Chambers, Paul 1935-1969
Overview
| Works: | 1,280 works in 5,187 publications in 5 languages and 51,422 library holdings |
|---|---|
| Genres: | Jazz Alternate takes (Sound recordings) Bop (Music) Live sound recordings Trumpet music (Jazz) Concert films Music videos Songs Interviews Documentary films |
| Roles: | Performer, Instrumentalist, Author, Composer, Musician, Other, Singer, b=b |
| Classifications: | M1366.C65, 781.65 |
Publication Timeline
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Most widely held works about
Paul Chambers
- Mr. P.C. : the life and music of Paul Chambers by Rob Palmer( Book )
- Contemporary musicians : profiles of the people in music( )
- Secret Chambers : a comparative analysis of Paul Chambers bebop style by Paul Chambers( )
- The music of Paul Chambers by Mikko Nurmi( )
- Contemporary Musicians by Thomson Gale Staff( )
- A comparative analysis of three jazz bassists' walking bass lines by Joshua Wayne Skinner( )
- Oral history interview with Yusef Lateef by Yusef Lateef( Visual )
- Ease it : lead sheet : unpublished copyright deposit by Paul Chambers( )
- Solo vocabulary of the bebop bassist : the recordings of Paul Chambers, 1956-1959 by Joel Brooks Faires( )
- Eddie Locke Photographs of Jazz Musicians by Eddie Locke( )
more
fewer
Most widely held works by
Paul Chambers
Kind of blue by
Miles Davis(
Recording
)
142 editions published between 1959 and 2016 in 6 languages and held by 2,980 WorldCat member libraries worldwide
The DVD incorporates Columbia staff photographer Don Hunstein's black-and-white still photography of the studio sessions, the voice of Miles at the sessions, and excerpts of radio interviews with Evans and Adderley. There are interviews with David Amram, the late Ed Bradley, Ron Carter, Jimmy Cobb, Bill Cosby, Herbie Hancock (who demonstrates "So what" at he the piano), funk-rocker Me'Shell Ndegeocello, hip-hop's Q-Tip, Carlos Santana, John Scofield, Horace Silver, and many others. It also unearths the group's entire 26 minute in-session appearance on "Robert Herridge Theatre: The sound of Miles Davis, " a CBS television program recorded in 1959 and broadcast in 1960. The documentary was produced by Nell Mulderry, directed by Chris Lenz, edited by Paul Rachman, co-produced by Ashley Kahn, and written by Michael Cuscuna
142 editions published between 1959 and 2016 in 6 languages and held by 2,980 WorldCat member libraries worldwide
The DVD incorporates Columbia staff photographer Don Hunstein's black-and-white still photography of the studio sessions, the voice of Miles at the sessions, and excerpts of radio interviews with Evans and Adderley. There are interviews with David Amram, the late Ed Bradley, Ron Carter, Jimmy Cobb, Bill Cosby, Herbie Hancock (who demonstrates "So what" at he the piano), funk-rocker Me'Shell Ndegeocello, hip-hop's Q-Tip, Carlos Santana, John Scofield, Horace Silver, and many others. It also unearths the group's entire 26 minute in-session appearance on "Robert Herridge Theatre: The sound of Miles Davis, " a CBS television program recorded in 1959 and broadcast in 1960. The documentary was produced by Nell Mulderry, directed by Chris Lenz, edited by Paul Rachman, co-produced by Ashley Kahn, and written by Michael Cuscuna
Giant steps by
John Coltrane(
Recording
)
69 editions published between 1959 and 2017 in 3 languages and held by 1,588 WorldCat member libraries worldwide
Marking the first time that John Coltrane recorded nothing but his own original works, the album is filled with powerful notes, emotion, and expressive sounds. The album includes such classics as Nina; Countdown; and Syeeda's Song Flute
69 editions published between 1959 and 2017 in 3 languages and held by 1,588 WorldCat member libraries worldwide
Marking the first time that John Coltrane recorded nothing but his own original works, the album is filled with powerful notes, emotion, and expressive sounds. The album includes such classics as Nina; Countdown; and Syeeda's Song Flute
Blue train by
John Coltrane(
Recording
)
78 editions published between 1957 and 2014 in 4 languages and held by 1,573 WorldCat member libraries worldwide
Saxophonist John Coltrane showcases his signature sound on this confident and expansive album. This edition features the complete sessions along with alternate takes
78 editions published between 1957 and 2014 in 4 languages and held by 1,573 WorldCat member libraries worldwide
Saxophonist John Coltrane showcases his signature sound on this confident and expansive album. This edition features the complete sessions along with alternate takes
'Round about midnight by
Miles Davis(
Recording
)
60 editions published between 1956 and 2014 in 7 languages and held by 910 WorldCat member libraries worldwide
