Jones, Philly Joe
Overview
| Works: | 951 works in 3,117 publications in 5 languages and 27,631 library holdings |
|---|---|
| Genres: | Jazz Trumpet music (Jazz) Alternate takes (Sound recordings) Bop (Music) Music videos Live sound recordings Piano music (Jazz) Filmed performances Documentary films Concert films |
| Roles: | Performer, Instrumentalist, Author, Musician, Composer, Other |
| Classifications: | M1366, 781.65 |
Publication Timeline
.
Most widely held works about
Philly Joe Jones
- 1-B soldier by Philly Joe Jones( Book )
- 52nd Street beat : modern jazz drummers, 1945-1965 by Joe Hunt( Book )
- Philly Joe Jones( )
- Jones, Philly Joe( )
- Transformations of drum rudiments in jazz performance : an exegesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Musical Arts by Lance Philip( )
- Jonesin' : the life and music of Philly Joe Jones by Dustin E Mallory( )
- Max Roach papers by Max Roach( )
- [Photographs of jazz musicians] by Michael Montfort( Visual )
- Lead sheets : unpublished copyright deposits by Philly Joe Jones( )
- Contemporary musicians : profiles of the people in music( )
more
fewer
Most widely held works by
Philly Joe Jones
Blue train by
John Coltrane(
Recording
)
74 editions published between 1957 and 2014 in 4 languages and held by 1,586 WorldCat member libraries worldwide
John Coltrane considered his 1957 album to be best work. This influential album includes improved sound along with alternative takes of Lazy Bird and Blue Train
74 editions published between 1957 and 2014 in 4 languages and held by 1,586 WorldCat member libraries worldwide
John Coltrane considered his 1957 album to be best work. This influential album includes improved sound along with alternative takes of Lazy Bird and Blue Train
'Round about midnight by
Miles Davis(
Recording
)
62 editions published between 1956 and 2014 in 7 languages and held by 1,086 WorldCat member libraries worldwide
'Round midnight / Hanighen, C. Williams, T. Monk -- Ah-leu-cha / C. Parker -- All of you / Cole Porter -- Bye bye blackbird / M. Dixon, R. Henderson -- Tadd's delight / Dameron -- Dear old Stockholm / S. Getz
62 editions published between 1956 and 2014 in 7 languages and held by 1,086 WorldCat member libraries worldwide
'Round midnight / Hanighen, C. Williams, T. Monk -- Ah-leu-cha / C. Parker -- All of you / Cole Porter -- Bye bye blackbird / M. Dixon, R. Henderson -- Tadd's delight / Dameron -- Dear old Stockholm / S. Getz
Milestones by
Miles Davis(
Recording
)
59 editions published between 1958 and 2012 in 5 languages and held by 826 WorldCat member libraries worldwide
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackie"--Recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro. The tempo is furious as all the members of the sextet solo except for Jones. The saxophonists trade choruses and come off sounding like mirrored images of one another in the slower, post-bop blues that is "Sid's Ahead." With a slippery melody line that quotes two harmonic lines from early New Orleans-styled blues, Davis drives the band into the rhythm section's garage. It's Cannonball first with his stuttered, angular lines, hiccuping halfway through the interval before continuing on with a squeak here and the slightest squawk there. Next up is Davis, blowing fluid and straightened lines, ribbons through the rhythm section's center as Red Garland lays out and leaves it to Paul Chambers and Philly Joe Jones to provide the earnest, time-keeping 4/4 that Davis sidles to in the tune. When Coltrane solos, all best are off as he plays as pure a blues as he was capable at the time. Nonetheless, there are the long lines of slurred notes, smattered against Garland's harmonies and he slips into quoting "Skip to my Lou" before knotting it back down to the basics and even then not for long. Coltrane was already exploring the edges of mode and harmony; he used an intervallic invention in the choruses to juxtapose his solo against the rhythm section and it worked -- but it must have made Davis raise an eyebrow. Chambers' solo is as tasteful and as breezy and free as only he could be. His contrapuntal soloing rides the rhythm out, Garland striding along quietly until the tune returns
59 editions published between 1958 and 2012 in 5 languages and held by 826 WorldCat member libraries worldwide
