Didi-Huberman, Georges
Overview
| Works: | 786 works in 2,056 publications in 9 languages and 21,654 library holdings |
|---|---|
| Genres: | Criticism, interpretation, etc Pictorial works History Art Illustrated works Exhibition catalogs Biographies Interviews Diaries Essays |
| Roles: | Author, Author of introduction, Contributor, Editor, Publishing director, Interviewee, Creator, Curator, Honoree, wst, wat, Other, Collector, Opponent, Director, Bibliographic antecedent, wpr, Interviewer, Author of afterword, colophon, etc., zxx, Composer, Production personnel, Conceptor, htt, Redactor, Organizer of meeting, Narrator, 070, 651 |
Publication Timeline
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Most widely held works about
Georges Didi-Huberman
- Didi-Huberman and the image by Chari Larsson( )
- Bark by Georges Didi-Huberman( Book )
- Georges Didi-Huberman and film : the politics of the image by Alison Smith( )
- Devant les images : penser l'art et l'histoire avec Georges Didi-Huberman( Book )
- Georges Didi-Huberman by Georges Didi-Huberman( Book )
- Passés cités par JLG by Georges Didi-Huberman( Book )
- Peuples en larmes, peuples en armes by Georges Didi-Huberman( Book )
- Remontages du temps subi by Georges Didi-Huberman( Book )
- Georges Didi-Huberman. James Sacré( Book )
- Sintomi, strappi, anacronismi : il potere delle immagini secondo Georges Didi-Huberman by Daniela Barcella( Book )
- Aperçues by Georges Didi-Huberman( Book )
- Georges Didi-Huberman by Georges Didi-Huberman( Book )
- Wo Es war vier Briefe an Gerhard Richter by Georges Didi-Huberman( Book )
- Letture dell'informe : Rosalind Krauss e Georges Didi-Huberman by Andrea D'Ammando( Book )
- Critical image configurations : the work of Georges Didi-Huberman( Book )
- Georges Didi-Huberman ; James Sacré( Book )
- Pour commencer encore by Georges Didi-Huberman( Book )
- Geschichte des Blicks zu Texten von Georges Didi-Huberman by Wiebke-Marie Stock( Book )
- Georges Didi-Huberman ; James Sacré( Book )
- Frankfurter Kreuz( Book )
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Most widely held works by
Georges Didi-Huberman
Foucault against himself(
)
4 editions published in 2015 in English and held by 1,008 WorldCat member libraries worldwide
"In his private life, as well as in his work and political attitudes, Michel Foucault often stood in contradiction to himself, especially when his expansive ideas collided with the institutions in which he worked. In Francois Caillat's provocative collection of essays and interviews based on his French documentary of the same name, leading contemporary critics and philosophers reframe Foucault's legacy in an effort to build new ways of thinking about his struggle against society's mechanisms of domination, demonstrating how conflict within the self lies at the heart of Foucault's life and work."--
4 editions published in 2015 in English and held by 1,008 WorldCat member libraries worldwide
"In his private life, as well as in his work and political attitudes, Michel Foucault often stood in contradiction to himself, especially when his expansive ideas collided with the institutions in which he worked. In Francois Caillat's provocative collection of essays and interviews based on his French documentary of the same name, leading contemporary critics and philosophers reframe Foucault's legacy in an effort to build new ways of thinking about his struggle against society's mechanisms of domination, demonstrating how conflict within the self lies at the heart of Foucault's life and work."--
Invention of hysteria : Charcot and the photographic iconography of the Salpêtrière by
Georges Didi-Huberman(
Book
)
16 editions published between 2003 and 2004 in English and held by 861 WorldCat member libraries worldwide
"In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of the Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere."--Jacket
16 editions published between 2003 and 2004 in English and held by 861 WorldCat member libraries worldwide
"In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of the Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere."--Jacket
The Cube and the face : around a sculpture by Alberto Giacometti by
Georges Didi-Huberman(
)
7 editions published in 2015 in English and Undetermined and held by 823 WorldCat member libraries worldwide
"Alberto Giacometti's 1943 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide œvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional--a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait--or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work"--Back cover
