WorldCat Identities

Robertson, Robbie

Overview
Works: 254 works in 734 publications in 7 languages and 11,899 library holdings
Genres: Drama  Thrillers (Motion pictures)  Film adaptations  Criticism, interpretation, etc  Juvenile works  Rock music  Rock concert films  Documentary films  Sports films  Rock films 
Roles: Author, Performer, Producer, Commentator, Composer, Instrumentalist, Interviewee, Musician, Actor, Narrator, Singer, Conductor, Editor, Other
Classifications: PN1997, 791.4372
Publication Timeline
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Most widely held works by Robbie Robertson
The last waltz by Band (Musical group)( Visual )

45 editions published between 1978 and 2009 in 4 languages and held by 1,669 WorldCat member libraries worldwide

Thanksgiving, 1976, San Francisco's Winterland: the Band performs its last concert after 16 years on the road. Some numbers they do alone, some songs include guest artists from Ronnie Hawkins (their first boss, when they were the Hawks) to Bob Dylan (their last, when as his backup and as a solo group, they came into their own). Scorsese's camera explores the interactions onstage in the making of music. Offstage, he interviews the Band's five members, focusing on the nature of life on the road. The friendships, the harmonies, the hijinks, and the wear and tear add up to a last waltz
Hiawatha and the Peacemaker by Robbie Robertson( Recording )

2 editions published in 2015 in English and held by 778 WorldCat member libraries worldwide

Hiawatha, a Mohawk, is plotting revenge for the murder of his wife and daughters by the evil Onondaga Chief, Tadodaho, when he meets the Great Peacemaker, who enlists his help in bringing the nations together to share his vision of a new way of life marked by peace, love, and unity rather than war, hate, and fear. Includes historical notes
Legends, icons & rebels : music that changed the world by Robbie Robertson( Recording )

7 editions published in 2013 in English and held by 758 WorldCat member libraries worldwide

A tribute to more than two dozen legendary music artists who significantly influenced the landscape of music for generations to come, from Ray Charles and Bob Dylan to Chuck Berry and Johnny Cash
The king of comedy by Martin Scorsese( Visual )

23 editions published between 1982 and 2014 in 5 languages and held by 718 WorldCat member libraries worldwide

Talk show host Jerry Langford is kidnapped on his way to the studio by an aspiring stand-up comic who is short on talent but long on ambition. The ransom demand: an appearance on Langford's show to perform his routine
Music from Big Pink by Band (Musical group)( Recording )

6 editions published between 1982 and 2008 in English and Undetermined and held by 635 WorldCat member libraries worldwide

Outtakes and reissues of songs by The Band from the 1960s
Reel Injun( Visual )

11 editions published between 2009 and 2011 in English and held by 580 WorldCat member libraries worldwide

"An entertaining and provocative look at Hollywood's depiction of Native Americans, Reel Injun journeys through a century of cinema to set the record straight. Traveling through the heartland of the U.S., to the Black Hills and Monument Valley, Cree filmmaker Neil Diamond examines how the myth of the movie "Injun" has influenced the world's understanding -- and misunderstanding -- of Natives. With clips from hundreds of classic and recent films document the shift from nuanced silent-era heroes to the Western's "noble savage" stereotype, leading up to the bourgeoning Native independent scene of Smoke Signals and The Fast Runner. Containing candid interviews with celebrated directors, writers, actors and activists, including Clint Eastwood, Robbie Robertson, Sacheen Littlefeather, John Trudell, and Russell Means, Reel Injun is an insightful and essential compendium for understanding the racial politics of Hollywood and the continuing artistic vibrancy of Native peoples." -- Back of container
Last man standing by Jerry Lee Lewis( Recording )

7 editions published in 2006 in English and Undetermined and held by 448 WorldCat member libraries worldwide

