WorldCat Identities

Garrard, Mary D.

Overview
Works: 63 works in 203 publications in 4 languages and 8,332 library holdings
Genres: Criticism, interpretation, etc  History  Exhibition catalogs  Biographical films  Documentary films  Catalogs  Biography  Historical films 
Roles: Author, Editor, Other, Contributor, Actor
Publication Timeline
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Most widely held works about Mary D Garrard
 
Most widely held works by Mary D Garrard
The power of feminist art : the American movement of the 1970s, history and impact by Norma Broude( Book )

20 editions published between 1994 and 1996 in 3 languages and held by 1,621 WorldCat member libraries worldwide

Since its inception nearly 25 years ago the Feminist Art movement has presented a challenge to mainstream modernism that has radically transformed the art world. In The Power of Feminist Art, coeditors Norma Broude and Mary D. Garrard, professors of art history at The American University in Washington, D.C., bring together many of the influential art historians, critics, and artists who participated in the events of the 1970s. Together, they have created this landmark volume, the first history and analysis documenting this fertile and dynamic period of artistic growth. We learn about the first feminist art education programs, with artists Judy Chicago and Miriam Schapiro helping to lay the foundation; about the now legendary Womanhouse project; and about such banner exhibitions as "Women Artists: 1550-1950," organized in 1976 by art historians Linda Nochlin and Ann Sutherland Harris. We follow the development of the movement as seen in the various feminist organizations, networks, exhibitions, and publications it generated; and most particularly in the emergence of feminist art. Performance art, social protest and public art, and collaboration; exploration of such formerly taboo aesthetic areas as "Pattern and Decoration"; and subjects such as divinity and the body viewed from female perspectives are among the multiple aspects of the Feminist Art movement. The last section of the book traces the ups and downs of the movement, as experienced through the backlash of the 1980s and the resurgence of women's issues in the 1990s. Uncompromising, probing, thoughtful, and as provocative and exciting as the period itself, The Power of Feminist Art is an immensely stunning book. Reproductions of hundreds of works of feminist art from the 1970s and beyond - by such artists as Judith Baca, Harmony Hammond, Joyce Kozloff, Barbara Kruger, Ana Mendieta, Alice Neel, Faith Ringgold, Betye Saar, Miriam Schapiro, Cindy Sherman, Nancy Spero, May Stevens, and Hannah Wilke - and the meticulously researched essays make this an invaluable source book and major contribution to American art and social history
Feminism and art history : questioning the litany by Norma Broude( Book )

15 editions published between 1982 and 2018 in English and held by 1,578 WorldCat member libraries worldwide

A long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present
Artemisia Gentileschi : the image of the female hero in Italian Baroque art by Mary D Garrard( Book )

25 editions published between 1988 and 1999 in English and Undetermined and held by 1,406 WorldCat member libraries worldwide

Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes
The expanding discourse : feminism and art history by Norma Broude( Book )

17 editions published between 1992 and 2018 in English and held by 1,061 WorldCat member libraries worldwide

Item is a collection of essays of feminist art history
Artemisia Gentileschi around 1622 : the shaping and reshaping of an artistic identity by Mary D Garrard( Book )

14 editions published in 2001 in English and held by 768 WorldCat member libraries worldwide

"Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this groundbreaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it. Garrard explains differences in the artist's presentation of women in the two paintings as motivated by the same thing: Artemisia's intense ambition to excel as an artist in a culture that insisted upon sexualizing her identity. She describes the complex interaction between the artist and her audience as a reactive dynamic of creation and reception that continues into the present era."--Jacket
Reclaiming female agency : feminist art history after postmodernism( Book )

10 editions published in 2005 in English and held by 741 WorldCat member libraries worldwide

'Reclaiming Feminine Agency' identifies female agency as a central theme of recent feminist scholarship & offers 23 essays on artists & issues from the Renaissance to the present, written in the 1990s & after
Brunelleschi's egg : nature, art, and gender in Renaissance Italy by Mary D Garrard( Book )

11 editions published in 2010 in English and held by 483 WorldCat member libraries worldwide

"Feminist historians of science and philosophy have shown that during the Italian Renaissance, the profound shift in the concept of nature from an organic worldview to the scientific was assisted by the gender metaphor that defined nature as female. Mary D. Garrard extends this analysis to the history of art and proposes that the larger shift was both anticipated and mediated by the visual arts. In case studies of such major figures as Brunelleschi, Masaccio, Botticelli, Leonardo da Vinci, Michelangelo, Pontormo, Giorgione, and Titian, Garrard examines the changing relationship of art and nature in the Renaissance, and shows how they were cast by artists and theorists as gendered competitors in a steadily escalating, rhetoric. She differentiates the masculinist Florentine model in which male artists claimed to rival and defeat female nature from the Venetian in which art and nature are more often seen as collaborative partners. Giving new weight to the latter model, Garrard brings a feminist corrective to Renaissance art histories, offering an innovative counternarrative in which the suppressed feminine is given its voice."--Jacket
Artemisia Gentileschi by Mary D Garrard( Book )