7 editions published in 2015 in English and Undetermined and held by 823 WorldCat member libraries worldwide
"Alberto Giacometti's 1943 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide œvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional--a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait--or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work"--Back cover
Fra Angelico : dissemblance & figuration by
Georges Didi-Huberman(
Book
)
33 editions published between 1990 and 2009 in 3 languages and held by 797 WorldCat member libraries worldwide
A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project. For him, the problems of representing the unrepresentable, of portraying the divine and the spiritual, mitigated the more secular breakthroughs in imitative technique. Didi-Huberman explores Fra Angelico's solutions to these problems - his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith. In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century. He reveals how the techniques that served this ultimately religious impulse may have anticipated the more abstract characteristics of modern art, such as color fields, paint spatterings, and the absence of color. Part of Didi-Huberman's large-scale rethinking of art theory and history, and the first of his books to appear in English translation, Fra Angelico is a fitting introduction to one of the most original and celebrated writers in the world of art history and criticism
33 editions published between 1990 and 2009 in 3 languages and held by 797 WorldCat member libraries worldwide
A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project. For him, the problems of representing the unrepresentable, of portraying the divine and the spiritual, mitigated the more secular breakthroughs in imitative technique. Didi-Huberman explores Fra Angelico's solutions to these problems - his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith. In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century. He reveals how the techniques that served this ultimately religious impulse may have anticipated the more abstract characteristics of modern art, such as color fields, paint spatterings, and the absence of color. Part of Didi-Huberman's large-scale rethinking of art theory and history, and the first of his books to appear in English translation, Fra Angelico is a fitting introduction to one of the most original and celebrated writers in the world of art history and criticism
Images in spite of all : four photographs from Auschwitz by
Georges Didi-Huberman(
Book
)
44 editions published between 2003 and 2019 in 5 languages and held by 772 WorldCat member libraries worldwide
"Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance." "Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world."--Jacket
44 editions published between 2003 and 2019 in 5 languages and held by 772 WorldCat member libraries worldwide
"Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance." "Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world."--Jacket
What is a people? by
Alain Badiou(
)
5 editions published in 2016 in English and held by 686 WorldCat member libraries worldwide
Introduction : This People Which Is Not One / Bruno Bosteels -- Twenty-Four Notes on the Uses of the Word "People" / Alain Badiou -- You Said "Popular"? / Pierre Bourdieu -- "We, the People" : Thoughts on Freedom of Assembly / Judith Butler -- To Render Sensible / Georges Didi-Huberman -- The People and the Third People / Sadri Khiari -- The Populism That Is Not to Be Found / Jacques Ranciere -- Conclusion : Fragile Collectivities, Imagined Sovereignties / Kevin Olson
5 editions published in 2016 in English and held by 686 WorldCat member libraries worldwide
Introduction : This People Which Is Not One / Bruno Bosteels -- Twenty-Four Notes on the Uses of the Word "People" / Alain Badiou -- You Said "Popular"? / Pierre Bourdieu -- "We, the People" : Thoughts on Freedom of Assembly / Judith Butler -- To Render Sensible / Georges Didi-Huberman -- The People and the Third People / Sadri Khiari -- The Populism That Is Not to Be Found / Jacques Ranciere -- Conclusion : Fragile Collectivities, Imagined Sovereignties / Kevin Olson
Confronting images : questioning the ends of a certain history of art by
Georges Didi-Huberman(
Book
)
14 editions published between 2005 and 2009 in English and held by 643 WorldCat member libraries worldwide
