WorldCat Identities

Brougher, Kerry

Works: 87 works in 400 publications in 3 languages and 7,108 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  Catalogs  History  Interviews  Catalogues raisonnés  Exhibition, pictorial works  Pictorial works  Art 
Roles: Author, Editor, Contributor, Other, Author of introduction, Creator, Curator, Collector, Adapter, Director, Publishing director, Redactor, wst
Classifications: TR647, 779.092
Publication Timeline
Most widely held works by Kerry Brougher
Visual music : synaesthesia in art and music since 1900 by Olivia Mattis( Book )

26 editions published in 2005 in English and held by 677 WorldCat member libraries worldwide

"This new book and the exhibition it accompanies trace the history of a revolutionary idea: that fine art should attain the abstract purity of music. Over the past one hundred years adventurous modern and contemporary artists have explored unorthodox means to invent a kinetic, nonrepresentational art modeled upon pure instrumental music." "Music has inspired some of the most progressive art of our time - from the abstract painting of Wassily Kandinsky and Frantisek Kupka to the mid-century experimental films of Oskar Fischinger and Harry Smith to the contemporary installations of Jennifer Steinkamp and Jim Hodges. While early abstract paintings tended to approach music metonymically, the color organs, films, light shows, and installations from the mid-twentieth century to the present day engage a range of perceptual faculties simultaneously to create a plethora of sensations in the viewer." "The most complete examination of this phenomenon to date, Visual Music features ninety major works of art plus related documentation, focusing on abstract and mixed-media art forms and their connections to musical forms as varied as classical, jazz, and electronica. The book includes an introduction by Jeremy Strick; three scholarly essays, each discussing a distinct art-historical period in depth; and an additional essay by Olivia Mattis that approaches the subject from a musicologist's perspective, as well as a chronology, artist biographies, and a selected bibliography."--BOOK JACKET
Ai Weiwei : according to what?( Book )

2 editions published in 2012 in English and held by 628 WorldCat member libraries worldwide

A leading figure among the Chinese artists of his generation, Ai Weiwei creates art that transcends East/West cultural dualities and focuses on fundamental artistic, cultural, and social questions. Published in conjunction with the first North American survey of this celebrated and provocative artist's career, this volume offers a valuable introduction to the full spectrum of Ai Weiwei's work--from photographs and sculpture to documentation of several of his most well-known projects, including his collaboration with Herzog & de Meuron on the "bird's nest" stadium for the 2008 Beijing Olympics. More recent works, several made specifically for this tour, address his ongoing investigation of the aftermath of the Sichuan earthquake, as well as his responses to his detention and continual surveillance by Chinese authorities. The book contains essays by exhibition curator Mami Kataoka, art historian Charles Merewether, and an interview between the Hirshhorn's chief curator Kerry Brougher and the artist
Ed Ruscha by Neal David Benezra( Book )

14 editions published in 2000 in English and German and held by 492 WorldCat member libraries worldwide

"One of the most consistently inventive artists of recent times, Los Angeles-based Ed Ruscha has been a pioneer in the use of language and imagery drawn from the popular media. From his early powerful word paintings to his influential artist books of the sixties and seventies to his recent colorful views of generic mountains, Ruscha has investigated the spaces between highways and journeys, images and words, abstraction and representation, public imagery and the contemporary landscape. In this publication, which accompanies a major retrospective exhibition organized by the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and the Museum of Modern Art, Oxford, Neal Benezra, Kerry Brougher, and Phyllis Rosenzweig focus on all aspects of Ruscha's career, revealing him not merely as an artist closely linked with Los Angeles, but as an important international figure in contemporary art."--Amazon
Art and film since 1945 : Hall of mirrors by Kerry Brougher( Book )

21 editions published in 1996 in English and German and held by 470 WorldCat member libraries worldwide

Art and Film Since 1945: Hall of Mirrors explores the complex and profound relationship between cinema and the visual arts in the postwar era. It examines how art has shifted toward film, how film has been influenced by art, and how the two have fused into new forms of artistic expression. Published in conjunction with a major exhibition organized by The Museum of Contemporary Art, Los Angeles, Art and Film features work by more than one hundred of the century's most remarkable filmmakers and artists, such as Joseph Cornell, Alfred Hitchcock, Akira Kurosawa, Jean-Luc Godard, Michelangelo Antonioni, Richard Hamilton, Diane Arbus, Andy Warhol, Raul Ruiz, John Baldessari, Cindy Sherman, Hiroshi Sugimoto, and Stan Douglas. The book's seven essays range widely over themes including Hollywood glamour and stardom, the experimental cinema of the sixties, the influence of psychoanalytic and feminist film theory on art, nostalgia for cinema's golden age, and presentiments of its fragmentation and death. The dialogue between art and film returns frequently to cinema's origins, splintering and re-arranging into new, self-reflexive experiences that highlight and subvert film practice
Jeff Wall by Kerry Brougher( Book )

