WorldCat Identities

Marshall, John 1932-2005

Publication Timeline
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Most widely held works by John Marshall
N!ai : the story of a !Kung woman by John Marshall( Visual )

35 editions published between 1978 and 2014 in 3 languages and held by 807 WorldCat member libraries worldwide

A compilation of footage of the !Kung people of Namibia from 1951 through 1978. Focuses on the changes in the life of these people as seen through the reflections of one woman, N!ai
The!Kung San : traditional!Kung life by John Marshall( Visual )

10 editions published between 1987 and 2014 in English and No Linguistic content and held by 365 WorldCat member libraries worldwide

"This video depicts traditional Ju/'hoan life by using vignettes from longer films in the!Kung San series. Footage selected shows tool-making technology, hunting and gathering, social life and children at play, and gives the viewer a feel for the vastness and beauty of the Nyae Nyae region of the Kalahari Desert"--Kanopy
Titicut follies by Frederick Wiseman( Visual )

12 editions published between 1967 and 2015 in English and held by 329 WorldCat member libraries worldwide

A stark and graphic documentary of the conditions that existed at the state prison for the criminally insane at Bridgewater, Massachusetts. Shows scenes of the daily life of the men, interspersed with shots from the inmates' talent show. Documents the various ways the inmates are treated by guards, social workers and psychiatrists
Bitter Melons( Visual )

15 editions published between 1966 and 2014 in 3 languages and held by 327 WorldCat member libraries worldwide

This film, shot in 1955, focuses on a small band of /Gwi San living in the arid landscape of the central Kalahari Desert in present-day Botswana. The hardships of their everyday survival are woven into the songs of a blind musician, Ukxone, who composes music on a hunting bow
Pull Ourselves Up or Die Out by John Marshall( Visual )

8 editions published between 1985 and 2014 in English and No Linguistic content and held by 288 WorldCat member libraries worldwide

This video, shot between 1980-1984, was an outgrowth of research conducted by John Marshall and Claire Ritchie during those years
The Informant by John Marshall( Visual )

7 editions published between 1973 and 2014 in English and held by 276 WorldCat member libraries worldwide

This film focuses on a black burglary suspect who, during interrogation by police offers his services as an "undercover" informant - providing the police will suppress his charge
!Kung Bushmen Hunting Equipment by John Marshall( Visual )

9 editions published between 1957 and 2014 in English and No Linguistic content and held by 264 WorldCat member libraries worldwide

This film shows in detail all the pieces in the Ju/'hoan hunting kit and how each piece is made and used, from the collection of the raw materials to the final fabrication, including the preparation of poison arrows
To Hold Our Ground: A Field Report by John Marshall( Visual )

7 editions published between 1991 and 2014 in English and held by 263 WorldCat member libraries worldwide

For thousands of years Ju/'hoansi have lived in the Nyae Nyae region in northeastern Namibia. In the 1950s, most Ju/'hoansi had been exterminated or were dispossessed by white colonists and black farmers, but in Nyae Nyae Ju/'hoansi were still the only permanent inhabitants
Twenty-One Dollars or Twenty-One Days( Visual )

8 editions published between 1973 and 2014 in English and held by 259 WorldCat member libraries worldwide

A man arrested for disorderly conduct and resisting arrest tells his story in night court
Three Domestics by John Marshall( Visual )

7 editions published between 1971 and 2014 in English and held by 258 WorldCat member libraries worldwide

This film shows Pittsburgh police intervening in three domestic situations: (1) A woman wants the police to remove the man she has been living with in common law. They arrange for his arrest on an assault and battery charge; (2) A woman accuses her boyfriend of beating her and the man accuses her of lying. The police remove the man with some difficulty; (3) A boisterous and drunken father is removed from his house to spend the night in jail at the insistence of his wife and older son. Throughout the sequence, the father is cared for by his younger son
Vermont kids by John Marshall( Visual )

6 editions published between 1975 and 2014 in English and Japanese and held by 254 WorldCat member libraries worldwide

In the summer of 1975 John Marshall and Roger Hart documented the outdoor play activities of the children in a small Vermont town. Roger had just completed his dissertation from Clark University on the geography of children. John's 13 hours of 16mm footage comprised part of his detailed research on children's outdoor lives, studying the role of play in children's psychological development as well as its relationship to their understanding of nature and their surroundings
N/um tchai : the ceremonial dance of the!Kung Bushmen by John Marshall( Visual )

26 editions published between 1965 and 2014 in 3 languages and held by 219 WorldCat member libraries worldwide

Documents a formalized Bushman curing ceremony in the Kalahari Desert area of South West Africa by showing an all-night n/um tchai (medicine dance) in which a number of men go into trance and exercise special curing powers. Divided into two parts: the first reviews and explains typical dance scenes; the second shows the ceremony without narration
A Kalahari family( Visual )

12 editions published between 2002 and 2007 in English and Undetermined and held by 202 WorldCat member libraries worldwide

In 1951, Laurence and Lorna Marshall and their two children, Elizabeth and John, set out to find the Bushmen of the Kalahari Desert. Their aim was to study and document their life and culture. While in Nyae Nyae the Marshall family documented everyday life as well as unusual events and activities, producing a massive body of work that continues to define the fields of anthropology and ethnographic filmmaking today. Encapsulating 50 years of Namibian history, A Kalahari Family represents a lifetime of documentation, research, and personal contact by filmmaker John Marshall
The Cinema of John Marshall by Jay Ruby( Book )

