

Лондонский симф. орк.

Лондонский симфонический оркестр

Лондонский симфонический оркестр академический музыкальный коллектив Великобритании

Лондонський симфонічний оркестр

Լոնդոնյան սիմֆոնիկ նվագախումբ

התזמורת הסימפונית של לונדון תזמורת סימפונית

ارکستر سمفونیک لندن


런던 교향악단