Musée d'Orsay
Overview
| Works: | 1,792 works in 4,937 publications in 7 languages and 63,367 library holdings |
|---|---|
| Genres: | Exhibition catalogs Catalogs Criticism, interpretation, etc History Drama Historical films Guidebooks Pictorial works War films Documentary-style films |
| Roles: | Editor, Contributor, Producer, Organizer of meeting, Other, Collector, 475, Publisher, prn, his, isb, Owner, sht, Distributor, pmn, Curator, Publishing director, Collaborator, Sponsor |
| Classifications: | ND547, 759.4 |
Publication Timeline
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Most widely held works about
Musée d'Orsay
- The Musee d'Orsay, Paris by Musée d'Orsay( Book )
- Impressionist and post-impressionist masterpieces at the Musée d'Orsay by Musée d'Orsay( Book )
- Birth of Impressionism : masterpieces from the Musée d'Orsay by Guy Cogeval( Book )
- Paris in the age of Impressionism : masterworks from the Musée d'Orsay by David A Brenneman( Book )
- Cézanne to Van Gogh : the collection of Doctor Gachet by Anne Distel( Book )
- Painting in the Musée d'Orsay by Musée d'Orsay( Book )
- Starry nights by Daisy Whitney( Book )
- Creating the Musée d'Orsay : the politics of culture in France by Andrea Kupfer Schneider( Book )
- A history of photography : the Musée d'Orsay collection, 1839-1925 by Musée d'Orsay( Book )
- The Louvre by Alexandra Bonfante-Warren( Book )
- Orsay, the metamorphosis of a monument : from Paris terminus to national museum by Jean Jenger( Book )
- From Courbet to Cézanne : a new 19th century : preview of the Musée d'Orsay, Paris : the Brooklyn Museum, March 13-May 5, 1986, Dallas Museum of Art, June 1-August 3, 1986 by Guy Cogeval( Book )
- Catalogue sommaire illustré des sculptures by Musée d'Orsay( Book )
- Art & architecture, Musée d'Orsay by Peter J Gärtner( Book )
- The Musée d'Orsay : sculpture by Musée d'Orsay( Book )
- The daguerreotype by Musée d'Orsay( Book )
- Women in the 19th century : categories and contradictions by Linda Nochlin( Book )
- Catalogue sommaire illustré des arts décoratifs by Musée d'Orsay( Book )
- Towards photojournalism by Françoise Heilbrun( Book )
- The artist's studio by Dominique de Font-Réaulx( Book )
more
fewer
Most widely held works by
Musée d'Orsay
Thomas Eakins by
Darrel Sewell(
Book
)
8 editions published in 2001 in English and held by 1,334 WorldCat member libraries worldwide
Lavishly illustrated with more than 250 copies of Thomas Eakins best and most popular works
8 editions published in 2001 in English and held by 1,334 WorldCat member libraries worldwide
Lavishly illustrated with more than 250 copies of Thomas Eakins best and most popular works
Paintings in the Musée d'Orsay by
Robert Rosenblum(
Book
)
7 editions published in 1989 in English and held by 1,083 WorldCat member libraries worldwide
7 editions published in 1989 in English and held by 1,083 WorldCat member libraries worldwide
Manet : the still-life paintings by
George L Mauner(
Book
)
4 editions published in 2000 in English and held by 967 WorldCat member libraries worldwide
"Still-life painting offers everything from pure sensual pleasure to a challenge for rigorous aesthetic analysis. A bowl of luscious fruit, a vase of exquisite flowers, an arrangement of food on a table - all can be enjoyed on many levels." "Manet's still-life paintings are among the finest ever created, and account for almost one-fifth of all his works. The full range of these oils, watercolors, and prints is discussed in this study and beautifully reproduced in color."--Jacket
4 editions published in 2000 in English and held by 967 WorldCat member libraries worldwide
"Still-life painting offers everything from pure sensual pleasure to a challenge for rigorous aesthetic analysis. A bowl of luscious fruit, a vase of exquisite flowers, an arrangement of food on a table - all can be enjoyed on many levels." "Manet's still-life paintings are among the finest ever created, and account for almost one-fifth of all his works. The full range of these oils, watercolors, and prints is discussed in this study and beautifully reproduced in color."--Jacket
Manet/Velázquez : the French taste for Spanish painting by
Gary Tinterow(
Book
)
11 editions published between 2002 and 2003 in English and held by 896 WorldCat member libraries worldwide
"This illustrated book accompanies a groundbreaking exhibition - the first of such scale and depth to be organized around this subject - that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbaran, Velazquez, Murillo, and Goya, while French writers and artists - among them Hugo and Baudelaire, Gericault, Delacroix, Millet, Courbet, Degas, and especially Manet - came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--Jacket