30 editions published in 1997 in 3 languages and held by 440 WorldCat member libraries worldwide

Jeff Wall is one of the leading international contemporary artists of the nineties. His work consists primarily of large photographic transparencies mounted in lightboxes, drawing on themes from art history, advertising, film, and documentary photography. These are constructed images, making use of sets and actors, which play on several layers of meaning. This book covers the full range of Wall's work and includes previously unseen photographs. Kerry Brougher's essay covers the entire period of development of Wall's work and discusses its relationship to historical and contemporary visual media
Hiroshi Sugimoto by Kerry Brougher( Book )

14 editions published in 2005 in English and Japanese and held by 435 WorldCat member libraries worldwide

Hiroshi Sugimoto is one of the most significant Japanese contemporary artists to have emerged in the last 30 years. In his photographic series, as well as his experiments with sculptural objects, architecture and exhibition design, Sugimoto attempts to highlight and expand our perception of such abstract qualities as time, light, space, movement, spirit - and the nature of reality itself. "Hiroshi Sugimoto: End of Time" represents the first chance to survey the artist's whole photographic work, made from the 1970s until the present. It includes his best-known works, such as the Dioramas, which he photographed, in life-like detail, at natural history and other museums; Seascapes, depicting oceans around the world; Theatres, for which he sets his exposure times to the length of the film showing; and other series: Portraits, Architecture, Sea of Buddha and Conceptual Forms. The exhibition also includes the artist's most recent experiments: fusions of photography with architecture and traditional Noh theatre. Colors of Shadow, a new series of color photographs of changing light in the artist's studio, will have its world premiere. The exhibition is designed by Sugimoto and incorporates a Noh stage, on which a Noh play will be performed
Damage control : art and destruction since 1950 by Kerry Brougher( Book )

15 editions published in 2013 in English and German and held by 375 WorldCat member libraries worldwide

Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.--
Yves Klein : with the void, full powers by Yves Klein( Book )

19 editions published in 2010 in English and held by 360 WorldCat member libraries worldwide

"One of the last century's most influential artists, Yves Klein (1928-1962) took the European art scene by slorm in a prolific career that lasted only from 1954 to 1962, when he suffered a heart attack at the age of 34. He was an innovator who embraced painting, sculpture, performance, photography, music, theater, film, architecture, and theoretical writing. Self-identified as "the painter of space," Klein sought to achieve immaterial spirituality through pure color (primarily an ultramarine blue of his own invention--international Klein Blue) and even went so far as to present white galleries emplied of all artworks for his renowned 1958 exhibition of "the Void." His diverse ocuvre respresents a pivotal trnsition from modern art's concern with the material object of contemporary notions of the conceptual nature of art." "Yves Klein: with the Void, Full Powers is published to accompany the first major retrospective of the artist's work in the United States in nearly 30 years. It includes examples from all of Klein's major series, including his Anthropometries, Cosmogonies, Fire Paintings, planetary reliefs, and blue monochromes, as well as selections of his lesser-known gold and pink monochromes, body and sponge reliefs, "air architecture," and immaterial works. I ssays by curators Kerry Brougher and Philippe Vergne, Klein Scholar Klaus Ottmann, art historian Kaira Cabanas, and curatorial fellow Andria Hickey, as well as archival materials and translations of his published and unpublished writings offer insights into Klein's artistic endeavors and process."--Jacket
Open city : street photographs since 1950 by Museum of Modern Art (Oxford)( Book )

17 editions published in 2001 in English and German and held by 322 WorldCat member libraries worldwide

Open City traces the history and development of street photography, beginning with the striking images made in the 1950s by Robert Frank. Including both historical and contemporary artists, the survey presents significant images ranging from the realist, and sometimes disturbing, work of Garry Winogrand and William Klein, to the contemporary development of the street photograph as reflected in the work of Nikki S. Lee, Beat Streuli and Wolfgang Tillmans. For other artists, such as Jeff Wall and Philip-Lorca diCorcia, the street becomes a theatre for staged events, set up for the camera rather than snatched by the photographer on the run. This substantial book is extensively illustrated and includes texts examining the technical and conceptual development of post-war street photography. With information and biographies on the artists
The cinema effect : illusion, reality, and the moving image by Kerry Brougher( Book )

15 editions published in 2008 in English and held by 288 WorldCat member libraries worldwide

This volume offers an in-depth exploration of contemporary moving-image art, examining the ways in which "the cinematic" has blurred cultural distinctions between reality and illusion. Cinema was "the" unrivaled art form of the twentieth century; in the art world, the use of film and video and the appropriation of cinematic language and devices for works in a range of media have been growing since the early 1960s. In the realm of popular culture, the influence of this technology and its vocabulary have grown to the point where the boundaries between "real life" and make-believe are at the least blurred and at most indecipherable.Opening with Kerry Brougher's overview of the cultural, social and psychological issues raised by "The Cinema Effect," the book divides into two parts which reflect the opposing poles of cinema, and the roles they play in art and contemporary culture. The first section, "Dreams," opens with a discussion by Kelly Gordon of how and why moving-image work has shifted from the margins to the center of art production. This essay considers the analogous relationship between cinema technology and the psychology of dreams, as well as the ways in which artists compel or challenge suspension of disbelief. The second section, "Realisms," shifts the focus to the larger societal impact of the pervasiveness of cinema, looking at the work of emerging artists. In this section Anne Ellegood examines issues of subjectivity and identity in the featured artists' work and Kristen Hileman explores the complex issue of authenticity
Michael Heizer : double negative by Michael Heizer( Book )