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackie"--Recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro. The tempo is furious as all the members of the sextet solo except for Jones. The saxophonists trade choruses and come off sounding like mirrored images of one another in the slower, post-bop blues that is "Sid's Ahead." With a slippery melody line that quotes two harmonic lines from early New Orleans-styled blues, Davis drives the band into the rhythm section's garage. It's Cannonball first with his stuttered, angular lines, hiccuping halfway through the interval before continuing on with a squeak here and the slightest squawk there. Next up is Davis, blowing fluid and straightened lines, ribbons through the rhythm section's center as Red Garland lays out and leaves it to Paul Chambers and Philly Joe Jones to provide the earnest, time-keeping 4/4 that Davis sidles to in the tune. When Coltrane solos, all best are off as he plays as pure a blues as he was capable at the time. Nonetheless, there are the long lines of slurred notes, smattered against Garland's harmonies and he slips into quoting "Skip to my Lou" before knotting it back down to the basics and even then not for long. Coltrane was already exploring the edges of mode and harmony; he used an intervallic invention in the choruses to juxtapose his solo against the rhythm section and it worked -- but it must have made Davis raise an eyebrow. Chambers' solo is as tasteful and as breezy and free as only he could be. His contrapuntal soloing rides the rhythm out, Garland striding along quietly until the tune returns
Art Pepper meets the Rhythm Section by
Art Pepper(
Recording
)
40 editions published between 1957 and 2013 in 3 languages and held by 642 WorldCat member libraries worldwide
40 editions published between 1957 and 2013 in 3 languages and held by 642 WorldCat member libraries worldwide
Everybody digs Bill Evans by
Bill Evans Trio(
Recording
)
32 editions published between 1959 and 2013 in 4 languages and held by 640 WorldCat member libraries worldwide
32 editions published between 1959 and 2013 in 4 languages and held by 640 WorldCat member libraries worldwide
Steamin' with the Miles Davis Quintet by
Miles Davis Quintet(
Recording
)
31 editions published between 1957 and 2007 in 3 languages and held by 558 WorldCat member libraries worldwide
With all tracks remastered by their original engineer, this in an exceptional release of a classic Miles Davis album. Features John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jon
31 editions published between 1957 and 2007 in 3 languages and held by 558 WorldCat member libraries worldwide
With all tracks remastered by their original engineer, this in an exceptional release of a classic Miles Davis album. Features John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jon
Workin' with the Miles Davis Quintet by
Miles Davis Quintet(
Recording
)
28 editions published between 1956 and 2007 in 3 languages and held by 551 WorldCat member libraries worldwide
Se presentan ocho temas perfectamente complementados, conformando una unidad con sentido y cohesión, un apasionante viaje por los territorios del jazz. Workin' es uno de esos discos que apasiona a aficionados, músicos y críticos. Es materia de estudio, de deleite y de contemplación y - perdón por ser, nuevamente, absoluto - no debería faltar en la discografía de ningún aficionado al jazz
28 editions published between 1956 and 2007 in 3 languages and held by 551 WorldCat member libraries worldwide
Se presentan ocho temas perfectamente complementados, conformando una unidad con sentido y cohesión, un apasionante viaje por los territorios del jazz. Workin' es uno de esos discos que apasiona a aficionados, músicos y críticos. Es materia de estudio, de deleite y de contemplación y - perdón por ser, nuevamente, absoluto - no debería faltar en la discografía de ningún aficionado al jazz
Chet by
Chet Baker(
Recording
)
25 editions published between 1959 and 2008 in 3 languages and held by 478 WorldCat member libraries worldwide
Remastered release of the original 1959 album that featured one of the few collaborations of Chet Baker with pianist Bill Evans
25 editions published between 1959 and 2008 in 3 languages and held by 478 WorldCat member libraries worldwide
Remastered release of the original 1959 album that featured one of the few collaborations of Chet Baker with pianist Bill Evans
Newk's time by
Sonny Rollins(
Recording
)
33 editions published between 1958 and 2011 in 4 languages and held by 416 WorldCat member libraries worldwide
33 editions published between 1958 and 2011 in 4 languages and held by 416 WorldCat member libraries worldwide
Relaxin' with the Miles Davis Quintet by
Miles Davis(
Recording
)
26 editions published between 1956 and 2007 in 5 languages and held by 397 WorldCat member libraries worldwide
26 editions published between 1956 and 2007 in 5 languages and held by 397 WorldCat member libraries worldwide
Tenor madness by
Sonny Rollins Quartet(
Recording
)
37 editions published between 1956 and 2006 in 4 languages and held by 373 WorldCat member libraries worldwide
37 editions published between 1956 and 2006 in 4 languages and held by 373 WorldCat member libraries worldwide
Cool struttin' by
Sonny Clark(
Recording
)
