WorldCat Identities

Paper Print Collection (Library of Congress)

Overview
Works: 703 works in 755 publications in 1 language and 2,469 library holdings
Genres: Nonfiction films  Short films  Catalogs  Documentary films  History  Actualities (Motion pictures)  Silent films  Military history  Sources  Archives 
Roles: Other
Classifications: Z5784.M9, 016.79143
Publication Timeline
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Most widely held works by Paper Print Collection (Library of Congress)
Scenes in San Francisco, [no. 1]( Visual )

4 editions published in 1906 in English and held by 189 WorldCat member libraries worldwide

The following is a scene-by-scene description of the film: [Frame: 0100] The camera, positioned at the southwest corner of Mission and 5th streets, makes a hurried and jerky pan from the east side of 5th Street eastward to the south side of Mission Street. At the start of the pan, the ruined Lincoln School building is seen, with the dark profile of the Flood Building behind it on Market Street. The camera pans right on a long row of windows in the ruined west wall of the Emporium department store [0130]. The tent in the foreground is probably a temporary "office" of the business formerly on the site. The pan continues further right and looks northeast down Mission Street. [0338] The Rialto Building stands in the distance. The camera pans farther right, to another tent and a sign -- "Safes opened 105 5th Street" [0420]. Many safes fused shut in the heat of the fire and others had to be cooled for weeks before being opened. [0441] The camera is at the southwest corner of 4th and Market streets, looking northeast across Market Street in afternoon light. The Mutual Savings Bank (two blank walls) is in the background at Geary/Kearny and Market streets. The street traffic is part of the afternoon commute down Market Street to the Ferry Building. [0485] Note the heavily-laden wagon (perhaps containing a family's possessions) and the Sanitary Laundry Company wagon. [1638] The camera captures a traffic jam on Market Street. The view is probably north, across Market Street just east of California Street, in the afternoon. The laying of streetcar tracks along this section of Market Street may be the cause of the bottleneck. [1835] The view is northwest, near the southwest corner of East and Market streets, just west of the Ferry Building. A heavily-laden streetcar approaches the Ferry Building. [1908] Note the beggar on crutches. [2075] In the hazy background are Nob Hill and the south slope of Russian Hill (right). [2135] The view is approximately the same as the previous segment, with a streetcar beginning its run up Market Street. [2814] Note the sailor patrolling with fixed bayonet. In the hazy distance unburnt dwellings on the summit of Russian Hill are visible. Nob Hill is in the distance, with the rectangular silhouette of the Fairmont Hotel. [3000] In this very brief scene the camera focuses on workers removing debris. The view is east on Mission Street between 4th and 3rd streets, just east of St. Patrick's Church, part of which is visible at left. [3075] The camera pans to show the demolition of the facade of St. Patrick's Church. The camera is southwest of the church on Mission Street between 4th and 3rd streets. After a brief view of ruins along Market Street, the camera pans right (eastward) past two men near a fire engine [3270], to the church facade being demolished [3957]. Of particular interest is the cameraman seen in the foreground filming the action. He is photographing the film titled San Francisco Earthquake and Fire, April 18, 1906
President McKinley's funeral cortege at Washington, D.C.( Visual )

1 edition published in 1901 in English and held by 177 WorldCat member libraries worldwide

