WorldCat Identities

Diederichsen, Diedrich

Publication Timeline
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Most widely held works about Diedrich Diederichsen
 
Most widely held works by Diedrich Diederichsen
A minimal future? : art as object 1958-1968 by Ann Goldstein( Book )

18 editions published in 2004 in English and Undetermined and held by 525 WorldCat member libraries worldwide

La muestra constituye una revisión del arte minimal, situándolo en el contexto estético común a la abstracción modernista, el arte pop y el arte conceptual, y presentándolo como un conjunto de estrategias que han impulsado nuevas definiciones de estructura, forma, material, imagen y producción del objeto artístico, y propiciado una nueva relación respecto al espacio y los espectadores
Martin Kippenberger : the problem perspective by Martin Kippenberger( Book )

11 editions published in 2008 in English and held by 447 WorldCat member libraries worldwide

"Martin Kippenberger (1953-1997) is a special case in art. His life and works were inextricably linked in a remarkable practice that centered on the role of the artist within both the culture and the system of art. With his larger-than-life persona, Kippenberger cast himself as impresario, entertainer, curator, bohemian, collector, architect, and publisher. He collected art, set up clothing companies and nightclubs, and ran art-world scams. Nothing was sacred to this iconoclast except the right to satisfy his enormous appetite for life, appropriate anything for his art, and create continual chaos around himself. This book, which accompanies the first major U.S. retrospective exhibition of Kippenberger's work, at the Museum of Contemporary Art, Los Angeles, documents Kippenberger's extraordinary twenty-year career with works in many media - paintings, sculptures, works on paper, installations, photographs, collaborations with other artists, posters, postcards, books, and music. Among the major works reproduced are key selections from the I.N.P. Bilder (Is Not Embarrassing Pictures) and No Problem paintings of the 1980s; the landmark 1987 exhibition of sculpture "Peter. Die russische Stellung" ("Peter. The Russian Position"); self-portraits in a variety of media; Laterne an Betrunkene (Street Lamp for Drunks); the Raft of the Medusa cycle of the 1990s; the renowned Hotel drawings; and the monumental installation, The Happy End of Franz Kafka's "Amerika." Accompanying the artworks is an essay by exhibition curator Ann Goldstein; newly commissioned texts by art historian Pamela Lee, Kippenberger scholar Diedrich Diederichsen, and curator Ann Temkin; reprinted excerpts from a 1991 interview with Kippenberger by artist Jutta Koether; and an illustrated exhibition history, chronology, and bibliography. Martin Kippenberger: The Problem Perspective offers readers the most comprehensive view yet of this legendary artist's body of work."--Jacket
Sympathy for the devil : art and rock and roll since 1967 by Dominic Molon( Book )

8 editions published in 2007 in English and held by 370 WorldCat member libraries worldwide

Combines critical essays with full-color reproductions of artwork to examine the relationship between artists and rock musicians since 1967
Reality bites : making avant-garde art in post-wall Germany = Kunst nach dem Mauerfall( Book )

10 editions published in 2007 in English and German and held by 337 WorldCat member libraries worldwide

Catalog of an exhibition with the same title, held Feb 9-April 29, 2007 at the Mildred Lane Kemper Art Museum, Washington University, St. Louis, Mo., and May20-Sept. 2, 2007 at the Opelvillen, Russelsheim, Germany
Isa Genzken by Alex Farquharson( Book )

10 editions published between 2005 and 2006 in English and held by 326 WorldCat member libraries worldwide

"Isa Genzken's work encompasses sculpture, collage, painting and photography. One of the leading artists to have emerged in Germany since the 1980s, Genzken is notable for the way she combines personal elements with references to architecture, modernism and art history. She is interested in the ruins of material culture, particularly architectural detritus, and the combination of materials in her work is remarkable, encompassing animal heads, fluorescent plastic, spray-painted pine cones, concrete blocks, glass, mirrored sheets, aeroplane windows and children's umbrellas, to name a few. Her work can be aesthetically brutal, as with her Empire/Vampire series (2003-5) - agglomerations of toys and unrelated found objects roughly splattered with paint - and strikingly beautiful, as with her New Buildings for Berlin (2001-4) - small, impeccable crafted glass and silicone skyscrapers. One of her best known and loved works, Rose (1993/7), is a public sculpture of a single long-stemmed rose made from enamelled stainless steel that towers eight metres above Leipzig's museum district Genzken has been exhibiting since the 1970s, and her work has appeared in many of the world's highest-profile exhibitions, including Documenta (1982, 1992 and 2002), the Venice Biennale (1982, 1993 and 2003), Skulptur Projekte in Munster (1987 and 1997) and the Carnegie International in Pittsburgh (2005)."--Jacket
Über Pop-Musik by Diedrich Diederichsen( Book )

