WorldCat Identities

Vickers, Brian

Overview
Works: 119 works in 938 publications in 4 languages and 30,921 library holdings
Genres: Criticism, interpretation, etc  History  Fiction  Drama  Psychological fiction  Dictionaries  Poetry  Gothic fiction  Prescriptions, formulae, receipts, etc 
Roles: Author, Editor, Other, Author of introduction, Creator
Classifications: PR3543.M2, 822.33
Publication Timeline
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Most widely held works by Brian Vickers
William Shakespeare : the critical heritage by Brian Vickers( )

62 editions published between 1974 and 2016 in English and held by 2,284 WorldCat member libraries worldwide

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later per
Counterfeiting Shakespeare : evidence, authorship, and John Ford's Funerall elegye by Brian Vickers( )

18 editions published between 2002 and 2009 in English and held by 2,199 WorldCat member libraries worldwide

Counterfeiting Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These attributions have been accepted into certain major editions of Shakespeare's works but Brian Vickers argues that both attributions rest on superficial verbal parallels; both use too small a sample, ignore negative evidence, and violate basic principles in authorship studies. Through a fresh examination of the evidence, Professor Vickers shows that neither poem has the stylistic and imaginative qualities we associate with Shakespeare. He argues that the poet and dramatist John Ford wrote the Elegye: its poetical language (vocabulary, syntax, prosody) is indistinguishable from Ford's, and it contains several hundred close parallels with his work. By combining linguistic and statistical analysis this book makes an important contribution to authorship studies
William Shakespeare : the critical heritage by Brian Vickers( )

11 editions published between 1995 and 2016 in English and held by 2,015 WorldCat member libraries worldwide

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes
The merchant of Venice( )

11 editions published in 2005 in English and held by 1,562 WorldCat member libraries worldwide

The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which cha
The Oxford illustrated history of English literature by Pat Rogers( Book )

1 edition published in 1987 in English and held by 1,466 WorldCat member libraries worldwide

Traces the history of English literature from Anglo-Saxon poetry to the present day
Shakespeare, the critical heritage by Brian Vickers( )

12 editions published in 1975 in English and held by 1,417 WorldCat member libraries worldwide

Shakespeare : the critical heritage by Brian Vickers( Book )

54 editions published between 1974 and 1995 in English and Undetermined and held by 1,272 WorldCat member libraries worldwide

In defence of rhetoric by Brian Vickers( Book )

66 editions published between 1987 and 2008 in 4 languages and held by 1,211 WorldCat member libraries worldwide

"A spirited effort to restore the importance of rhetoric, this book examines its early development in the classical era, its triumph during the Renaissance, and its subsequent decline. While acknowledging rhetoric's general loss of prestige, the author asserts its value in modern times as an indispensable vehicle for style and thought in the work of Joyce, Orwell, Jarrell, and others, and concludes by surveying rhetoric's fragmentation and misapplication in the current critical theories of such thinkers as Jakobson and de Man."--Publisher description
The world of Jonathan Swift: essays for the tercentenary by Brian Vickers( Book )

24 editions published between 1968 and 1969 in English and held by 1,082 WorldCat member libraries worldwide

The man of feeling by Henry Mackenzie( Book )

41 editions published between 1967 and 2009 in English and Undetermined and held by 990 WorldCat member libraries worldwide

"In Mackenzie's popular novel of 1771, the sentimental hero's capacity for fine feeling reveals his true virtue. A series of episodes demonstrates Harley's benevolence in an uncaring world as he assists the down-trodden, loses his love, and fails to achieve worldly success. The novel asks a series of vital questions: what morality is possible in a complex commercial world? Does trying to maintain it make you a saint or a fool? Can sentiment bond society or is it merely a luxury for the leisured classes?" "This edition reprints Brian Vickers's authoritative text, with a new introduction that discusses the novel in the context of the sentimental literature of which it is a pre-eminent example."--Jacket
Appropriating Shakespeare : contemporary critical quarrels by Brian Vickers( Book )

24 editions published between 1993 and 1996 in English and held by 932 WorldCat member libraries worldwide

The last twenty years have seen an increasing fragmentation in Shakespeare studies, with the emergence of several critical schools, each with its own ideology, each convinced that all other approaches are deficient. In this important book, Brian Vickers argues that, in attempting to appropriate Shakespeare for their own purposes, each of these schools distorts the text by omission and misrepresentation. Two substantial opening chapters trace the derivation of current literary theory from the iconoclastic mood of l960s Paris. They show how an influential group of thinkers in the structuralist and post-structuralist tradition (Levi-Strauss, Barthes, Lacan, Althusser, Derrida, Foucault) promulgated a wholly negative concept of language, arguing that language cannot reliably represent reality; that literature cannot represent life; and that since no definitive reading is possible, all interpretation is misrepresentation. Vickers demonstrates that these attitudes have been decisively refuted, restates the central properties of language, and rehabilitates the notion of the author as creator of a literary work. At the core of the book he surveys the main conflicting schools in Shakespearian literary criticism - deconstructionism, feminism, new historicism, cultural materialism, and psychoanalytic, Marxist and Christian interpretations - describing the theoretical basis of each school, both in its own words and in those of its critics. Evaluating the resulting interpretations of Shakespeare, he shows that each is biased and fragmentary in its own way. Solidly researched, sharply argued and inevitably controversial, this book challenges many recent orthodoxies. As well as to theatre goers and readers of Shakespeare and Elizabethan drama, it will be of great interest to anyone concerned with modern literary theory
The one King Lear by Brian Vickers( )