From a contemporary Edison film company catalog: PRESIDENT McKINLEY'S FUNERAL CORTEGE AT WASHINGTON, D.C. When photographing the funeral of President McKinley we secured an excellent position at the foot of Pennsylvania Avenue in Washington, D.C., having had the exclusive right for animated picture apparatus inside the lines. Our camera is focused looking up Pennsylvania Avenue and shows countless thousands of mourning people who line the streets along the way. As the funeral procession which accompanies the body of our martyred President approaches, our camera is set in motion and pictures of the marching multitude who pay the last tribute to President McKinley at our National Capitol are recorded in the following order. The line is headed by a troop of U.S. Cavalry, followed by detachments of heavy artillery [end of part 1]; then comes the Loyal Legion, followed by G.A.R. detachments, made up of both Federal and Confederate veterans. Next in order comes the Guard of Honor [end of part 2], who are in turn followed by the hearse, which is drawn by six black-plumed and black-netted horses. Inside the hearse can be seen the flag covered casket. The light and color of the procession is suddenly gone; spectators silently bow and bare their heads. The pageant has suddenly been transformed into a funeral cortege. Our position was so excellent that as the hearse passed our camera a distinct and life-size view was procured, showing this vehicle of sadness in all its detail. The hearse is closely followed by the Admirals of the Navy and the Generals of the Army. Next in order come the carriages of the family and the relatives, and then the carriage of President Roosevelt, which is drawn by four black horses. Next come the carriages which contain the President's Cabinet, the Diplomatic Corps, Chief Justice Fuller and Associate Justices, Senators, Congressman, Governors of States and Government Officials. These carriages are followed by the United States Marine Band, which forms a most imposing spectacle as it marches slowly and solemnly to the strains of "Nearer My God to Thee." Following the United States Marine Band and in step with the slow funeral march comes the National Guard of the District of Columbia and sailors from United States Battleships, clad in their natty uniforms and jackey hats. The sailors and soldiers are marching sixteen abreast and make a very imposing spectacle as they pass our camera [sequence from the Marine Band to sailors appears in part 2]. The procession having passed, the crowd immediately surges toward the Capitol, intent on securing a place in the line that they may enter the rotunda and look upon the face of the illustrious President McKinley. Our panoramic device is then set in motion and a most perfect and interesting picture is secured as an ending to the Washington film. The picture shows the immense crowds surging toward the Capitol, and as rain begins falling at that moment tens of thousands of umbrellas are raised for protection. Our camera having been above the heads of the people, a most novel effect is secured. As the camera rotates, the base and steps of the Capitol are brought into view and the crowd is shown crushing and struggling for entrance to the rotunda. One of the most perfect of the McKinley funeral pictures
America at work, America at leisure : motion pictures from 1894-1915( Visual )

in English and held by 38 WorldCat member libraries worldwide

Collection of motion pictures covering work, school, and leisure activities in the United States from 1894 to 1915. Features films of the United States Postal Service from 1903, cattle breeding, fire fighters, ice manufacturing, logging, calisthenic and gymnastic exercises in schools, amusement parks, boxing, expositions, football, parades, swimming, and other sporting events
25th Infantry( Visual )

1 edition published in 1900 in English and held by 35 WorldCat member libraries worldwide

"Gen. Frederick D. Grant and Gen. A.S. Burt [commander of the 25th Infantry Regiment] returning from Mt. Ariat [sic], at the head of the famous 25th Infantry, colored"--Biograph picture catalogue
Boat race( Visual )

1 edition published in 1904 in English and held by 35 WorldCat member libraries worldwide

Two standard U.S. Navy eight-oar pulling boats, each commanded by a coxswain at the steering position in the stern, are seen abeam of one another. At a signal, both pulling boats begin moving and it can be seen that the camera was positioned on a vessel following the two competing pulling boats. The camera stays with the two boats until their destination is disclosed as a navy battle cruiser at anchor. The cruiser, unidentified, is flying an American flag. The film ends as the two pulling boats come abeam of the cruiser Indiana with their oars in the "boat oar" position
President Roosevelt and the Rough Riders( Visual )

1 edition published in 1898 in English and held by 35 WorldCat member libraries worldwide

From the Biograph picture catalogue: 29 feet. This picture shows Col. Roosevelt, accompanied by Lieut. Greenway and other prominent officers of the Rough Riders, galloping up to his headquarters, where he dismounts and walks into his tent. This view was taken in the camp with the Rough Riders, and is an excellent picture of Col. Roosevelt in the environment he loves so well
Charleston chain-gang( Visual )

1 edition published in 1902 in English and held by 35 WorldCat member libraries worldwide

Apparently, the film was photographed from a compound bordered by high walls and buildings. At a distance of fifty yards in the direction that the camera is pointed a column of men can be seen walking backwards and holding a chain under their arms. All the men are dressed the same. Two men carrying shotguns gesture to indicate the chain gang should move. They walk toward camera position, continuing until the last man in the column passes the camera
Cripple Creek bar-room scene( Visual )