8 editions published in 2014 in German and held by 221 WorldCat member libraries worldwide

Pop-Musik, sagt Diederichsen, ist gar keine Musik. Musik ist bloß der Hintergrund für die viel tiefer liegenden, viel weiter ausstrahlenden Signale des Pop. Pop ist ein Hybrid aus Vorstellungen, Wünschen, Versprechungen. Er ist ein Feld für Posen und Pakte, für Totems und Tabubrüche. Der Autor bezieht seine Argumente aus Semiotik und Soziologie ebenso wie aus der Geschichte und Gegenwart der Pop-Kultur und aus den angrenzenden Gebieten Jazz, Kino, Oper. Diederichsen greift immer wieder auf die eigenen Erfahrungen zurück, sein Initiationserlebnis war ausgerechnet ein Konzert des bleichen Bluesrockers Johnny Winter. Was er über dessen Auftritt schreibt, gilt für viele, die nach dem Zweiten Weltkrieg aufgewachsen sind: Pop hat "eingelöst, was wir alle immer schon geahnt hatten, aber als Kinder nie ganz genau wussten: dass es etwas gibt. Nicht, wovon Winter heulte, war wichtig, sondern dass in komischen Geräuschen ein Weg zur Welt war". „Pop-Art, Pop-Musik: Pop galt bislang als ästhetische Unterkategorie. Nun nicht mehr. Mit hohem intellektuellen Einsatz und stupendem Detailwissen stellt Diederichsen Pop als Phänomen sui generis dar“ (Jurybegründung, Nominiert für den Preis der Leipziger Buchmesse 2014 in der Kategorie Sachbuch/Essayistik)
Annotated catalogue raisonné of the books by Martin Kippenberger, 1977-1997 = Kommentiertes Werkverzeichnis der Bücher von Martin Kippenberger, 1977-1997 by Uwe Koch( Book )

17 editions published between 2002 and 2003 in 3 languages and held by 175 WorldCat member libraries worldwide

Körpertreffer Zur Ästhetik der nachpopulären Künste by Diedrich Diederichsen( )

11 editions published between 2016 and 2017 in German and Undetermined and held by 169 WorldCat member libraries worldwide

Erst seit den 1960er Jahren widmen sich die Künste gezielt der technischen Klang- und Bildaufzeichnung. Wo vorher nur Slapstick und Surrealismus war, schießen nun Genres in großer Zahl aus dem Boden. Als behäbig erweist sich dabei eine Kulturkritik, die immer noch versucht, die Filme der Nouvelle Vague, das Cinéma Vérité, Punk, HipHop, Heavy Metal und Minimalismus, Fluxus, Performance Art, Pop Art, Nouveau Réalisme, Arte Povera, Soul-Musik und Concept Art entlang der Unterscheidung von E und U zu sortieren – als entweder hohe oder populäre Künste. In seinen Adorno-Vorlesungen zeigt Diedrich Diederichsen, dass ihr Gemeinsames viel entscheidender ist: das Bemühen, den verstörenden Effekt der Aufzeichnung und Wiedergabe von Körpern, Stimmen und anderen Realweltsplittern einzuarbeiten, zu verstärken, umzuleiten, der Kunst anzupassen oder die Kunst um den – sei es aggressiven oder zärtlichen – Effekt herum zu entwickeln. Im Lichte dieser Effekte von Phonographie und Photographie müssen alte Unterscheidungen über Bord geworfen und auch die Folgen von Kunst neu gedacht werden – egal, ob man Kinder schützen oder Erwachsene politisieren will
Baldessari : while something is happening here, something else is happening there : works 1988-1999 by John Baldessari( Book )

12 editions published in 1999 in German and English and held by 150 WorldCat member libraries worldwide

Ed Ruscha : gunpowder and stains by Edward Ruscha( Book )

5 editions published in 2000 in English and German and held by 136 WorldCat member libraries worldwide

Stan Douglas : Mise en scène by Stan Douglas( Book )

2 editions published in 2014 in English and held by 130 WorldCat member libraries worldwide

"Stan Douglas is one of Canada's leading filmmakers and installation artists. His work, which has been widely exhibited throughout the world and at three Venice Biennales, touches on themes of modernism, politics, race, music, cinema, and theater. This book features images and stills from Douglas's most recent works: Artists' Cabin, Olde Curio Shop, Kardynal Shoes, Tosi Foods, Crowds and Riots, Midcentury Studio, and Disco Angola. It also includes images from two much-anticipated works: a new video piece and Helen Lawrence, a cinematic stage production. A series of essays discussing Douglas's influences and themes as well as texts by the artist himself round out this impressive book."--
Fake Titel : Rachel Harrison by Kestner-Gesellschaft( Book )