It often seems like there are only two ways for rock, country, and blues veterans to launch comebacks when they're senior citizens: confront mortality head on or surround yourself with superstar guests to help carry you through a half-hearted stroll through your back catalog, scattering a few new tunes along the way. At first glance, Jerry Lee Lewis' Last Man Standing seems to fall into both categories: the title suggests that Jerry Lee is in the mood to take a long look back, and certainly the very concept of the album -- pairing Lewis with 21 other stars for a succession of duets, often on material that his guests either wrote or made famous -- seems like a typical superstar duet record. But the Killer has never been predictable, and nowhere is that truer than it is here, where Jerry Lee treats Mick Jagger, Keith Richards, John Fogerty, Bruce Springsteen, Jimmy Page, and 16 other stars as he treated the Nashville Teens at {the Star Club in 1964 -- as game amateurs who have to sprint to keep up with the master. This is the only guest-studded superstar album where all the guests bend to the will of the main act, who dominates the proceedings in every conceivable way. Jerry Lee doesn't just run the guests ragged; he turns their songs inside out, too -- and nowhere is that clearer than on the opening "Rock and Roll," the Led Zeppelin classic that is now stripped of its signature riff and sounds as if it were a lost gem dug out of the Sun vaults. Far from struggling with this, Jimmy Page embraces it, following the Killer as he runs off on his own course -- he turns into support, and the rest of other 20 guests follow suit (with the possible exception of Kid Rock, who sounds like the party guest who won't go home on an otherwise strong version of "Honky Tonk Woman"). The label might sell Last Man Standing on the backs of the duet partners -- after all, it's awful hard to drum up interest in a record by a 71-year-old man no matter how great he is, so you need a hook like superstars -- but the album by no stretch of the imagination belongs to them. This is completely Jerry Lee's show from the second that he calls out, "It's been a long time since I rock & rolled," at the beginning of the record -- and those are true words, since he hasn't rocked on record in a long, long time. Ten years ago he cut the Andy Paley-produced Young Blood, but that was a typically tasteful self-conscious comeback record; it was driven as much by the producer's conception of the artist as it was the artist himself. The opposite is true here, where the production is simple and transparent, never interfering with the performances; it has the welcome effect of making it sound like there is simply no way to tame Jerry Lee, even though he's now in his seventies. And that doesn't mean that this is merely a hard-rocking record, although "Rock and Roll," "Pink Cadillac," and "Travelin' Band" do indeed rock harder than anything he's done since the '70s -- so hard that they stand proudly next to his classic Sun records, even if they don't have the unbridled fire of those peerless sides. No, this album touches on everything that Jerry Lee has done musically through his career, as the furious rock & roll is balanced by pure hardcore country, piledriving boogie-woogie, rambling blues, old-timey folk songs, and, especially, reinterpretations of familiar songs that are so thoroughly reimagined they seem like they were written specifically for Jerry Lee. And he does this the same way he's always done it: by singing and playing the hell out of the songs. His phrasing remains original and unpredictable, twisting phrases in unexpected ways -- and, yes, throwing his name into the mix frequently, too -- and his piano is equally vigorous and vital. This is a record that stays true to his music, and in doing so, it's not so much a comeback as it is a summation: a final testament from a true American original, one that explains exactly why he's important. But that makes Last Man Standing sound too serious, as if it were one of those self-consciously morbid Johnny Cash records -- no, this is a record that celebrates life, both in its joys and sorrows, and it's hard not to see it as nothing short of inspiring. Stephen Thomas Erlewine
How to become clairvoyant by Robbie Robertson( Recording )

14 editions published between 2010 and 2014 in 4 languages and held by 444 WorldCat member libraries worldwide

The fifth solo album by Robbie Robertson, named one of Rolling Stone's 100 greatest guitarists of all time, also features Eric Clapton, Steve Winwood and Trent Reznor as well as vocalists Angela McCluskey, Rocco Deluca, Dana Glover, Taylor Goldsmith of Dawes, bassist Pino Palladino, and drummer Ian Thomas
Music for the native Americans by Robbie Robertson( Recording )

21 editions published in 1994 in 3 languages and held by 400 WorldCat member libraries worldwide

1: Coyote Danec (4:07); 2: Mahk Jchi (Heartbeat Drum Song) 4:17; 3: Ghost dance (5:12); 4: The Vanishing Breed (4:39); 5: It Is A good day to die (5:46); 6: Golden Feather (5:22); 7: Akua Tuta (4:51); 8: Words of Fire. Deeds Of Blood (4:52); 9: Cherokee Morning Song (2:58); 10: Skin Walker (5:56); 11: Ancestor Song (2:54); 12: Twisted hair (3:23)
The Band by Band (Musical group)( Recording )

20 editions published between 1965 and 2015 in English and Undetermined and held by 380 WorldCat member libraries worldwide