1 edition published in 1899 in English and held by 35 WorldCat member libraries worldwide

"Shows tap room of the "Miners Arms," stout lady at the bar, and three men playing stud horse. Old toper with a silk hat asleep by the stove. Rough miner enters, bar maid serves him with Red Eye Whiskey and he proceeds to clean out the place. Barmaid takes a hand with a siphon of vichy, and bounces the intruder, with the help of the card players, who line up before the bar and take copious drinks on the house. 45 feet"--Edison films catalog
Theodore Roosevelt : his life and times on film( Visual )

1 edition published in 1999 in English and held by 32 WorldCat member libraries worldwide

Derived from the Theodore Roosevelt Association Collection and the Paper Print Collection of the Motion Picture, Broadcasting, and Recorded Sound Division at the Library of Congress, presents 104 films that document the events in Theodore Roosevelt's life from the Spanish-American War in 1898 to his death in 1919. Features selected bibliography, timeline, film chronology, and four sound recordings of Roosevelt stating his progressive political views
The last days of a president : films of McKinley and the Pan-American Exposition, 1901( Visual )

in English and held by 31 WorldCat member libraries worldwide

Presents twenty-eight films from the Paper Print Collection of the Library of Congress. Produced by the Edison Manufacturing Company from March to November 1901, these actuality motion pictures feature footage of President William McKinley at his second inauguration; the Pan-American Exposition in Buffalo, New York; McKinley at the Pan-American Exposition; and McKinley's funeral. Links to a section of The Learning Page covering the subjects of United States history, critical thinking, and arts and humanities as they relate to the collection
Early motion pictures of world's fairs & expositions( Visual )

2 editions published in 1997 in English and held by 31 WorldCat member libraries worldwide

These films are from the Paper Print Collection at the Library of Congress. The films represent views of three major fairs and expositions of the early film era: The Exposition Universelle of 1900 in Paris, the Pan-American Exposition of 1901 in Buffalo, and the Louisiana Purchase Exposition of 1904 in St. Louis. Also included are two early films from Luna Park at Coney Island and a reenactment of the Boer War shot in 1905 at Brighton Beach in Brooklyn
McKinley and party( Visual )

1 edition published in 1898 in English and held by 23 WorldCat member libraries worldwide

"This picture has been very popular wherever it has been shown on the Biograph. To begin with, the film is unusually fine photographically, and the picture is taken from a point of view which shows the immense distances of Camp Wikoff with its multitude of tents in the background. The President, with Vice-President Hobart and Secretary of War Russell A. Alger, appear in an open carriage escorted by a large number of officers, notable among whom are Gen. Wheeler, Gen. Gates, and Col. John Jacob Astor. This picture is brought to a rather humorous ending by the efforts of a newspaper photographer to get Col. Astor to pose for a picture. He is unsuccessful, and as the gallant colonel gallops away, the photographer's chagrin is apparent"--Biograph picture catalogue
Governor Roosevelt and staff( Visual )

1 edition published in 1899 in English and held by 23 WorldCat member libraries worldwide

From the Biograph picture catalogue: 65 feet. Taken during the land parade in honor of Admiral Dewey, just before the turn into 72nd Street, with Grant's tomb and decorated residences in the background. This entire series of pictures [of the Dewey land parade] has a very high photographic quality, and the various organizations appear at their best
Admiral Cigarette( Visual )

1 edition published in 1897 in English and held by 15 WorldCat member libraries worldwide

In front of a large backdrop with the words "Admiral Cigarette" are four people in costume: Uncle Sam, a clergyman, an Indian, and a businessman. To their left is a very large Admiral Cigarette box, that breaks apart to reveals a girl, attired in a striking costume, smoking a cigarette. She goes to the men and hands each a cigarette. As she moves back towards her box, scattering cigarettes as she walks, the men unfold a banner that says "We all smoke."
Kindergarten ball game( Visual )

1 edition published in 1904 in English and held by 14 WorldCat member libraries worldwide

