Didi-Huberman, Georges
Overview
| Works: | 700 works in 1,801 publications in 8 languages and 18,079 library holdings |
|---|---|
| Genres: | Criticism, interpretation, etc Pictorial works History Illustrated works Catalogs Biography Interviews Art Essays Diaries |
| Roles: | Author, Author of introduction, Editor, Contributor, Publishing director, Interviewee, Creator, Other, Honoree, Director, Curator, wst, Bibliographic antecedent, Conceptor, Opponent, wpr, Collector, zxx, Author of afterword, colophon, etc., Production personnel, Organizer of meeting, Interviewer, Narrator, Redactor, 070, Composer |
| Classifications: | N7430.5, 759.5 |
Publication Timeline
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Most widely held works about
Georges Didi-Huberman
- Bark by Georges Didi-Huberman( Book )
- Devant les images : penser l'art et l'histoire avec Georges Didi-Huberman( Book )
- Georges Didi-Huberman by Georges Didi-Huberman( Book )
- Georges Didi-Huberman. James Sacré( Book )
- Sintomi, strappi, anacronismi : il potere delle immagini secondo Georges Didi-Huberman by Daniela Barcella( Book )
- Georges Didi-Huberman by Georges Didi-Huberman( Book )
- Aperçues by Georges Didi-Huberman( Book )
- Letture dell'informe : Rosalind Krauss e Georges Didi-Huberman by Andrea D'Ammando( Book )
- Wo Es war : vier Briefe an Gerhard Richter by Georges Didi-Huberman( Book )
- Georges Didi-Huberman ; James Sacré( Book )
- Geschichte des Blicks : zu Texten von Georges Didi-Huberman by Wiebke-Marie Stock( Book )
- Georges Didi-Huberman ; James Sacré( Book )
- Georges Didi-Huberman : imágenes, historia, pensamiento( Book )
- Frankfurter Kreuz( Book )
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Most widely held works by
Georges Didi-Huberman
Foucault against himself(
)
4 editions published in 2015 in English and held by 857 WorldCat member libraries worldwide
"In his private life, as well as in his work and political attitudes, Michel Foucault often stood in contradiction to himself, especially when his expansive ideas collided with the institutions in which he worked. In Francois Caillat's provocative collection of essays and interviews based on his French documentary of the same name, leading contemporary critics and philosophers reframe Foucault's legacy in an effort to build new ways of thinking about his struggle against society's mechanisms of domination, demonstrating how conflict within the self lies at the heart of Foucault's life and work."--
4 editions published in 2015 in English and held by 857 WorldCat member libraries worldwide
"In his private life, as well as in his work and political attitudes, Michel Foucault often stood in contradiction to himself, especially when his expansive ideas collided with the institutions in which he worked. In Francois Caillat's provocative collection of essays and interviews based on his French documentary of the same name, leading contemporary critics and philosophers reframe Foucault's legacy in an effort to build new ways of thinking about his struggle against society's mechanisms of domination, demonstrating how conflict within the self lies at the heart of Foucault's life and work."--
Invention of hysteria : Charcot and the photographic iconography of the Salpêtrière by
Georges Didi-Huberman(
Book
)
18 editions published between 2003 and 2004 in English and held by 854 WorldCat member libraries worldwide
"In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of the Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere."--Jacket
18 editions published between 2003 and 2004 in English and held by 854 WorldCat member libraries worldwide
"In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of the Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere."--Jacket
Images in spite of all : four photographs from Auschwitz by
Georges Didi-Huberman(
Book
)
40 editions published between 2003 and 2015 in 4 languages and held by 725 WorldCat member libraries worldwide
"Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance." "Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world."--Jacket
40 editions published between 2003 and 2015 in 4 languages and held by 725 WorldCat member libraries worldwide
"Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance." "Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world."--Jacket
Fra Angelico : dissemblance & figuration by
Georges Didi-Huberman(
Book
)
28 editions published between 1990 and 2009 in 3 languages and held by 697 WorldCat member libraries worldwide
A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project. For him, the problems of representing the unrepresentable, of portraying the divine and the spiritual, mitigated the more secular breakthroughs in imitative technique. Didi-Huberman explores Fra Angelico's solutions to these problems - his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith. In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century. He reveals how the techniques that served this ultimately religious impulse may have anticipated the more abstract characteristics of modern art, such as color fields, paint spatterings, and the absence of color. Part of Didi-Huberman's large-scale rethinking of art theory and history, and the first of his books to appear in English translation, Fra Angelico is a fitting introduction to one of the most original and celebrated writers in the world of art history and criticism