2 editions published in 1991 in English and held by 266 WorldCat member libraries worldwide

"Created with bulldozer and dynamite in 1969 in the vast expanse of the Nevada desert, Michael Heizer's Double Negative was one of the first and remains among the most influential of the monumental 'earthworks' sculptures in and of the land ... a 1,500-foot incision on the edge of a mesa 80 miles from las Vegas ... its site is now officially part of the collection of The Museum of Contemporary Art in Los Angeles ... captured in this book with 25 oversized plates that document the sculpture's creation and impart a sense of it scale"--Cover
Dennis Hopper : a system of moments by Dennis Hopper( Book )

18 editions published in 2001 in 3 languages and held by 239 WorldCat member libraries worldwide

Doug Aitken : 100 yrs by Doug Aitken( Book )

2 editions published in 2013 in English and held by 169 WorldCat member libraries worldwide

The most comprehensive book to date on the innovative multimedia artist Doug Aitken. Defying definitions of genre, Doug Aitken has explored every medium, from architecture and film to installations and interventions. While Aitken's work varies in both theme and context, his installations share a common thread in their ability to use technology to evoke meaningful personal reactions from the viewer, encourage audience interaction, and inspire communal gatherings. His films often explore themes of displacement and temporality, and through his keen awareness of motion, sound, and color he creates dreamlike landscapes and the futurist aesthetic for which he has become known. This beautifully designed book features visual essays by the artist and surveys his work in all mediums. The monograph is organized thematically into the four most prevalent ideas connected with his work, inspires thought, and will leave readers examining their own relationship to the world around them
Mark Lere : new and selected work by Mark Lere( Book )

4 editions published in 1985 in English and held by 168 WorldCat member libraries worldwide

American prospects by Joel Sternfeld( Book )

12 editions published in 2003 in English and held by 163 WorldCat member libraries worldwide

From 1978 to 1987, Sternfeld set out to explore and photograph the country for the series that he gave the title "'American Prospects.'" Working largely on the interface between town and country, he photographed ordinary scenes and people, discovering the extraordinary within them, making a study of the American character and condition
Hiroshi Sugimoto by Kerry Brougher( Book )

10 editions published in 2010 in English and German and held by 158 WorldCat member libraries worldwide

Notorious : Alfred Hitchcock and contemporary art by Kerry Brougher( Book )

11 editions published in 1999 in English and held by 134 WorldCat member libraries worldwide

Exposition collective regroupant : Baldessari, John, 1931-; Barry, Judith, 1949-; Bernard, Cindy, 1959-; Burgin, Victor, 1941-; Douglas, Stan, 1960-; Egoyan, Atom, 1960-; Girardet, Christoph, 1966-; Gordon, Douglas, 1966-; Huyghe, Pierre, 1962-; Marclay, Christian, 1955-; Marker, Chris, 1921-; Müller, Matthias, 1961-; Reed, David, 1946-; Sherman, Cindy, 1954-
Betye Saar by Peter Clothier( Book )

2 editions published in 1984 in English and held by 128 WorldCat member libraries worldwide

Song 1 by Hirshhorn Museum and Sculpture Garden( Book )

4 editions published in 2012 in English and held by 108 WorldCat member libraries worldwide

Continuing a carreer-long interest in architecture, art, and the urban landscape, SONG 1 allows Aitken to explore the interrelationships among these on an unprecedented scale. From his imposition of eyes onto the walls of the Vienna Secession building in 2000 to the eight projections that comprised sleepwalkers at the Museum of Modern Art in New York in 2007, the artist has helped push the boundaries of moving-imagge art and created works that engage viewers and the world around then in new and intriguing ways."--Director's statement
moreShow More Titles
fewerShow Fewer Titles
Audience Level
Audience Level
  Kids General Special  
Audience level: 0.55 (from 0.27 for Ai Weiwei ... to 0.91 for Hiroshi Su ...)

WorldCat IdentitiesRelated Identities
Visual music : synaesthesia in art and music since 1900
Ed RuschaArt and film since 1945 : Hall of mirrorsJeff WallHiroshi SugimotoYves Klein : with the void, full powersOpen city : street photographs since 1950The cinema effect : illusion, reality, and the moving imageDennis Hopper : a system of moments
Alternative Names
ブロウアー, ケリー

English (214)

German (32)

Japanese (3)