WorldCat Identities

Pears, Peter 1910-1986

Works: 1,441 works in 4,103 publications in 7 languages and 35,613 library holdings
Genres: Musical settings  Fiction  Drama  Psychological fiction  Live sound recordings  Diary fiction  Music  Librettos  Songs  Ghost stories 
Roles: Performer, Singer, Librettist, Editor, Translator, Conductor, Narrator, Author, Instrumentalist, Other, Adapter, Arranger, Vocalist, per, Musician, l4, Creator, Contributor, Honoree, Commentator, Actor, Speaker
Classifications: M1620, 782.1
Publication Timeline
Most widely held works about Peter Pears
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Most widely held works by Peter Pears
Peter Grimes by Benjamin Britten( Recording )

82 editions published between 1945 and 2014 in 5 languages and held by 1,153 WorldCat member libraries worldwide

Set in a small fishing community on the east coast of England, the story of conflict between an individual and a society that sees him as an outsider
A midsummer night's dream : opera in three acts, op. 64 = Ein Sommernachtstraum by Benjamin Britten( )

62 editions published between 1960 and 2013 in 4 languages and held by 891 WorldCat member libraries worldwide

A midsummer night's dream op. 21/op. 61 = Ein Sommernachtstraum = Songe d'une nuit d'été by William Shakespeare( Recording )

68 editions published between 1960 and 2013 in 4 languages and held by 868 WorldCat member libraries worldwide

Young person's guide to the orchestra Simple symphony ; Variations on a theme of Frank Bridge by Benjamin Britten( Recording )

43 editions published between 1954 and 2001 in 5 languages and held by 829 WorldCat member libraries worldwide

War requiem op. 66 by Benjamin Britten( Recording )

86 editions published between 1963 and 2013 in 7 languages and held by 826 WorldCat member libraries worldwide

Text in Latin and English
War requiem by Benjamin Britten( Recording )

26 editions published between 1963 and 2013 in 6 languages and held by 778 WorldCat member libraries worldwide

Just because the definitive recording of Britten's War Requiem has already been made by Britten himself is no reason not to keep recording it. For one thing, the work is simply too affecting and too important to ignore. And for another, the work is too deep and too varied to be encompassed by only one recording, even one so superlative and so sympathetic as the composer's own. Thus, one can have in principle no objections to this live 2007 recording led by Helmuth Rilling. After all, the stalwart German conductor is a highly skilled and deeply experienced choral director who clearly knows his way around monumental scores: his recordings of Bach's Passions are proof of that. But though this is a fine performance with many points to recommend it, it is not a great performance. Rilling does an outstanding job of guiding his forces through the work and a more than adequate job of aiming them toward the work's meaning. But one wants more than "more than adequate" in the War Requiem, and in Rilling's hands, the big moments and its intimate moments fail to strike as profoundly as they ought. The soloists are a mixed lot. Tenor James Taylor and baritone Christian Gerhaher have strong and steady voices, but though soprano Annette Dasch has a lovely voice, she tends to get a bit wobbly above the staff. The chorus of the Festivalensemble Stuttgart and the Aurelius S?ngerknaben are both excellent and they do wonders with the work's huge choruses. But the orchestra of the Festivalensemble, while colorful, does not have quite enough size and weight to bring off the big climaxes. H?nssler's super audio sound is definitely a plus -- the sheer size of the sound is amazing -- but not all that much of an improvement over Decca's fabulous stereo sound for Britten. In sum, then, those who don't know the War Requiem are directed toward Britten's recording, while those who do might consider Rilling's as a third or fourth choice after Hickox's or Shaw's. James Leonard, All Music Guide
Death in Venice by Benjamin Britten( Recording )

47 editions published between 1974 and 2013 in 4 languages and held by 635 WorldCat member libraries worldwide

Thomas Mann's celebrated tale of unrequited love and death is given a new perspective in Benjamin Britten's final opera, first performed just a year and a half before this Met broadcast. The composer's long-time companion, tenor Peter Pears, reprises his world-premiere portrayal of Gustav von Aschenbach, the elderly and solitary novelist at the center of the story, who tragically falls in love with the beautiful youth Tadzio (played by a dancer). Pears is joined by two other veterans of the opera's world premiere--John Shirley-Quirk, who plays the seven characters that propel Aschenbach to his destiny, and conductor Steuart Bedford
The turn of the screw by Henry James( Recording )

58 editions published between 1954 and 2013 in 4 languages and held by 621 WorldCat member libraries worldwide

The story of a young governess whose awareness of "visitations" by dead members of the household leads to a tragic climax
The operas of Benjamin Britten; an introduction by Patricia Howard( Book )

5 editions published between 1979 and 1989 in English and held by 543 WorldCat member libraries worldwide

Albert Herring by Benjamin Britten( Recording )

35 editions published between 1964 and 2013 in 3 languages and held by 543 WorldCat member libraries worldwide