3 editions published in 1993 in English and held by 187 WorldCat member libraries worldwide

"The Cinema of John Marshall explores the life and art of the pioneering ethnographic filmmaker. Its centerpiece is an autobiographical essay in which Marshall assesses his forty-year involvement with the San peoples (Bushmen) of South Africa and his films, from the 1957 award winning "The Hunters" to his current work in progress, "Death by Myth." The book weaves together the political economy of San dispossession, history and ethnography, personal narratives of historical importance, and expositions of film techniques and film language. The first English language study of the man and his work, The Cinema of John Marshall conveys the complex unity of Marshall's life: the filmic, the intellectual, the political, and the human"--Publisher description
You wasn't loitering by John Marshall( Visual )

6 editions published between 1973 and 2014 in English and held by 158 WorldCat member libraries worldwide

This film treats the problem of loitering. In a number of sequences, police warn youths, police administrators discuss enforcement of loitering laws, officers are insulted, and several youths are arrested
901/904( Visual )

2 editions published between 2007 and 2014 in English and held by 158 WorldCat member libraries worldwide

In this film we accompany patrol cars 901 and 904 as they ply the streets of Pittsburgh. The diversity of situations to which the policemen are called upon to respond are striking: from a man who is furious because he can not get his twenty dollar deposit refunded on an exhaust system that does not fit his car, to an elderly white man who says he wants to shoot the black teenagers playing handball on his house wall, to a group of white teenage youths loitering in the street on a sultry summer day. Scenes from short films such as Henry is Drunk and A Forty Dollar Misunderstanding are intercut with other material, including footage in the police station where the men talk about their experiences. The striking element in many of the scenes is the level of frustration, anger, and at times a feeling of impending violence. This is true of the policemen themselves (from "I'm not talking nice no more" to some brutal beatings), as well of the people of the city, who speak of guns and fear. As Laura Nader points out in the film Little Injustices, the typical American ignorance of, and lack of access to, the law so often leads not to the resolution of but to the escalation of conflict. As one irritated man exclaims to the officer who seems to dismiss his complaint as though he were just a cantankerous old pest, "That's where I'd like to know the definition of breaking the law!" Viewing this film, we also understand the exhaustion that police work often entails, for the policemen often have no real solutions themselves. It is clear why policemen are so often the victims of public rage, and why they in turn may vent their own frustrations on the public
Investigation of a Hit and Run( Visual )

4 editions published between 2007 and 2015 in English and Undetermined and held by 154 WorldCat member libraries worldwide

This film follows the investigation of a hit-and-run accident by two officers, with the initial reports, the questioning of people who witnessed the eighteen-year-old suspect, and his girlfriend's subsequent interrogation and statement. A number of factors complicate the case: the suspect was without a driver's license; he reported the car stolen to cover himself; he could not be persuaded to confess; and the girl was pregnant. The police use considerable pressure on the girl, and treat her eventual statement as though it were a confession
A Kalahari Family Part 5: Death By Myth( Visual )

5 editions published between 2002 and 2014 in English and held by 152 WorldCat member libraries worldwide

Namibian independence attracts vast amounts of international aid, but development programs no longer benefit Ju/'hoan farms. We witness the power of the "Bushman myth." This myth- a belief that Ju/'hoansi live uniquely in harmony with nature and are born to hunt. Promised great wealth, Ju/'hoansi vote to establish a nature conservancy. When their profits are a meager 75 Namibian dollars ($10.50 US) each- Ju/'hoansi ask, 'Where is all the money going?"
The 4th and 5th and the exclusionary rule by John Marshall( Visual )

10 editions published between 1973 and 2007 in English and No Linguistic content and held by 142 WorldCat member libraries worldwide

This film consists of sequences from the Pittsburgh Police footage intercut with a panel discussion moderated by Professor James Vorenberg of Harvard Law School. Community organizers, police, students and lawyers discussed the issues raised by four sequences, including the implications of the 4th and 5th Constitutional amendments, and the Exclusionary Rule of Evidence for search, seizure, and interrogation procedures. The film demonstrates the multiplicity of roles in police work, and examines the conflicts between how the police define their duties and what the public expects of them
Remembering John Marshall by David Tamés( Visual )

1 edition published in 2006 in English and held by 116 WorldCat member libraries worldwide

A portrait of filmmaker and activist John Kennedy Marshall who began his career in the 1950s documenting the lives of the Ju/'hoansi people of Namibia - among the last remaining hunter-gatherers - for anthropological audiences. In the 1980s Marshall became an activist helping the Ju/'hoansi fight for land and water rights
 
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Alternative Names
John Marshall Amerikaans antropoloog en documentairemaker

John Marshall Filmmacher

John Marshall réalisateur américain

John Marshall regista statunitense

Marshall, J. 1932-2005

Marshall, J. (John), 1932-2005

Marshall, John 1932-2005 etnografisch filmer

Marshall, John K.

Marshall John K. 1932-2005

Маршалл, Джон

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