7 editions published in 1993 in English and held by 220 WorldCat member libraries worldwide

Briefly describes his life and career, shows his major paintings, and includes comments on their composition
Claiming space : some American feminist originators : November 6, 2007-January 27, 2008( Book )

2 editions published in 2007 in English and held by 82 WorldCat member libraries worldwide

A woman like that( Visual )

6 editions published between 2010 and 2014 in English and held by 67 WorldCat member libraries worldwide

Filmmaker Ellen Weissbrod merges her own coming of middle-age story with her pursuit of the truths behind the legends of 17th century female painter Artemisia Gentileschi's dramatic art and life
Slides of works by women artists : a source book by Mary D Garrard( Book )

2 editions published in 1974 in English and held by 67 WorldCat member libraries worldwide

Dangerous women by Mary D Garrard( Book )

2 editions published in 2018 in English and held by 38 WorldCat member libraries worldwide

The Old and New Testaments are full of compelling female characters: good wives and bad, courageous heroines, and deceptive - sometimes deadly - femmes fatales. 'Dangerous Women' presents works from the rich holdings of the John and Mable Ringling Museum of Art that explore different artists' responses to the women of the Bible. Paintings by Pietro da Cortona, Francesco Cairo, and Fede Galizia and others stand as a reminder of how dangerous biblical women have continued to loom large in the modern imagination. These stories in this volume show how narratives of power are constructed, interpreted, and continue to evolve over the course of time. While some women saved their people, were paragons of virtue, or repented, others were purveyors of sin, harlots, and seductresses. Even if it was through their misbehaviour, all of these women - from Mary Magdalene, to Judith and Esther, to Salome and Potiphar's Wife - shaped biblical history.00Exhibition: Patricia & Phillip Frost Art Museum and the Cornell Fine Arts Museum, Miami, USA (08.09.-30.12.2018)
Nu xing zhu yi yu yi shu li shi : kuo chong lun shu( Book )

2 editions published in 1998 in Chinese and held by 37 WorldCat member libraries worldwide

The power of feminist art : emergence, impact and triumph of the American feminist art movement( Book )

3 editions published in 1994 in English and held by 31 WorldCat member libraries worldwide

Feminist art and education in the early seventies - Feminist activism in the Arts - Facets of feminist art - Impact of feminist art; Guerrilla Girls - Frida Kahlo - Barbara Kruger - Dorothea Tanning
The early sculpture of Jacopo Sansovino : Florence and Rome by Mary D Garrard( Book )

12 editions published between 1970 and 1990 in English and held by 19 WorldCat member libraries worldwide

The Artemisia files : Artemisia Gentileschi for feminists and other thinking people( Book )

1 edition published in 2006 in English and held by 9 WorldCat member libraries worldwide

"One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovered" her and argued vehemently for a place for her in the canon of Italian baroque painters. Featured alongside her father, Orazio Gentileschi, in a recent exhibition at the Metropolitan Museum of Art, Artemisia has continued to stir interest though her position in the canon remains precarious, in part because her sensationalized life history has overshadowed her art. In The Artemisia Files, Mieke Bal and her coauthors look squarely at this early icon of feminist art history and the question of her status as an artist. Considering the events that shaped her life and reputation--her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence--the authors make the case that Artemisia's importance is due to more than her role as a poster child in the feminist attack on traditional art history; here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her. The fresh, engaging discourse in The Artemisia Files will help to both renew the reputation of this artist on the merit of her work and establish her rightful place in the history of art."--Publisher's description
Artemisia's hand by Mary D Garrard( )

2 editions published in 2005 in English and held by 5 WorldCat member libraries worldwide

Questioning the litany( Book )

1 edition published in 1982 in English and held by 4 WorldCat member libraries worldwide

Bright fields : the mastery of Marie Hull by Bruce Levingston( )

2 editions published in 2015 in English and held by 4 WorldCat member libraries worldwide

Bijutsu to feminizumu( Book )

2 editions published in 1987 in Japanese and held by 4 WorldCat member libraries worldwide

 
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The power of feminist art : the American movement of the 1970s, history and impact
Alternative Names
Bose Garrard, Mary du 1937-

DuBose Garrard, Mary.

DuBose Garrard, Mary 1937-

Garrard, M. D. 1937-

Garrard, Mary 1937-

Garrard, Mary DuBose 1937-

Garrard, Mary DuBosse.

Mary D. Garrard US-amerikanische Kunsthistorikerin, Feministin und Professorin emerita

Mary Garrard Amerikaans kunsthistorica

Mary Garrard historienne de l'art américaine

ガラード, メアリー・D

Languages
Covers
Feminism and art history : questioning the litanyArtemisia Gentileschi : the image of the female hero in Italian Baroque artThe expanding discourse : feminism and art historyArtemisia Gentileschi around 1622 : the shaping and reshaping of an artistic identityReclaiming female agency : feminist art history after postmodernismBrunelleschi's egg : nature, art, and gender in Renaissance ItalyThe Artemisia files : Artemisia Gentileschi for feminists and other thinking people