'Round midnight / Hanighen, C. Williams, T. Monk -- Ah-leu-cha / C. Parker -- All of you / Cole Porter -- Bye bye blackbird / M. Dixon, R. Henderson -- Tadd's delight / Dameron -- Dear old Stockholm / S. Getz
60 editions published between 1956 and 2014 in 7 languages and held by 910 WorldCat member libraries worldwide
'Round midnight / Hanighen, C. Williams, T. Monk -- Ah-leu-cha / C. Parker -- All of you / Cole Porter -- Bye bye blackbird / M. Dixon, R. Henderson -- Tadd's delight / Dameron -- Dear old Stockholm / S. Getz
Brilliant corners by
Thelonious Monk(
Recording
)
36 editions published between 1957 and 2010 in 3 languages and held by 897 WorldCat member libraries worldwide
36 editions published between 1957 and 2010 in 3 languages and held by 897 WorldCat member libraries worldwide
The very best of John Coltrane by
John Coltrane(
Recording
)
7 editions published in 2000 in 3 languages and held by 883 WorldCat member libraries worldwide
Giant steps; (4:43) --; Cousin Mary; (5:45) --; Naima; (4:21) --; Like Sonny; (5:51) --; My shining hour; (4:50) --; My favorite things; (13:41) --; Central Park West; (4:12) --; Summertime; (11:31) --; Mr. Syms; (5:19) --; Equinox; (8:33) --; Body and soul; (5:35)
7 editions published in 2000 in 3 languages and held by 883 WorldCat member libraries worldwide
Giant steps; (4:43) --; Cousin Mary; (5:45) --; Naima; (4:21) --; Like Sonny; (5:51) --; My shining hour; (4:50) --; My favorite things; (13:41) --; Central Park West; (4:12) --; Summertime; (11:31) --; Mr. Syms; (5:19) --; Equinox; (8:33) --; Body and soul; (5:35)
Milestones by
Miles Davis(
Recording
)
64 editions published between 1958 and 2014 in 5 languages and held by 837 WorldCat member libraries worldwide
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackie"--Recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro. The tempo is furious as all the members of the sextet solo except for Jones. The saxophonists trade choruses and come off sounding like mirrored images of one another in the slower, post-bop blues that is "Sid's Ahead." With a slippery melody line that quotes two harmonic lines from early New Orleans-styled blues, Davis drives the band into the rhythm section's garage. It's Cannonball first with his stuttered, angular lines, hiccuping halfway through the interval before continuing on with a squeak here and the slightest squawk there. Next up is Davis, blowing fluid and straightened lines, ribbons through the rhythm section's center as Red Garland lays out and leaves it to Paul Chambers and Philly Joe Jones to provide the earnest, time-keeping 4/4 that Davis sidles to in the tune. When Coltrane solos, all best are off as he plays as pure a blues as he was capable at the time. Nonetheless, there are the long lines of slurred notes, smattered against Garland's harmonies and he slips into quoting "Skip to my Lou" before knotting it back down to the basics and even then not for long. Coltrane was already exploring the edges of mode and harmony; he used an intervallic invention in the choruses to juxtapose his solo against the rhythm section and it worked -- but it must have made Davis raise an eyebrow. Chambers' solo is as tasteful and as breezy and free as only he could be. His contrapuntal soloing rides the rhythm out, Garland striding along quietly until the tune returns
64 editions published between 1958 and 2014 in 5 languages and held by 837 WorldCat member libraries worldwide
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackie"--Recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro. The tempo is furious as all the members of the sextet solo except for Jones. The saxophonists trade choruses and come off sounding like mirrored images of one another in the slower, post-bop blues that is "Sid's Ahead." With a slippery melody line that quotes two harmonic lines from early New Orleans-styled blues, Davis drives the band into the rhythm section's garage. It's Cannonball first with his stuttered, angular lines, hiccuping halfway through the interval before continuing on with a squeak here and the slightest squawk there. Next up is Davis, blowing fluid and straightened lines, ribbons through the rhythm section's center as Red Garland lays out and leaves it to Paul Chambers and Philly Joe Jones to provide the earnest, time-keeping 4/4 that Davis sidles to in the tune. When Coltrane solos, all best are off as he plays as pure a blues as he was capable at the time. Nonetheless, there are the long lines of slurred notes, smattered against Garland's harmonies and he slips into quoting "Skip to my Lou" before knotting it back down to the basics and even then not for long. Coltrane was already exploring the edges of mode and harmony; he used an intervallic invention in the choruses to juxtapose his solo against the rhythm section and it worked -- but it must have made Davis raise an eyebrow. Chambers' solo is as tasteful and as breezy and free as only he could be. His contrapuntal soloing rides the rhythm out, Garland striding along quietly until the tune returns
