WorldCat Identities

University of Mississippi Department of English

Works: 89 works in 96 publications in 1 language and 560 library holdings
Genres: Criticism, interpretation, etc  Periodicals  Academic theses  Conference papers and proceedings  History  Biography  Bio-bibliography 
Classifications: PR5.M5, 820.9
Publication Timeline
Most widely held works about University of Mississippi
moreShow More Titles
fewerShow Fewer Titles
Most widely held works by University of Mississippi
Studies in English by University of Mississippi( )

in English and held by 171 WorldCat member libraries worldwide

The University of Mississippi studies in English( )

in English and held by 159 WorldCat member libraries worldwide

Journal x : Jx( )

in English and held by 81 WorldCat member libraries worldwide

Matrices of Disorder : class, race, and the policing of normative Southern femininity in William Faulkner's "The Sound and the Fury", "As I Lay Dying", "Sanctuary", and "Requiem for a Nun" by Claire Brooks Mischker( )

2 editions published in 2013 in English and held by 4 WorldCat member libraries worldwide

In this project, I apply Judith Butler's late twentieth century theory of gender performance, outlined in her book Gender Trouble, to three major novels from William Faulkner's early career, The Sound and the Fury, As I Lay Dying, and Sanctuary, and to one novel from his later period, Requiem for a Nun . This project examines the main female characters of these novels: Caddy Compson, Addie and Dewey Dell Bundren, Temple Drake, and Nancy Mannigoe, respectively, to reveal how race and class are indelible to the performance of gender in the literature of the early twentieth century South. The focus of this project will be to discover how the intelligibility of the femininity of these characters is affected when they disrupt the normative performance of their conventional gender roles, especially in maternal contexts. Chapter One lays the historical and theoretical groundwork for the novels discussed. Chapter Two considers Caddy Compson from The Sound and the Fury in the context of her performance as Southern Belle and how the influence of her brothers affects that role. Chapter Three addresses Addie and Dewey Dell Bundren from As I Lay Dying, focusing on how class differences affect their gender performances as rural women. Chapter Four deals with Temple Drake in Sanctuary and how she adapts her gender performance to survive the abuses to which she is subjected. Chapter Five examines the gender performances of both Temple (Drake) Stevens and Nancy Mannigoe regarding matters of race as they inform the intelligibility of the latter's normative femininity within the context of white elite society. Whereas Butler's theories tend to suggest constructive potential in the disruptions of normative gender performances, applying them to Faulkner's works, wherein social contexts often foreclose such opportunities, proves less optimistic. However, there is the possibility for the interruption of repetition with the daughters of the main female characters in the novels examined here
Faulkner and Yoknapatawpha, 1975 : selections( Book )

1 edition published in 1978 in English and held by 3 WorldCat member libraries worldwide

Reforming tastes : taste as a print aesthetic in American cookery writing by Sarah Wurgler Walden( )

1 edition published in 2011 in English and held by 3 WorldCat member libraries worldwide

Throughout the nineteenth century, domestic writers engaged and developed discourses of taste in cookery writing in order to dictate cultural standards based on their material counterparts, be they food or consumer habits. They worked to classify society based on performance of these tastes. This discourse allowed cookbook authors access to public debate on a variety of topics, from national politics to religious movements. Since its development as a significant component of early American print culture, cookery writing has exercised its public potential by manipulating taste, a function of both nature and culture, to engineer specific social behaviors or to define and critique group boundaries. No other print documents depict more fully the complex negotiation of individual and social body that this discussion requires. Taste is a function of the individual that requires a communal system of language to convey. It is a natural function of the human body that can also shape the social body. The use of taste to represent and convey cultural ideologies rests on this paradox."--Pagesii-iii
"Strangers among us": invasive plants in British literature, 1669-1800 by Thomas Lance Bullington( )

1 edition published in 2016 in English and held by 2 WorldCat member libraries worldwide