A row of approximately twenty-five children under the age of six can be seen facing the camera. They stand in front of a long blackboard with the words "Kansas City, Mo." written on it. As the film continues, the children bounce the balls they have in their hands, then form a circle and march around the bouncing balls
The life of a city : early films of New York, 1898-1906( Visual )

1 edition published in 1999 in English and held by 9 WorldCat member libraries worldwide

Derived from the Paper Print Collection of the Library of Congress, presents forty-five films of New York that were made during the period from 1898 to 1906 by the Edison Company and the American Mutoscope and Biograph Company. Features selected bibliographies on New York and early motion pictures. Includes historical information about turn-of-the-century New York City and the United States
Early motion pictures, 1897-1916( )

in English and held by 6 WorldCat member libraries worldwide

Collection of early motion pictures derived primarily from the Paper Print Film Collection of the Library of Congress to form part of American Memory's digitized historical collections for the National Digital Library Program. Features four groupings of actuality films including twenty-one films showing various views of Westinghouse companies from 1904; twenty-six films of San Francisco before and after the great earthquake and fire; twenty-eight of President William McKinley from 1901; and forty-five of New York City from 1897 to 1916. Includes topic search feature, historical overview of America at the turn-of-the-century, and selected bibliography
Rip Van Winkle( Visual )

4 editions published in 1903 in English and held by 4 WorldCat member libraries worldwide

One of eight short scenes reenacted from a popular stage adaptation of the story about Rip Van Winkle, a good-hearted, but somewhat disreputable man who drinks too much, neglects his farm and family, fights with his wife, and falls victim to money-losing schemes. One day, to escape the reprimands of his angry wife, Rip goes off into the Catskill Mountains where he encounters the ghosts of Henrick Hudson and his crew of dwarves. They are bowling and drinking, and they offer Rip a glass. Their mysterious brew has a strange effect on him and he passes out. When he wakes, he is astonished to find that 20 years have passed. He is an old man. His wife is dead, his children are grown, and he has even slept through the American Revolution. In this scene, Rip encounters a dwarf carrying a large keg
Capture of Boer battery( Visual )

4 editions published in 1900 in English and held by 4 WorldCat member libraries worldwide

From Edison films catalog: Nothing can exceed the stubborn resistance shown by the Gordon Highlanders, as we see them steadily advancing in the face of a murderous fire of the Boers, who are making their guns speak with rapid volleys. One by one the gunners fall beside their guns, and as the smoke clears for an instant the Highlanders are seen gaining nearer and nearer the disputed ground. Finally, a grand charge is made, the siege is carried, and amid cheers they plant the colors on the spot they have so dearly earned. 100 feet. 15.00
Mabel and Fatty viewing the World's Fair at San Francisco, Cal.( Visual )

2 editions published in 1915 in English and held by 3 WorldCat member libraries worldwide

The 1915 Panama-Pacific Exposition was San Francisco's second fair (following the 1894 Mid-Winter Fair) and her first major exposition. The 1915 fair celebrated both the opening of the newly-completed Panama Canal -- a triumph of Franco-American engineering -- and the newly-rebuilt San Francisco, vital and vigorous after recovering from the 1906 earthquake and fire. The fair opened on February 20, 1915, and closed December 4, 1915, having attracted 18,876,438 visits by several million visitors. Mabel Normand and Fatty Arbuckle were major comedy stars of the silent screen. Mabel Normand (1894-1930) was a brilliant comedienne and prankster with an irrepressible vitality who became a Mack Sennet star. She played opposite such greats as Charlie Chaplin and Fatty Arbuckle and was perhaps the most talented comic star of the silent screen. Roscoe "Fatty" Arbuckle (1887-1933), a vaudeville veteran, became one of Sennet's Keystone Kops in 1913 and rose to stardom. In 1917 he was accused of sexual assault in the death of starlet Virginia Rappe, who collapsed during a wild drinking party he threw in a suite of the St. Francis Hotel in San Francisco. Although acquitted, Arbuckle's career was ruined
 
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Audience level: 0.36 (from 0.23 for Boat race ... to 0.86 for Capture of ...)

Languages
English (38)