11 editions published between 2002 and 2003 in English and held by 896 WorldCat member libraries worldwide
"This illustrated book accompanies a groundbreaking exhibition - the first of such scale and depth to be organized around this subject - that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbaran, Velazquez, Murillo, and Goya, while French writers and artists - among them Hugo and Baudelaire, Gericault, Delacroix, Millet, Courbet, Degas, and especially Manet - came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--Jacket
Chicago architecture, 1872-1922 : birth of a metropolis by
John Zukowsky(
Book
)
12 editions published between 1987 and 2000 in 3 languages and held by 880 WorldCat member libraries worldwide
An in-depth survey of the formative years of Chicago's modern architecture
12 editions published between 1987 and 2000 in 3 languages and held by 880 WorldCat member libraries worldwide
An in-depth survey of the formative years of Chicago's modern architecture
L'heure d'été by
Olivier Assayas(
Visual
)
17 editions published between 2008 and 2011 in French and English and held by 796 WorldCat member libraries worldwide
The divergent paths of three adult siblings collide when their mother, heiress to an exceptional 19th century art collection, dies suddenly
17 editions published between 2008 and 2011 in French and English and held by 796 WorldCat member libraries worldwide
The divergent paths of three adult siblings collide when their mother, heiress to an exceptional 19th century art collection, dies suddenly
Alfred Sisley by
Alfred Sisley(
Book
)
9 editions published in 1992 in English and held by 786 WorldCat member libraries worldwide
There has never before been a major retrospective exhibition in Europe or America of Sisley's work, and there have been few serious publications. He remains therefore the least known of the Major Impressionists. Although a prolific artist, the uneven quality of his output has made it difficult to establish his particular place within the history of Impressionism. An important international exhibition (of which this is the catalogue) has been organised by the Royal Academy in London, the Musee d'Orsay in Paris and The Walters Art Gallery in Baltimore. By concentrating on only the highest quality pictures from throughout Sisley's career, his contribution to the forging of Impressionism in the 1860s, his mastery of style in the 1870s and his resolution of the problems of technique in the 1880s are all surveyed and illustrated. In addition, his individual exploration of the idea of serial painting in the 1890s is examined. The influence of earlier painters, both French and English, as well as of his contemporaries, is studied in Christopher Lloyd's essay on Sisley's stylistic development. Caroline Durand-Ruel Godfroy, great-granddaughter of the dealer Paul Durand-Ruel, discusses the relationship between the artist and his dealer. The impact of Impressionism in America and the history of early exhibitions and collectors there have been researched by William Johnston, who publishes his findings. Written by an international team of scholars, this book is a richly illustrated complement to the exhibition, exploring all its themes in detail
9 editions published in 1992 in English and held by 786 WorldCat member libraries worldwide
There has never before been a major retrospective exhibition in Europe or America of Sisley's work, and there have been few serious publications. He remains therefore the least known of the Major Impressionists. Although a prolific artist, the uneven quality of his output has made it difficult to establish his particular place within the history of Impressionism. An important international exhibition (of which this is the catalogue) has been organised by the Royal Academy in London, the Musee d'Orsay in Paris and The Walters Art Gallery in Baltimore. By concentrating on only the highest quality pictures from throughout Sisley's career, his contribution to the forging of Impressionism in the 1860s, his mastery of style in the 1870s and his resolution of the problems of technique in the 1880s are all surveyed and illustrated. In addition, his individual exploration of the idea of serial painting in the 1890s is examined. The influence of earlier painters, both French and English, as well as of his contemporaries, is studied in Christopher Lloyd's essay on Sisley's stylistic development. Caroline Durand-Ruel Godfroy, great-granddaughter of the dealer Paul Durand-Ruel, discusses the relationship between the artist and his dealer. The impact of Impressionism in America and the history of early exhibitions and collectors there have been researched by William Johnston, who publishes his findings. Written by an international team of scholars, this book is a richly illustrated complement to the exhibition, exploring all its themes in detail