Exotic flora in the long eighteenth century (1666-1800) embodied a point of contact between the natural and imaginary worlds, bearing witness to the ways that ideology relocates living things according to human desire. Most accounts view these exotics through the lens of ecological imperialism and “invasive” species. Both of these terms are twenty-first century metaphors that materialize the role of imperialism in circulating exotics, applying the narrative of invading British empire to the behavior of foreign plants. However, such accounts do not fully acknowledge the cultural work that images of foreign plants do. I opt instead for an ecocritical reappraisal of the idea of “invasive species,” one that acknowledges imperialism while accounting for the ways in which these flora act as more fluid and adaptable symbols that can endorse conflicting ideologies as the era progresses. Chapter 1 uncovers this cultural work in the Restoration using the writings of Abraham Cowley and John Evelyn, arguing that these writers celebrate the return of Charles II through the Royalist oak and the tropical orange, employing both trees as symbols of a British landscape that praises the monarch by welcoming exotic flora from across the globe. Chapter 2 tracks the ways in which exotic flora represent the masculine aesthetic of the “genius of the place,” formulated by Alexander Pope and the Royal Society botanist Richard Bradley. As exotic flora take root in a new market of gardening women in the midcentury, male writers, as Chapter 3 observes, use the rhetoric of the virtuoso to cast aspersions on women who garden as a way to announce their literacy, as exemplified in the writings of Eliza Haywood. Chapter 4 extends these trends into the picturesque and botanical cults of the late eighteenth century to trace the emergence of the greenhouse not only to display tropical rarities, but also to stage anxieties about the economy that circulated these living commodities, charting this anxiety through James Thomson's portrayal of the tropic zone in The Seasons, and in William Cowper's greenhouse in The Task
Disciplining the body : societal controls of gender, race and sexuality in Tennessee Williams's Delta plays by Michelle Renae Bright( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

Tennessee Williams has long been recognized as more than a Southern playwright. While his plays have resonated with international audiences for decades, my thesis argues that the American South, and particularly the Mississippi Delta, is necessary as a representative site of suppressed social freedoms for Gendered, Racial, and Sexual Others. Much of Williams's scholarship is done within the context of drama or performance studies. However, this project demonstrates how Williams's work lends itself to interdisciplinary study by utilizing the social and environmental history of the Delta, as well as gender studies and ecocriticism, to illuminate the cultural hegemony he attempts to dismantle
Clamor : Malefica, protest, and the occult economy in early modern England by Charles Donald Mock( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

This thesis attempts to figure witchcraft practices within a larger economic context whereby cursing and maleficent acts in general might be read as a means of political protest against the political and economic destabilization of common rights. By reading cursing and prophecy as epistemological weaponry, the thesis establishes a theory of early modern terror that corresponds to the effects of these tactics on local and national levels. Readings of traditional witchcraft literature and Shakespeare's Macbeth will hopefully allow for an understanding of witchcraft that is heavily concerned over the nature of agency within the period, particularly with regard to the ways in which magic and prognostication stimulated local economies. These "occult economies," in turn, can be read as interactive systems whereby local agents can generate larger effects within a national discourse by utilizing feedback loops generated through local interactions between magic and markets
The cost of kinship : southern literary families and the capitalist machine by Joshua Lundy( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

The purpose of this thesis is to examine the thematic role of families and the familial in the literature of the Southern Renaissance. Whereas a number of scholars have come at this matter from a strictly cultural perspective, this analysis utilizes an economic framework. Following the example set by Karl Marx, Freidrich Engels, Gilles Deleuze, and Felix Guattari, I attempt to formulate an understanding of the southern family not as an independent and singular social organism, but, rather, as a mechanism for the distribution of capital, firmly embedded within modern capitalism's expansive network of production, consumption, and exchange. My argument is that the ruptures and various points of tension that typify so many of the southern literary families encountered during this time period indicate not so much the degradation of an older social order, as has often been suggested, but, instead, the proper functioning of a fundamentally economic device. In order to make this case, I examine two of the key texts from the Southern Renaissance: William Faulkner's The Sound and the Fury (1929) and Eudora Welty's Delta Wedding (1946). Both novels are preeminently concerned with the breakdown of families that appear to embody the "Old South" ideal. Moreover, both novels repeatedly frame these breakdowns within the context of contemporary economic concerns. Employing the work of historians such as Gavin Wright, Grace Elizabeth Hale, and C. Vann Woodward, I argue that this pattern of familial dissolution indicates the manner in which such families function as extensions of the operational logic that characterized the New South economy, engendering those repeating cycles of destruction upon which modern capitalism relies
The gay of the land : queer ecology and the literature of the 1960s by Jill E Anderson( )

1 edition published in 2011 in English and held by 2 WorldCat member libraries worldwide

Masculinity in comparative black literatures by LaToya Jefferson( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

This project examines the ways in which Black men in Africa and throughout the African Diaspora define themselves as gendered beings in their fiction and drama beginning with Richard Wright's publication of Native Son in 1940 to Mariama Ba's So Long a Letter published 1980. Black men created a transnational dialectic concerning their masculinity which involved the creation and criticism of several types of masculinity. In Chapters 1 and 2, I discuss the theoretical and the historical framework for this project. In Chapter 3, I discuss the first type of Black masculinity which was based in opposition to Euro-American stereotypes about African men and Black men in the New World. In chapter 4, I examine how Black male writers recognized the diversity within Africa and the Diaspora and consequently created masculine characters who reflected their local cultures. In Chapter 5, I analyze texts by Black women that critiqued Black men for silencing Black women in their texts. In Chapter 6, I discuss texts that feature Black male protagonists who grasp toward a definition of masculinity which actually depends upon gender complementarity and community harmony rather than individualized notions of masculinity. The concluding chapter explores a vitriolic disagreement between James Baldwin and Eldridge Cleaver and summarizes previous chapters. I have included an Appendix with other texts and issues which concern Black masculinity for future studies
Annotations : the newsletter of the Department of English( )

in English and held by 2 WorldCat member libraries worldwide

Southern noir : appropriations and alterations of a twentieth-century form by Bob Hodges( )

