WorldCat Identities

Kegel, Herbert

Overview
Works: 1,306 works in 2,512 publications in 9 languages and 26,465 library holdings
Genres: Musical settings  Music  Live sound recordings  Drama  Operas  Requiems  Cantatas  Art music  Excerpts  Arrangements (Music) 
Roles: Conductor, Performer, Author, Other, Narrator, Director
Classifications: M1500, 782.1
Publication Timeline
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Most widely held works about Herbert Kegel
 
Most widely held works by Herbert Kegel
Parsifal : [ein Bühnenweihfestspiel] by Richard Wagner( )

14 editions published between 1978 and 2015 in 3 languages and held by 660 WorldCat member libraries worldwide

Wagner's mystical opera makes extraordinary demands on the conductor, but James Levine is renowned for the special affection and authority he brings to this transcendent work. The music shimmers and glows, evoking the legendary world of the Knights of the Holy Grail and the pure fool who brings healing power to the land. Peter Hofmann stars as the questing title hero, Jerome Hines sings the wise old man, Gurnemanz, and Mignon Dunn is the voluptuous Kundry, whose erotic temptations almost ensnare the young hero
Carmina Burana by Carl Orff( )

49 editions published between 1965 and 2012 in 8 languages and held by 561 WorldCat member libraries worldwide

Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana
Carmen by Georges Bizet( )

19 editions published between 1960 and 2009 in German and French and held by 486 WorldCat member libraries worldwide

Ultraphonic: 1660
Der mond by Carl Orff( )

6 editions published between 1973 and 2000 in German and No Linguistic content and held by 446 WorldCat member libraries worldwide

Die sieben Todsünden = The seven deadly sins ; Mahagonny Songspiel by Kurt Weill( )

19 editions published between 1967 and 2015 in German and Undetermined and held by 301 WorldCat member libraries worldwide

Jüdische Chronik by Boris Blacher( )

20 editions published between 1966 and 2010 in 4 languages and held by 276 WorldCat member libraries worldwide

Der Grossinquisitor by Boris Blacher( )

14 editions published between 1988 and 2013 in German and Undetermined and held by 275 WorldCat member libraries worldwide

Symphonies nos. 5, 6 & 8 by Karl Amadeus Hartmann( )

5 editions published in 1995 in No Linguistic content and Undetermined and held by 275 WorldCat member libraries worldwide

Como una ola de fuerza y luz ; Epitaffio 1 & 3 by Luigi Nono( )

8 editions published between 1977 and 1994 in 3 languages and held by 272 WorldCat member libraries worldwide

Orchesterwerke = Works for orchestra by Paul Dessau( )

8 editions published between 1966 and 1995 in No Linguistic content and Undetermined and held by 264 WorldCat member libraries worldwide

Concertante Musik : für Orchester, op. 10 ; Orchestervariationen über ein Thema von Paganini : op. 26 ; Klavierkonzert Nr. 2 op. 42 by Boris Blacher( )

5 editions published in 1995 in No Linguistic content and German and held by 263 WorldCat member libraries worldwide

Klavierwerke by Paul Dessau( )

11 editions published between 1979 and 1996 in 3 languages and held by 257 WorldCat member libraries worldwide

Tripelkonzert = Triple concerto ; Ouvertüren: Egmont, Coriolan, Fidelio by Ludwig van Beethoven( )

4 editions published between 1987 and 2009 in German and held by 255 WorldCat member libraries worldwide

Konzert C-Dur für Violine, Violoncello, Klavier und Orchester, op.56 / Klaviersonate Nr.17 d-Moll, op.31 Nr.2
Die Kluge by Carl Orff( )

18 editions published between 1982 and 2016 in German and No Linguistic content and held by 252 WorldCat member libraries worldwide

Die Kluge: Geschichte von dem König und der klugen Frau: Oper in zwölf Szenen / Der Mond: Kleines Welttheater in einem Akt
War requiem by Benjamin Britten( )

10 editions published between 1969 and 2016 in 4 languages and held by 252 WorldCat member libraries worldwide

Just because the definitive recording of Britten's War Requiem has already been made by Britten himself is no reason not to keep recording it. For one thing, the work is simply too affecting and too important to ignore. And for another, the work is too deep and too varied to be encompassed by only one recording, even one so superlative and so sympathetic as the composer's own. Thus, one can have in principle no objections to this live 2007 recording led by Helmuth Rilling. After all, the stalwart German conductor is a highly skilled and deeply experienced choral director who clearly knows his way around monumental scores: his recordings of Bach's Passions are proof of that. But though this is a fine performance with many points to recommend it, it is not a great performance. Rilling does an outstanding job of guiding his forces through the work and a more than adequate job of aiming them toward the work's meaning. But one wants more than "more than adequate" in the War Requiem, and in Rilling's hands, the big moments and its intimate moments fail to strike as profoundly as they ought. The soloists are a mixed lot. Tenor James Taylor and baritone Christian Gerhaher have strong and steady voices, but though soprano Annette Dasch has a lovely voice, she tends to get a bit wobbly above the staff. The chorus of the Festivalensemble Stuttgart and the Aurelius S?ngerknaben are both excellent and they do wonders with the work's huge choruses. But the orchestra of the Festivalensemble, while colorful, does not have quite enough size and weight to bring off the big climaxes. H?nssler's super audio sound is definitely a plus -- the sheer size of the sound is amazing -- but not all that much of an improvement over Decca's fabulous stereo sound for Britten. In sum, then, those who don't know the War Requiem are directed toward Britten's recording, while those who do might consider Rilling's as a third or fourth choice after Hickox's or Shaw's. James Leonard, All Music Guide
Moses und Aron by Arnold Schoenberg( )

9 editions published between 1976 and 2005 in German and held by 248 WorldCat member libraries worldwide

Schoenberg's masterpiece in the twelve-tone system he developed was his unfinished opera, a vastly complex work based on a single tone row that it remained a fragment may be essential to its spiritual message, for while Schoenberg never stated it explicitly, it would seem that he left this most ambitious project of his mature style incomplete on purpose
Gurre-Lieder by Arnold Schoenberg( )

14 editions published between 1989 and 2013 in German and Undetermined and held by 246 WorldCat member libraries worldwide

MCCRACKEN, James (tenor). NORMAN, Jessye (soprano). ARNOLD, David (baritone). SCOWN, Kim (tenor). KLEMPERER, Werner (sprechstimme [speaker]) TANGLEWOOD FESTIVAL CHORUS. BOSTON SYMPHONY ORCHESTRA. OZAWA, Seiji (conductor)
Messe G-Dur ; Stabat Mater by Franz Schubert( )

6 editions published in 1998 in 3 languages and held by 240 WorldCat member libraries worldwide

Herbert Kegel : Legende ohne Tabu : ein Dirigentenleben im 20. Jahrhundert by Helga Kuschmitz( Book )

1 edition published in 2003 in German and held by 1 WorldCat member library worldwide

 
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Audience level: 0.41 (from 0.37 for Messe G-Du ... to 0.93 for Herbert Ke ...)

WorldCat IdentitiesRelated Identities
Alternative Names
Herbert Kegel chef d'orchestre allemand

Herbert Kegel Duits dirigent (1920-1990)

Herbert Kegel German conductor

헤르베르트 케겔

ケーゲル, ヘルベルト

ヘルベルト・ケーゲル

赫伯特·科格

Languages