Manet, Monet, and the Gare Saint-Lazare by
Juliet Wilson-Bareau(
Book
)
19 editions published in 1998 in English and French and held by 747 WorldCat member libraries worldwide
Ill. on lining papers
19 editions published in 1998 in English and French and held by 747 WorldCat member libraries worldwide
Ill. on lining papers
Gauguin Tahiti by
George T. M Shackelford(
Book
)
2 editions published in 2004 in English and held by 727 WorldCat member libraries worldwide
The life of Paul Gauguin is one of the richest and most mythic in the history of Western art. A banker and "Sunday painter," he left behind family and homeland and sailed to the South Seas, seeking a life "in ecstasy, in peace, and for art." Gauguin Tahiti, the first major retrospective of the artists work in fifteen years, offers an in-depth study of the fabled Polynesian years that have so defined our image of the painter. Alongside essays by leading American and French critics on every aspect of Gauguins art, from the legendary canvases to his sculptures, ceramics, and innovative graphic works, are discussions of the Polynesian society, culture, and religion that helped shape them; an in-depth biographical narrative of the artists life, with the many epiphanies, frustrations, and discoveries that make his time in the South Seas one of the most mythologically potent episodes in the history of Western art; and a chronicle of his changing fortunes in the century since his death. At the center of it all is Gauguins 1897 masterpiece, Where Do We Come From? What Are We? Where Are We Going?, the summation and crowning glory of his mature career, presented with unprecedented depth and authority. Over one hundred years later, Gauguin remains one of the most enigmatic and attractive figures of 19th-century art, the very pivot of modernism, and Gauguin Tahiti finally portrays this crucial period of his life in all its color and drama
2 editions published in 2004 in English and held by 727 WorldCat member libraries worldwide
The life of Paul Gauguin is one of the richest and most mythic in the history of Western art. A banker and "Sunday painter," he left behind family and homeland and sailed to the South Seas, seeking a life "in ecstasy, in peace, and for art." Gauguin Tahiti, the first major retrospective of the artists work in fifteen years, offers an in-depth study of the fabled Polynesian years that have so defined our image of the painter. Alongside essays by leading American and French critics on every aspect of Gauguins art, from the legendary canvases to his sculptures, ceramics, and innovative graphic works, are discussions of the Polynesian society, culture, and religion that helped shape them; an in-depth biographical narrative of the artists life, with the many epiphanies, frustrations, and discoveries that make his time in the South Seas one of the most mythologically potent episodes in the history of Western art; and a chronicle of his changing fortunes in the century since his death. At the center of it all is Gauguins 1897 masterpiece, Where Do We Come From? What Are We? Where Are We Going?, the summation and crowning glory of his mature career, presented with unprecedented depth and authority. Over one hundred years later, Gauguin remains one of the most enigmatic and attractive figures of 19th-century art, the very pivot of modernism, and Gauguin Tahiti finally portrays this crucial period of his life in all its color and drama
Edward Burne-Jones, Victorian artist-dreamer by
Stephen Wildman(
Book
)
5 editions published in 1998 in English and held by 692 WorldCat member libraries worldwide
A pupil of Dante Gabriel Rossetti and a protege of John Ruskin, Burne-Jones belonged to the second generation of the Pre-Raphaelite Brotherhood, creating a narrative style of romantic symbolism steeped in medieval legend and fused with the influence of Italian Renaissance masters that was to have widespread influence on both British and European art. Within the sophisticated culture of the late Victorian period, Burne-Jones's star rose rapidly, and by the 1880s he had become the establishment artist par excellence, one of the most admired and sought-after painters in Europe