The blues and the abstract truth by
Oliver Nelson(
Recording
)
49 editions published between 1961 and 2015 in 4 languages and held by 764 WorldCat member libraries worldwide
49 editions published between 1961 and 2015 in 4 languages and held by 764 WorldCat member libraries worldwide
Full house by
Wes Montgomery(
)
47 editions published between 1962 and 2008 in 4 languages and held by 736 WorldCat member libraries worldwide
47 editions published between 1962 and 2008 in 4 languages and held by 736 WorldCat member libraries worldwide
Art Pepper meets the Rhythm Section by
Art Pepper(
Recording
)
40 editions published between 1957 and 2012 in 3 languages and held by 670 WorldCat member libraries worldwide
40 editions published between 1957 and 2012 in 3 languages and held by 670 WorldCat member libraries worldwide
Steamin' with the Miles Davis Quintet by
Miles Davis Quintet(
)
35 editions published between 1957 and 2007 in 3 languages and held by 586 WorldCat member libraries worldwide
With all tracks remastered by their original engineer, this in an exceptional release of a classic Miles Davis album. Features John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jon
35 editions published between 1957 and 2007 in 3 languages and held by 586 WorldCat member libraries worldwide
With all tracks remastered by their original engineer, this in an exceptional release of a classic Miles Davis album. Features John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jon
Workin' with the Miles Davis Quintet by
Miles Davis Quintet(
Recording
)
33 editions published between 1956 and 2007 in 3 languages and held by 572 WorldCat member libraries worldwide
Se presentan ocho temas perfectamente complementados, conformando una unidad con sentido y cohesión, un apasionante viaje por los territorios del jazz. Workin' es uno de esos discos que apasiona a aficionados, músicos y críticos. Es materia de estudio, de deleite y de contemplación y - perdón por ser, nuevamente, absoluto - no debería faltar en la discografía de ningún aficionado al jazz
33 editions published between 1956 and 2007 in 3 languages and held by 572 WorldCat member libraries worldwide
Se presentan ocho temas perfectamente complementados, conformando una unidad con sentido y cohesión, un apasionante viaje por los territorios del jazz. Workin' es uno de esos discos que apasiona a aficionados, músicos y críticos. Es materia de estudio, de deleite y de contemplación y - perdón por ser, nuevamente, absoluto - no debería faltar en la discografía de ningún aficionado al jazz
Lush life by
John Coltrane(
Recording
)
35 editions published between 1957 and 2012 in 3 languages and held by 565 WorldCat member libraries worldwide
Saxophonist John Coltrane was among the most important, and most controversial, figures in jazz. No one, however, questions Coltrane's almost religious commitment to jazz or doubts his significance in the history of the music
35 editions published between 1957 and 2012 in 3 languages and held by 565 WorldCat member libraries worldwide
Saxophonist John Coltrane was among the most important, and most controversial, figures in jazz. No one, however, questions Coltrane's almost religious commitment to jazz or doubts his significance in the history of the music
Smokin' at the Half Note by
Wynton Kelly Trio(
Recording
)
22 editions published between 1965 and 2016 in 3 languages and held by 515 WorldCat member libraries worldwide
Wes Montgomery brought the art of the electric guitar to new heights in the 1950s and 1960s before his untimely death at 43. His vaulting style employed octaves much as his main influence, Charlie Christian, did in the Benny Goodman Sextet. Montgomery's crowd-pleasing facility with the fretboard was best employed in live performance when he could stretch out and really be heard. Smokin' is a thoroughly satisfying live album recorded in 1965 and 1966 at the New York nightclub, with co-leader Wynton Kelly and his trio--Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Montgomery and Kelly are in perfect sync here, especially on "No Blues" and "If You Could See Me Now"
22 editions published between 1965 and 2016 in 3 languages and held by 515 WorldCat member libraries worldwide
Wes Montgomery brought the art of the electric guitar to new heights in the 1950s and 1960s before his untimely death at 43. His vaulting style employed octaves much as his main influence, Charlie Christian, did in the Benny Goodman Sextet. Montgomery's crowd-pleasing facility with the fretboard was best employed in live performance when he could stretch out and really be heard. Smokin' is a thoroughly satisfying live album recorded in 1965 and 1966 at the New York nightclub, with co-leader Wynton Kelly and his trio--Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Montgomery and Kelly are in perfect sync here, especially on "No Blues" and "If You Could See Me Now"
