WorldCat Identities

Burkholder, J. Peter (James Peter)

Overview
Works: 164 works in 455 publications in 6 languages and 7,765 library holdings
Genres: Criticism, interpretation, etc  Instrumental music  Music  Biography  Records and correspondence  Sources  Notated music  Scores  Art music  Vocal music 
Roles: Author, Editor, Thesis advisor, Speaker, Creator, Narrator, Author of introduction, edi, Other
Classifications: ML160, 780.9
Publication Timeline
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Most widely held works about J. Peter Burkholder
 
Most widely held works by J. Peter Burkholder
A history of Western music by Donald Jay Grout( Book )

51 editions published between 2005 and 2019 in 4 languages and held by 1,227 WorldCat member libraries worldwide

Maintaining the authority and breadth of coverage that has always defined this classic text, this new revision places a stronger emphasis on social and historical context and adds substantially expanded pedagogy and striking four-color design
Charles Ives, the ideas behind the music by J. Peter Burkholder( Book )

19 editions published between 1985 and 1993 in 3 languages and held by 1,085 WorldCat member libraries worldwide

Om den amerikanske komponist Charles Ives (1874-1954)
Charles Ives and his world( Book )

8 editions published in 1996 in English and held by 761 WorldCat member libraries worldwide

All made of tunes : Charles Ives and the uses of musical borrowing by J. Peter Burkholder( Book )

10 editions published between 1995 and 2010 in English and held by 743 WorldCat member libraries worldwide

Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, Burkholder contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing
Charles Ives and the classical tradition( Book )

9 editions published in 1996 in English and held by 627 WorldCat member libraries worldwide

Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music - from his penchant for quotation to his juxtaposition of disparate styles - have strong precedents and parallels among European composers. Ives emerges as a composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic
Norton anthology of western music( )

10 editions published between 2010 and 2014 in English and held by 581 WorldCat member libraries worldwide

This comprehensive collection of 205 scores illustrates every significant trend and genre of Western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli's In ecclesiis, Lully's Te Deum, Haydn's Creation, and Prokofiev's Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorák, and Tchaikovsky; and new twentieth-century works by Satie, Bartók, Milhaud, Prokofiev, Varèse, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty
Norton anthology of western music( )

5 editions published in 2006 in English and held by 429 WorldCat member libraries worldwide

Product Description: This comprehensive collection of 205 scores illustrates every significant trend and genre of Western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli's In ecclesiis, Lully's Te Deum, Haydn's Creation, and Prokofiev's Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorak, and Tchaikovsky; and new twentieth-century works by Satie, Bartok, Milhaud, Prokofiev, Varese, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty
Norton recorded anthology of western music( )

1 edition published in 2006 in Multiple languages and held by 212 WorldCat member libraries worldwide

Norton recorded anthology of western music( Recording )

1 edition published in 2010 in Multiple languages and held by 182 WorldCat member libraries worldwide

Concise history of western music by Barbara Russano Hanning( Book )

2 editions published between 2006 and 2010 in English and held by 154 WorldCat member libraries worldwide

This text based on Donald Jay Grout and Claude V. Palisca's A History of Western Music, Ninth Edition, is perfect for those who seek an authoritative, readable text that is more succinct than the parent book. Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; "Etudes," excursions that explore the material more deeply than the main text; and "Windows," boxed discussions of special topics. This book also includes numerous vignettes (quotations by musicians and writers), illustrations, diagrams, music examples, sideheads, chronologies, and a glossary
The pop palimpsest : intertextuality in recorded popular music by Lori Burns( Book )

2 editions published in 2018 in English and held by 123 WorldCat member libraries worldwide

"Within popular music there are entire genres (jazz "standards"), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality--the shaping of one text by another--in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners."--Publisher's description
Norton anthology of western music( Book )

7 editions published between 2010 and 2014 in English and held by 91 WorldCat member libraries worldwide

This text based on Donald Jay Grout and Claude V. Palisca's A History of Western Music, Ninth Edition, is perfect for those who seek an authoritative, readable text that is more succinct than the parent book. Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; "Etudes," excursions that explore the material more deeply than the main text; and "Windows," boxed discussions of special topics. This book also includes numerous vignettes (quotations by musicians and writers), illustrations, diagrams, music examples, sideheads, chronologies, and a glossary
Norton recorded anthology of western music( Visual )

1 edition published in 2014 in English and held by 62 WorldCat member libraries worldwide

Norton anthology of Western music( Book )

4 editions published between 2006 and 2010 in English and held by 57 WorldCat member libraries worldwide

Study and listening guide for Concise history of western music by Barbara Russano Hanning and Norton anthology of western music third edition [edited] by Claude V. Palisca by J. Peter Burkholder( Book )

5 editions published between 1998 and 2002 in English and held by 50 WorldCat member libraries worldwide

Norton recorded anthology of western music( Recording )

3 editions published in 2010 in Multiple languages and No Linguistic content and held by 47 WorldCat member libraries worldwide

Norton recorded anthology of western music. Ancient to Baroque( Recording )

4 editions published between 2006 and 2010 in Multiple languages and Undetermined and held by 47 WorldCat member libraries worldwide

 
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Charles Ives and his world
Covers
Charles Ives, the ideas behind the musicCharles Ives and his worldAll made of tunes : Charles Ives and the uses of musical borrowingCharles Ives and the classical traditionNorton anthology of western musicNorton anthology of western musicNorton recorded anthology of western musicNorton recorded anthology of western music
Alternative Names
Burkholder

Burkholder, J. P.

Burkholder J.Peter

Burkholder, J. Peter 19..-...

Burkholder, J. Peter 1954-

Burkholder, James Peter.

Burkholder, James Peter 1954-

Burkholder, Peter

버크홀더, J 피터 1954-

버크홀더, 제임스 피터 1954-

부르크홀더, J. 피터 1954-

부르크홀더, 제임스 피터 1954-

バークホルダー, J. ピーター

Languages