The group's second album was a more deliberate and accomplished effort, partially because the players had become a more cohesive unit. There are 12 songs and 7 bonus songs
The color of money by Irving Axelrad( Visual )

14 editions published between 1986 and 2012 in 6 languages and held by 379 WorldCat member libraries worldwide

An aging pool shark who believes "money won is twice as sweet as money earned", forms a profitable yet volatile partnership with a young pool hustler
Live 1966 by Bob Dylan( Recording )

1 edition published in 1998 in English and held by 322 WorldCat member libraries worldwide

This album originally started only in the underground scene; getting passed around un-officially, until finally Dylan released his bootleg series. Live 1966: The "Royal Albert Hall" Concert puts all the bootlegged copies to shame with superior recording
Ramble at the Ryman by Levon Helm( Recording )

1 edition published in 2011 in English and held by 312 WorldCat member libraries worldwide

On September 17, 2008, the legendary Levon Helm took his beloved Midnight Ramble on the road to one of America's treasured venues, Nashville's historic Ryman Auditorium. Accompanied by such luminaries as Buddy Miller, John Hiatt, Sheryl Crow, George Receli, Sam Bush and Billy Bob Thornton, the Levon Helm Band created an unforgettable night of stage magic
Phenomenon music from the motion picture by Thomas Newman( Recording )

4 editions published in 1996 in English and Undetermined and held by 308 WorldCat member libraries worldwide

Robbie Robertson by Robbie Robertson( Recording )

30 editions published between 1987 and 2005 in 4 languages and held by 306 WorldCat member libraries worldwide

True blood. music from the HBO original series( Recording )

3 editions published in 2010 in English and held by 281 WorldCat member libraries worldwide

Storyville by Robbie Robertson( Recording )

22 editions published between 1991 and 2005 in English and Undetermined and held by 266 WorldCat member libraries worldwide

Shutter Island by Martin Scorsese( Visual )

10 editions published between 2010 and 2012 in English and German and held by 250 WorldCat member libraries worldwide

"Cuando el agente federal Teddy Daniels llega al manicomio para delincuentes psicóticos en Shutter Island, lo que comienza como una investigación de rutina rápidamente toma un giro siniestro. A medida que la investigación avanza, Teddy va descubriendo más estremecedoras y terroríficas verdades acerca de la isla y se da cuenta de que hay algunos lugares de los que nunca podrás escapar."--Envase
Wolves by David Douglas( Visual )

15 editions published between 2001 and 2015 in 3 languages and held by 209 WorldCat member libraries worldwide

Take a journey into the world of wolves with intimate and rarely seen footage of one of North America's greatest predators. View these creatures in locations such as Yellowstone National Park, Montana, Idaho, Alaska, and Quebec, and get a look at the good that people can do when they care enough to correct some of the mistakes than threaten the health of the natural world
Contact from the underworld of Redboy by Robbie Robertson( Recording )

14 editions published in 1998 in 3 languages and held by 196 WorldCat member libraries worldwide

1. The sound is fading 2. The code of handsome lake 3. Making a noise 4. Unbound 5. Sacrifice 6. Rattlebone 7. Peyote healing 8. In the blood 9. Stomp dance (unity) 10. The lights
 
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Audience level: 0.23 (from 0.13 for Hiawatha a ... to 1.00 for Robbie Rob ...)

WorldCat IdentitiesRelated Identities
The color of money
Alternative Names
Klegerman, Jaime Robert

Robbie Robertson

Robbie Robertson Canadees zanger

Robbie Robertson Canadian singer-songwriter and guitarist

Robbie Robertson kanadischer Rockmusiker (Gitarrist, Sänger und Songschreiber)

Robbie Robertson kanadyjski muzyk rockowy

Robbie Robertson musicista, chitarrista e cantante canadese

Robbie Robertson músico, compositor y productor musical canadiense

Robertson, J.R.

Robertson, J. R. (Jamie Robbie)

Robertson, Jaime Robbie

Robertson Jaime Robbie 1943-....

Robertson, Jaime Robbie 1944-

Robertson, Jaime Robert 1944-

ROBERTSON ROBBIE

Robertson, Robbie 1943-

Robertson, Robbie, 1944-

RR 1944-

Робертсон, Робби

רוברטסון, רובי

로비 로버트슨

ロビー・ロバートソン

Languages
English (215)

French (12)

German (11)

Spanish (5)

Italian (2)

Chinese (1)

Dutch (1)

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