28 editions published between 1990 and 2009 in 3 languages and held by 697 WorldCat member libraries worldwide
A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project. For him, the problems of representing the unrepresentable, of portraying the divine and the spiritual, mitigated the more secular breakthroughs in imitative technique. Didi-Huberman explores Fra Angelico's solutions to these problems - his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith. In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century. He reveals how the techniques that served this ultimately religious impulse may have anticipated the more abstract characteristics of modern art, such as color fields, paint spatterings, and the absence of color. Part of Didi-Huberman's large-scale rethinking of art theory and history, and the first of his books to appear in English translation, Fra Angelico is a fitting introduction to one of the most original and celebrated writers in the world of art history and criticism
Confronting images : questioning the ends of a certain history of art by
Georges Didi-Huberman(
Book
)
14 editions published between 2005 and 2009 in English and held by 644 WorldCat member libraries worldwide
When French edition of this book appeared, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to the author, visual representation has an "underside," in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the "science of iconology." The author suggests that art historians look to Freud's concept of the "dreamwork"--Not to find a code of interpretation, but rather to think of representation as a mobile process that often involves substitution and contradiction. This book also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer's Lacemaker
14 editions published between 2005 and 2009 in English and held by 644 WorldCat member libraries worldwide
When French edition of this book appeared, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to the author, visual representation has an "underside," in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the "science of iconology." The author suggests that art historians look to Freud's concept of the "dreamwork"--Not to find a code of interpretation, but rather to think of representation as a mobile process that often involves substitution and contradiction. This book also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer's Lacemaker
What is a people? by
Alain Badiou(
)
6 editions published between 2014 and 2016 in English and Spanish and held by 588 WorldCat member libraries worldwide
Introduction : This People Which Is Not One / Bruno Bosteels -- Twenty-Four Notes on the Uses of the Word "People" / Alain Badiou -- You Said "Popular"? / Pierre Bourdieu -- "We, the People" : Thoughts on Freedom of Assembly / Judith Butler -- To Render Sensible / Georges Didi-Huberman -- The People and the Third People / Sadri Khiari -- The Populism That Is Not to Be Found / Jacques Ranciere -- Conclusion : Fragile Collectivities, Imagined Sovereignties / Kevin Olson
6 editions published between 2014 and 2016 in English and Spanish and held by 588 WorldCat member libraries worldwide
Introduction : This People Which Is Not One / Bruno Bosteels -- Twenty-Four Notes on the Uses of the Word "People" / Alain Badiou -- You Said "Popular"? / Pierre Bourdieu -- "We, the People" : Thoughts on Freedom of Assembly / Judith Butler -- To Render Sensible / Georges Didi-Huberman -- The People and the Third People / Sadri Khiari -- The Populism That Is Not to Be Found / Jacques Ranciere -- Conclusion : Fragile Collectivities, Imagined Sovereignties / Kevin Olson
Being a skull : site, contact, thought, sculpture by
Georges Didi-Huberman(
)
11 editions published in 2016 in English and held by 453 WorldCat member libraries worldwide
11 editions published in 2016 in English and held by 453 WorldCat member libraries worldwide
Ce que nous voyons, ce qui nous regarde by
Georges Didi-Huberman(
Book
)
30 editions published between 1992 and 2011 in 3 languages and held by 393 WorldCat member libraries worldwide
30 editions published between 1992 and 2011 in 3 languages and held by 393 WorldCat member libraries worldwide
Survival of the fireflies by
Georges Didi-Huberman(
Book
)
16 editions published between 2009 and 2018 in 5 languages and held by 384 WorldCat member libraries worldwide
"Through readings of Dante, Pasolini, Walter Benjamin, and others, Didi-Huberman seeks to understand this strange, minor light; he argues that the fireflies are still out there, burning and shimmering in the dark, hidden in marginal spaces and dreams, in works of art and resistance"--
16 editions published between 2009 and 2018 in 5 languages and held by 384 WorldCat member libraries worldwide
"Through readings of Dante, Pasolini, Walter Benjamin, and others, Didi-Huberman seeks to understand this strange, minor light; he argues that the fireflies are still out there, burning and shimmering in the dark, hidden in marginal spaces and dreams, in works of art and resistance"--