Chet by
Chet Baker(
)
30 editions published between 1959 and 2008 in 3 languages and held by 510 WorldCat member libraries worldwide
30 editions published between 1959 and 2008 in 3 languages and held by 510 WorldCat member libraries worldwide
Soultrane by
John Coltrane(
Recording
)
52 editions published between 1958 and 2008 in 5 languages and held by 496 WorldCat member libraries worldwide
52 editions published between 1958 and 2008 in 5 languages and held by 496 WorldCat member libraries worldwide
Soul station by
Hank Mobley(
Recording
)
32 editions published between 1960 and 2014 in 5 languages and held by 473 WorldCat member libraries worldwide
32 editions published between 1960 and 2014 in 5 languages and held by 473 WorldCat member libraries worldwide
John Coltrane live in '60, '61 & '65 by
John Coltrane(
Visual
)
2 editions published in 2007 in No Linguistic content and English and held by 437 WorldCat member libraries worldwide
Three separate shows reveal Coltrane's ascending creative arc from hard bop innovation as a member of the Miles Davis Quartet to consummate bandleader to unrivalled jazz visionary
2 editions published in 2007 in No Linguistic content and English and held by 437 WorldCat member libraries worldwide
Three separate shows reveal Coltrane's ascending creative arc from hard bop innovation as a member of the Miles Davis Quartet to consummate bandleader to unrivalled jazz visionary
Traneing in by
John Coltrane(
)
27 editions published between 1964 and 2008 in 4 languages and held by 425 WorldCat member libraries worldwide
Titelliste: 1. Traneing In 2. Slow Dance 3. Bass Blues 4. You Leave Me Breathless 5. Soft Lights And Sweet Music
27 editions published between 1964 and 2008 in 4 languages and held by 425 WorldCat member libraries worldwide
Titelliste: 1. Traneing In 2. Slow Dance 3. Bass Blues 4. You Leave Me Breathless 5. Soft Lights And Sweet Music
Relaxin' with the Miles Davis Quintet by
Miles Davis(
)
33 editions published between 1956 and 2007 in 5 languages and held by 422 WorldCat member libraries worldwide
33 editions published between 1956 and 2007 in 5 languages and held by 422 WorldCat member libraries worldwide
more
fewer
Audience Level
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Related Identities
- Coltrane, John 1926-1967 Other Performer Musician Conductor Author Instrumentalist Composer
- Kelly, Wynton Singer Performer Musician Instrumentalist Author Composer
- Cobb, Jimmy Other Performer Instrumentalist Musician
- Jones, Philly Joe Other Performer Instrumentalist Author Musician
- Garland, Red Performer Lyricist Musician Author Instrumentalist Composer
- Taylor, Art Performer Instrumentalist Author Musician
- Davis, Miles Other Performer Musician Author Instrumentalist Composer
- Evans, Bill 1929-1980 Other Performer Instrumentalist Author Musician
- Adderley, Cannonball Other Performer Instrumentalist Author Composer
- Mobley, Hank Performer Instrumentalist Author Musician Composer
Useful Links
Associated Subjects
African American college teachers African American composers African Americans Alternate takes (Sound recordings) Art Baldwin, James, Blues (Music) Bop (Music) Bop (Music)--Instruction and study Brown, Ray, Chambers, Paul, Cool jazz Davis, Miles Double bassists Double bass music (Jazz) Eldridge, Roy, Flanagan, Tommy Guitar music (Jazz) Guitar with jazz ensemble Hawkins, Coleman Improvisation (Music) Improvisation (Music)--Instruction and study Influence (Literary, artistic, etc.) Jazz Jazz--Instruction and study Jazz--Lead sheets Jazz musicians Kind of blue (Davis, Miles) Levey, Stan Live sound recordings Millinder, Lucky Mingus, Charles, Moody, James, Musicals--Excerpts, Arranged Musicians New York (State)--New York Page, Hot Lips, Performances Piano music (Jazz) Piano with jazz ensemble Popular music Ramey, Gene Recorded accompaniments Saxophone music Saxophone music (Jazz) Saxophone with jazz ensemble Travel Trumpet music (Jazz) Trumpet with jazz ensemble United States
Alternative Names
Chambers, Paul L. 1935-1969
Chambers, Paul Laurence 1935-1969
Chambers, Paul Laurence Dunbar.
Chambers, Paul Laurence Dunbar Jr. 1935-1969
Mr. P. C 1935-1969
Paul Chambers
Paul Chambers Amerikaans componist (1935-1969)
Paul Chambers amerikansk musikar
Paul Chambers amerikansk musiker
Paul Chambers contrabbassista statunitense
Paul Chambers músic estatunidenc
Paul Chambers musicien américain
Paul Chambers músico estadounidense
Paul Chambers US-amerikanischer Jazz-Bassist
Paul Chambers yhdysvaltalainen muusikko
Пол Чемберс американський джазовий контрабасист
פול צ'יימברס
פול צ'יימברס מוזיקאי אמריקאי
پل چمبرز موسیقیدان آمریکایی
폴 챔버스
チェンバース, ポール 1935-1969
ポール・チェンバース
保罗·钱伯斯
Languages