5 editions published in 1998 in English and held by 692 WorldCat member libraries worldwide
A pupil of Dante Gabriel Rossetti and a protege of John Ruskin, Burne-Jones belonged to the second generation of the Pre-Raphaelite Brotherhood, creating a narrative style of romantic symbolism steeped in medieval legend and fused with the influence of Italian Renaissance masters that was to have widespread influence on both British and European art. Within the sophisticated culture of the late Victorian period, Burne-Jones's star rose rapidly, and by the 1880s he had become the establishment artist par excellence, one of the most admired and sought-after painters in Europe
Cézanne to Picasso : Ambroise Vollard, patron of the avant-garde by
N.Y.) Metropolitan Museum of Art (New York(
Book
)
9 editions published in 2006 in English and Chinese and held by 666 WorldCat member libraries worldwide
Ambroise Vollard (1867–1939) played a key role in the transformation of the art world in the late 19th century. A pioneering Parisian dealer, Vollard introduced many of the era’s leading artists to the public. This beautifully illustrated catalogue, accompanying the first comprehensive exhibition devoted to Vollard’s extraordinary achievement, presents 130 important paintings, sculpture, and works on paper that he promoted, exhibited, and sold
9 editions published in 2006 in English and Chinese and held by 666 WorldCat member libraries worldwide
Ambroise Vollard (1867–1939) played a key role in the transformation of the art world in the late 19th century. A pioneering Parisian dealer, Vollard introduced many of the era’s leading artists to the public. This beautifully illustrated catalogue, accompanying the first comprehensive exhibition devoted to Vollard’s extraordinary achievement, presents 130 important paintings, sculpture, and works on paper that he promoted, exhibited, and sold
Nadar by
Maria Morris Hambourg(
Book
)
10 editions published in 1995 in German and English and held by 653 WorldCat member libraries worldwide
Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George Sand, Delacroix. Nadar's legendary name has been attached not only to his original photographs but to reprints, copies and a great deal of studio work. For that reason, this volume exactingly reproduces some one hundred photographs from the years 1854-60, the period of his earliest and finest photography, allowing viewers to become familiar with the subtle light and balanced, velvety tones that distinguish Nadar's original work. Accompanying the photographs are essays that shed new light on the many facets of Nadar
10 editions published in 1995 in German and English and held by 653 WorldCat member libraries worldwide
Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George Sand, Delacroix. Nadar's legendary name has been attached not only to his original photographs but to reprints, copies and a great deal of studio work. For that reason, this volume exactingly reproduces some one hundred photographs from the years 1854-60, the period of his earliest and finest photography, allowing viewers to become familiar with the subtle light and balanced, velvety tones that distinguish Nadar's original work. Accompanying the photographs are essays that shed new light on the many facets of Nadar
Paintings in the Musée d'Orsay by
Musée d'Orsay(
Book
)
8 editions published in 2004 in English and French and held by 619 WorldCat member libraries worldwide
"The Musee d'Orsay boasts the greatest collection of Impressionist and post-Impressionist art in the world, unparalleled in its diversity and quality. Since its opening in 1986 in a spectacularly renovated train station, the museum has welcomed more than fifty million visitors to its collection of works by Bouguereau, Courbet, Renoir, Cezanne, Van Gogh, Monet, Manet, Redon, Whistler, Gauguin and other artists of the mid-nineteenth century to the early twentieth century." "In this deluxe volume, the museum's director, Serge Lemoine, and his team of curators and specialists examine this extraordinary collection, ranging from the primacy of Academic painting through the shock of Impressionism to the rise of modern art. With 830 full-colour illustrations of masterpieces by some of the world's best-loved artists - from Van Gogh's Bedroom at Arles to Cezanne's Apples and Oranges - this is the definitive guide to paintings in one of the world's most popular museums."--Jacket