40 editions published between 1958 and 2014 in 4 languages and held by 350 WorldCat member libraries worldwide
40 editions published between 1958 and 2014 in 4 languages and held by 350 WorldCat member libraries worldwide
Cookin' with the Miles Davis Quintet by
Miles Davis Quintet(
Recording
)
22 editions published between 1985 and 2010 in 4 languages and held by 349 WorldCat member libraries worldwide
22 editions published between 1985 and 2010 in 4 languages and held by 349 WorldCat member libraries worldwide
Mating call by
Tadd Dameron(
Recording
)
25 editions published between 1956 and 2008 in Undetermined and No Linguistic content and held by 307 WorldCat member libraries worldwide
25 editions published between 1956 and 2008 in Undetermined and No Linguistic content and held by 307 WorldCat member libraries worldwide
Paris 1969 by
Thelonious Monk(
Recording
)
3 editions published in 2013 in No Linguistic content and English and held by 285 WorldCat member libraries worldwide
3 editions published in 2013 in No Linguistic content and English and held by 285 WorldCat member libraries worldwide
Collector's items by
Miles Davis(
)
21 editions published between 1956 and 2009 in 4 languages and held by 282 WorldCat member libraries worldwide
21 editions published between 1956 and 2009 in 4 languages and held by 282 WorldCat member libraries worldwide
Clifford Brown memorial album by
Clifford Brown(
Recording
)
17 editions published between 1956 and 2001 in No Linguistic content and Undetermined and held by 262 WorldCat member libraries worldwide
17 editions published between 1956 and 2001 in No Linguistic content and Undetermined and held by 262 WorldCat member libraries worldwide
Miles Davis and the modern jazz giants by
Miles Davis(
Recording
)
20 editions published between 1954 and 2008 in 4 languages and held by 257 WorldCat member libraries worldwide
20 editions published between 1954 and 2008 in 4 languages and held by 257 WorldCat member libraries worldwide
The quintessence by
Quincy Jones(
)
17 editions published between 1977 and 2008 in 3 languages and held by 256 WorldCat member libraries worldwide
17 editions published between 1977 and 2008 in 3 languages and held by 256 WorldCat member libraries worldwide
Workout by
Hank Mobley(
Recording
)
28 editions published between 1961 and 2015 in 4 languages and held by 218 WorldCat member libraries worldwide
28 editions published between 1961 and 2015 in 4 languages and held by 218 WorldCat member libraries worldwide
more
fewer
Audience Level
| 0 |
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1 | ||
| Kids | General | Special | ||
Related Identities
- Chambers, Paul 1935-1969 Other Performer Musician Author Instrumentalist Composer
- Coltrane, John 1926-1967 Performer Instrumentalist Author Musician Composer
- Garland, Red Performer Instrumentalist Author Lyricist Musician
- Davis, Miles Performer Instrumentalist Author Composer
- Evans, Bill 1929-1980 Performer Instrumentalist Author Composer
- Kelly, Wynton Performer Instrumentalist Author Composer
- Jones, Sam 1924-1981 Performer Instrumentalist
- Drew, Kenny Other Performer Instrumentalist Author Musician
- Fuller, Curtis 1934- Performer Instrumentalist Musician
- Miles Davis Quintet Performer Instrumentalist Author
Useful Links
Associated Subjects
Adderley, Cannonball Alternate takes (Sound recordings) Armed Forces--Military life Big band music Blakey, Art, Blues (Music) Bop (Music) Brown, Ray, Clarke, Kenny, Concerts Davis, Miles Desmond, Paul, Drummers (Musicians) Eldridge, Roy, Ellis, Herb, France--Paris Gadd, Steve Gillespie, Dizzy, Giuffre, Jimmy Hall, Jim, Haynes, Roy Hubbard, Freddie Jazz Jazz--Lead sheets Jazz musicians Jones, Elvin Jones, Philly Joe Monk, Thelonious Montfort, Michael Musicals--Excerpts, Arranged Music and race Musicians Music--Manuscripts Pettiford, Oscar, Piano music (Jazz) Piano with jazz ensemble Popular music Quartets (Piano, saxophone, percussion, double bass) Race relations in mass media Roach, Max, Rollins, Sonny Saxophone music (Jazz) Saxophone with jazz ensemble Social justice Trumpet music (Jazz) Trumpet with jazz ensemble United States United States.--Army Williams, Mary Lou, Williams, Tony,
Alternative Names
Jones, Joe
Jones, Joe 1923-1985
Jones, Joseph Rudolph
Jones, Joseph Rudolph 1923-1985
Jones, Philly
Jones, Philly J. 1923-1985
Jones, Philly Joe, 1923-1985
Jones, Phylly Joe
Jones, Phylly Joe 1923-1985
Philly Joe Jones Amerikaans drummer (1923-1985)
Philly Joe Jones amerikansk musikar og trommeslagar
Philly Joe Jones amerikansk musiker och trummis
Philly Joe Jones amerikansk musiker og trommeslager
Philly Joe Jones amerykański perkusista jazzowy
Philly Joe Jones batterista statunitense
Philly Joe Jones batteur américain
Philly Joe Jones US-amerikanischer Jazz-Schlagzeuger
Джонс, Филли Джо
פילי ג'ו ג'ונס
フィリー・ジョー・ジョーンズ
Languages