WorldCat Identities

Ozu, Yasujirō 1903-1963

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Most widely held works about Yasujirō Ozu
 
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Most widely held works by Yasujirō Ozu
Tōkyō monogatari = Tokyo story by Yasujirō Ozu( Visual )

153 editions published between 1941 and 2016 in 8 languages and held by 2,051 WorldCat member libraries worldwide

When an elderly couple travel to a rapidly rebuilding Tokyo to visit their children, they are met with unexpected indifference, ingratitude and selfishness. As the vastly different priorities of pre- and post-war Japan collide, Yasujiro's masterpiece deepens into a sublime meditation on family, ambition and mortality
Banshun = Late spring by Yasujirō Ozu( Visual )

110 editions published between 1936 and 2014 in 8 languages and held by 1,182 WorldCat member libraries worldwide

The story of a young woman, who lives with her father, and finds herself growing past the marriageable age
Sanma no aji by Yasujirō Ozu( Visual )

80 editions published between 1962 and 2015 in 5 languages and held by 924 WorldCat member libraries worldwide

After living alone with his daughter for years, a widower must learn how to let her go, letting her be free to move on with her life, by arranging a marriage for her
Bakushū = Early summer by Yasujirō Ozu( Visual )

82 editions published between 1951 and 2015 in 3 languages and held by 825 WorldCat member libraries worldwide

"The Mamiya family is seeking a husband for their daughter, Noriko, but she has ideas of her own. Played by the extraordinary Setsuko Hara, Noriko impulsively chooses her childhood friend, at once fulfilling her family's desires while tearing them apart. A seemingly simple story, Early Summer is one of Yasujiro Ozu's most complex works-a nuanced examination of life's changes across three generations. The Criterion Collection is proud to present one of the director's most enduring classics."--Website
Ohayō = Good morning by Yasujirō Ozu( Visual )

76 editions published between 1959 and 2017 in 5 languages and held by 809 WorldCat member libraries worldwide

Satiric comedy in which two young brothers refuse to talk until their parents agree to buy them a television set. Set in a 1950's residential suburb of Tokyo
Ukigusa monogatari = A story of floating weeds( Visual )

27 editions published between 1934 and 2014 in 4 languages and held by 777 WorldCat member libraries worldwide

In 1959, Yasujiro Ozu remade his 1934 silent classic, A story of floating weeds in color with the celebrated cinematographer Kazuo Miyagawa (Rashomon, Ugetsu). Setting his later version in a seaside location, Ozu otherwise preserves the details of his elegantly simple plot wherein an aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all. Together, the films offer a unique glimpse into the evolution of one of cinema's greatest directors. A story of floating weeds reveals Ozu in the midst of developing his mode of expression; Floating weeds reveals his distinct style at its pinnacle. In each, the director captures the joy and sadness in everyday life
Ukigusa by Yasujirō Ozu( Visual )

91 editions published between 1959 and 2014 in 4 languages and held by 773 WorldCat member libraries worldwide

Floating Weeds is a 1959 film by Yasujiro Ozu. It is a remake of Ozu's own black-and-white silent film A Story of Floating Weeds (1934). It touches on universal themes through the story of a middle-aged actor and his young mistress coming with a second rate kabuki company to a small coastal town. Ozu combines melancholy, regret and buoyant comic gaiety. It is richly atmospheric, with an expressive use of colour, lyrical cutaways, and masterly interior compositions ? predominately shot from Ozu?s trademark low-level camera positin
Higanbana = Equinox flower by Yasujirō Ozu( Visual )

53 editions published between 1958 and 2014 in 3 languages and held by 549 WorldCat member libraries worldwide

In Ozu's first color film, a stubborn businessman, who disapproves of his daughter's fiancé, must learn to embrace modern romance
Akibiyori = Late autumn by Yasujirō Ozu( Visual )

45 editions published between 1960 and 2014 in 5 languages and held by 479 WorldCat member libraries worldwide

In this poignant tale, a widowed mother wants her daughter, Ayako, to marry. Ayako refuses offers of marriage because of her concern for her mother. Relatives advise the mother to remarry and Ayako is upset and leaves home. They are later reconciled and show their strong bonds of familial love
Kohayagawake no aki = End of summer by Yasujirō Ozu( Visual )

28 editions published between 1961 and 2014 in Japanese and English and held by 448 WorldCat member libraries worldwide

The Kohayagawa family is thrown into distress when the father, Manbei, takes up with his former mistress
Umarete wa mita keredo : otona no miru ehon = I was born, but by Yasujirō Ozu( Visual )

30 editions published between 1932 and 2014 in 4 languages and held by 446 WorldCat member libraries worldwide

A portrait of the financial and psychological toils of a family, as two young boys come to understand their father's low status in society
Dekigokoro = Passing fancy by Yasujirō Ozu( Visual )

24 editions published between 1933 and 2014 in 4 languages and held by 383 WorldCat member libraries worldwide

Set in a crowded city tenement, a story of contrasts depicting an illiterate, lighthearted brewery worker, who is also a single father to a young, educated son. Their relationship is complicated when a woman becomes involved
Tōkyō no kōrasu = Tokyo chorus by Yasujirō Ozu( Visual )

19 editions published between 1931 and 2014 in 4 languages and held by 379 WorldCat member libraries worldwide

Combining three prevalent genres of the day, the student comedy, the salaryman film, and the domestic drama, Ozu created this warmhearted family comedy, and demonstrated that he was truly coming into his own as a cinema craftsman. The setup is simple: low wage earning dad Okajima is depending on his bonus, and so are his wife and children, yet payday doesn't exactly go as planned. Exquisite and economical, Ozu's film alternates between brilliantly mounted comic sequences and heartrending working-class realities
Tōkyō boshoku = Tokyo twilight by Yasujirō Ozu( Visual )