8 editions published in 2016 in English and held by 927 WorldCat member libraries worldwide

"For over two hundred years editors were united in their decision to bring together the King Lear texts of the Quarto (1608) and the First Folio (1623) to produce a single text that was the basis for all modern productions and interpretations. In the 1980s a group of influential scholars argued that the two texts represent distinct stages in the life of King Lear, as Shakespeare revised his play in the light of theatrical performance. In The One King Lear, Sir Brian Vickers challenges this widely accepted theory, arguing that the cuts in the Quarto text, which are too insignificant to have been made to shorten the play, were in fact carried out by the printer because he had underestimated the amount of paper he would need. As for the Folio, the cuts removed passages of a reflective or descriptive nature and were probably made by the theatre company to speed up the action. At stake in this textual argument is the way Shakespeare's play is read and performed"--Publisher's information
Francis Bacon and Renaissance prose by Brian Vickers( Book )

21 editions published between 1968 and 2009 in English and held by 855 WorldCat member libraries worldwide

The artistry of Shakespeare's prose by Brian Vickers( Book )

31 editions published between 1868 and 2013 in English and held by 820 WorldCat member libraries worldwide

First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order
Towards Greek tragedy : drama, myth, society by Brian Vickers( Book )

20 editions published between 1973 and 1979 in English and held by 820 WorldCat member libraries worldwide

The artistry of Shakespeare's prose by Brian Vickers( )

7 editions published between 2005 and 2009 in English and held by 805 WorldCat member libraries worldwide

First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order
Classical rhetoric in English poetry by Brian Vickers( Book )

21 editions published between 1970 and 1989 in English and Undetermined and held by 778 WorldCat member libraries worldwide

Occult and scientific mentalities in the Renaissance( Book )

26 editions published between 1984 and 2003 in 3 languages and held by 747 WorldCat member libraries worldwide

The essays in this volume present a collective study of one of the major problems in the recent history of science: To what extent did the occult 'sciences' (alchemy, astrology, numerology, and natural magic) contribute to the scientific revolution of the late Renaissance? These studies of major scientists (Kepler, Bacon, Mersenne, and Newton) and of occultists (Dee, Fludd, and Cardano), complemented by analyses of contemporary official and unofficial studies at Cambridge and Oxford and discussions of the language of science, combine to suggest that hitherto the relationship has been too crudely stated as a movement 'from magic to science'. In fact, two separate mentalities can be traced, the occult and the scientific, each having different assumptions, goals, and methodologies. The contributors call into question many of the received ideas on this topic, showing that the issue has been wrongly defined and based on inadequate historical evidence. They outline new ways of approaching and understanding a situation in which two radically different and, to modern eyes, incompatible ways of describing reality persisted side-by-side until the demise of the occult in the late seventeenth century. Their work, accordingly, sets the whole issue in a new light
William Shakespeare : the critical heritage by Brian Vickers( )

16 editions published between 1975 and 2016 in English and held by 699 WorldCat member libraries worldwide

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves
English Renaissance literary criticism( Book )

24 editions published between 1999 and 2007 in English and held by 677 WorldCat member libraries worldwide

This wide-ranging compilation of texts illustrates clearly the wide variety of criticism of English literature on offer during the Renaissance period by numerous critics
 
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Counterfeiting Shakespeare : evidence, authorship, and John Ford's Funerall elegye
Covers
Counterfeiting Shakespeare : evidence, authorship, and John Ford's Funerall elegyeWilliam Shakespeare : the critical heritageThe merchant of VeniceThe Oxford illustrated history of English literatureShakespeare, the critical heritageShakespeare : the critical heritageIn defence of rhetoricThe man of feeling
Alternative Names
Brian Vickers British literary scholar

Brian Vickers Brits onderwijzer

Brian Vickers profesor brit√°nicu

Vickers, B. W.

Vickers, B. W. 1937-

Vickers, B. W. (Brian W.)

Vickers, B. W. (Brian W.), 1937-

Vickers, Brian W. 1937-

Vickers, Brian William.

Vickers, Brian William 1937-

Languages
English (476)

Italian (8)

German (5)

Spanish (3)