8 editions published in 2004 in English and French and held by 619 WorldCat member libraries worldwide
"The Musee d'Orsay boasts the greatest collection of Impressionist and post-Impressionist art in the world, unparalleled in its diversity and quality. Since its opening in 1986 in a spectacularly renovated train station, the museum has welcomed more than fifty million visitors to its collection of works by Bouguereau, Courbet, Renoir, Cezanne, Van Gogh, Monet, Manet, Redon, Whistler, Gauguin and other artists of the mid-nineteenth century to the early twentieth century." "In this deluxe volume, the museum's director, Serge Lemoine, and his team of curators and specialists examine this extraordinary collection, ranging from the primacy of Academic painting through the shock of Impressionism to the rise of modern art. With 830 full-colour illustrations of masterpieces by some of the world's best-loved artists - from Van Gogh's Bedroom at Arles to Cezanne's Apples and Oranges - this is the definitive guide to paintings in one of the world's most popular museums."--Jacket
Mondrian, 1892-1914 : the path to abstraction : catalogue by
Hans Janssen(
Book
)
8 editions published in 2002 in English and held by 566 WorldCat member libraries worldwide
8 editions published in 2002 in English and held by 566 WorldCat member libraries worldwide
Adolph Menzel, 1815-1905 : between romanticism and impressionism by
Adolph Menzel(
Book
)
3 editions published in 1996 in English and held by 550 WorldCat member libraries worldwide
"Famous across Europe and America, recipient of the highest possible honours in Germany including the order of the Black Eagle and elevation to nobility, admired by Degas as 'the greatest living master', Adolph Menzel was perhaps the greatest German painter of the late nineteenth century. In this splendidly illustrated book--the only comprehensive volume on Menzel in English--photographs of the artist and contemporary Berlin accompany reproductions of hundreds of his paintings and drawings. Menzel specialists and art historians contribute chapters on his life and art, his visits to France, his critical reception, relevant social and historical background, and different approaches to his work. ... Until recently, Menzel's many paintings and drawings were separated from one another in collections on either side of the Berlin Wall. Now, in the wake of reunification, the Berlin Museums have put together the most extensive Menzel exhibit since the retrospective that followed his death in 1905"--Page 4 of cover
3 editions published in 1996 in English and held by 550 WorldCat member libraries worldwide
"Famous across Europe and America, recipient of the highest possible honours in Germany including the order of the Black Eagle and elevation to nobility, admired by Degas as 'the greatest living master', Adolph Menzel was perhaps the greatest German painter of the late nineteenth century. In this splendidly illustrated book--the only comprehensive volume on Menzel in English--photographs of the artist and contemporary Berlin accompany reproductions of hundreds of his paintings and drawings. Menzel specialists and art historians contribute chapters on his life and art, his visits to France, his critical reception, relevant social and historical background, and different approaches to his work. ... Until recently, Menzel's many paintings and drawings were separated from one another in collections on either side of the Berlin Wall. Now, in the wake of reunification, the Berlin Museums have put together the most extensive Menzel exhibit since the retrospective that followed his death in 1905"--Page 4 of cover
Pioneering modern painting : Cézanne & Pissarro, 1865-1885 by
Joachim Pissarro(
Book
)
5 editions published in 2005 in English and held by 546 WorldCat member libraries worldwide
Catalog of an exhibition held at the Museum of Modern Art, June 26-Sept. 12, 2005, the Los Angeles County Museum of Art, Oct. 20, 2005-Jan. 16, 2006, and the Musée d'Orsay, Paris, Feb. 27-May 28, 2006
5 editions published in 2005 in English and held by 546 WorldCat member libraries worldwide
Catalog of an exhibition held at the Museum of Modern Art, June 26-Sept. 12, 2005, the Los Angeles County Museum of Art, Oct. 20, 2005-Jan. 16, 2006, and the Musée d'Orsay, Paris, Feb. 27-May 28, 2006
The Pre-Raphaelite lens : British photography and painting, 1848-1875 by
Diane Waggoner(
Book
)