1 edition published in 2011 in English and held by 2 WorldCat member libraries worldwide

Southern noir conjoins the two seemingly antithetical words in a telling fashion. The word noir conjures images of cheap films about detectives, criminals, and luckless men scurrying across a city at night with expressionistic shadows and light play, a foreboding sense of doom, and deadly seductive femmes fatales nipping at their heels. The understanding of noir as a symptom of urban modernity inextricably linked to cities and cinema stands in stark contrast to the traditional understanding of the south as rural, retrograde, and a repository for all the antiquated, "coercive forms of human society" in labor and social practices (Greeson 3). However, this study contends that certain works of twentieth century southern literature and film can best be understood as a part of the popular form of noir. Southern noir becomes an alternate way to conceptualize the darkness of much of southern literature and film. On the other hand, southern noir promises to better explain the origins of noir and its racialized, chiaroscuro style as springing for the colonial experiences of the plantation economy. This study examines William Faulkner's Sanctuary as an early fracturing of the noir narrative, the William Wyler film The Letter (1940) as a film noir operating in the global southern imaginary, and three stories from Richard Wright's Eight Men as parodic reappropriations of noir narratives for black protagonists. Southern noir provides an opportunity for the productive meeting of scholarship from both southern and noir studies as well as the beginnings of a reevaluation of two of the most distinctive narrative productions of twentieth century America: southern literature and film with romans noirs and films noirs
Sacrificial acts : martyrdom and nationhood in seventeenth-century drama by Kelley Hogue( )

1 edition published in 2011 in English and held by 2 WorldCat member libraries worldwide

Sacrificial Acts: Martyrdom and Nationhood in Seventeenth-Century Drama posits that the importance of sixteenth-century martyrologies in defining England's national identity extends to the seventeenth century through popular representations of martyrdom on the page and stage. I argue that drama functions as a gateway between religious and secular conceptions of martyrdom; thus, this dissertation charts the transformation of martyrological narratives from early modern editions of John Foxe's Acts and Monuments to the execution of the Royal Martyr, Charles I. Specifically, I contend that seventeenth-century plays shaped the secularization of martyrdom in profound ways by staging the sacrificial suffering and deaths of female heroines in a variety of new contexts. In addition to illustrating how the expansion of martyrological rhetoric and imagery revealed numerous channels for female influence, this dissertation asserts that narratives of suffering generated national models for reclaiming the stability and unity that Foxe's martyrs had seemed to inspire. I first analyze John Webster's The Duchess of Malfi and Thomas Drue's The Duchess of Suffolk, which overlap the vocabularies of martyrdom and motherhood to valorize women's roles in the creation and continuation of the religious and political states. By studying their dramatizations of virgin martyr legends, I consider how playwrights like Thomas Dekker and Phillip Massinger highlight the expediency of narratives of passivity in defining the subject-ruler relationship. In chapter 3, I focus on Caroline debates about anatomical and metaphysical inwardness to argue that martyrologies provide a script for accessing the conscience through interpretations of the material body. My final chapter argues that the self-presentations of Eleanor Davies and Henrietta Maria establish a necessary link between Foxean models of passive suffering and the militant language of sacrifice used during the Civil War period. These narratives make visible the diffusion of martyrological language and imagery into the multiplicity of spheres--domestic, popular, religious, and political--that comprises communal identity. Moreover, this exploration reveals that popular discourse profoundly engaged and influenced the secularization of that rhetoric and significantly shaped how England continued to define itself in relation to its martyrological past
"Ourself behind ourself, concealed" : the thematic importance of doubling in nineteenth and early twentieth-century American Gothic literature by Katharine McLaren Todd( )

1 edition published in 2011 in English and held by 2 WorldCat member libraries worldwide