4 editions published in 2013 in German and Undetermined and held by 128 WorldCat member libraries worldwide

Lessing im Spiegel der Theaterkritik, 1945-1979( Book )

10 editions published in 1980 in German and held by 125 WorldCat member libraries worldwide

On (surplus) value in art = Mehrwert und Kunst by Diedrich Diederichsen( Book )

13 editions published in 2008 in English and German and held by 110 WorldCat member libraries worldwide

Yayoi Kusama, mirrored years by Yayoi Kusama( Book )

3 editions published in 2009 in English and held by 105 WorldCat member libraries worldwide

Obsessive Malerei : ein Rueckblick auf die Neuen Wilden( Book )

7 editions published in 2003 in German and held by 103 WorldCat member libraries worldwide

Politische Korrekturen by Diedrich Diederichsen( Book )

5 editions published in 1996 in German and held by 79 WorldCat member libraries worldwide

The whole earth : California and the disappearance of the outside by Diedrich Diederichsen( Book )

7 editions published in 2013 in English and held by 78 WorldCat member libraries worldwide

"In the year 1966, a young man named Stewart Brand handed out buttons in San Francisco reading: “Why haven<U+2019>t we seen a photograph of the whole Earth yet?” Two years later, the NASA photograph of the “blue planet” appeared on the cover of the Whole Earth Catalog. In creating the catalogue, frequently described as the analogue forerunner of Google, Brand had founded one of the most influential publications of recent decades. It mediated between cyberneticists and hippies, nature romantics and technology geeks, psychedelia and computer culture, and thus triggered defining impulses for the environmentalist movement and the rise of the digital network culture. The photo of the blue planet developed a sphere of influence like almost no other image: it stands not only for ecological awareness and crisis but also for a new sense of unity and globalization. The universal picture of “One Earth” hence anticipated an image of the end of the Cold War, whose expansion into space it accompanied, and overwrote or neutralized political lines of conflict by transferring classical politics and criticism of it to other categories, such as cybernetic management or ecology. The exhibition “The Whole Earth” is an essay composed of cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it. The accompanying publication includes image-rich visual essays that explore key themes: “Universalism,” “Whole Systems,” “Boundless Interior,” and “Apocalypse, Babylon, Simulation,” among others. These are surrounded by critical essays that shed light onto 1960s California and the networked culture that emerged from it."--Publisher's website
Freiheit macht arm : das Leben nach Rock'n Roll : 1990-93 by Diedrich Diederichsen( Book )

8 editions published between 1993 and 2018 in German and held by 76 WorldCat member libraries worldwide

Geoffrey Farmer by Geoffrey Farmer( Book )

2 editions published in 2008 in English and held by 74 WorldCat member libraries worldwide

This Sourcebook is a space of reflection occasioned by the exhibition. Three extraordinary essayists - Diedrich Diederichsen, Vanessa Desclaux and Thierry Davila -- were invited to encounter the artist's mercurial practice in different contexts. They speculate on his inventive approach to temporality, to the spaces of theater, film and performance, and to the workings of memory, meaning and art historical references. Farmer himself recomposes visual and texual fragments of his exhibition, which after a month of daily transformation came to be known as Forgetting Air
 
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A minimal future? : art as object 1958-1968
Covers
Martin Kippenberger : the problem perspectiveSympathy for the devil : art and rock and roll since 1967Reality bites : making avant-garde art in post-wall Germany = Kunst nach dem MauerfallIsa GenzkenAnnotated catalogue raisonné of the books by Martin Kippenberger, 1977-1997 = Kommentiertes Werkverzeichnis der Bücher von Martin Kippenberger, 1977-1997Baldessari : while something is happening here, something else is happening there : works 1988-1999Ed Ruscha : gunpowder and stainsOn (surplus) value in art = Mehrwert und Kunst
Alternative Names
Diedrich Diederichsen

Diedrich Diederichsen critique d'art, journaliste et professeur

Diedrich Diederichsen deutscher Journalist, Kulturwissenschaftler, Hochschullehrer und „Poptheoretiker“

Diedrich Diederichsen Duits journalist

Diedrich Diederichsen German author, journalist and cultural critic

Diedrich Diederichsen německý spisovatel, novinář a kulturní kritik

Diedrich Diederichsen periodista y escritor aleman

Diedrich Diederichsen professor académico alemão

Diedrich Diederichsen tysk professor

Дидрих Дидерихсен

迪德里希‧迪德里希森

Languages
English (98)

German (71)