7 editions published between 2009 and 2010 in English and held by 450 WorldCat member libraries worldwide
"As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing,' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail... This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures."--Publisher's description
7 editions published between 2009 and 2010 in English and held by 450 WorldCat member libraries worldwide
"As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing,' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail... This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures."--Publisher's description
Pierre Bonnard : photographs and paintings by
Françoise Heilbrun(
Book
)
4 editions published in 1988 in English and held by 419 WorldCat member libraries worldwide
The first collection of the photographs of master Impressionist painter Pierre Bonnard, this work of scholarship documents the existing oeuvre of Bonnard's work, from delicate nature studies and landscapes in his native France and elsewhere in Euriope, to striking portraiture and intimate images of lovers, friends and family. The more than 276 photographs and illustrations, demonstrate the range and genius of Bonnard's work, and offer insights into his process as an artist. Bonnard's photographs wre the inspiration for several of his well-known works, among them the illustrations fro Parallèlemnt by Verlaine (1900) and Daphnis and Chloé by Longus (1902). The texts and critical annotations make important connections between Bonnard's photographs and his drawings and paintings
4 editions published in 1988 in English and held by 419 WorldCat member libraries worldwide
The first collection of the photographs of master Impressionist painter Pierre Bonnard, this work of scholarship documents the existing oeuvre of Bonnard's work, from delicate nature studies and landscapes in his native France and elsewhere in Euriope, to striking portraiture and intimate images of lovers, friends and family. The more than 276 photographs and illustrations, demonstrate the range and genius of Bonnard's work, and offer insights into his process as an artist. Bonnard's photographs wre the inspiration for several of his well-known works, among them the illustrations fro Parallèlemnt by Verlaine (1900) and Daphnis and Chloé by Longus (1902). The texts and critical annotations make important connections between Bonnard's photographs and his drawings and paintings
La commune : (Paris 1871) by
Peter Watkins(
Visual
)
23 editions published between 2000 and 2011 in French and No Linguistic content and held by 413 WorldCat member libraries worldwide
Explores that famous, brief, romantic, and tragic period when poor and working-class Parisians rose up against the "bourgeois" French national government, which fled the capital and re-established itself in Versailles. As the historical drama unfolds, it is also "covered" by two television news crews - one from "National TV Versailles" which broadcasts the official version and the other from "Commune TV," giving voice to the rebellious Communards
23 editions published between 2000 and 2011 in French and No Linguistic content and held by 413 WorldCat member libraries worldwide
Explores that famous, brief, romantic, and tragic period when poor and working-class Parisians rose up against the "bourgeois" French national government, which fled the capital and re-established itself in Versailles. As the historical drama unfolds, it is also "covered" by two television news crews - one from "National TV Versailles" which broadcasts the official version and the other from "Commune TV," giving voice to the rebellious Communards
Cézanne portraits by
John Elderfield(
Book
)
10 editions published in 2017 in English and French and held by 408 WorldCat member libraries worldwide
A major new study of the portraiture of one of the most important artists of the nineteenth century. Paul Cézanne (1839-1906) may be best known for his landscapes, but he also painted some 160 portraits throughout his exceptional career. This major work establishes portraiture as an essential practice for Cézanne, from his earliest self-portraits in the 1860s; to his famous depictions of figures including his wife Hortense Fiquet, the writer Émile Zola, and the art dealer Ambrose Vollard; and concluding with a poignant series of portraits of his gardener Vallier, made shortly before Cézanne's death. Featured essays by leading experts explore the special pictorial and thematic characteristics of Cézanne's portraits. The authors address the artist's creation of complementary pairs and multiple versions of the same subject, as well as the role of self-portraiture for Cézanne. They investigate the chronological evolution of his portrait work, with an examination of the changes that occurred within his artistic style and method, and in his understanding of resemblance and identity. They also consider the extent to which particular sitters influenced the characteristics and development of Cézanne's practice