Without question, Gothic literature provides an impressively suitable venue for the expression of societal anxieties and frustrations, especially those concerning power, patriarchy, and the socially sanctioned roles of women (i.e. to be obediently passive wives and nurturing mothers) and men (i.e. to be representatives of strength, rationality, morality, and order). While it might seem as though supernatural entities or outside forces are often to be feared in Gothic literature, the most sinister force is usually that of the protagonist's unsettled mind. The shadowy haunted houses and often isolated, gloomy, and claustrophobic spaces in which terrorized protagonists are trapped frequently mirror the fragmented psyches which likewise imprison both authors and their subjects. Gothic texts, therefore, present a fitting backdrop for the display of the collective fears and unpleasant realities characteristic of nineteenth and early twentieth-century America, and in doing so they provide an acceptable medium for the discussion of topics previously ignored by respectable society. The purpose of this dissertation will be to examine the various ways in which textual, authorial, and character doubling by specific male and female authors of the American Gothic tradition provide an outlet for the reflection of nineteenth and early twentieth-century anxieties, paying special attention to those anxieties brought about by expectations of femininity and masculinity and the resulting identity crises suffered as a consequence of the repression of self in favor of convention
Two trains running : capture and escape in the racialized train cars of the Jim Crow South, 1893--1930 by Raleigh Robinson Robinson( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

The role of the railroad in the modern American experience--and its role in making that experience modern--cannot be overstated. This thesis proposes to tell one of many possible railroad stories. By focusing on the historical and cultural relevance of a series of bodies in transit, I examine the implementation of railroad segregation law and the response by African-American performers. The thesis begins at the end of the nineteenth century with the Homer Plessy test case and continues across three decades, meeting along the way novelists Charles Chesnutt and James Weldon Johnson and musicians W.C. Handy, Henry "Ragtime Texas" Thomas, and Honeyboy Edwards. I find that by studying the train scenes and train sounds produced by these black men under the constraints of the Jim Crow South, we might come to a better understanding of the role of the railroad in American life, the role of segregation law in southern life, and the role of train experience in the expression of protest escaping from an African-American community caught in its "nadir."
Outings in the queer south : representations of male homosexuality in the short fiction of Eudora Welty by Ramona C Wanlass( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

This thesis investigates Welty's four short story collections and treats the stories as separate entities that are intimately connected to each other by a theme that evolves over and yet transcends the forty odd years that seem to separate them--namely Welty's theme of male homosexual desire. I will examine Welty's story collections using a theoretical framework that incorporates a history of homosexuality in the South and investigates such themes as travel, identity, reactions to heterosexual coupling, and traces Welty's own experiences through the experiences of her fictional male characters. Welty's work spans several decades but in a discussion of her short fiction the timeline begins in 1941 with the publication of A Curtain of Green and Other Stories and ends in 1955 with the publication The Bride of Innisfallen and Other Stories . This limited timetable allows us to follow, roughly, the evolution of Welty's writing and how the portrayals of male homosexuality change and grow. The development in the representation of these characters is just as significant as the acknowledgment of what remains the same: many tropes and commonalities that will be fleshed out in two short stories from each of Welty's four collections. From A Curtain of Green, and Other Stories (1941), "The Hitch-Hikers" and "Death of A Traveling Salesman" will be addressed. From her next collection, published in 1943, The Wide Net and Other Stories (1943), we will be looking at "First Love" and "A Still Moment." The Golden Apples, released in 1949 gives us "The Whole World Knows" and "Music from Spain." The stories, "No Place for You, My Love" and "Going to Naples" from The Bride of Innisfallen, and Other Stories (1955) will pull together themes from the other collections to illustrate the changes in Welty's depictions of male homosexuality
Gender matters : performativity and its discontents in women's science fiction by Kerry Bowers( Book )

1 edition published in 2009 in English and held by 2 WorldCat member libraries worldwide

Abstract: What follows is a theoretical analysis of the performative gender aspects of a number of works of science fiction written by women in the Anglophone world during the twentieth century
The Mississippi writers page : the Internet guide to Mississippi writers( )

in English and held by 0 WorldCat member libraries worldwide

Presents information about writers who were born or lived in Mississippi. Includes a compendium of births, deaths, publications, awards, and other events in Mississippi's literary history. Contains biographies of the writers, along with information about their books and publications and literary criticism. Provides a site search engine and allows the user to browse listings by author, title, place, year, and genre. Offers access to information about drama, fiction, nonfiction, and poetry writers, such as John Grisham, Jerry Clower, Tennessee Williams, Donna Tartt, Eudora Welty, Shelby Foote, and others. Links to literary resources, an events calendar, a Mississippi writers timeline, and the home page of the English Department at the University of Mississippi
moreShow More Titles
fewerShow Fewer Titles
Audience Level
Audience Level
  Kids General Special  
Audience level: 0.55 (from 0.17 for The Missis ... to 0.79 for Evans B. H ...)

Alternative Names

controlled identityUniversity of Mississippi

Mississippi. University. Dept. of English

University of Mississippi. Dept. of English

English (34)