39 editions published between 1957 and 2014 in 4 languages and held by 330 WorldCat member libraries worldwide

Ozu's only postwar film to take place in the dead of winter tells of an aging father and his two daughters. The younger has an affair and becomes pregnant. The elder has left her husband and returned with her child to her father. Both are astonished when their mother, presumed dead, turns up alive. In this dark film, Ozu's vision of post-war Japan portrays his theme of the sins of one generation affecting the next, illustrated brilliantly by a series of parallels drawn sensitively between characters, which manages to be both compassionate and scathing. Even the seemingly happy ending has an embedded twist. It depicts Ozu's harsh condemnation of modern Japanese society and family life
Sōshun by Yasujirō Ozu( Visual )

31 editions published between 1956 and 2007 in 5 languages and held by 323 WorldCat member libraries worldwide

A salaryman in postwar Tokyo has an illicit affair with an officemate in this sensitive portrait of a fragile marriage
Hitori musuko = Only son by Yasujirō Ozu( Visual )

8 editions published between 2005 and 2010 in Japanese and English and held by 241 WorldCat member libraries worldwide

A good-natured mother gives up everything to ensure her son's education and future
Chichi ariki = There was a father by Yasujirō Ozu( Visual )

9 editions published between 1942 and 2010 in Japanese and English and held by 185 WorldCat member libraries worldwide

A widowed high school teacher finds that the more he tries to do what is best for his son's future, the more they are separated
Chichi arikii by Yasujirō Ozu( Visual )

24 editions published between 1942 and 2014 in Japanese and No Linguistic content and held by 171 WorldCat member libraries worldwide

After the death of his wife, a school teacher raises his son alone in Kanazawa. One day the father accompanies his students on a field trip and one of the students is fatally injured. Taking responsibility for the accident, the father puts his son in a boarding school and goes to work in a factory in Tokyo. The son grows up to become a teacher and eventually meets his father again. He expresses his desire to quit his job, move to Tokyo and live together with his father. The father is horrified at this idea and admonishes his son to return to his work and not put his own feelings above his responsibilities
Silent Ozu : three family comedies( Visual )

2 editions published in 2008 in Japanese and held by 139 WorldCat member libraries worldwide

In the late twenties and early thirties, Yasujiro Ozu was working steadily for Shochiku studios, honing his craft on dozens of silent films in various genres, from romantic melodramas to college comedies to gangster pictures -- and, of course, movies about families. In these three droll domestic films -- Tokyo Chorus, I Was Born, But, and Passing Fancy, presented here with all-new scores by renowned silent-film composer Donald Sosin -- Ozu movingly and humorously depicts middle-class struggles and the resentments between children and parents, establishing the emotional and aesthetic delicacy with which he would transform the landscape of cinema
Late Ozu( Visual )

3 editions published in 2007 in Japanese and held by 134 WorldCat member libraries worldwide

"Master filmmaker Yasujiro Ozu directed fifty-three feature films over the course of his long career. Yet it was in the final decade of his life, his "old master" phase, that he entered his artistic prime. Centered more than ever on the modern sensibilities of the younger generation, these delicate family dramas are marked by an exquisite formal elegance and emotional sensitivity about birth and death, love and marriage, and all the accompanying joys and loneliness. Along with such better-known films as Floating Weeds and An Autumn Afternoon, these five works illustrate the worldly wisdom of one of cinema's great artists at the height of his powers."--Publisher
 
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WorldCat IdentitiesRelated Identities
Tōkyō monogatari = Tokyo story
Alternative Names
Maki, James

Maki, James 1903-1963

Odu, Yasujirō

Osu, Jasudschiro 1903-1963

Ozu Jaszudzsiró

Ozu, Yasujirō.

Ozu, Yasujirō 1903-1963

Ozu Yasujirō japanischer Filmregisseur und Drehbuchautor

Ozu, Yasuziro

Ozuyasu 1903-1963

Schwarz, Ernst 1903-1963

Xiaojin, An'erlang, 1903-1963

Yasujirō Ozu

Yasujirō, Ozu 1903-1963

Yasujirō Ozu director de cine japonés

Yasujirō Ozu film director from Japan

Yasujiro Ozu Japans filmregisseur

Yasujirō Ozu Nihun jacha marka yäpari

Yasujirō Ozu Nihun mama llaqtauq kuyu wallqtay pusaq

Yasujirō Ozu réalisateur japonais

Yasujiro Ozu regista giapponese

Yasujirō Ozu reżyser japoński

Одзу Ясудзіро Японський кінорежисер

Ясуджиро Озу

Ясудзиро Одзу японский кинорежиссёр

Յասուջիրո Օզու ճապօնական կինոռեժիսոր

יסוג'ירו אוזו

ياسوجيرو أوزو

یاسوجیرو ازو فیلمنامه‌نویس و کارگردان ژاپنی

ইয়াসুজিরো ওজু

ಯಸುಜಿರೋ ಓಜ಼ು

ยะซุจิโร โอะซุ

ယာဆူဂျီရို အိုဇု

소진안이랑 1903-1963

오즈 야스지로 영화 감독

おづ, やすじろう 1903-1963

オズ, ヤスジロウ

オズ, ヤスジロウ, 1903-1963

小津, 安二郎, 1903-1963

小津安ニ郎 1903-1963

小津安二郎 1903-1963

小津安二郎 日本の映画監督・脚本家

小津安次郎 1903-1963

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Sanma no ajiUkigusaOzuOzu and the poetics of cinemaOzu's Tokyo storyCensorship of Japanese films during the U.S. occupation of Japan : the cases of Yasujiro Ozu and Akira Kurosawa