When French edition of this book appeared, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to the author, visual representation has an "underside," in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the "science of iconology." The author suggests that art historians look to Freud's concept of the "dreamwork"--Not to find a code of interpretation, but rather to think of representation as a mobile process that often involves substitution and contradiction. This book also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer's Lacemaker
14 editions published between 2005 and 2009 in English and held by 643 WorldCat member libraries worldwide
When French edition of this book appeared, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to the author, visual representation has an "underside," in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the "science of iconology." The author suggests that art historians look to Freud's concept of the "dreamwork"--Not to find a code of interpretation, but rather to think of representation as a mobile process that often involves substitution and contradiction. This book also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer's Lacemaker
Survival of the fireflies by
Georges Didi-Huberman(
)
20 editions published between 2009 and 2018 in 6 languages and held by 624 WorldCat member libraries worldwide
"Through readings of Dante, Pasolini, Walter Benjamin, and others, Didi-Huberman seeks to understand this strange, minor light; he argues that the fireflies are still out there, burning and shimmering in the dark, hidden in marginal spaces and dreams, in works of art and resistance"--
20 editions published between 2009 and 2018 in 6 languages and held by 624 WorldCat member libraries worldwide
"Through readings of Dante, Pasolini, Walter Benjamin, and others, Didi-Huberman seeks to understand this strange, minor light; he argues that the fireflies are still out there, burning and shimmering in the dark, hidden in marginal spaces and dreams, in works of art and resistance"--
Being a skull : site, contact, thought, sculpture by
Georges Didi-Huberman(
)
12 editions published in 2016 in English and held by 535 WorldCat member libraries worldwide
12 editions published in 2016 in English and held by 535 WorldCat member libraries worldwide
Ce que nous voyons, ce qui nous regarde by
Georges Didi-Huberman(
Book
)
42 editions published between 1992 and 2017 in 4 languages and held by 443 WorldCat member libraries worldwide
El autor crea una fábula filosófica de la experiencia visual a través de dos figura emblemáticas, opuestas en un perpetuo dilema: el hombre de la visión creyente, que hace suya la palabra del evangelista frente a la tumba vacía de Cristo, y el hombre de la visión tautológica, que pretende asegurar su mirada en una certeza cerrada. Entre dos parábolas literarias tomadas de Joyce y Kafka, y ante la imagen de un gran cubo negro del escultor Tony Smith, el autor replantea la relación de la forma con la presencia, de la abstracción geométrica con el antropomorfismo, e intenta comprender mejor la dialéctica del volumen y del vacío
42 editions published between 1992 and 2017 in 4 languages and held by 443 WorldCat member libraries worldwide
El autor crea una fábula filosófica de la experiencia visual a través de dos figura emblemáticas, opuestas en un perpetuo dilema: el hombre de la visión creyente, que hace suya la palabra del evangelista frente a la tumba vacía de Cristo, y el hombre de la visión tautológica, que pretende asegurar su mirada en una certeza cerrada. Entre dos parábolas literarias tomadas de Joyce y Kafka, y ante la imagen de un gran cubo negro del escultor Tony Smith, el autor replantea la relación de la forma con la presencia, de la abstracción geométrica con el antropomorfismo, e intenta comprender mejor la dialéctica del volumen y del vacío
Devant l'image : question posée aux fins d'une histoire de l'art by
Georges Didi-Huberman(
Book
)
30 editions published between 1990 and 2016 in French and Undetermined and held by 346 WorldCat member libraries worldwide
30 editions published between 1990 and 2016 in French and Undetermined and held by 346 WorldCat member libraries worldwide
The surviving image : phantoms of time and time of phantoms : Aby Warburg's history of art by
Georges Didi-Huberman(
Book
)
12 editions published between 2016 and 2018 in English and held by 271 WorldCat member libraries worldwide
Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche. --Provided by publisher
12 editions published between 2016 and 2018 in English and held by 271 WorldCat member libraries worldwide
Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche. --Provided by publisher
L'image survivante : histoire de l'art et temps des fantômes selon Aby Warburg by
Georges Didi-Huberman(
Book
)
22 editions published between 2002 and 2017 in French and held by 263 WorldCat member libraries worldwide
Autour de la notion de survivance, se pose la question d'interroger, au coeur même de son histoire, la mémoire à l'oeuvre dans les images de la culture. C'est Aby Warburg (1866-1929) qui, le premier, fit de la survivance le motif central de son approche anthropologique de l'art occidental
22 editions published between 2002 and 2017 in French and held by 263 WorldCat member libraries worldwide
Autour de la notion de survivance, se pose la question d'interroger, au coeur même de son histoire, la mémoire à l'oeuvre dans les images de la culture. C'est Aby Warburg (1866-1929) qui, le premier, fit de la survivance le motif central de son approche anthropologique de l'art occidental
Invention de l'hystérie : Charcot et l'iconographie photographique de la Salpêtrière by
Georges Didi-Huberman(
Book
)
25 editions published between 1982 and 2014 in French and Undetermined and held by 245 WorldCat member libraries worldwide
25 editions published between 1982 and 2014 in French and Undetermined and held by 245 WorldCat member libraries worldwide
Devant le temps : histoire de l'art et anachronisme des images by
Georges Didi-Huberman(
Book
)
20 editions published between 2000 and 2014 in French and held by 241 WorldCat member libraries worldwide
20 editions published between 2000 and 2014 in French and held by 241 WorldCat member libraries worldwide
Atlas ou Le gai savoir inquiet by
Georges Didi-Huberman(
Book
)
15 editions published between 2011 and 2016 in 3 languages and held by 231 WorldCat member libraries worldwide
À quiconque s'interroge sur le rôle des images dans notre connaissance de l'histoire, l'atlas Mnémosyne apparaît comme une oeuvre-phare, un véritable moment de rupture épistémologique. Composé, mais constamment démonté, remonté, par Aby Warburg entre 1924 et 1929, il ouvre un nouveau chapitre dans ce qu'on pourrait nommer, à la manière de Michel Foucault, une archéologie du savoir visuel. C'est une enquête " archéologique ", en effet, qu'il aura fallu mener pour comprendre la richesse inépuisable de cet atlas d'images qui nous fait voyager de Babylone au XXe siècle, de l'Orient à l'Occident, des astra les plus lointains (constellations d'idées) aux monstra les plus proches (pulsions viscérales), des beautés de l'art aux horreurs de l'histoire. Ce livre raconte, par un montage de " gros plans " plutôt que par un récit continu, les métamorphoses d'Atlas, ce titan condamné par les dieux de l'Olympe à ployer indéfiniment sous le poids du monde, en atlas, cette forme visuelle et synoptique de connaissance dont nous comprenons mieux, aujourd'hui
15 editions published between 2011 and 2016 in 3 languages and held by 231 WorldCat member libraries worldwide
À quiconque s'interroge sur le rôle des images dans notre connaissance de l'histoire, l'atlas Mnémosyne apparaît comme une oeuvre-phare, un véritable moment de rupture épistémologique. Composé, mais constamment démonté, remonté, par Aby Warburg entre 1924 et 1929, il ouvre un nouveau chapitre dans ce qu'on pourrait nommer, à la manière de Michel Foucault, une archéologie du savoir visuel. C'est une enquête " archéologique ", en effet, qu'il aura fallu mener pour comprendre la richesse inépuisable de cet atlas d'images qui nous fait voyager de Babylone au XXe siècle, de l'Orient à l'Occident, des astra les plus lointains (constellations d'idées) aux monstra les plus proches (pulsions viscérales), des beautés de l'art aux horreurs de l'histoire. Ce livre raconte, par un montage de " gros plans " plutôt que par un récit continu, les métamorphoses d'Atlas, ce titan condamné par les dieux de l'Olympe à ployer indéfiniment sous le poids du monde, en atlas, cette forme visuelle et synoptique de connaissance dont nous comprenons mieux, aujourd'hui
La peinture incarnée by
Georges Didi-Huberman(
Book
)
18 editions published between 1985 and 2021 in 3 languages and held by 229 WorldCat member libraries worldwide
18 editions published between 1985 and 2021 in 3 languages and held by 229 WorldCat member libraries worldwide
La ressemblance informe, ou, Le gai savoir visuel selon Georges Bataille by
Georges Didi-Huberman(
Book
)
18 editions published between 1995 and 2019 in French and held by 209 WorldCat member libraries worldwide