Devant l'image : question posée aux fins d'une histoire de l'art by
Georges Didi-Huberman(
Book
)
28 editions published between 1990 and 2016 in French and Undetermined and held by 333 WorldCat member libraries worldwide
28 editions published between 1990 and 2016 in French and Undetermined and held by 333 WorldCat member libraries worldwide
La peinture incarnée by
Georges Didi-Huberman(
Book
)
22 editions published between 1985 and 2012 in French and German and held by 307 WorldCat member libraries worldwide
22 editions published between 1985 and 2012 in French and German and held by 307 WorldCat member libraries worldwide
The surviving image : phantoms of time and time of phantoms : Aby Warburg's history of art by
Georges Didi-Huberman(
Book
)
10 editions published between 2016 and 2018 in English and held by 257 WorldCat member libraries worldwide
Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche. --Provided by publisher
10 editions published between 2016 and 2018 in English and held by 257 WorldCat member libraries worldwide
Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche. --Provided by publisher
L'image survivante : histoire de l'art et temps des fantômes selon Aby Warburg by
Georges Didi-Huberman(
Book
)
20 editions published between 2002 and 2017 in French and held by 257 WorldCat member libraries worldwide
Autour de la notion de survivance, se pose la question d'interroger, au coeur même de son histoire, la mémoire à l'oeuvre dans les images de la culture. C'est Aby Warburg (1866-1929) qui, le premier, fit de la survivance le motif central de son approche anthropologique de l'art occidental
20 editions published between 2002 and 2017 in French and held by 257 WorldCat member libraries worldwide
Autour de la notion de survivance, se pose la question d'interroger, au coeur même de son histoire, la mémoire à l'oeuvre dans les images de la culture. C'est Aby Warburg (1866-1929) qui, le premier, fit de la survivance le motif central de son approche anthropologique de l'art occidental
Invention de l'hystérie : Charcot et l'iconographie photographique de la Salpêtrière by
Georges Didi-Huberman(
Book
)
25 editions published between 1982 and 2014 in French and Undetermined and held by 242 WorldCat member libraries worldwide
25 editions published between 1982 and 2014 in French and Undetermined and held by 242 WorldCat member libraries worldwide
Devant le temps : histoire de l'art et anachronisme des images by
Georges Didi-Huberman(
Book
)
20 editions published between 2000 and 2014 in French and held by 242 WorldCat member libraries worldwide
20 editions published between 2000 and 2014 in French and held by 242 WorldCat member libraries worldwide
La ressemblance informe, ou, Le gai savoir visuel selon Georges Bataille by
Georges Didi-Huberman(
Book
)
16 editions published between 1995 and 2019 in French and held by 178 WorldCat member libraries worldwide
16 editions published between 1995 and 2019 in French and held by 178 WorldCat member libraries worldwide
Ouvrir Vénus : nudité, rêve, cruauté by
Georges Didi-Huberman(
Book
)
19 editions published between 1999 and 2001 in French and held by 171 WorldCat member libraries worldwide
El autor propone un nuevo punto de vista para mirar/admirar/desnudar/revestir la Venus de Botticelli y, por extensión, la imagen del desnudo femenino en el arte, la literatura y la filosofía desde el Quattrocento hasta nuestros días, desvelando la desnudez como sueño y crueldad del artista, como motivo de homenaje y de sadismo, como objeto de admiración y de horror clínico, reexaminando las fuentes literarias con las aportaciones de Freud, Bataille o Sade
19 editions published between 1999 and 2001 in French and held by 171 WorldCat member libraries worldwide
El autor propone un nuevo punto de vista para mirar/admirar/desnudar/revestir la Venus de Botticelli y, por extensión, la imagen del desnudo femenino en el arte, la literatura y la filosofía desde el Quattrocento hasta nuestros días, desvelando la desnudez como sueño y crueldad del artista, como motivo de homenaje y de sadismo, como objeto de admiración y de horror clínico, reexaminando las fuentes literarias con las aportaciones de Freud, Bataille o Sade
L'image ouverte : motifs de l'incarnation dans les arts visuels by
Georges Didi-Huberman(
Book
)
11 editions published between 2007 and 2013 in French and held by 167 WorldCat member libraries worldwide
Ce livre interroge les relations anthropologiques cruciales que les images entretiennent avec le corps et la chair, au-delà des notions usuelles d'anthropomorphisme ou de représentation figurative. Y sont analysées les diverses façons dont les images visent la chair, que ce soit la chair d'Aphrodite formée de l'écume ou celle du Christ sacrifiée sur la croix. Paganisme et christianisme, chacun avec ses propres cadres de pensée, auront, en effet, tous deux cherché à atteindre, voire à transgresser, les limites de l'imitation : là où les métaphores deviennent métamorphoses, là où les signes qui représentent deviennent des symptômes qui incarnent. On découvrira cette puissance extraordinaire des corps lorsqu'en eux la chair vise l'image, par exemple dans la stigmatisation de saint François au XIIIe siècle, les crucifiements des Convulsionnaires de Saint-Médard au XVIIIe siècle ou les ±clous¿ hystériques de la Salpêtrière au XIXe siècle. Une traversée impressionnante d'images qui ne sont pas faites pour décorer, simuler ou consoler, mais pour agir, nous bouleverser et nous donner accès à quelque chose comme une profondeur.--