10 editions published in 2017 in English and French and held by 408 WorldCat member libraries worldwide
A major new study of the portraiture of one of the most important artists of the nineteenth century. Paul Cézanne (1839-1906) may be best known for his landscapes, but he also painted some 160 portraits throughout his exceptional career. This major work establishes portraiture as an essential practice for Cézanne, from his earliest self-portraits in the 1860s; to his famous depictions of figures including his wife Hortense Fiquet, the writer Émile Zola, and the art dealer Ambrose Vollard; and concluding with a poignant series of portraits of his gardener Vallier, made shortly before Cézanne's death. Featured essays by leading experts explore the special pictorial and thematic characteristics of Cézanne's portraits. The authors address the artist's creation of complementary pairs and multiple versions of the same subject, as well as the role of self-portraiture for Cézanne. They investigate the chronological evolution of his portrait work, with an examination of the changes that occurred within his artistic style and method, and in his understanding of resemblance and identity. They also consider the extent to which particular sitters influenced the characteristics and development of Cézanne's practice
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Related Identities
- Metropolitan Museum of Art (New York, N.Y.) Other Publisher Editor
- Réunion des musées nationaux (France) Other Producer Organizer of meeting Editor Publisher Distributor
- National Gallery of Art (U.S.) Organizer of meeting
- Heilbrun, Françoise Other Translator Director Publishing director Author Editor Redactor
- Lacambre, Geneviève Other Contributor Curator Author of introduction Director Secretary Author Editor Collector Redactor
- Cogeval, Guy Other Contributor Curator Author of introduction Publishing director Author Editor
- Manet, Édouard 1832-1883 Illustrator Author
- Art Institute of Chicago Other Publisher
- Walters Art Gallery (Baltimore, Md.) Other
- Guégan, Stéphane Publishing director Editor Author Adapter
Useful Links
Associated Subjects
Architecture Art Art, French Art, Modern Art and photography Art and society Artists and patrons Art museums Art--Private collections Bonnard, Pierre, Brothers and sisters Buildings Burne-Jones, Edward Coley, Celebrities Cézanne, Paul, Eakins, Thomas, England Families France France--Paris French Polynesia French Polynesia--Tahiti (Island) Gachet, Paul Ferdinand, Gare Saint-Lazare (Manet, Édouard) Gauguin, Paul, Germany Great Britain Illinois--Chicago Impressionism (Art) Inheritance and succession Manet, Édouard, Menzel, Adolph, Mondrian, Piet, Musée d'Orsay Musée du Louvre Nadar, Félix, Painting Painting, French Painting, French--Spanish influences Painting, Modern Photography Photography, Artistic Pissarro, Camille, Portrait photography Post-impressionism (Art) Pre-Raphaelitism Realism in art Sisley, Alfred, Still-life painting, French Vollard, Ambroise,
Covers
Alternative Names
Bảo tàng Orsay
di,orsais. zei muzga
Jeexiituwaay bu Orsay
Mirdi Orsay
MO
MO (Musée d'Orsay)
Musé d'Orsay
Musée d’Orsay
Musée d'Orsay.
Musée d'Orsay (París)
Musèe d'u Orsay
Museo de Orsay
Museo d'Orsay.
Museo ng Orsay
Museo ti Orsay
Museu de Orsay
Muséu d'Orsay
Museum d'Orsay
Museum of Orsay
Museum Orsay
Muzee n Orsay
Muzej d'Orsay
Muzej Orsè
Muzej Orsè (Paris)
Muzeo d'Orsay
Muzeya Orsayê
Muzium Orsay
Orsay-minjasafnið
Orsay museoa
Orsay Museum.
Orsay muuseum
Orsay Müzesi
Orsē muzejs
Orse muzeyi
Orsė muziejus
Oruse Bijutsukan
Paris (France)
Parīze (Francija). Musée d'Orsay
Parīze (Francija). Orsē muzejs
Μουσείο Ορσέ
Лувр музейи
Музей Арсэ
Музей д’Орсе
Музей д'Орсе
Музей Орсе
Музеј Орсе
Музеј Орсеј
Орсе музейĕ
Орсэ музей
Օրսե թանգարան
מוזיאון ד'אורסה
اورسی موزه
اورسے میوزیم
متحف أورسيه
موزه اورسی
ओर्से संग्रहालय
মুজে দর্সে
ஓர்சே அருங்காட்சியகம்
ಮ್ಯೂಸಿ ದ್'ಓರ್ಸೆ
മുസീ ഡിഓഴ്സേ
พิพิธภัณฑ์ออร์แซ
ორსეის მუზეუმი
오르세 미술관
ሙዜ ዶርሰይ
オルセー ビジュツカン
オルセ美術館
奥赛博物馆
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