18 editions published between 1995 and 2019 in French and held by 209 WorldCat member libraries worldwide
Gerhard Richter : pictures/series : Fondation Beyeler, Riehen/Basel, 2014 by
Gerhard Richter(
Book
)
12 editions published in 2014 in 3 languages and held by 196 WorldCat member libraries worldwide
Over the sixty years of his career Gerhard Richter has produced a standard-setting oeuvre whose thematic and stylistic diversity has no equal among the art of our time
12 editions published in 2014 in 3 languages and held by 196 WorldCat member libraries worldwide
Over the sixty years of his career Gerhard Richter has produced a standard-setting oeuvre whose thematic and stylistic diversity has no equal among the art of our time
Atlas, or The anxious gay science by
Georges Didi-Huberman(
Book
)
5 editions published in 2018 in English and held by 187 WorldCat member libraries worldwide
"Aby Warburg's 'Mnemosyne Atlas' (1925-1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg's allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from 'Mnemosyne Atlas' into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg's idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, 'Atlas, or the Anxious Gay Science' is rich in Didi-Huberman's trademark combination of elan and insight" --Publisher's description
5 editions published in 2018 in English and held by 187 WorldCat member libraries worldwide
"Aby Warburg's 'Mnemosyne Atlas' (1925-1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg's allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from 'Mnemosyne Atlas' into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg's idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, 'Atlas, or the Anxious Gay Science' is rich in Didi-Huberman's trademark combination of elan and insight" --Publisher's description
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Related Identities
- Farge, Arlette Interviewee Author
- Bersani, Leo Interviewee Author
- Lagasnerie, Geoffroy de Interviewee
- Caillat, François Restager Author Editor
- Charcot, J. M. (Jean Martin) 1825-1893 Author
- Lillis, Shane B. (Shane Brendan) Translator
- Salpêtrière (Hospital)
- Foucault, Michel 1926-1984
- Rabinow, Paul
- Homel, David Translator
Useful Links
Associated Subjects
Aesthetics Aesthetics, Modern Angelico,--fra, Art and history Art and society Art criticism Art--Historiography Art--Philosophy Art--Psychology Atlas--(Greek deity) Auschwitz (Concentration camp) Bataille, Georges, Birkenau (Concentration camp) Chef d'oeuvre inconnu (Balzac, Honoré de) Communication in art Democracy Didi-Huberman, Georges Facial expression France Germany Group identity Historiography Historiography and photography Historiography--Methodology Human figure in art Hysteria Image (Philosophy) Imagination (Philosophy) Literature Mental illness Mnemonics Mnemosyne (Warburg, Aby) Motion pictures and history Nation-state Painting People (Constitutional law) Photography Pictures as information resources Poland Political science--Philosophy Populism Psychoanalysis and art Richter, Gerhard, Salpêtrière (Hospital) Semiotics Social classes--Political aspects Symbolism in art Travel Visual perception Warburg, Aby,
Covers
Alternative Names
Didi G. 1953-
Didi-Huberman
Didi-Huberman, G.
Didi-Huberman, G. 1953-
Didi-Huberman, G. (Georges)
Didi-Huberman, G. Georges 1953-
Didi-Huberman, G. (Georges), n. 1953
Didi-Huberman, Georges
Didi Huberman, Georges 1953-
Didi-Huberman, J.
Georges Didi-Huberman
Georges Didi-Huberman filòsof francès
Georges Didi-Huberman filósofo francés
Georges Didi-Huberman filósofo franses
Georges Didi-Huberman filozof francez
Georges Didi-Huberman Frans filosoof
Georges Didi-Huberman französischer Kunsthistoriker, Philosoph und Hochschullehrer
Georges Didi-Huberman französischer Kunsthistoriker, Philosoph und Hochschullehrer (geb. 1953)
Georges Didi-Huberman French philosopher
Georges Didi-Huberman French philosopher and art historian (born 1953)
Georges Didi-Huberman philosophe et historien de l'art français
Georges Didi-Huberman storico dell'arte e filosofo francese
Huberman G. 1953-
Huberman, Georges Didi-.
Huberman Georges Didi- 1953-....
Huberman, Georges Didi-, n. 1953
Huiberman Georges Didi-
Губерман Жорж Диди-
Диди-Губерман Жорж
Диди Ж
Диди-Юберман Ж. 1953-
Диди-Юберман, Жорж
Диди-Юберман, Жорж 1953-
Юберман Ж
Юберман, Жорж Диди- 1953-
דידי-הוברמן, ז. (ז'ורז')
הוברמן, ז'ורז' דידי-
ژرژ دیدی-اوبرمان
디디-위베르만, 조르주 1953-
ジョルジュ・ディディ＝ユベルマン
ディディ=ユベルマン, G
ディディ-ユベルマン, J.
ディディ=ユベルマン, ジョルジュ
ディディ=ユベルマン, ジョルジュ 1953-
乔治·迪迪胡伯曼 法國哲學家和藝術史學家
佐治·迪迪-于伯曼
Languages