11 editions published between 2007 and 2013 in French and held by 167 WorldCat member libraries worldwide
Ce livre interroge les relations anthropologiques cruciales que les images entretiennent avec le corps et la chair, au-delà des notions usuelles d'anthropomorphisme ou de représentation figurative. Y sont analysées les diverses façons dont les images visent la chair, que ce soit la chair d'Aphrodite formée de l'écume ou celle du Christ sacrifiée sur la croix. Paganisme et christianisme, chacun avec ses propres cadres de pensée, auront, en effet, tous deux cherché à atteindre, voire à transgresser, les limites de l'imitation : là où les métaphores deviennent métamorphoses, là où les signes qui représentent deviennent des symptômes qui incarnent. On découvrira cette puissance extraordinaire des corps lorsqu'en eux la chair vise l'image, par exemple dans la stigmatisation de saint François au XIIIe siècle, les crucifiements des Convulsionnaires de Saint-Médard au XVIIIe siècle ou les ±clous¿ hystériques de la Salpêtrière au XIXe siècle. Une traversée impressionnante d'images qui ne sont pas faites pour décorer, simuler ou consoler, mais pour agir, nous bouleverser et nous donner accès à quelque chose comme une profondeur.--
Encyclopaedia anatomica : a complete collection of anatomical waxes by
Monika von Düring(
Book
)
12 editions published in 1999 in 4 languages and held by 161 WorldCat member libraries worldwide
12 editions published in 1999 in 4 languages and held by 161 WorldCat member libraries worldwide
The Cube and the face : around a sculpture by Alberto Giacometti by
Georges Didi-Huberman(
Book
)
5 editions published in 2015 in English and held by 159 WorldCat member libraries worldwide
"Alberto Giacometti's 1943 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide œvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional--a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait--or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work"--Back cover
5 editions published in 2015 in English and held by 159 WorldCat member libraries worldwide
"Alberto Giacometti's 1943 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide œvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional--a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait--or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work"--Back cover
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Audience Level
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Related Identities
- Charcot, J. M. (Jean Martin) 1825-1893 Author
- Salpêtrière (Hospital)
- Farge, Arlette Interviewee Author
- Caillat, François Restager Author Editor
- Lagasnerie, Geoffroy de Interviewee
- Bersani, Leo Interviewee Author
- Foucault, Michel 1926-1984
- Rabinow, Paul
- Homel, David Translator
- Rancière, Jacques Editor Collector Contributor
Useful Links
Associated Subjects
Aesthetics, Modern Angelico,--fra, Art appreciation Art criticism Art--Historiography Art--Philosophy Auschwitz (Concentration camp) Bataille, Georges, Birkenau (Concentration camp) Chef d'œuvre inconnu (Balzac, Honoré de) Communication in art Cube (Giacometti, Alberto) Democracy Didi-Huberman, Georges Facial expression France Giacometti, Alberto, Group identity Historiography Historiography and photography Holocaust, Jewish (1939-1945) Human anatomy--Models Human figure in art Hysteria Image (Philosophy) Imagination Incarnation in art Literature Mental illness Museo zoologico La Specola (Florence, Italy) Nation-state Painting Penone, Giuseppe People (Constitutional law) Philosophers Photography Poland Political science--Philosophy Populism Psychoanalysis and art Salpêtrière (Hospital) Sculpture, Abstract Semiotics Social classes--Political aspects Symbolism in art Travel Visual perception Warburg, Aby, Wax figures World War (1939-1945)
Covers
Alternative Names
Didi G. 1953-
Didi-Huberman
Didi-Huberman, G.
Didi-Huberman, G. 1953-
Didi-Huberman, G. (Georges)
Didi-Huberman, G. Georges 1953-
Didi-Huberman, Georges
Didi-Huberman, Georges, 1953-
Didi-Huberman, J.
Georges Didi-Huberman filòsof francès
Georges Didi-Huberman filósofo francés
Georges Didi-Huberman Frans filosoof
Georges Didi-Huberman französischer Kunsthistoriker, Philosoph und Hochschullehrer
Georges Didi-Huberman French philosopher
Georges Didi-Huberman philosophe et historien de l'art français
Georges Didi-Huberman storico dell'arte e filosofo francese
Huberman G. 1953-
Huberman, Georges Didi-.
Huberman Georges Didi- 1953-....
Huiberman Georges Didi-
Губерман Жорж Диди-
Диди-Губерман Жорж
Диди Ж
Диди-Юберман Ж. 1953-
Диди-Юберман, Жорж
Диди-Юберман, Жорж 1953-
Юберман Ж
Юберман, Жорж Диди- 1953-
דידי-הוברמן, ז. (ז'ורז')
הוברמן, ז'ורז' דידי-
디디-위베르만, 조르주 1953-
ジョルジュ・ディディ＝ユベルマン
ディディ=ユベルマン, G
ディディ-ユベルマン, J.
ディディ=ユベルマン, ジョルジュ
乔治·迪迪胡伯曼
Languages