Recorded Aug. 11-15, 1996, All Saint's Church, Gosforth, Newcastle-upon-Tyne
Curlew River by Benjamin Britten( Recording )

37 editions published between 1964 and 2013 in 3 languages and held by 510 WorldCat member libraries worldwide

Curlew River: A Church Parable in One Act, op.71. Text: William Plomer
Spring symphony, op. 44 by Benjamin Britten( Recording )

39 editions published between 1960 and 2013 in 6 languages and held by 509 WorldCat member libraries worldwide

Recorded Nov. 1960 (1st work), and Mar. 1961 (2nd-3rd works), Kingsway Hall
The Blessed Virgin's expostulation by Henry Purcell( )

28 editions published between 1947 and 2000 in 3 languages and held by 497 WorldCat member libraries worldwide

St. Matthew Passion Matthäus-Passion = Passion selon St. Matthieu : BWV 244 by Johann Sebastian Bach( Recording )

41 editions published between 1962 and 2001 in 4 languages and held by 495 WorldCat member libraries worldwide

PEARS, Peter (tenor). SHIRLEY-QUIRK, John (baritone). LUXON, Benjamin (baritone). HEINRICH SCHUTZ CHOIR. NORRINGTON, Roger (conductor)
Billy Budd by Benjamin Britten( Recording )

24 editions published between 1960 and 2013 in 3 languages and held by 462 WorldCat member libraries worldwide

Herman Melville's gripping story of good and evil, set on an 18th-century British warship, inspired one of Britten's most brilliant operas. Richard Stillwell is Billy, the young sailor with a stammer and a pure heart whose goodness arouses the hatred of Claggart (James Morris). When Claggart falsely accuses Billy of attempting to incite mutiny, Billy strikes and accidentally kills him. Captain Vere (sung by Peter Pears, Britten's partner and creator of the role, in his last Met performance) has no choice but to have Billy hanged for murder, even though Claggart's changes are false. Peter Glossop is Mr. Redburn and Raymond Leppard conducts
Seven sonnets of Michelangelo : set to music for tenor voice and piano, op. 22 by Benjamin Britten( )

5 editions published in 1943 in Italian and English and held by 452 WorldCat member libraries worldwide

Transposition um eine kleine Terz nach unten
Lieder by Franz Schubert( Recording )

22 editions published between 1975 and 2012 in 3 languages and held by 398 WorldCat member libraries worldwide

RCA Victor chorale of men's voices ; Robert Shaw, con ; Frank Glazer, piano
The rape of Lucretia by Benjamin Britten( Recording )

36 editions published between 1947 and 2013 in 3 languages and held by 385 WorldCat member libraries worldwide

Ian Bostridge has continued to be a success in performing ever since his operatic debut in 1994. Collaborating with orchestras such as Berlin Philharmonic, Vienna Philharmonic, Chicago Symphony, BBC Symphony, New York Philharmonic and Los Angeles Philharmonic, he has proved to be a shining star in opera. In his latest release, he takes part in Brittens The Rape of Lucretia, a dark opera in which a woman named Lucretia commits suicide after being raped
Five songs medium voice by Henry Purcell( )

56 editions published between 1947 and 2010 in 4 languages and held by 278 WorldCat member libraries worldwide

The travel diaries of Peter Pears, 1936-1978 by Peter Pears( Book )

14 editions published between 1995 and 2009 in English and held by 40 WorldCat member libraries worldwide

Peter Pears's reputation as a gifted and distinctive tenor is grounded in his interpretations of Benjamin Britten's works; their partnership of thirty years significantly shaped and defined musical developments not only in England but on a broader plane. Throughout their busy professional lives they travelled extensively, on concert tours and on holiday, finding fresh stimulus in change. Pears's twelve travel diaries, brought together for the first time in this volume, record much of that travel and provide valuable contextual material on the musical development of both Pears and Britten
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Audience Level
Audience Level
  Kids General Special  
Audience level: 0.45 (from 0.15 for The travel ... to 0.88 for My beloved ...)

WorldCat IdentitiesRelated Identities
The travel diaries of Peter Pears, 1936-1978
Alternative Names
Pears, Peter 1910-

Pears, Peter 1910-1986 Sir

Pears, Peter Neville Luard

Pears, Peter Neville Luard 1910-1986

Pears, Peter Neville Luard Sir 1910-1986

Pears, Peter Sir

Pears, Peter Sir 1910-1986

Peter Pears angielski śpiewak operowy

Peter Pears artiste lyrique, librettiste, anobli en 1977

Peter Pears britischer Opern- und Liedsänger (Tenor)

Peter Pears Brits zanger

Peter Pears tenore inglese

Pirz, Piter 1910-1986


Πήτερ Πίαρς

Пирз, Питер 1910-1986

Пирс, Питер

Пітер Пірс

פיטר פירס



The travel diaries of Peter Pears, 1936-1978Once in a while the odd thing happens : a play from the life of Benjamin Britten