WorldCat Identities

Cook, Nicholas 1950-

Works: 41 works in 368 publications in 6 languages and 10,078 library holdings
Genres: Criticism, interpretation, etc  History  Musical sketches  Arrangements (Music)  Concertos  Scores 
Roles: Author, Editor, Other, Contributor
Classifications: MT6.C775, 781
Publication Timeline
Most widely held works by Nicholas Cook
Music, imagination, and culture by Nicholas Cook( Book )

30 editions published between 1989 and 2008 in English and Japanese and held by 1,039 WorldCat member libraries worldwide

A guide to musical analysis by Nicholas Cook( Book )

47 editions published between 1985 and 2009 in English and Undetermined and held by 1,018 WorldCat member libraries worldwide

Explores the factors that give unity and coherence to musical masterpieces, seeking the answers mainly in the formal and harmonic structure of individual compositions. --from vendor description
The Cambridge history of twentieth-century music by Nicholas Cook( Book )

14 editions published between 2004 and 2014 in English and held by 809 WorldCat member libraries worldwide

Surveys the Western twentieth-century 'art' tradition alongside development in jazz, popular music, and world music
Beethoven Symphony no. 9 by Nicholas Cook( Book )

31 editions published between 1993 and 2008 in 3 languages and held by 691 WorldCat member libraries worldwide

Analysing musical multimedia by Nicholas Cook( Book )

31 editions published between 1997 and 2004 in English and held by 609 WorldCat member libraries worldwide

Rethinking music( Book )

23 editions published between 1997 and 2010 in English and held by 551 WorldCat member libraries worldwide

"Rethinking Music is in two parts. Part 1 focusses on approaches to musical texts, covering such topics as the relationship of text and context, concepts of unity and meaning in music, and the role of empirical approaches, together with compositional and performance perspectives. Underlying the volume as a whole is the question of how far, and in what ways, music theory can remain viable and valuable in a changing intellectual environment." "Part 2 sets out to reflect the nature of the discipline of musicology, and the ways in which it has been, and may be, challenged and enriched. The volume examines music history and cultural histories of music. The status of the musical text is a subject that has clear resonances with Part 1, and themes developed in Part 2 include questions of ethics, pedagogy, performance, and popular music as subjects for scholarly enquiry, questions of reception, canon, gender, andhistoriography."--Jacket
The Cambridge companion to recorded music( Book )

16 editions published between 2009 and 2011 in English and held by 433 WorldCat member libraries worldwide

Featuring fascinating accounts from practitioners including performers and producers, this companion examines how developments in recording have transformed musical culture
Empirical musicology : aims, methods, prospects by Nicholas Cook( Book )

22 editions published between 2004 and 2008 in English and held by 431 WorldCat member libraries worldwide

A practical guide to empirical approaches that are ready for incorporation in the contemporary musicologist's toolkit, including perspectives from music theory, computational musicology, ethnomusicology, and the psychology and sociology of music
Beyond the score : music as performance by Nicholas Cook( Book )

15 editions published between 2013 and 2015 in English and held by 392 WorldCat member libraries worldwide

In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars--including musicologists, music theorists, and music cognition scholars--everywhere [Publisher description]
The Schenker project : culture, race, and music theory in fin-de-siècle Vienna by Nicholas Cook( Book )

21 editions published between 2007 and 2010 in English and Spanish and held by 371 WorldCat member libraries worldwide

Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived
Analysis through composition : principles of the Classical style by Nicholas Cook( Book )

15 editions published between 1995 and 1996 in English and held by 314 WorldCat member libraries worldwide

Music, performance, meaning : selected essays by Nicholas Cook( Book )

9 editions published between 2007 and 2011 in English and held by 243 WorldCat member libraries worldwide

This selection of 16 of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. A wide variety of topics is explored, ranging from Beethoven to Schenker and from Chinese qin music to jazz and rock
Taking it to the bridge : music as performance( Book )

5 editions published in 2013 in English and held by 224 WorldCat member libraries worldwide

Theory into practice : composition, performance and the listening experience by Nicholas Cook( Book )

10 editions published in 1999 in English and held by 153 WorldCat member libraries worldwide

Music analysis and the listener by Nicholas Cook( Book )

4 editions published in 1989 in English and held by 114 WorldCat member libraries worldwide

Musique, une très brève introduction by Nicholas Cook( Book )

1 edition published in 2006 in French and held by 19 WorldCat member libraries worldwide

Klavierkonzert No 6 in D-Dur by Ludwig van Beethoven( )

1 edition published in 2015 and held by 15 WorldCat member libraries worldwide

Musica : una breve introduzione by Nicholas Cook( Book )

1 edition published in 2005 in Italian and held by 14 WorldCat member libraries worldwide

The Cambridge history of twentieth-century music( )

7 editions published between 2004 and 2014 in English and held by 0 WorldCat member libraries worldwide

The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end. While the focus is on Western traditions, both 'art' and popular, these are situated within the context of world music, including a case study of the interaction of 'art' and traditional musics in post-colonial Africa. An international authorship brings a wide variety of approaches to music history, but the aim throughout is to set musical developments in the context of social, ideological, and technological change, and to understand reception and consumption as integral to the history of music
moreShow More Titles
fewerShow Fewer Titles
Audience Level
Audience Level
  Kids General Special  
Audience level: 0.49 (from 0.29 for Empirical ... to 0.98 for Musica : u ...)

Music, imagination, and culture
Alternative Names
Cook, Nicholas J. 1950-

Nicholas Cook Brits musicoloog

Nicholas Cook musicologist and university professor

クック, ニコラス

A guide to musical analysisThe Cambridge history of twentieth-century musicBeethoven Symphony no. 9Analysing musical multimediaRethinking musicThe Cambridge companion to recorded musicEmpirical musicology : aims, methods, prospectsThe Schenker project : culture, race, and music theory in fin-de-siècle Vienna